The Kaiserhof Hotel was a dingy building the color of bad teeth. It stood out in the Wilhelmstrasse because all the other buildings in the government area had undergone makeovers of impressive expense. The new Reich Chancellery, directly across the street, had been finally completed that January, a quarter of a mile of yellow stucco and gray stone stretching down Voss Strasse, its monumental proportions designed to quash any lingering concessions to the human scale. Goebbels’s Propaganda Ministry, originally housed in an old Empire-style palace across the way, had been given a total revamp, with an extension that was architecturally severe and modern, in line with Goebbels’s modernist taste. The Kaiserhof, however, Hitler’s first home in Berlin, lingered on like a widow in dowdy lace, steadfastly resisting cosmetic enhancement.
Clara had arrived early and installed herself in the bar of the hotel. What the Kaiserhof’s proprietors had saved on exterior renovation they put towards securing the best of the city’s available food, making it one of the finest places to eat, but today Clara had no interest in food. She had brought her copy of The Thirty-Nine Steps to distract herself and sat with it open in front of her, the sour, gritty taste of fear washing round her mouth like grains of ersatz coffee. Occasionally she stole glances across the road to where security police known as Schupos, in their green uniforms and black leather hats, manned the Chancellery gates.
If the opportunity arose, we would not want you, Miss Vine, to be hindered by fears of “unsportsmanlike” behavior.
All day she had questioned herself. Would she ever have the courage to do it? Could she shoot Hitler? Sitting in the garden at Griebnitzsee that afternoon, with her eyes closed and the sun flaring scarlet against her eyelids, she felt so intensely alive. Her limbs tingled with vitality, every fiber of her body wanting to live, even if her lover was missing and her family estranged.
Never before had she come so close to Hitler, yet it would also be the closest she had come to death herself. Shooting Hitler would, almost certainly, mean death, but without him Germany would be free. There would be no fighting, and thousands of young men would no longer be required to go to war. Erich would be safe.
Yet all the time, seductive counterarguments whispered sweetly. What if war didn’t have to happen? If there could be a way to negotiate? What right did she have to kill another human being? What if the derringer failed to fire? And even when the questions receded, the hideous images remained. What special tortures would be reserved for the assassin of the Führer?
When she looked back on her life, she could see that so much of what she had done had been impulsive, actions taken on the spur of the moment. Her decision to become an actress had been motivated by the disapproval of her parents. She’d moved to Berlin to escape an unwanted fiancé. She began spying at the request of Leo Quinn. She had put herself at the service of others—people whose motives she strongly believed in—but never at her own instigation. This time it was different. This audacious, deadly plan was hers alone. Its execution owed nothing to anyone except herself. It required her to summon every ounce of moral courage and to quash every doubt. She remembered what a Luftwaffe officer had once told her—that being a truly successful pilot meant losing the last shred of fear. Then she thought of all the people she had known in her six years in Berlin, the brave men and women who had tried to resist the Nazis. They had all made their own choices, but this decision, so hard, was hers alone.
Eventually, the murmuring arguments died down and Clara felt the fear inside her harden into resolve.
In the afternoon she had returned to Winterfeldtstrasse to go through the belongings in her old apartment. Rudi, the warden, who carried out his duties from a chair in the corner of the hall, seemed almost pleased to see her. Despite his advanced age and crooked spine, he sprang up to block her path. He had always been a staunch Nazi, and it surprised Clara that it had taken him so many years to cultivate the little postage stamp mustache that he now sported proudly in emulation of his hero.
“Heil Hitler, Fräulein Vine! Are you back for good?”
It was almost as though he’d been missing her, though the old fraud had never shown an iota of fond feeling in his life. More likely, he was calculating how the landlord might raise the rent if she chose to end her lease.
“Not sure yet, Rudi. How’s everything?”
“Busy. We’re converting the cellar into a shelter. We have directives from the Air Protection League.”
“Of course.”
She tried to scurry away up the stairs, but Rudi was well practiced in forestalling escapes. Edging forward, he barricaded her way as effectively as a squad of riot police. His breath smelled of the kind of alcohol not found in high-end Berlin clubs.
“A gentleman was calling for you yesterday.”
“What kind of gentleman?”
“Ah, that’s not for me to say, Fräulein. I’m a simple man. I can’t judge. Perhaps it was a fan.”
“I doubt it.”
It was almost certainly a collector. Barely an hour went by some days without a charity official knocking on the door and rattling a tin, demanding funds for the Hitler Youth or the BDM. For the orphans or the poor or the Luftwaffe or the rebuilding of Berlin.
Rudi gave a smile of greasy complicity. “I told him I had no idea where you were. That was right, wasn’t it?”
“Yes. Thank you, Rudi.”
“I know you actresses need protection. That’s what I’m here for.”
Sidestepping him, she fled up the stairs and shut the apartment door securely behind her. Then she made a rapid inventory. If she was arrested she needed to ensure that there was no trace of Erich. No books with his name in them, no photographs or school reports, none of the birthday cards he had given her. God forbid that his name should be linked with hers. She dreaded the thought of the Gestapo raiding the tenement in Neukölln, shaking the bewildered old Frau Schmidt out of her bed and hustling Erich to some frightening basement, where he would be questioned about the woman he had known since he was a child until his tired mind made a mistake and he somehow incriminated himself, too.
She wandered round the apartment, touching her possessions. She pulled the fur coat that her mother had left her out of the wardrobe and buried her face in it, inhaling the ghost of violets that she once wore. The fur was chill in her hands, but when she pulled the coat on, its warmth enveloped her. Finally, she picked up a book of Latin verse Leo had given her and kissed it, the way Italians might kiss a prayer book, the way she wanted to kiss him. She thought of that sensation she’d had in the Paris hotel room and tried to bring it back, but she felt nothing.
TOWARDS EVENING, THE ADRENALINE began to exhaust her. She had dressed methodically, assessing every item with careful scrutiny. Around the top of her thigh she fastened the calfskin holder with the stocking gun inside. It fitted snugly against her leg, and she marched up and down the room to ensure it did not slip as she walked. When she donned the Madame Grès dress, it was exactly as she had guessed, the flowing Grecian folds giving no hint of the metallic bulge beneath. The dress also went perfectly with her new Schiaparelli jacket. She brushed her hair until it gleamed and fastened a diamanté clip in it, rejecting her Elizabeth Arden Velvet Red in favor of a lipstick that was almost nude. The Führer had been known to confront lipstick-wearing women and subject them to a rant on how cosmetics were made of human waste and poisoned the health of German womanhood.
Her leather jewelry box was battered now, its oval mirror spotted and cloudy, like a blurred portal into the past. She touched the silver locket her mother had given to her when she was sixteen, with pictures of them both inside, but after a moment’s reflection, she picked a diamond brooch in the shape of a swastika. It came from Jaeger’s jewelers off Unter den Linden and had been given to her six years previously by Joseph Goebbels himself. She remembered him pinning it to her dress at a fashion show in full view of the press—a deliberate act to mark her out and compromise her in everyone’s eyes. Back then Goebbels had trusted her as his go-between—a secret weapon in the ongoing war with his wife—but now, who knew what he thought?
Her hand hovered over her perfume bottles until she chose one called Scent of Secrets. It was sweet and floral—jasmine, Turkish rose, and violet iris, with a darker heart of musk, woodsmoke, and leather. The scent reminded her of her childhood garden in England and her mother’s favorite rose, the amnesia rose, with its unusual blooms, which looked almost gray at first, before shading into lilac. She inhaled the scent deeply, as if for strength. If the evening was to end as she feared, she wanted the memory of her mother to accompany her.
THE FÜHRER’S FILM EVENING at the Reich Chancellery was the hottest ticket in town. It was the invitation everyone wanted and no one expected to enjoy. Each night when he was in Berlin, Hitler would invite a select group of high-ranking Nazis and actors for a private screening in the Chancellery Music Room. The advantage was that visitors got to see films denied to ordinary Germans. Goebbels’s latest blacklist of sixty American actors did not extend to the Führer’s private parties, and all the latest Hollywood releases—Tarzan movies, Tip-Off Girls, The Lives of a Bengal Lancer, Captains Courageous with Spencer Tracy—were firm favorites. Walt Disney was held in special esteem, thanks to his public reception of Leni Riefenstahl the previous year, when other Hollywood producers had pointedly turned her down. The disadvantages of the evening were self-evident. Everyone was on their best behavior, no one could smoke, and it was impossible to relax. Relaxation, like coffee, eggs, and chocolate, was now a luxury that not even VIPs could afford.
The reception hall of the Reich Chancellery was done out in contrasting colored marble like an ugly cathedral. The walls were black slabs splintered with quartz, interset with veined, bloody red Saalburger stone, and there was yet more marble underfoot. As she followed an SS orderly dressed in the short white jacket that all Hitler’s domestic staff wore, Clara was overwhelmingly conscious of the gun against her thigh. She had guessed that no one on Hitler’s guest list would be subjected to the indignity of a body search, yet she was intensely aware that she must not slip on the highly polished surface and send the gun skittering beneath her. The floor was as treacherous as a skating rink, deliberately waxed to a dazzling shine. It was a private joke for Hitler, who refused all requests to lay a carpet because diplomats needed practice moving on a slippery surface.
At the far end of the hall, a door was flanked by two of the Leibstandarte, Hitler’s personal bodyguards. Selected for their above average height and unquestioned fidelity to the Führer, they formed an invincible barricade against his enemies, but at Clara’s approach they moved simultaneously sideways, opening the doors as though to Aladdin’s cave to reveal a dazzle of sound and light.
The party was already in full swing and studded with VIPs, most of them stars of stage and screen. Leni Riefenstahl and Heinz Rühmann were talking to Gustaf Gründgens, another favorite actor of the regime. The actress Jenny Jugo, in magnolia satin, was air-kissing Zarah Leander. The good-looking celebrities were a festive sprinkling to leaven the dark mass of politicians. Rudolf Hess and his wife. The Goebbelses and the Speers. Youth Leader Baldur von Schirach and Reich Labor Minister Robert Ley. Everyone was there. The entire upper echelon of the Third Reich was assembled to watch Mickey Mouse.
To Clara’s relief, Hitler had not arrived. She was desperate not to meet him. She had heard of the effect he had; Führer Kontakt it was called, an intense magnetic hold that made the person with him believe, just for that moment, that he or she was the only one in the room. A hypnotic force that dazzled, empowered, and enslaved.
Instead, one of the first faces she saw was Conrad Adler. He was standing in the corner nearest the door, inclining his head close to Henriette von Schirach, the youth leader’s pretty blond wife. Her face was turned adoringly up towards him, and she was smiling merrily. Although he barely turned his head, Clara knew Adler had seen her, and she registered a spark of alarm in his eyes. She sensed that he was about to break off and approach her until something deterred him, and, turning, she saw Joseph Goebbels looming behind.
“Fräulein Vine. What a surprise. And may I say what a charming choice of brooch. For a charming woman.”
He reached out to brush the spot where it was pinned, letting his fingers trail her breast, and then, for the first time in their acquaintance, he moved to kiss her. As his hand traveled round her waist and downwards, Clara’s flesh turned to ice. If he strayed any further, he could not miss the stocking gun attached to her left thigh. Her entire body was rigid with alarm, yet even as she froze, she realized her reaction would arouse no suspicion at all. Goebbels must be well used to women flinching at his touch. Barely suppressed distaste was the natural response to the propaganda minister. How else should any woman react to a man who had persecuted so many and sent thousands to their deaths? Whose bigotry had goaded an entire nation into a spiral of coruscating hatred?
“I’ve not seen you here before. Remind me who invited you?”
“Leni Riefenstahl,” said Clara, stepping backwards and looking hastily around. “She thought I might enjoy it, so she put my name on the guest list.”
“She’s like that. She likes to take liberties with other people’s invitations. Still. It’s always a pleasure. The last time I was here was with your English friend, Unity Mitford. We watched Cavalcade.”
“She mentioned that.” According to Unity, Hitler had declared Noël Coward’s film about three generations of an upper-class British family his favorite movie.
“I thought it very poor,” said Goebbels.
“It won Best Picture, didn’t it?”
A snort. “Perhaps in one sense that film is what Britain does best. An extended wallow in a rose-tinted version of her past. We in Germany prefer to focus on our future. But then—”
He broke off midsentence, and Clara became aware of an intense, hostile glare. She looked round to see Magda Goebbels approaching, causing her husband to move swiftly in the opposite direction, like one in a pair of repelling magnets. Magda was dressed in high-necked, monkish black and wore the tragic expression of one invited to her own funeral.
“Don’t let me interrupt. I can see you and my husband were deep in conversation,” she snapped.
“Not really. We were discussing films.”
“That’s what he always calls it. Discussing films. You take me for a fool, Fräulein Vine. Especially considering the way you’re sporting his brooch.”
Clara cursed herself for choosing Goebbels’s swastika. She had thought of it as a useful accessory, part of her disguise. Instead, it had parachuted her into unforeseen difficulties.
“I have one exactly like it,” Magda continued. “But then, so do half the women in Berlin. He has his jeweler make them. Some men—Goering, for example—take a real interest in jewelry, but my husband lacks that imagination. Joseph orders precisely the same trinket every time. Usually when he wants to reward an actress for ‘discussing films.’ ”
What misfortune to encounter a paranoid Magda Goebbels on a night like this. Clara was just summoning conciliatory words when the minister’s wife lifted a glass from a passing tray and shrugged. “Don’t bother to deny it. I don’t care anyway. I just want this evening to be over. Let’s hope the Führer’s tired.”
“Why’s that?”
“Because when he’s not he watches two films, back to back. I’ve been here so many times, and it’s always the same routine. Cartoon first, then a newsreel, then the movie. Or two. Then he stays up talking until four in the morning, and it’s always the same subjects. Vegetarianism, Wagner, history, dogs. I’m praying it’s not a two-movie evening.”
Clara glimpsed her escape in the adjacent room, where a vast marble table was piled with diverse objects, like a grand church jumble sale.
“Are those the Führer’s birthday gifts?”
“Haven’t you seen them yet? You should. You wouldn’t believe some of the junk the poor man has been given. In my opinion most of it should go straight to the Winterhilfswerk.”
Magda was right. The display was exactly like something one might find at a wedding, only far larger and more vulgar. Instead of wineglasses, fish knives, and toasters, the Führer’s beloved nation had produced an extravagant and frankly kitsch selection of gifts. A bust of Goethe rubbed shoulders with an ivory hunting horn. Dull landscapes were propped against oils of ancient military figures. A garish gold model of the Führer’s art gallery in Munich, the Haus der Deutschen Kunst, jostled for the bad taste prize with a handcrafted castle studded with precious stones. One citizen with a vivid imagination had supplied a pair of baby bootees and a knitted bonnet, which had been deftly concealed behind a vase of striking ugliness filled with dried flowers.
Clara stared at the gifts without seeing them, focusing on what the next hour would bring. She wanted to choreograph her movements precisely, minute by minute. She saw herself as if from above, unstoppable, like a character in a film, except that no rehearsal could prepare her for an attempt like this. No prompt could help her. There was no possibility of a retake. This task had to be carried out perfectly, and she had only one chance.
“Aren’t they wonderful? The people love their Führer very much.”
The speaker was a young woman in her twenties with frizzy, dark hair and a deferential expression. Compared to those of the Nazi wives, her clothes were dowdy and her manner restrained. She extended a polite hand.
“I’m Christa Schroeder, the Führer’s secretary.”
“Clara Vine.”
“Yes. I mean, I recognize you, Fräulein Vine. I know who you are. I was admiring your dress. Is it French?”
It was a mistake to wear Parisian fashion in Hitler’s presence. Not only did he hate the French, but he believed the slender Gallic silhouette was the last thing likely to encourage the fecundity he wanted for his Reich.
“It was a gift,” Clara replied noncommittally.
“Such a lovely one. And look at all the Führer’s gifts! We’ve been working round the clock to catalog them. People have been so generous. He’s had a Titian portrait, and the most marvelous Meissen porcelain, and a sailing ship made entirely from flowers. Captain Bauer, his pilot, gave him a model Condor airplane. Just over there. And Herr Porsche gave him a model car as well as a real one.” A little confidential smile. “To tell the truth, it’s the models the Führer loves best. He’s like a kid with them.”
The secretary sighed fondly. “But the birthday was so tiring for our poor boss. All those receptions went on for days…I’m sorry, Fräulein, are you cold in here?”
“No.” Clara rubbed the goosebumps on her arms. “I’m fine.”
“It’s nerves, isn’t it?”
“Nerves?” Clara said evenly.
“Please forgive me saying, but it’s quite normal. That’s how everyone is when they meet the Führer. If only they knew how important the film evenings are to him. He loves being with people, and being entertained. He used to adore going to operettas and variety shows at the Wintergarten or the Admiralspalast, but he can’t go anymore because his presence disrupts the performance. So he sends his steward instead, and the man brings a program back for the chief to look at. But that’s no substitute. It’s sad really. This is the nearest he gets to an evening of pleasure.”
Suddenly, from the room behind them, the click of heels rang out like pistol shots, followed by a volley of Heil Hitlers and a large dog, fur plush and shiny and claws skittering on the marble floor, padded into the Music Room. As it stood with its long, pink tongue hanging out, absorbing the gazes of the guests, it was as if, for a freakish moment, the dog itself was the object of their adulation. Then, a heartbeat later, its master arrived.
When Hitler entered, it was as though all the air had been emptied out of the room and replaced with something sharper and more electric. Every eye was drawn to him as if on a wire, every expression one of bright, jewellike intensity. Here was the face that had launched a thousand placards and posters, that hung in every shop window and featured on almost every stamp. The face that appeared to some women in their dreams and others in their nightmares.
Hitler’s eyes were very dark blue. His hair had a stark side parting, and one lock, like a scribble of charcoal, sliced diagonally across his brow. He was wearing a plain gray suit, and under it a white shirt and spotted tie. His expression, which generally looked long-suffering and aggrieved, as though it was enduring some intolerable injustice, was now relaxed, and he was smiling broadly. After all, aside from military maneuvers, movies were his favorite thing.
Several rows of red plush seats had been arranged in front of the screen, much like the gilt chairs Clara had shunned in the VIP enclosure at the birthday parade, and as soon as Hitler arrived, there was an undignified jostling for position, as if the whole company were engaged in a party game of musical chairs, and if they didn’t hurry they might find themselves with nowhere to sit. Clara looked around in confusion. She had not anticipated this. For a second, as the seats filled up, she hoped she might be reprieved—perhaps she would find nowhere to sit, and like a child at a party be forced to leave the game—until Christa Schroeder came to her aid. She had taken two seats in the row directly behind the Führer.
“Won’t you sit by me, Fräulein?”
The chairs were arranged so that viewers could see between the heads of the people in front. Clara’s chair was behind and to the right of Hitler, out of his peripheral vision and close enough to see the bull neck with the beginnings of a roll of fat above the collar and the comb marks in his oiled hair, tightly shaven at the back and sides. Everything appeared in extraordinary clarity, as through binoculars. Clara saw the patch of stubble on the pallid skin that the razor had missed, and the place where a boil was forming on one side of his neck. She heard the snuffle and grunt of the dog lying, head on paws, at its master’s feet.
She let her hand drop to her thigh and felt again the apprehension she remembered as a child during a sermon at church, worrying that she might lose all power of inhibition and shout Major Grand’s words out loud.
I hope if you were ever in the same room as him, you would have no qualms.
Now she was in the same room as him. She was sitting no more than two feet behind him. She could even detect the edge of his famous halitosis, mingled with Kölnissch Wasser, his favorite scent, and see him chewing a fingernail. She removed her jacket and laid it over her lap, then she let her hand cover the shape of the derringer beneath her dress. Its warm steel burned against her thigh. She practiced the movement in her imagination. Her previous nerves vanished, and she felt strangely calm.
As the lights dimmed, Hitler fished out the pair of gold spectacles that he hated people to see him wearing, and Christa Schroeder leaned back with a sigh. This must surely be the most pleasurable part of her job.
It would be best to wait until after the newsreel.
It’s always the same routine. Cartoon first, then a newsreel, then the movie.
It made sense to act when all attention was immersed in the action onscreen. How long would the cartoon last? Ten minutes perhaps? Ufa Tonwoche newsreels were longer—typically up to twenty minutes. That meant half an hour, at the outside, before the main feature, and then another ten minutes until the opening credits had rolled and the story properly begun. Forty minutes then. She couldn’t stop herself glancing at the Leibstandarte, the ones who would shortly arrest her, standing impassively at the door. Then at the shadowy form of Conrad Adler, to her left on the end of the first row, sandwiched between Goebbels and the pretty Frau von Schirach. Adler did not glance back, but the fixity of his posture told her he was well aware of her. She felt intensely alert, her head throbbing with tension. Everyone flinched as the projector issued a high-pitched squeal and then, with a splash of frenzied Technicolor, Mickey Mouse and the Society Dog Show burst onto the screen.
The softness and warmth of the cartoon shapes could not have been more out of place in the Reich Chancellery’s marble tomb. As Mickey’s falsetto, dubbed into German, chattered brightly through the action, Clara tried to keep her eyes rigidly ahead. It seemed that Pluto had been entered into a ritzy dog show, but despite being buffed and perfumed, pulled like an elastic band and squashed like a doughnut, he and Mickey were hopelessly outclassed. Everything about the cartoon’s vibrant jollity and rubbery invincibility was dramatically at odds with the chill formality of the assembled audience. The dog-loving Hitler gave himself up to loud, delighted laughter, but the reactions of the others were less fulsome. Robert Ley yawned. Goebbels wore a little sneering grin and his wife a stony glare. Rudolf Hess’s face was a study in blank incomprehension.
The cartoon lasted nine minutes. Slightly shorter than her estimate. It was followed seamlessly by the trumpet fanfare and black and white spinning globe of the newsreel. The Ufa Tonwoche would contain, by Clara’s reckoning, at least five items. It was narrated in the usual tone of high-pitched, hectoring excitability—both pessimism and reflection were frowned on in news reports—and began with footage of military exercises taking place near the Polish border. Row on row of marching men and tanks were followed by a camera panning towards a stack of newspapers pegged to a kiosk. WARSAW THREATENS BOMBARDMENT OF DANZIG. THREE GERMAN PASSENGER PLANES SHOT AT BY POLES. GERMAN FAMILIES FLEE POLISH MONSTERS. WHY IS GERMANY WAITING? The customary mob appeared, cheering and saluting. A country coaxing itself into a frenzy of adrenaline.
The next item was about the Ahnenerbe. Men in civilian dress were seen loading equipment into large trunks, and the screen filled with a map of the world, marked by arrows stabbing towards South America. Following the Ahnenerbe’s success in Tibet, another, even more expensive, jaunt was under way to Bolivia, on the assumption that Nordic colonists sailed there a million years earlier. The face of Doktor Kraus loomed onscreen, explaining that through a series of expeditions, explorers would probe every corner of the earth to uncover music, folktales, even paintings, that testified to the ancient preeminence of the German race. Hitler removed his glasses and took out a handkerchief to clean them. Others shifted in their seats. The adventures of the Ahnenerbe might have captured Himmler’s imagination, but nobody else was quite so enthralled.
Eight minutes into the newsreel. Clara’s hand beneath her jacket edged up the side of her dress. Her fingers eased the derringer from its holster and slipped it into her palm. It was small enough to remain entirely hidden beneath her hand. When you want to use it, you move the hammer back to full-cock position and pull the trigger. If you misfire, you can pull the hammer back and try again. But there’s only the chance for two shots. You can only make one mistake.
Another twelve minutes to go.
The compilers of the newsreel always liked to mix in trivial items with the heavy news. It was a journalistic technique, Clara knew, called light and shade. The next item concerned a Hitler Youth marching band in Bremen that had won a national competition. The players were toting their instruments like rifles, notes clashing like swords in the air. The youngest were still in the Pimpf and could not have been more than ten years old. At the sight of the smooth, clean faces, shining with ardent pride, Hitler replaced his glasses and peered closely. Clara thought of Erich. What would he say to see her here, so close to his beloved Führer? And what would he think of her tomorrow? Would he ever forgive her?
A glance at her watch. Fifteen minutes in. Hitler belched and not a head turned.
The final item concerned Stalin reviewing his troops in Moscow. He stood on the viewing dais on the top of the Lenin Mausoleum alongside a row of Soviet top brass, Molotov, Andreyev, and the rest of the Politburo, breath frosting as they inspected a march in Red Square. Every cinemagoer in Germany was accustomed to regular news of Russia. And even those who never visited the cinema could not escape it in newspapers and endless political speeches. The Russians were Bolsheviks. Slavs dominated by Jew devils. Stalin was controlled by the Jewish world parasite. This report, however, was different. Startlingly different. The script was conspicuously neutral. The usual snide remarks were absent, and the cameras, usually angled to portray the podgy Stalin’s least flattering aspect, provided a more appealing perspective. The smiling Soviet leader with his bristling mustache appeared reasonable, if not benevolent. Strong but fair.
In front of her, Hitler shifted in the gloom. He smoothed his hair with the side of his hand and leaned forward. Instinctively Clara tightened her grip on the gun beneath her palm, and slid her finger into the trigger. Hitler was speaking—far too softly for most to hear—but she caught his words.
“That man has a good face. One should be able to negotiate with him.”
Then he rose abruptly and marched away without warning, prompting a scrape of chairs and a scramble of officers to their feet, a hurried clicking of heels and a raising of right arms as the Leibstandarte seamlessly opened the door and Hitler left the room.
For a second, a startled silence reigned. Then loud chatter broke out. The relaxation at being out of the Führer’s presence, mingled with relief at being spared another film, sparked a feverish jollity. The lights went up. People pushed back their chairs and began to mingle. Others pulled out cigarettes and lit up greedily, the film forgotten.
Only Clara sat in silence. The significance of what she had just heard was dawning in her mind, drowning out the shock of her assassination attempt, so narrowly averted.
One should be able to negotiate with him.
Why was Hitler talking about negotiating with Stalin unless the rumors of a Nazi-Soviet pact were not rumors at all? Unless an alliance between the Third Reich and Stalin was already under way?
In which case Major Grand was wrong and British intelligence needed to know without delay.