Author’s Rights, Listener’s Rights (Journal of Our Ancestors)
Plagiarism and the obligation of truth
1757: Music and notes (at the foot of the page)
1835: A great change in our customs
1841: Our portrait in a cartoon
Writing Our Listenings: Arrangement, Translation, Criticism
Ever since there have been works . . .
Arrangement at work (Liszt, second version)
Decline of arrangement (Why is music so hard to understand?)
Our Instruments for Listening Before the Law (Second Journal Entry)
The first trial of mechanical music (Verdi on the boards)
Rights for reproduction and radio broadcast
Stravinsky, Schoenberg, and pirates
The Furtwängler ruling and subsidiary laws
Trademarking a sound (Harley-Davidson in the sonic landscape)
On the right to quotation in music (John Oswald, the listener)
Listening (to Listening): The Making of the Modern Ear
Types of listening (Adorno’s Diagnosis)
“Listening, I follow you” (Don Giovanni)
Polemology of listening (Berlioz and the art of the claque)
Schoenberg: “to hear everything”
Ludwig van (3): A dialogue with Beethoven
Ludwig van (4): The “second practice” of track markers
Ludwig van (5): The prostheses of authenticity