His father saw it before anyone else,
the boy could paint light, could take the sky
into the bristles of his brush and lay it flat
like ribbon around a haberdasher’s card.
He could take the curl of cloud, the line
of sea, and drop them on to canvas
pinned and waiting for him like a spider’s
web on a window pane. He could make
colours his father had never seen appear
in white china bowls, grinding red lead
and smalt, madder and green slate
while his father washed bundles of hair
ready for the next day, rolling them
between finger and thumb, smoothing
the shafts flat as fish scales. In the morning,
when the light was at its sharpest, Joseph lit
the colour with water and gum, stirring in
honey so the Prussian blues and milky greens,
the scarlets and viridians, could breathe across
the hatched threads of the canvas. And while
his father knotted and threaded the hair
into silken caps, weaving it into clusters
of curls, the boy split shafts of light
until they shimmered on the tip of his brush.
And for a moment, the father looked up
from his work and was scared by the boy
who could paint God’s light across the water,
the air’s joy at being empty handed.