(Back and Forth), 356–59, 383Abstract Expressionism, ix, xiii, 49, 71, 160, 166–68, 205–7, 275, 277, 320, 327
Aeschylus, 146–47, 150
Anger, Kenneth, 75, 77, 83–119, 146, 150–51, 156, 172–73, 206, 238, 256, 269, 326, 343, 347, 349
Drastic Demise, 85
Eaux d’Artifice, 91–93, 95, 114, 161
Escape Episode, 84–86
Fireworks, 18, 58, 86–92, 95, 102, 104–5, 114, 156
Hollywood-Babylon, 83, 102
Inauguration of a Pleasure Dome, 81, 93–102, 1045, 109, 114–16, 118, 137, 414
Invocation of My Demon Brother, 114–19, 137, 179
Kustom Kar Kommandoes, 109–13, 136
Lucifer Rising, 113–15, 118, 417
The Nest, 85
Prisoner of Mars, 85
Puce Moment, 94, 110, 114
Rabbits’ Moon (La Lune des Lapins), 93, 114
Scorpio Rising, 91, 101–10, 113–16, 135–37, 205, 329
Tinsel Tree, 84–85
Who Has Been Rocking My Dream Boat?, 84
Anker, Steve, 436
Anthology Film Archives, 227, 257, 329–30
Art in Cinema, 44, 47, 62, 76, 183, 241, 258, 293, 330
Augustine, 389
Autobiographical cinema, 377–80, 389–99
Awesh, Peggy, The Deadman, 424
Baillie, Bruce, 156, 180–87, 327, 330, 352, 370, 430
All My Life, 184–85, 226
Castro Street, 184–87, 226
Have You Thought of Talking to the Director?, 180–81
A Hurrah for Soldiers, 180–81
Mass, 180–83
Mr. Hayashi, 180–81
Quick Billy, 184, 189, 226–30
Still Life, 184–85, 226, 399
To Parsifal, 180, 182, 186
Tung, 184
Valentin de las Sierras, 184, 226
Balzac, Honoré de
Le Chef-d’oeuvre inconnu, 63–66
Seraphita, 139–41
Barker, George, 29, 75
Baudelaire, Charles, 317, 324, 349–50
Baudelairean cinema, 328–29
Bauer, Rudolf, 241, 245, 258
Beavers, Robert, viii, 403–8, 432, 433–34, 436
Efpsychi, 434
From the Notebooks of… 404–5
The Painting, 405–7
Ruskin, 405, 407–8
Still Light, 404
Work Done, 405–6
Belson, Jordan, 241, 245, 258–67, 293–94, 343, 358–59
Allures, 259, 263, 266
Bop Scotch, 258–59
Caravan, 259
Chakra, 266–67
Cosmos, 265–66
Flight, 259
Illusions, 259
Improvisations #1, 258
LSD, 259
Mambo, 259
Mandala, 259
Meditation, 266
Momentum, 265–66
Phenomena, 261–62
Raga, 258–59
Re-Entry, 260–61, 267
Samadhi, 262–66, 359
Seance, 259
Transmutation, 258
World, 265–66, 359
Benning, James, viii, 412–14, 417
8½ x 11, 413
11 x 14, 413
Four Corners, 412–13, 415
Grand Opera, 412
One Way Boogie Woogie, 413
Biely, A., 406
Blake, William, 97, 167–68, 193–94, 200, 325
Bloom, Harold, 150–51, 155, 303
Borges, Jorge Luis, 369
Boultenhouse, Charles, Handwritten, 22
Brakhage, Stan, viii, xiii, 26, 56, 62, 75, 77, 93, 137, 139, 142, 151, 155–59, 183–84, 187, 189–230, 238, 256, 284, 292, 297, 308–9, 324, 326–27, 329, 330–32, 343, 347–49, 352, 358, 370, 381-84, 388–96, 404, 409, 411–15, 417–22, 424, 428–31, 434
The Act of Seeing with One’s Own Eyes, 388
The Animals of Eden and After, 391-94
Anticipation of the Night, 80, 160–66, 169–71, 174, 179, 193, 216, 332, 358–59, 370
Arabic numeral series, 413
The Art of Vision, 168, 189, 203–5, 209, 220, 224, 351
Blue Moses, 179–80, 297
Cat’s Cradle, 168, 176–77, 414
Confession, 414
Daybreak and Whiteye, 157, 159, 161, 228
The Dead, 168, 171–74, 205, 213, 326
Desistfilm, 156–57, 159, 228, 308
Deus ex, 388
Dog Star Man, ix, 22, 25, 80, 109, 135–36, 149, 168, 172, 174, 177, 189–205, 207, 209, 213, 220, 226, 229, 255, 297, 326, 329, 348, 390, 407, 421
eyes, 388
Faust series, 413–14, 418
Films By Stan Brakhage: An Avant-Garde Home Movie, 228, 426
Fire of Waters, 168, 177–79
Flesh of Morning, 58, 89, 157, 414
The Governor, 38
In Between, 157
Interim, 393–94
Loving, 159, 161–64, 176, 192, 422
The Machine of Eden, 393
Metaphors on Vision, 160, 163–67, 171–76, 178–79, 189–90, 193–94, 208, 225, 421
Mothlight, 149, 168, 170, 174, 199, 213
Nightcats, 159
Pasht, 168, 176–77
Reflections on Black, 17, 157–58, 290, 297, 326
The Riddle of Lumen, 388, 391
Roman numeral series, 413
Scenes from Under Childhood, 189, 227, 389–90
Sincerity, 389, 393–96
Sirius Remembered, 168, 171–72
Songs, 165, 189, 209–26, 228, 277
I, 210, 213, 215
II, 210, 213–14
III, 210, 214
IV, 210, 213
V, 210, 213, 339
VI, 210, 213
VII, 210, 213, 216
VIII, 210, 213
IX, 210, 215–16
X, 210
XI, 210
XII, 210, 213, 215
XIII, 210, 212, 224
XIV, 210, 213
15 Song Traits, 142, 210, 215, 217, 220, 225, 392–93
XVI, 172, 211, 213, 216
XVII, 211
XVIII, 211, 215
XIX, 211, 216, 223
XX, 211, 213
XXI, 211, 213–14
XXII, 211, 213–14
23rd Psalm Branch, 210–15, 217–23
XXIV, 212, 215
XXV, 212, 215
XXVI, 212
XXVII: My Mountain, 212–13, 222–23, 226
XXVIII, 212
XXIX, 212, 215
American Thirties Song, 212, 215, 223–24
The Text of Light, 388–89
Thigh Line Lyre Triangular, ix, 168–71, 213
Tortured Dust, 413
Two: Creeley/McClure, 217
Visions in Meditation, 413, 415, 418
The Way to Shadow Garden, 18, 89, 157–58
Wedlock House: An Intercourse, 169
The Weir-Falcon Saga, 389, 393
Window Water Baby Moving, 168–69, 176–77, 213
Wonder Ring, 158–61, 332
Brecht, Bertolt, Mahagonny, 236
Breer, Robert, 270–84, 326–27, 343, 348–49, 356, 434
Blazes, 278–79, 282
Breathing, 275
Cats, 277
Eyewash, 276–77
Fist Fight, 275, 277–79
Form Phases 1, 271–72
Form Phases 11, 272
Hommage to Jean Tinguely’s Hommage to New York, 277
Horse Over Teakettle, 275, 277–79
Image by Images I, 272–73
Image by Images IV, 273
Inner and Outer Space, 275
Jamestown Baloos, 276–77
A Man and His Dog out for Air, 275
Un Miracle, 273
Motion Pictures, 273
Par Avion, 277
Pat’s Birthday, 276–77, 279
Recreation I, 273–74, 276, 281–82 66, 179, 282 69, 279, 282–83 70, 279, 283, 287
Brooks, David, 326
Broughton, James, 44–50, 54–58, 62–63, 70–82, 156–57, 269, 294, 297, 326, 396–400, 410
The Adventures of Jimmy, 58
The Bed, 77–78, 398
Dreamwood, 56, 58, 78, 80–82
Four in the Afternoon, 58, 73–74, 76, 396
The Golden Positions, 78–79, 398
High Kukus, 399–400
Looney Tom, the Happy Lover, 58, 76, 398
Mother’s Day, 54–58, 79, 90, 123, 137, 398
Nuptiae, 398
The Pleasure Garden, 76, 78, 398
The Song of the Godbody, 398
Testament, 396–99
This Is It, 78, 80, 398
Bruno, Giordano, 237–38
Buñuel, Luis, L’Age d’Or, 232
Un Chien Andalou, 3–6, 10–14, 15, 22, 30, 44, 50, 231
Burch, Noel, 274
Burckhardt, Rudy, 331
Burroughs, William, 255, 324
Cage, John, 209
Canyon Cinema, 180, 183, 327, 330, 348
Card, James, 19, 26
Cassavetes, John, 329
Shadows, 323, 325, 327–28
Chaplin, Charles, 302, 329
City Lights, 55
Child, Abigail, 419–24
Is This What You Were Born For?, 421–24
Ornamentals, 423
Chodorov, Pip, vii
Cinema, 16, 44, 74, 92, 96, 130, 236, 300
Clair, René, 43, 50, 52–53
Entr’Acte, 43–44, 50–54, 60, 231
Clarke, Shirley, 325, 329
The Connection, 327
Cocteau, Jean
Le Jeune Homme et La Mort, 93
Le Sang d’un Poete, 14, 18, 27–31, 50, 118, 132, 229, 231
Coleridge, S. T., “Kubla Khan,”94
Conner, Bruce, 293–94, 297–300, 303–4, 308, 310, 313, 410
Cosmic Ray, 108–9, 114, 299–30
A Movie, 297–330
Report, 299–300
Conrad, Tony, 347, 436
The Flicker, 36
Cornell, Joseph, x, 159, 225, 330–33, 339, 410
Centuries of June, 159
The Children’s Party, 330
Cotillion, 330
Gnir Rednow, 330
A Legend for Fountains, x, 331–33
The Midnight Party, 330
Rose Hobart, 330–31, 342
Crane, Hart, 151, 206, 341
The Bridge, 342
Crowley, Aleister, 94–96, 98, 100, 102–3, 108, 116, 118
Cubism, 206, 231, 233, 311
Dada, 50, 231, 233, 274
Dali, Salvador, 3, 6, 44
Un Chien Andalou. See Buñuel, Luis
Dante Alighieri, 406
Davenport, Guy, 215–16
DaVinci, Leonardo, 404–5
Davis, James, 389
de Antonio, Emile, 326
DeKooning, Willem, ix, 327
De Lauretis, Teresa, 411–12, 422
de Man, Paul, 222, 299
Deren, Maya, xiii, 3, 6, 15, 18–28, 30–44, 49, 58–59, 62, 70–72, 74–76, 90, 93, 137, 150, 151, 156, 180, 183, 211, 215, 231, 324, 326, 329–30, 347, 370, 409, 417
An Anagram of Ideas on Art, Form, and Film, x, 37, 39–40, 206
At Land, 18–21, 26, 40, 198, 396
The Divine Horsemen, 25, 34
Meditation on Violence, 22–25, 27, 35, 40
Meshes of the Afternoon, ix, 3, 6–15, 18–19, 21-22, 24, 26–27, 30, 40, 43, 50, 109, 121-22, 162, 223, 310, 348
Ritual in Transfigured Time, 24–28, 3025, 40, 80, 89, 109
A Study in Choreography for Camera, 21-22, 24–27, 67, 77, 93
The Very Eye of Night, 25, 36, 40, 96, 109, 206
Desnos, Robert, 15
Diary film, 226, 424–25
Dickinson, Emily, 36, 159, 206
Diderot, Denis, 384, 411
Doolittle, Hilda [H. D.], 220
Dorn, Ed, 215
Dorsky, Nathaniel, 430–31, 436
Ayala, 431
Hours for Jerome, 431
Pneuma, 431
17 Reasons Why, 431
Dos Passos, John, U.S.A., 412
Duchamp, Marcel, 29, 53, 241, 349, 38083
Anémic Cinéma, 231–32, 270–71, 284, 372–73, 382–83
Duncan, Robert, 157, 175
Dunham, Katherine, 7
Eggeling, Viking, 233, 270–71, 273
Symphonie Diagonale, 44, 231–32, 284
Eisenstein, Sergei M., 72
Battleship Potemkin, 44
Elder, Bruce, 426–27
Emerson, Ralph Waldo, 36, 206
“Circles,” 262
Engel, Morris, 325, 327, 329
Ernst, Max, x, 257, 310
La Femme 100
Têtes, 147, 251, 257
Une Semaine de Bonté, 251
Euripides, 133
Experimental Film Competition, 77, 135, 149, 283, 304, 352
Field, Simon, 381
Film-Makers’ Cinematheque, 94, 321, 329, 337, 348
Film-Makers’ Cooperative, 141, 151, 177, 183, 185, 235, 297, 317, 320, 329, 337
Firbank, Richard, 92
Valmouth, 92
Fischinger, Oskar, 235
Fisher, Morgan, Standard Gauge, 431
Fleischner, Bob, 315
Blonde Cobra. See Jacobs, Ken
Foreman, Richard, 255
Foster, Richard, 241
Frampton, Hollis, 347, 352, 365, 367–70, 377–83, 409–10, 412, 414, 415, 417–22, 430
Circles of Confusion, 379–80, 382–83, 411, 421, 432
Clouds of Magellan, 381
Hapax Legomena, 367, 380, 383, 411, 415, 417–18
Critical Mass, 418
(nostalgia), 377–80, 431
Ordinary Matter, 415, 416-18
Poetic Justice, 380, 418–19
Remote Control, 383
Special Effects, 383
Magellan, 410–11
Maxwell’s Demon, 369–70
Palindrome, 370
Prince Rupert’s Drops, 370
Surface Tension, 417
Travelling Matte, 383
Zorns Lemma, 306, 367–70, 388, 420
Frank, Robert, 325
Pull My Daisy, 323, 325–26, 328
Frazer, J. G., The Golden Bough, 131
Freud, Sigmund, 11, 72–73, 212, 220–21
Civilization and Its Discontents, 221
Friedrich, Su, 419–20
Gently Down the Stream, 416, 419–20
Sink or Swim, 420
The Ties That Bind, 420
Frye, Northrop, 193
Gance, Abel
La Folie du Dr. Tube, 398
Gehr, Ernie, 347, 350, 400–403, 405, 434–36
Eureka, 435
History, 400
Reverberation, 400, 435
Serene Velocity, 400–402, 434
Shift, 434–35
Side/Walk/Shuttle, 435–36
Signal—Germany on the Air, 434–35
Still, 401, 403, 434
This Side of Paradise, 435
Untitled: Part One, 435
George, Stefan, 406
Gidal, Peter, 422
Ginsberg, Allen, 255
Godard, Jean-Luc, 411, 414, 418
Goncourt, Edmond and Jules Manette Salomon, 71
Graphic film, 38, 231–67, 269–92, 348, 356, 369, 432
Greenberg, Clement, 271, 380
Griffith, D. W., 144, 423
Grosseteste, Robert, 369
Guttenplan, Howard, 424
European Diary, 424
Hammid, Alexander, 3, 7, 9, 11–12, 14–15, 19–20, 43
Bezucelna Prochazka (Aimless Walk), 10
Meshes of the Afternoon. See Deren, Maya
Harrington, Curtis, 93, 96–97, 128, 139, 156
Fragment of Seeking, 18, 121–22
Picnic, 18
Hawthorne, Nathanael, Fanshawe, 128, 130–31
Heyman, Hella, 19
Hill, Jerome, 212, 224, 325
Film Portrait, 377–78, 389, 396–97
Hirsh, Hy, 49, 60
Hoberman, J., 436
Hoffman, Hans, 320
Hogarth, William, “Southwark Fair,” 343
Hölderlin, Friedrich, 222
Hugo, Ian, viii
Hulten, Pontus, 273
Huot, Robert, Diary 1974–75, 424
Husserl, Edmund, 355
Hutton, Peter, viii, 424–26, 429–30
Images of Asian Music, 424
July ’71 in San Francisco..., 426
Lodz Symphony, 425
Ito, Teiji, 36
Jacobs, Henry, 259
Jacobs, Ken, 315–24, 326, 328–31, 335, 339, 341–45, 352, 436
Blonde Cobra, 315-19, 322–24, 329, 337, 345
Little Stabs at Happiness, 322–23, 326
The Sky Socialist, 328, 341–43
Soft Rain, 320–21
Star Spangled to Death, 319–22, 328–29, 331, 335, 351
Tom, Tom, the Piper’s Son, 331, 343–45, 361
Jacobs, Lewis, 84
Jensen, Jutte, 436
Joffen, Jerry, 301
Jordan, Larry, 293–94, 307–14, 330–32
The Centennial Exposition, 310–11
Duo Concertantes, 310
Enid’s Idyll, 309
Gymnopedies, 310–11
Hamfat Asar, 310–11
Hymn in Praise of the Sun, 309
Man Is in Pain, 419
The Old House Passing, 310, 313, 318
The One Romantic Venture of Edward, 395
Our Lady of the Sphere, 310–11
Patricia Gives Birth to a Dream by the Doorway, 310–13
Petite Suite, 309
Pink Swine, 309
Portrait of Sharon, 309
Sophie’s Place, 432–333
Moving Fresco Films, 309
Trumpit, 308
Joyce, James, 63
Jung, Carl Gustav, 27, 73, 226, 240
Kafka, Franz, 301
Kandinsky, Wassily, ix, 238, 245, 258, 272
Keller, Marjorie, 410, 422–23
Misconception, 422
Kelly, Robert, 174, 178, 200, 204, 215
Kelman, Ken, 335, 403–4
Klahr, Lewis, 432
Koch, Stephen, 349–51
Konlechner, Peter, 284
Kubelka, Peter, xiii, 62, 212, 220, 270, 28392, 330, 341, 343, 347, 349, 356, 369, 409
Adebar, 284–86, 288–89
Arnulf Rainer, 284–85, 287–89, 361, 369
Mosaik im Vertrauen, 284, 289–90
Schwechater, 284–89, 362
Unsere Afrikareise, 284, 289–92
Lachman, Harry, Dante’s Inferno, 94, 100, 102, 116
Lamberton, Robert, 140
Landow, George [Land, Owen], 265, 347, 352, 364–67, 369, 373–77, 388, 412, 414, 430
Bardo Follies, 364–65
Film in Which There Appear..., 364–65, 373, 375
The Film That Rises to the Surface of Clarified Butter, 365
Fleming Faloon, 364–65
Institutional Quality, 306, 365–66, 373–74, 376
New Improved Institutional Quality, 375–76
Remedial Reading Comprehension, 365–66, 368, 375–77
What’s Wrong with This Picture?, 365–66
Wide Angle Saxon, 376–77, 380, 411
Laurot, Edouard de, 324
Lautréamont [Isadore Ducasse], 108
Les Chants de Maldoror, 93
Leacock, Richard, 327
Primary, 325, 328–29
Lebrat, Christian, vii
Ledoux, Jacques, 77
Lee, Francis, 75
Léger, Fernand, 274, 369
Le Ballet Mécanique, 22, 232, 270–71, 273–74, 277, 284
Leslie, Alfred, Pull My Daisy. See Frank, Robert
Levine, Saul, 430–31, 436
Levy, Julien, 330
Lorca, Federico Garcia, 332
Louys, Pierre, 122, 125–26
Lovi, Steven, A Portrait of the Lady in a Yellow Hat, 174
Lumière, Auguste and Louis, 72
Lye, Len, 233–35, 260, 270
Colour Box, 233
Free Radicals, 234
Kaleidoscope, 234
Rainbow Dance, 234, 284
Rhythm, 234
Trade Tattoo, 234, 284
Tusalava, 233
Lyrical Film, 155–89, 226, 305, 308, 348, 351, 365, 424. See also Quotidian lyrics
Maas, Willard, 29, 74, 102, 161, 324
Geography of the Body, 29, 75
Image in the Snow, 75
Narcissus, 29–30, 109
MacLaine, Christopher, 294–98, 310
The End, 58, 290, 294–97, 300, 303, 308, 313, 315–16, 318, 329
Magritte, René, ix, 59–60, 149
Mallarmé, Stéphane, 310, 406
“Un Coup de Dés,” 194
Mangolte, Babette, 387, 418
Man Ray, 30, 53
Étoile de Mer, 15, 373
Markopoulos, Gregory, ix, xiii, 26, 56, 121–53, 156, 184, 206, 256, 269, 292, 326–27, 343, 347, 349, 352, 370, 403–4, 410, 432
Bliss, 152
Chaos Phaos, 136
Charmides, 127–28, 144
Eldora, 130
Eros O Basileus, 142, 147, 152–53
Flowers of Asphalt, 130
Galaxie, 139, 142, 225, 339
Gammelion, 124, 138, 152–53, 226
Himself as Herself, 124, 138–42, 144, 146, 153
The Illiac Passion, 81, 96–97, 109, 124, 138–39, 144–150, 153
Lysis, 122, 127–28, 144
Ming Green, 139, 143–44, 339
Political Portraits, 225
Psyche, 121–27, 131–32, 135, 138, 153
Serenity, 124, 130, 151, 152
Swain, 18, 58, 124, 128–33, 135, 144, 153
Through a Lens Brightly: Mark Turbyfill, 139, 142
Twice a Man, 109, 124, 130–40, 144, 148, 153, 163, 205, 302, 328–29
McClure, Michael, 105, 199, 209
Mead, Taylor, 300–302, 339
Mekas, Adolfas, 324
Hallelujah the Hills, 128, 325
Mekas, Jonas, 37, 141–42, 183, 215, 225, 275, 285–86, 291, 302, 323–30, 339–41, 409, 424–27
Diaries, Notes, and Sketches [Walden], 325, 339–41, 424
Guns of the Trees, 325–26, 328–29, 411
Notes for Jerome, 425
Rabbitshit Haikus, 325
Reminiscences of a Journey to Lithuania, 341, 427
Scenes from the Life of Andy Warhol, 425
Zefiro Torna, 425
Méliès, Georges, 29, 108, 144, 398
Melville, Herman, 36
“The Lightning Rod Man,” 179
Menippean Satire, 410–24, 436
Menken, Marie, viii, 75, 102, 160–61, 326–27
Arabesque for Kenneth Anger, 161
Notebook, 160–61, 164, 225
Visual Variations on Noguchi, 160
Michelson, Annette, 341, 354–55, 357, 415
Miller, Arthur, 74
Mondrian, Piet, 238, 241, 272, 319
Monk Thelonius, “Mysterioso,” 236, 248
Montez, Maria, 333–34
Moore, Ben, 29
Muller, Max, 236, 250–51, 253, 256
Mulvey, Laura, 411, 422
Mythopoeic Film, 26, 36, 80–81, 106–7, 109, 168, 189–230, 256, 303, 34748, 365, 370
Nelson, Robert, 73, 294, 303–8, 310
The Awful Backlash, 306
Bleu Shut, 305–8, 313, 361
Confessions of a Black Mother Succuba, 303
The Great Blondino, 303–8, 313, 411
Newman, Barnett, 208
Nietzsche, Friedrich, The Birth of Tragedy, 41
Nitsch, Hermann, 221, 341
Noren, Andrew, viii, 339, 424–27
Huge Pupils, 424, 426–27
Imaginary Light, 426
Olson, Charles, 209, 223
O’Neill, Pat, 431
Saugus Series, 432
Water and Power, 431
Pabst, G. W., Pandora’s Box, 387
Panofsky, Erwin, 380
Participatory Film, 179, 271, 305–6, 365
Penfied, Dr. Wilner, 251, 254
Peterson, Sidney, 44–54, 58–73, 76, 90, 137, 151, 156, 162, 231, 258, 347, 398, 410–11, 418
The Cage, 47–50, 53–54, 58, 61, 118, 303
A Fly in the Pigment, 49
The Lead Shoes, 47, 59, 68–71
Mr. Frenhofer and the Minotaur, 47, 61, 63–67, 70, 118, 414
The Petrified Dog, ix, 59–80, 62
The Potted Psalm, 44–50, 53–54, 57, 59, 62, 294, 414
Phillips, Stan, 394
Picabia, Francis, 43–44, 50–54, 60
Picasso, Pablo, 344
“Minotauromachie,” 63–66
Plato, 126, 384
Poe, Edgar Allan, 36
Pollock, Jackson, ix, 206
Pound, Ezra, 190, 198, 206, 208, 210, 369, 417
Gaudier Brzeska, 196–98
Preston, Richard, 329
Psychodrama, 14, 40, 58, 87, 89, 231, 309, 414
Quotidian lyrics, 422–31
Rainer, Arnulf, 288
Rainer, Yvonne, viii, 386–88, 411–12, 414–19
Film about a Woman Who..., 387
Journeys from Berlin/ 1971, 415–16
Kristina Talking Pictures, 387, 411
Lives of Performers, 386–87
Rayns, Tony, 83, 92, 108, 117
Rebay, Hilla, 245
Reinhardt, Max, A Midsummer Night’s Dream, 83, 92–93, 103
Rice, Ron, 73, 294, 300–303, 308, 310, 321, 327, 337
Chumlum, 338–39
The Flower Thief, 58, 300–301, 313, 318, 335, 339
The Queen of Sheba Meets the Atom Man, 301–3, 323, 411
Senseless, 301–2
Richter, Hans, 233, 270–71, 273, 324, 327
Rhythmus 21, 44, 231, 239, 258
Rilke, Rainer Maria, 152
Rimbaud, Arthur, 324
Rogosin, Lionel, 327, 329
Romanticism, xiii, 41, 90–91, 97, 105, 114–15, 150–51, 166, 205, 256, 290, 301, 303, 325, 327, 331, 347–48, 355, 370, 389
Rothko, Mark, 206, 208
Rousseau, Henri, 66
Rousseau, Jean-Jacques, 220, 389
Ruskin, John, 407–8
Ruttmann, Walter, 429
Sade, Marquis de, 324
Sanborn, Keith, The Deadman, 424
Satie, Erik, 43, 50–52, 54
Schneemann, Carolee, 176
Fuses, 424
Schreber, Daniel Gottlob Moritz, 254
Schreber, Daniel Paul, Memoirs of My Nervous Illness, 254
Schwitters, Kurt, 274
Shakespeare, William, 75, 148, 179
Hamlet, 302
A Midsummer Night’s Dream, 103
Sharits, Paul, 347, 352, 360–63, 410
N:O:T:H:I:N:G, 360–62
Piece Mandala/End War, 361–62
Ray Gun Virus, 361-62
S:TREAM:S:S:ECTION:S:ECTION:S:S:ECTIONED, 362
T, O, U, C, H, I, N, G, 362–63
Shelley, Percy B., 327
Prometheus Unbound, 97, 150, 325
Sims, Jerry, 318–19, 322
Smart, Christopher, 426
Smith, Harry, 235–41, 243–58, 293, 326, 410
No. 1, 235, 237–40, 243
No. 2, 235, 237, 239–41, 246
No. 3, 235, 237, 239–40
No. 4, 235, 237, 243–44
No. 5, 235, 237, 244–45
No. 6, 235
No. 7, 235, 244–46
No. 8, 236, 246
No. 9, 236, 246
No. 10, 236–37, 246–51
No. 11, 236–37, 246–51
No. 12 (Heaven and Earth Magic), ix-x, 109, 205, 236–37, 243, 249–57
No. 13, 236, 258
No. 14 (Late Superimpositions), 236–37, 257, 338–39
The Tin Woodsman’s Dream, 237, 258
Smith, Jack, 139, 315–20, 322–26, 330–38, 349, 410
Flaming Creatures, 135, 325, 332–37, 422
No President, 333–37
Normal Love, 136, 337–38
Scotch Tape, 323, 325, 329
Snow, Michael, 226, 326, 347, 350, 35259, 380, 383–86, 388, 411–12, 414, 430
The Central Region, 356, 358–59, 383
New York Eye and Ear Control, 357–58
One Second in Montreal, 356
Presents, 411–12, 422
Rameau’s Nephew..., 383–87, 411
Wavelength, 352–57, 383, 401
Solomon, Phil, 431
Sonbert, Warren, viii, 339, 410, 425–29
Carriage Trade, 426, 428–29
The Cup and the Lip, 425
Divided Loyalties, 428–29
Friendly Witness, 427–28
Noblesse Oblige, 428
Rude Awakening, 428–29
A Woman’s Touch, 428
Stanislavsky, Constantin, 327
The Actor Works upon Himself, 329
Stauffacher, Frank, 54, 241
Stein, Gertrude, 163, 171, 225, 391
Steiner, Ralph, H2O, 22
Sternberg, Josef von, 123, 333–34
Stevens, Wallace, 166–67, 206
“Notes toward a Supreme Fiction,”194
“An Ordinary Evening in New Haven,”167
Still, Clyfford, 60, 208–9
Structural Film, 27, 152–1153, 179, 226, 271, 285, 288, 305–6, 320–21, 343, 347–70, 374, 377, 399, 417
Surrealism, 3, 11, 39, 137, 232, 238, 275, 281, 329
Symbolism, 331, 355, 406
Tenney, James, 176, 424
Thomas, Dylan, 74
Thoreau, H. D., 325
Thornton, Leslie, 419, 421
Peggy and Fred in Hell, 421
Tibetan Book of the Dead (Bardo Thodol), 226, 228, 261, 364
Tinguely, Jean, 277
Trance Film, 1–11, 14, 17-18, 20, 58, 87, 89, 93, 109, 128, 131, 160, 231, 305, 308–9, 318, 365
Tyler, Parker, 9, 55, 68, 70, 74, 325, 431
The Three Faces of the Film, 17, 29, 431, 436
Valéry, Paul, 405
Vanderbeek, Stan, 327, 329
Warhol, Andy, 149, 225, 238, 326, 349–52, 410, 434
Beauty # 2, 350
The Chelsea Girls, 349–50
Eat, 350
Empire, 350
50 Fantastics, 225
Haircut, 351
Harlot, 350
Hedy, 350
Henry Geldzahler, 142, 225
Poor Little Rich Girl, 350
Sleep, 349–50
13 Most Beautiful Boys, 142, 225
13 Most Beautiful Girls, 142, 225
Watson, J. S., and Melville Webber
The Fall of the House of Usher, 43
Lot in Sodom, 43
Weiland, Joyce, 347, 410
Weine, Robert, The Cabinet of Dr. Caligari, 18, 22, 97, 129, 181
Weinstein, Donald, 129
Wellek, René, 114–15
Welles, Orson, Citizen Kane, 13, 123
Whitehall, Richard, 182, 229
Whitman, Walt, 36, 206, 398
Whitney, James, 259–60
Lapis, 259–60
Yantra, 259, 265
Whitney, John and James, 241
Five Film Exercises, 241–43
Wiley, William, 307
Williams, William Carlos, 206
Wittgenstein, Ludwig, 173
Wordsworth, William, 155–56
The Prelude, 167
Youngblood, Gene, 260–61, 264–65
Zukofsky, Louis, 206, 218–19