ordinary perception is that, although not physically perceptive, it does genuinely bring some sensible object before the mind. Thus, in the case of visual hallucination, it is tempting to say that a crucial part of what enables it to replicate the subjective character of ordinary (physical-item) seeing is that, although nothing physical is seen, there is a real array of colours visually before the mind—an array which poses as, and invites the subject to take it to be, an ingredient of the physical world. Likewise, in the case of auditory hallucination, it is tempting to say that a crucial part of what enables it to replicate the subjective character of ordinary (physical-item) hearing is that, although nothing physical is heard, there is a real sound or complex of sounds auditorily before the mind—an item which, again, poses as, and invites the subject to take it to be, an ingredient of the physical world. But if there are indeed such qualitative items before the mind—items which, ex hypothesi, are not themselves ingredients of the physical world—they will presumably have to be entities which are internal to the subject's awareness—entities which have, and can have, no existence outside the context of the awareness directed on to them. And once we have come to accept the presence of these internal objects of awareness in the case of hallucination, it then becomes tempting to recognize their presence in the case of perception—physical-item perception—too. For if perception and hallucination have the same subjective character, the simplest and most obvious way of accounting for this would be to suppose that they also have, at the fundamental level of description, the same psychological character through and through, and that what distinguishes the two types of case is simply that, where the experience is physically perceptive, it stands in some appropriate qualitative and causal relationship to the external environment. In this way, we could be led to the conclusion that, even in the case of physical-item perception, what is immediately before the mind is an object which is internal to the subject's awareness, and that contact with the external environment is achieved by perceptual mediation—as something constituted by the perceiving of this internal object, together with additional facts of the relevant kind. The basic idea would be that, by standing in the appropriate qualitative and causal relations to a certain physical item, the internal object would serve to represent it—in something like the way in which a photograph can serve to represent an earlier photographed scene, or the playing of a tape can serve to represent an earlier recorded conversation—and that this representation would then suffice to put the subject and the item into perceptual contact.
This position constitutes the representative theory of perception in its classic empiricist form, and, from Locke onwards, it has been widely