BIBLIOGRAPHY

Alberti, Leon Battista. On Painting. Translated with introduction and notes by John R. Spencer. Westport, CT: Greenwood, 1976.

Balzac, Honoré de, The Unknown Masterpiece. Translated by Richard Howard. New York: New York Review Books, 2001.

Cauman, John. Matisse and America, 1905–1933. New York: City University of New York, 2000.

Condivi, Ascanio. The Life of Michel-Angelo, 51. Translated by Alice Sedgwick Wohl, edited by Hellmut Wohl. University Park, PA: Pennsylvania State University Press, 1999.

Cropper, Elizabeth. The Domenichino Affair: Novelty, Situation, and Theft in Seventeenth Century Rome. New Haven: Yale University Press, 2005.

Danto, Arthur. Andy Warhol. New Haven: Yale University Press, 2009.

———. The Transfiguration of the Commonplace: A Philosophy of Art. Cambridge, MA: Harvard University Press, 1981.

Dewey, John. “The Need for a Recovery of Philosophy.” In Dewey et al., Creative Intelligence: Essays in the Pragmatic Attitude. New York: Octagon, 1970.

Diamonstein, Barbaralee. “An Interview with Robert Motherwell,” esp. 228. In Robert Motherwell, 2d ed., text by H. H. Arnason. New York: Abrams, 1982.

Duchamp, Marcel. “Apropos of ‘Readymades.’” Lecture at Museum of Modern Art, New York, October 19, 1961, published in Art and Artists 1, no. 4 (July 1966). http://members.peak.org/~dadaist/English/Graphics/readymades.html.

Fry, Roger. “Madonna and Child by Andrea Mantegna.” Burlington Magazine 62, no. 359 (February 1933): 52–65.

Gombrich, E. H. Art and Illusion: A Study in the Psychology of Pictorial Representation, 8. A. W. Mellon Lectures in the Fine Arts, 1956, Bollingen Series 35/5. Princeton, NJ: Princeton University Press, 2000.

Greenberg, Clement. “Affirmation and Refusals,” 190. In The Collected Essays and Criticism: Clement Greenberg, vol. 3. Edited by John O’Brian. Chicago: University of Chicago Press, 1986–1993.

Hegel, G. W. F. Aesthetics: Lectures on Fine Arts, translated by T. M. Knox. 2 vols. New York: Oxford University Press, 1998.

Heidegger, Martin. Being and Time. Translated by John MacQuarrie and Edward Robinson. New York: Harper, 1962.

———. “What Is Metaphysics?” In Pathmarks, edited by William McNeill. Cambridge: Cambridge University Press, 1998.

Hibbard, Howard. Michelangelo. New York: Harper and Row, 1974.

House, John. Nature into Art, 75. New Haven: Yale University Press, 1986.

Kant, Immanuel. Critique of Judgment, translated by J. H. Bernard. New York: Barnes and Noble Books, 2005.

Kuenzli, Rudolf E., and Francis M. Naumann, eds. Marcel Duchamp: Artist of the Century, 81. Cambridge, MA: MIT Press, 1989.

Nicolson, Nigel, and Joanne Trautmann, eds. The Letters of Virginia Woolf, 2:420. New York: Harcourt Brace Jovanovich, 1977–82.

Peirce, Charles Sanders. “Lectures on Pragmatism.” In Pragmatism and Pragmaticism. Vol. 5 of Collected Papers, edited by Charles Hartshorne, Paul Weiss, and Arthur W. Burks. Cambridge, MA: Belknap, 1935.

Pietrangeli, Carlo. The Sistine Chapel: The Art, History, and the Restoration. New York: Harmony, 1986.

Plato. The Republic, translated by Benjamin Jowett. http://classics.mit.edu/Plato/republic.html.

Schapiro, Meyer. Words, Script, and Pictures: Semiotics of Visual Language, 148. New York: G. Braziller, 1996.

Vasari, Giorgio. “Michelangelo.” In Lives of the Most Eminent Painters, Sculptors, and Architects, translated by Gaston du C. de Vere. New York: Abrams, 1979.

Wittgenstein, Ludwig. Tractatus Logico-Philosophicus, 4.003. New York: Routledge, 2001.

Wollheim, Richard. Painting as an Art, 348–49. A. W. Mellon Lectures on Fine Art, 1984, Bollingen Series 35/33. Princeton, NJ: Princeton University Press, 1987.