antigone

list of characters

antigone, daughter of Oedipus and Iocasta
ismene, Antigone’s sister
creon, the new supreme authority of Thebes, brother of Iocasta
guard, a Theban soldier
haemon, son of Creon, betrothed to Antigone
tiresias, blind old seer of Thebes
messenger, an attendant of Creon
eurydice, wife of Creon
chorus of elders of Thebes

Place: in front of the royal palace at Thebes. One side-direction leads to the civic areas of the city: the other goes towards the plain outside the walls, site of the battle fought the day before.

scene i (prologue)

°Antigone and Ismene cautiously emerge together from the palace doors.

antigone

My sister,° sister bound by blood, Ismene—

tell me this: of all the horrors left by Oedipus

what is there Zeus does not bring to a head

for us, the two still left alive?

All that’s disastrous and distorted

and disgusting and humiliating—

all I’ve seen among our troubles, yours and mine.

And now what’s this: this edict the Commander°

has just issued to the whole of Thebes?

Have you heard anything? Can you not know

that hostile dangers march on those we love? 10

ismene

°I’ve heard of nothing good or bad for them, Antigone,

not since the two of us were stripped

of our two brothers, slaughtered

on a single day by their two pairs of hands.

But since the Argive army’s gone away last night,

I know of nothing after that to bring me either comfort,

or yet more disaster.

antigone

I thought as much: that’s why I’ve fetched you here

beyond the outer doors, for you alone to hear.

ismene

What can it be?

It’s clear you are fermenting some dark news. 20

antigone

Yes. Creon’s granted one of our two brothers

burial with honour, while un-honouring the other.

Eteocles he’s had interred with full observances

respected for the dead below:

but as for Polynices’ wretched corpse,

a proclamation has been made to all the citizens

that nobody should lay him in the grave,

or grieve for him; but leave him all unwept, untombed,

rich pickings for the kites that relish carrion. 30

That’s what they say our virtuous Creon

has ordained for you—and me, yes me!°

He’s coming here to make this proclamation clear

to those who’ve not yet heard.

And he’s not treating this as trivial, no:

death by public stoning° is prescribed

for anyone who does these things.

There: now it’s up to you to show

if you are truly noble,

or, despite your blood, a coward.

ismene

If this is how things are, then what can I achieve

to tighten or to loosen them? 40

antigone

To share the effort, share the hazard? Think. . . .

ismene

What kind of danger? What can you be thinking of?

antigone

. . . to help these hands of mine to lift the corpse.

ismene

You mean to bury him?

Although it’s publicly prohibited?

antigone

My brother—yes, your brother too,

want it or not. You won’t find me betraying him.

ismene

Poor fool! When Creon has forbidden it?

antigone

It’s not his place to separate me from what’s mine.

ismene

O, sister, stop! 50

°Just think of how our father died, notorious, detested,

after he’d discovered his own crimes;

and how he jabbed his own two eyes himself.

And then his mother-wife, as she was both,

choked off her life hung in a twisted noose.

And third, our pair of brothers on a single day

fought on until they both were done to death

at one another’s hands.

And now we two, the last two left—

look how our deaths would be the ugliest of all

if we defy the ruler’s writ and power against the law. 60

We must remember we are born as women

and not made to fight with men;

and so we’re subject to their stronger power.

That’s why we have to bear these things—and even worse.

For my part, then, I’m going to beg forgiveness

from the dead, because I’m overruled by force,

and shall obey those in command.

There is no sense, I say, in trying

to do more than can be done.

antigone

Well then, I’ll not press you—

and even if you ever wanted to take part,

I’d not be glad to have you acting with me. 70

You be the way that you see fit:

while I shall go and bury him.

It’s right for me to do that and then die;

belovèd I shall lie with him beloved,°

a righteous criminal.

You see, I have to please the dead below

for longer far than those up here

as I shall lie down there for evermore.°

You, if you want, demean the things

the gods consider valuable.

ismene

I don’t demean them.

But I've no ability to go against the city’s will.

antigone

You may give that as your excuse: 80

but I am going now to raise a tomb

for my beloved brother.

She moves to go.

ismene

O god, I am so terrified for you, poor thing!

antigone

Don’t fear for me: just set your own course straight.

ismene

At least tell no one what you’re doing;

keep it secret. And I’ll do the same.

antigone

No, no, speak out!

I shall dislike you all the more for staying quiet,

and not proclaiming this to everyone.

ismene

Your blood is hot for such spine-chilling things.

antigone

At least I know I’m pleasing those I most should please.

ismene

Yes, if you could succeed;

but you’re in love with what’s not possible. 90

antigone

When I have no strength left, that’s when I’ll stop.

ismene

You should not start to chase what can’t be done.

antigone

Say that and earn my hatred,

and be rightly hated by the dead as well.

Leave me alone with my own foolishness

to suffer this, if it’s so terrible.

I’ll suffer nothing that’s too bad

to stop me dying well.

ismene

Well, go then if you think that’s right.

Your mission may be madness, yet, for sure,

you’re truly loving towards those you love.

°Ismene goes back inside; Antigone goes in the direction of the plain outside the city-walls.

The chorus enters from the side of the city.

first choral song (parodos)

chorus

°Brightest ray that ever shone 100

on seven-gated Thebes,

golden eye of daylight, sun-

rise over Dirce’s streams.

You reversed the Argive might

of bristling battle-gear,°

sent them off in panic flight

gored by our sharper spur.

They were launched against our land by 110

Polynices, roused through doubtful

quarrels°—like an eagle taking

wing across our country, shrieking,

with his threats against our city,

thick with spears and nodding crests.

So above our homes it stood

and gaped its spear-filled beak,

but, before gorged with our blood, 120

it turned tail and flew back.

And before flames licked our walls,

the battle-clatter shook,

and around its back there coiled

the hissing Theban snake.°

Zeus detests high-boasting bluster:

and so, when he saw them coming

with a stream of golden clatter, 130

he let fly his fire-bolt, hurling

down the one who scaled the ramparts

stifling his victory-cry.

He teetered and then plunged

thudding to the ground,

the man who brandished fire,

fanned with hate-filled wind

in his crazed attack.

But he falls and fails.°

And mighty Ares° crushed

yet others other ways. 140

Seven leaders, seven portals,

took their stand to face each other,°

left their bronze for Zeus of trophies.°

All except those cursèd brothers—

single father, single mother—

who both fixed their winner’s spear-point

in the other, sharing death.

But Victory now has come,

glory matched by joys

for chariot-famous Thebes.°

Let’s forget those wars, 150

erased by peace of mind;

visit every shrine

with night-long song and dance;

and, Bacchus,° lead the line.

°Creon, with his bodyguards, comes out of the palace.

Here, though, Creon is approaching,

our new leader in these latest

turns of fortune. What’s he planning,

that has led him to convene this

special meeting of us elders? 160

scene 2

creon

The city, gentlemen, has now been steadied

on an even keel, saved by the gods

from shipwreck in the violent storm.

And I have summoned you especially,

because I know you always paid

due homage to the rule of Laius;

and then to Oedipus when he was king;

then after he had died, you stood firm

by his sons with sound advice.

So now that they have fallen on a single day, 170

polluted, striking and struck down at their own hands,

it falls to me to take up sovereign power

through my close kinship° with the dead.

There is no way, say I, to know a man,

his spirit, mind, and judgement—all the man—

until he’s shown his worth

in handling law and governance.

For in my view the one who runs the country,

yet does not hold firmly to best policy,

or keeps his mouth shut from some fear, 180

I’ve always held a man like that beneath contempt.

And I’ve no room for one who values

his own kin above his fatherland.

All-seeing Zeus now be my witness,

I would never hold my tongue

if I could see disaster looming for my fellow-citizens

to threaten their security; nor would I ever count

my country’s enemy as kin to me.°

I recognize it’s this that keeps us safe;

and it is only when we sail upon an even keel

that we can work out who our dear ones are. 190

It is through principles like these

I aim to make this city strong.

Accordingly I have proclaimed this edict

to the citizens concerning the two sons of Oedipus.

(delivering edict)

Eteocles, who perished fighting with distinction

for our country, shall be buried in the tomb

with all the rituals that should

accompany the noblest dead below.

As for his sibling, namely Polynices,

who returned from exile in the hope

of burning down his native land and family gods, 200

desiring to taste kindred blood,

and drag the rest away to slavery:

it has been publicly decreed that nobody

shall give him funeral rites, nor mourn for him.

His corpse must lie unburied

for the birds and dogs to rend,

a spectacle of shame.

Such is my way of thinking: on my watch wrong-doers

never shall be rated higher than the just.

The man who stays true to this city shall,

in death and life alike, have honour due from me. 210

chorus-leader

You may do as you please, son of Menoeceus,

with those malignant to this land, and those benign.

You have the power to lay down any law you wish

in dealing with the dead and us who live.

creon

Then see to it that my commands . . .

chorus-leader

Assign that task to someone younger . . .

creon

No no, there are already guards to watch the corpse.

chorus-leader

What further order are you giving then?

creon

Don’t ever side with those who disobey.

chorus-leader

Who but a fool would long for death? 220

creon

True, that’s the penalty. Yet hope of payment

has so often dragged men down.

scene 3

Enter the guard suddenly but apprehensively from the side of the plain.

guard

°My lord, that I have come here swiftly,

out of breath or fleet of foot,

would not be true.

In fact I often hesitated on the way

and started to turn back.

My spirit held a lengthy dialogue:

‘You fool, why tread the path to where

you’ll meet with punishment?’

Then, ‘Idiot, why have you stopped again?

If Creon finds this out from someone else,

you’re certain to pay dear for it.’ 230

The twists of suchlike thoughts held back my progress,

and a little way became a long, long trek.

But in the end arriving here has won the day—

for you. And I shall tell you why, no matter what:

I clutch onto the hope

that I can only suffer what is fated.

creon

What’s driving you to such a state?

guard

First I would like to tell you where I stand:

I did not do the deed; and did not see who did;

so it would not be right for me to come to any harm. 240

creon

You’re shrewd at setting fences round the matter:

clearly you have news.

guard

It’s frightening to have to tell of fearsome things.

creon

Well why not spit it out and then be on your way?

guard

All right, I’m telling you.

Someone’s just buried it, the body;

sprinkled some dry dust on it,

and carried out the rituals, then gone.

creon

What’s this? What man° has dared to do this thing?

guard

I’ve no idea.

There was no trace of digging with an implement;

the ground was hard and undisturbed, 250

unmarked by any track of wheels—

whoever did it left no trace.

So when the first watch of the day found out,

it was a horrible surprise for everyone.

°The corpse had disappeared from sight,

not laid down in a grave, but covered with a layer of dust,

as though performed by someone to avoid pollution.

And there was no sign that any dog or predator

had come and mauled it.

Well, there were violent words between us then,

with guard accusing guard— 260

it might have come to blows,

with no one there to stop the brawl,

for everyone supposedly had done the act,

yet no one obviously had, or knew of anything.

We all were quite prepared to handle red-hot iron,

to walk through fire, swear by the gods

that we’d not done a thing, and had no knowledge

who had planned or carried out the deed.

But in the end, when we weren’t getting anywhere,

someone proposed a thing that made us all

stare down in fear—we couldn’t contradict the man, 270

yet couldn’t see how it would do us any good.

He said it ought to be reported straight to you,

and not concealed. That won the day:

the shortest straw selected me to be the wretch

for this delightful task. So here I am—

though wanting this no more than I am wanted,

since nobody loves the bringer of bad news.

chorus-leader

My lord, I wonder if this act might not have been

directed by a god? That thought has kept on nagging me.

creon

Stop there! Before you cram me full of rage, 280

and get shown up a fool as well as old.

Your notion is intolerable: the gods

might care about this corpse?

D’you think they covered him in recognition

of his benefactions?—the man who came

to set their temples and their offerings alight;

who came to rip apart their country and its rituals?

Or do you see the gods rewarding vicious men?

The answer’s ‘no’.

But there are people in this land who’ve long

been discontented, stirring talk against me secretly. 290

They toss their heads and will not keep their necks

beneath the yoke of being satisfied with me.

And I am certain that these guards have been

induced by bribes from them to engineer this burial.

°There is no currency between us humans

that is so corrupt as silver.

It is money ransacks cities, roots out people from their homes,

corrupts good minds to turn to vicious ways;

it’s money’s opened up to people every sort of wrong

and wickedness without restraint. 300

But those who’ve taken cash to do this thing

have made damn sure they’ll pay the price eventually.

(to the guard ) As I still keep my reverence for Zeus,

be sure of this—I speak on oath:

if you guards fail to find the perpetrators of this burial,

and bring them here before my eyes,

one death won’t be enough for you:

you’ll be strung up alive to demonstrate

just what this insolence° is bound to mean.

And so you’ll know in future where

to take your handouts from, and realize 310

you should not look for pickings from just anywhere.

For shady dealings bring more people

crashing down than they leave staying safe.

guard

Permission now to speak? Or simply turn and go?

creon

Can you not tell how much your words annoy me?

guard

And is the irritation in your ears or in your mind?

creon

Why try to pinpoint where I feel the pain?

guard

The man who did it irks your mind: me just your ears.

creon

You clearly are a great one for the clever talk. 320

guard

Maybe—but not the one who did this deed.

creon

You did, and did because you sold yourself for silver.

guard

It’s dreadful when decisions rest on false beliefs.

creon

You’re welcome to go on and on about beliefs,

but if you don’t produce for me the men responsible,

you’ll be a demonstration of the way

corrupted gain ends up with pain.

Creon goes off into the palace.

guard

Yes, let’s hope he’s found . . .

though whether found or not is up to chance:

what’s certain, though, is that you’ll not

be seeing me again.

It’s more than I could hope

that I’ve got safe away this time— 330

for that I owe the gods much thanks.

The guard departs back towards the plain.

second choral song

chorus

°There are many formidable things,

but none more formidable° than

are human beings.

They sail over ocean’s grey wastes

with southerly storm-winds between

towering waves.

And the god most primeval of all—

undying, unwearying Earth—

by turning the soil

they repeatedly rake her and tear,

as horses pull ploughs back and forth, 340

year after year.

The birds in thought-fluttering flocks

are captured in snares, and wild beasts

trapped by their tricks,

and the shoals of the fish in the sea

get entangled in spiralling nets—

man’s ingenuity!

They’ve invented devices and wiles

to domesticate animals that

roam in the wilds; 350

the resolute mountain-bred ox

and shaggy-maned horse are controlled,

necks under yokes.

Humans have learnt the skills to use

language and reason quick as the breeze;

and attitudes that bind the town;

and shields from frost and pelting of rain.

This all-resourceful human creature,

short of resource for nothing in future! 360

Only from death there’s no release—

though cures have been found from dire disease.

They turn their clever aptitude

sometimes to bad, and sometimes to good.

Those who honour the country’s law,

revering the gods, raise their city secure:

yet there’s no city° for someone veering 370

off into ways of error through daring.

May one committing things like those

not join in my thoughts, nor visit my house.

scene 4

The guard returns bringing Antigone as a prisoner.

chorus-leader

I’m bewildered by this portent:

there is no denying this is

young Antigone. O wretched

child of wretched father, what has 380

happened? Surely they’re not bringing

you for disregarding royal

edicts, caught in something foolish?

guard

This is the one who did the deed,

arrested in the act of burying.

But where’s Creon?

chorus-leader

Here, coming from the palace just as he is wanted.

creon (entering)

What’s going on? What’s this that chimes with my arrival?

guard

My lord, there’s nothing we should swear will never happen:

second thoughts can turn our first thoughts into liars.

So I was clear I’d never be back here, 390

not after all those threats you lashed me with.

But since there is no pleasure that can match

obtaining what you prayed for but could never hope,

I’ve come, although I swore I never would.

I’m bringing this young woman here:

we caught her in the act of burial rites.

No drawing straws this time:

this stroke of luck is mine and no one else’s!

And now, my lord, it is for you to take her,

question, and convict her.

I’m a free man, and it’s only right for me

to be discharged from this bad business. 400

creon

How was it that you caught her? Where?

guard

She was there, burying the man. That’s all there is to know.

creon

D’you realize what you’re saying? Are you sure?

guard

I saw her burying the corpse you had forbidden.

Is that loud and clear enough?

creon

How was she found? How caught red-handed?

guard

Well, this is how it was.

Once we were back, fresh from those threats of yours,

we cleared the dry earth off the corpse,

and swept the rotting body well and truly bare. 410

We settled on the higher ground, up-wind

so that the stink of him did not get blown our way.

And we were wide awake, and cursing at each other,

making sure that no one got distracted from the job.

The time went by like this until the bright disc of the sun

had reached its zenith in the sky—and it was scorching hot.

°Then suddenly a whirlwind lifted up

a sky-high cloud of dust which swept the plain,

and ripped the foliage from the thickets there.

The whole wide air was filled with whirling grit: 420

we simply had to close our eyes,

and put up with this eerie torment.

It cleared up at long last—and there she was,

the girl, for all to see.

She was lamenting shrilly, like the screeching

of a bird that finds its nest is empty, chicks all gone:

that’s how she cried out when she saw the body bare;

and kept on calling violent curses down

upon the heads of those who’d done this thing.

Then straight away she fetched dry dust

in her bare hands, and poured around the body 430

three libations from an urn of finely crafted bronze.

On seeing this we rushed and cornered her—

though she was not at all alarmed.

When we accused her of the earlier act

as well as this one, she did not deny a thing.

That caused me pain and pleasure both together:

it’s very nice to have got free from trouble,

yet to drag down somebody who’s dear instead—

that’s painful.

But all this matters less to me

than does my own survival. 440

creon (to Antigone)

You, yes you there, staring at the ground,

do you admit you did this, or do you deny it?

antigone

Yes, I admit I did, and don’t deny the deed.

creon (to guard )

You go, wherever you may please;

you’re free, acquitted of this serious charge.

Exit guard.

scene 5

creon (to Antigone)

And you, now answer me, and keep it short:

were you aware that doing this

had been forbidden by the proclamation?

antigone

I was aware. How could I not be? It was clear enough.

creon

And still you dared to contravene these laws?

antigone

°I did, because for me it was not Zeus 450

who made this proclamation;

nor did Justice that inhabits with the gods below

decree these laws for humans to observe.

I have concluded that your edicts, as you’re mortal,

are not strong enough to override

the statutes of the gods,

which are unwritten and unshakeable.

These do not date, you see, just from today

or yesterday, but live for ever,

and nobody knows when they first came to light.

So I was not prepared to pay the penalty

before the gods for breaking those,

not out of fear for any mere man’s way of thinking.

I knew I had to die for it—of course I did— 460

that did not need your proclamation.

And if I die before my time, I count that as pure gain.

For one who lives amidst as much distress as me

can’t help but see death as a gain.

And so, for me, this doom of yours is far from pain:

but had I left the body of my mother’s son

unburied there, that would

have really hurt, while this does not.

And if you think I am a fool for what I’ve done,

the one who passes judgement on me is the fool. 470

chorus-leader

It’s clear the daughter has derived

this fierce trait from her father’s fierceness.

She has got no notion how to compromise in trouble.

creon

Well, let me tell you: attitudes that are too rigid

are most likely to come crashing down,

and iron that has been forged to extra hardness

you will see most cracked and splintered.

I have known the most unruly horses broken

with a little bridle—and rightly so because

big thoughts are not allowed

in one who is a household slave.

She showed her expertise with insolence 480

back then when she defied official laws;

and after that here is a double insolence:

she laughs and revels over what she’s done.

Now I’m no man, and she’s the man,°

if this control of hers is going to stay unpunished.

I do not care if she’s my sister’s child,

or closer kin than everyone who shares

our household Zeus,° she, and her sister too,

will not evade the nastiest of deaths.

I sentence her as well, as being equally

involved in scheming for this burial. 490

Go summon her out here—I saw her

in the house just now, distracted and hysterical.

The mind that’s plotting wrong in secret

often gets detected in advance;

and yet I hate it too when someone, after being caught,

attempts to paint the crime as beautiful.

antigone

So is there anything you want beyond just killing me?

creon

No, nothing—having that’s my everything.

antigone

Why are you waiting then?

I have no liking for a single syllable you say, 500

and trust I never shall—just as I’m bound

to keep on being disagreeable for you.

And yet . . . what higher glory could I win

than by performing my blood-brother’s burial?

And all these people here would give me their approval,

were their tongues not clamped by fear.

One of the great advantages of one-man rule

is liberty to do and say just what you please.°

creon

But you alone of all the Thebans see things in this light.

antigone

These do as well, but gag their mouths in front of you.

creon

And are you not ashamed to think so differently? 510

antigone

No shame in honouring those born of one womb.

creon

Did his opponent to the death not share your blood as well?

antigone

He did—same mother and same father too.

creon

So how can you bestow a favour that besmirches him?

antigone

The man who’s dead will not support that view.°

creon

Not even if you honour him as equal to that filth?

antigone

It was his brother, not some slave, who died.

creon

Out to destroy this land: the other stood in its defence.

antigone

Yet Hades still desires these funeral rites.

creon

The good should not get equal treatment with the bad. 520

antigone

Who is to say what’s seen as rightful in the world below?

creon

An enemy can never be a friend, not even after death.

antigone

I’m bound by birth to join in love, not join in enmity.°

creon

Then go below and love those there, if love you must.

No woman’s going to be in charge as long as I’m alive.

Ismene is brought out under guard.

chorus-leader

Here’s Ismene coming out now

weeping for her dearest sister.

Brooding storms lour on her forehead,

stain her lovely cheeks with teardrops. 530

creon (to Ismene)

It’s you who’s lurked inside my house;

it’s you has drained me like some viper;

and I was unaware that I was feeding up

two deadly threats to overturn my throne.

Speak up and tell me this:

Do you admit to sharing in this burial?

Or will you swear to ignorance?

ismene

I did it, yes—if she agrees.

I share the guilt and take the blame.

antigone

No. Justice will not let you make this claim.

You were unwilling, and I did not make you part of it.

ismene

But in your hour of need I’m not ashamed 540

to join you on your voyage of suffering.

antigone

No. Hades and the dead can tell whose deed it was.

I do not like a loved one who shows love with only words.

ismene

But, sister, don’t deprive me of the right

to die with you and join in reverencing the dead.

antigone

Don’t try to share my death; and don’t lay claim

to things you did not touch. My dying will suffice.

ismene

Why should I want to live if I’m bereft of you?

antigone

Ask Creon that—he is the one you care about.

ismene

Why stab at me, although it does no good? 550

antigone

It hurts me too, if with my mockery I mock at you.

ismene

Well then, what way can I still do you good?

antigone

By your surviving. I do not begrudge you your escape.

ismene

Am I to be excluded from your death?

antigone

You are, because you chose to live, and I to die.

ismene

I spoke my honest mind at least.

antigone

And you strike some as right: to others I seem right.

ismene

And so our errors are judged equally.

antigone

Farewell. And live.

My life has long been dead, so I may serve the dead. 560

creon

I’d say that one of these two girls has just been seen as mad:

the other has been from the start.

ismene

Yes, in the worst of times, my lord, good sense

abandons even those endowed with it.

creon

That’s true of you: you chose to go along with criminals.

ismene

What life’s worth living by myself and not with her?

creon

Don’t speak of ‘her’—as she no longer is.

ismene

But are you going to kill your own son’s bride?°

creon

I am—as there are other fields for him to sow.

ismene

But not so closely suited as with him and her. 570

creon

I hate the prospect of a bad wife for my son.

ismene

Beloved Haemon, how your father undervalues you!°

creon

You and your marriage-match just make me furious!

ismene

So will you really leave your son deprived of her?

creon

It’s Hades who is going to call this marriage off.

ismene

It seems decided: she must die.

creon

Yes, by both you and me.

(to his soldiers) Waste no more time, but take her inside, men.

From now they must be women, not let loose.

Even the brave, you know, attempt to run 580

when they see Hades looming close.

Antigone and Ismene are escorted inside; Creon stays on.

third choral song

chorus

°Happy the life that’s lived

all untainted by taste of bad.

Utter disaster pours

on the family and the house

shaken by gods from above.

Just the way the rolling wave

stirred by a north-wind storm

moves sweeping above the gloom,

churning up from the bed 590

of the ocean the black silt cloud.

Loud on the headland shore

the ranks of the breakers roar.

From long ago the pains

of this dynasty° pile upon pains

constantly from the dead,

so the family cannot get freed;

always some god bears down

so they never can break the chain.

Oedipus’ house was bright

with the light of its latest root: 600

now that has been cut through

by the blade of the gods below—°

bloodied by foolish speech

and by thoughts beyond reason’s reach.°

Zeus, your rule is so commanding

that no human overstepping

could have strength to countermand it.

No, not sleep the all-enwrapping

nor long months can undermine it.

Never aged with time, almighty,

you hold rule on high Olympus,

lofty hall of dazzling brightness. 610

This is law as laid down sure for

past time, present, and hereafter:

nothing vast as this encounters

human life without disaster.°

Ranging Hope may bring to many

people benefits through wishing:

but for many it deceives them

with mere feather-brained ambition.

Unaware before they know it

their foot’s smouldering° in hot embers.

Someone coined this well-known saying,

words which wisdom still endorses: 620

bad things seem like good to someone

whose perception alters after

god directs them to disaster.

They’re not long without disaster.

scene 6

Haemon is seen coming from the direction of the city.

chorus-leader

°Here comes Haemon, youngest of your

children. Is he here in anger

at the sentence on Antigone

[his bride-in-waiting]

his affianced, incensed at

being cheated of his marriage? 630

creon

We’ll soon find out, and better than by guesswork.

(to Haemon) My son, now that you’ve heard the sentence

firmly fixed against your bride-to-be,

have you come here enraged against your father?

Or do I stay still dear to you, whatever I may do?

haemon

Father, I remain your son,

and so, as long as you set out for me

sound judgements, I shall follow them.

For me no marriage shall be valued higher

than your guidance, when it’s good.

creon

That’s right, my son: you should

wholeheartedly take up your stand in full support

behind your father’s judgement. 640

This is why men pray to raise obedient offspring

in their homes: for paying back their enemies with harm,

and valuing their friends just as their father does.

All one can say about a man whose children

offer no support is that he’s breeding problems

for himself—and hearty laughter for his enemies.

And so, my son, don’t ever throw away your thinking mind

to gratify the pleasure that a woman gives;

you need to know that if you have a tainted wife

beside you in your bed at home,

then those embraces shall go cold. 650

What festering sore could there be worse

than having vicious kin?

So spit her out, this girl, this bitter poison—

let her mate with someone down in Hades.

I arrested her myself, you see, defying my commands,

the only one from all the city;

and I’ll not present myself before the city

as untrue to my word: no, I shall kill her.

So let her go on with her chants of ‘blood-kin Zeus’.°

If I raise my own family undisciplined,

then how much more will that be true of those beyond. 660

The one who’s steadfast in his family affairs

will be perceived as just within the city too.

I’m confident that man would make an admirable ruler,(668)

and would be ready to be justly ruled;

and posted in the storm of battle 670

he would stay reliable, a trusty fellow-fighter.

°But the one who oversteps and violates the laws,(663)

or thinks that he can order those in charge around,

that person can no way earn praise from me.

Whatever man the city has established in authority,

he has to be obeyed in matters great and small,

in just and opposite alike.°(667)

There’s nothing worse than breakdown of authority: 672

this is what ruins cities, shatters households,

scatters allied troops in flight:

obedience to authority keeps men secure in line

and most effectively saves lives.

So this is how we must preserve

the proper ordering of things,

and not, whatever happens, be subjected to a woman.

It’s better, if needs must, to be defeated

by a man—for then at least we can’t be said

to have been bettered by a female. 680

chorus-leader

You seem to us to speak good sense about these things,

if we’ve not lost our judgement through old age.

haemon

Father, the gods have planted in mankind

a thinking mind, the highest of all gifts.

I would not say your words are in the wrong,

and may I never want to;

but it may turn out as right in quite a different way.°

It is my place to keep good watch on your behalf

for all the things that anyone may say, or do, or criticize.

°You need to know the common people stand 690

in fear of you, in case they might say things

that you would not be pleased to hear.

For me, though, it’s still possible to listen to

what’s said in secret, and it’s this:

°the city’s filled with sorrow for this girl

because, most undeservedly of women,

she is due to die most horribly—

and yet for highly admirable deeds.

She is the one who did not let

her slaughtered brother lie unburied,

left for mutilation by wild dogs or crows—

so does she not deserve a crown of golden honour?

That’s the sort of word that’s darkly spread around. 700

For me there’s nothing that’s more precious, father,

than your prospering.

What lustre can there be more bright for children

than their father’s flourishing with good repute?—

the same for fathers with their children.

So don’t impose within yourself a single cast of mind:

that what you say, and nothing else, is always right.

For people who believe that they alone are sensible,

or they, and no one else, can speak—or feel—what’s good,

when opened up they’re found to be a blank.

There’s nothing shameful for a man, however wise, 710

in learning yet, and not remaining over-rigid.

You see how when a tree beside a winter flood

bends pliantly, it stays with every twig intact,

while one that is unbending gets destroyed, uprooted.

And so too a mariner who keeps the sails stretched tight

and never slackens them capsizes,

and goes on his voyage with benches upside down.

Give way, then, and allow a change of heart.

If I, though younger, am allowed to show some sense,

I say that, while it would be great for men 720

to be infallible, since things are not inclined

to tip that way, it’s good to learn

from those who offer good advice.

chorus-leader

My lord, if he says anything that’s to the point,

it’s only right for you to learn from him—

and he from you. Both sides have said good things.

creon

Are men of our age to be tutored

in good sense by one as young as this?

haemon

Only in what is right. I may be young

but think of my achievements more than years.

creon

And is it an achievement to exalt those causing trouble? 730

haemon

I wouldn’t tell you to exalt those in the wrong.

creon

But isn’t that the plague this woman is afflicted by?

haemon

The common people here in Thebes do not agree.

creon

And is the city telling me the way to rule?

haemon

Can you not see how juvenile that sounds?

creon

Is ruling here my task—or someone else’s?

haemon

It’s no true city that belongs to just one man.

creon

And is the city not considered as its ruler’s realm?

haemon

Well, you would make the perfect monarch of a desert land.

creon

It’s clear this one is fighting on the woman’s side. 740

haemon

If you’re a woman—it’s for you I am concerned.

creon

By launching into quarrels with your father?

haemon

Only because I see you going badly wrong.

creon

Do I go wrong if I respect my own authority?

haemon

It’s no respect to trample over what is owed the gods.

creon

Despicable, to be subjected to a woman!

haemon

At least you will not catch me crushed by wrong.

creon

Well, everything you say is standing up for her.

haemon

For you as well, and me, and for the gods below.(749)

creon

°Slave to a woman! Don’t attempt to sweeten me.(756)

haemon

You want to speak, yet not to listen when you’re spoken to?

creon

You’ll never have her, not while she is still alive. 750

haemon

In that case she shall die, and, dying, bring another down.

creon

What? Are you really threatening so far?

haemon

What kind of threat is it to challenge empty thoughts?

creon

You shall regret all this advice as your head’s empty.

haemon

If you were not my father, I’d say you’re the mindless one.

creon

What’s that? I swear by heaven above you’ll not go on and on

insulting and abusing me unpunished.

(to guards) Bring out that abomination,760

so that she can die now, here,

before her bridegroom’s eyes.

haemon

Oh no, not me—don’t ever think of that—

she shall not die in front of me.

And you shall never set your eyes on me again;

then you can rage with friends who want to stay with you.

Exit Haemon away from the direction of the city.

chorus-leader

He’s gone, my lord, run off in fury.

Youthful hearts like his in pain can take things badly.

creon

Well, let him act and think like someone more than man:

he won’t be able to preserve those girls from death.

chorus-leader

But do you really mean to put them both to death? 770

creon

No, not the one who had no hand in it. You’re right.

chorus-leader

What kind of fate do you intend for her?

creon

°I’ll take her to a place that is untrod by human foot,

and there I’ll close her up inside

a rocky cell dug underground.

I’ll set out food sufficient to escape pollution,

so the city as a whole can still avoid miasma.

And there she can address her prayers to Hades,

who’s the only god that she reveres,

and see if she can manage not to die.

Or else she will find finally that her obsession

with the underworld is labour spent in vain. 780

Exit Creon into the palace.

fourth choral song

chorus

°Desire, never conquered in fight,

Desire, you invade every heart.°

The cheeks of a delicate girl

are where you encamp through the night;

you find your way over the seas,

and creep inside huts in the fields.

No god and no human escapes;

one who has you is utterly crazed. 790

You drag awry minds that are good,

and violently turn them to harm;

it is you who have stirred up this strife

between these two men of shared blood.

The nubile young bride with her gaze

stirs longing and lifts up the prize;

such passion defeats highest laws—°

Aphrodite invincibly plays. 800

scene 7 (lyric dialogue)

°Antigone is brought on by guards.

chorus-leader

As I see this, even I am

swept beyond the laws’ high order.

I can now restrain no longer

teardrops spilling as I witness

young Antigone here passing

to the room where all must sleep.

antigone

Here you see me, citizens

of my famous fatherland,

treading on my final way,

looking on my final sun,

never after this again. 810

Hades who lays all to sleep

takes me while I’m still alive

to the shore of Acheron;

cancelled from my wedding-day,

silenced from my marriage-song,

I shall lie with Acheron.

chorus-leader

Surely there’s some fame and glory

in your going to the cavern

where the dead lie, yet not wasted

by diseases, nor dispatched by 820

warfare; but with independence

you alone of mortal women

pass on down to Hades, living.

antigone

°I have heard how Niobe,

who came to Thebes from Phrygia,

went back to a dreadful death.

Near the peak of Sipylus

she was cased about with stone,

gripping her as ivy creeps.

There the showers of rain and snow 830

falling ceaseless wear her smooth;

trickling tears drip from her brow,

constantly run down her cheeks.

She’s most like to me indeed

as the god takes me to bed.

chorus-leader

°But she was divine, descended

from the race of gods, while we are

humans born of mortal parents.

All the same it makes your dying

shine to share a fate with godlike

equals, both in life and death.

antigone

I’m made a mockery!

By our ancestral gods,

why show contempt for me

in view and not yet gone? 840

O city, and you men,

rich citizens of Thebes,

and land of chariots

and Dirce’s flowing streams,

you are my witnesses:

see how, unwept by friends,

condemned by what decrees,

I make my way towards

my bizarre burial,

my excavated cell,

not with the living, though, 850

nor with the dead below.

chorus-leader

Child, you pressed on to the verge of

daring, and then stumbled on the

mighty pedestal of justice,

paying for ancestral torment.

antigone

You’ve pressed my greatest wound:

my father’s threefold pain,

and all our dynasty° 860

with its collective fate.

My mother’s union was

disaster, coupling in

bed incestuous—

a father’s mothering.

Such was my origin;

and back to them I pass,

child-sister settler,

unmarried and accursed.

And so your burial,° 870

my brother, has entailed

my death; your dying has

killed me alive as well.

chorus-leader

Your deed has a kind of rightness:

yet, for one in power, that power must

not be violated. You, it is your

wilful temper has destroyed you.

antigone

Without tears, without friends,

without wedding-chorus

I am led on to tread

this pathway before us.

I have to see no more

this sun’s illumination; 880

I have no friend to mourn

my doom, no lamentation.

scene 8

Enter Creon abruptly from the palace, accompanied by guards.

creon

For sure if chants and mourning

could hold death at bay,

then nobody would cease from them.

(to guards) Take her away at once,

and when you’ve wrapped her tight

inside the dug-out tomb, as I’ve instructed,

leave her there alone to see

if she would like to die, or live

incarcerated in a vault like that—

whichever way, our hands are clean

concerning this young woman.

What is sure is that she’s going to be deprived 890

of dwelling here above.

antigone

°My tomb, my bridal chamber

and my deep-dug dwelling, my for-ever cell,

I go to you to join with my own people—

with so many of them down among the dead

admitted by Persephone.

And last of all of them I go, my ending far the worst,

before I’ve reached my proper share of life.

At least as I reach there I am sustained by hoping

I’ll arrive as loving to my father,

and beloved for you, my mother,

and as loving towards you, dear brother;

since all of you, when you lay dead, I washed 900

and dressed and poured out

funeral offerings with my own hands.

And, Polynices, now it is for caring for your body

I’m receiving this reward.

And yet my act of honouring you

was in the eyes of thinking people good.

°[Because if children I was mother to,

or if a husband lay there dead and rotting,

I would not have taken on this labour

in defiance of the city’s will.

What is the principle that I observe in saying this?

Suppose I had a husband who was dead,

there still could be another;

and I could still produce a child[910]

born of another man, if I had lost this one.

But, with my mother and my father

dead and down below, there is no way

another brother ever could be born.]

It’s in accordance with this principle

I paid you this especial honour.

But Creon thinks that I did reckless wrong,

my dearest brother.

So now he’s taken me by force, and leads me off,

me with no wedding-bed, no wedding-song,

without my share of marriage or of raising children.

But no, like this, bereft of friends, I make my way

alive into a dug-out cavern of the dead. 920

What justice of the gods have I transgressed?

But why continue looking to the gods?

What allies can I still invoke in prayer,

since I am singled out as wrong

for doing what was right?

Well, if this wins approval from the gods,

then through my suffering I’ll come

to recognize my error:

but if it’s these ones here who are in error,

may their pain turn out no less

than that unjustly visited on me.

chorus-leader

Still the same tempestuous storm-gusts

keep their hold upon her spirit. 930

creon

That is why these warders will be

sorry they respond so slowly.

antigone

That command means death is very near. . . .

creon

I have nothing else to offer:

this is what is going to happen.

The guards begin to take Antigone off.

antigone

O my city, and ancestral

Theban gods here, I am being

taken, and can stay no longer.

Look upon this, Theban elders— 940

me the last of this royal bloodline;

see what kind of man has made me

suffer, and for standing upright

holding on to what is right.

Exit Antigone, with guards, in the direction of the plain; Creon stays on.

fifth choral song

chorus

°Danae had to endure

leaving the light of the skies,

and having her body immured

inside a cell bound with bronze sides.

She was constrained and secured

within a tomb-room, my child,

although she was noble, and cared

for Zeus-seed flowing with gold. 950

Fate has a dread kind of power,

such that there’s nothing escapes,

not battle, nor wealth, nor high tower,

nor blackened sea-beaten ships.

°And Dionysus confined

Lycurgus to make him atone

for ill-tempered rage that defied

the god; shut in a prison of stone.

Slowly the froth of his rage

dripped till his madness was spent; 960

then he recognized how he had strayed

by insulting the god with mad taunts.

He tried to have women inspired

by the god restrained and suppressed,

and to quench Dionysian fire,

insulting the pipes of the Muse.

°And at Thracian Salmydessus

by the Black Sea’s narrow strait, 970

there the cruel wife of Phineus

blackened her two step-sons’ sight,

casting an accursed darkness

on their eyeballs’ vengeful look,

mutilated, hands all bloodstained,

by her shuttle’s pointed spike.

So they withered in their sorrow,

Cleopatra’s blinded twins,

sons from her disastrous marriage. 980

She was born from ancient kings,°

nurtured in the North Wind’s caverns,

flying proudly high and wild,

race of gods. And yet the age-old

Fates oppressed her too, my child.

scene 9

Tiresias has arrived unobtrusively from the city side, led by a servant.

tiresias

Elders of Thebes, the two of us

have made our way here with one set of eyes—

the blind find out their pathway through their guide. 990

creon

Well, old Tiresias, what is your news?

tiresias

I shall instruct you. And you should obey the prophet.

creon

I never have dissented from your judgement in the past.

tiresias

And that is how you’ve kept this city safe on course.

creon

I can confirm your value from experience.

tiresias

Think hard: you’re on the razor’s edge.

creon

What do you mean? I shudder at your tone.

tiresias

You’ll know from hearing what my art conveys.

Already as I took my seat upon the ancient place

for divination, where I have my refuge for all kinds of birds,° 1000

I could detect their unfamiliar sound

as they were screeching with unnatural frenzy.

I knew that they were ripping at each other with their talons

as the whirring of their wings was unmistakable.

Alarmed, I set about enquiry through burnt sacrifice,

and lit the tinder all around the altar;

but no flame took hold upon the offerings,

instead a murky liquid oozed out from the meat

upon the ash and made it smoke and hiss.

The gall was spattered, and the joints of meat 1010

lay bare without the fat which trickled off from them.

This is the way the rituals refused to yield

prophetic signs, as I discovered from this boy,

who is my leader just as I lead others.

And it is your will that makes the city sick like this,

because the altars and the sacrificial pits are clogged

with carrion torn by dogs and birds from off

the wretched body of the son of Oedipus.

And so the gods are not accepting prayers from us, 1020

nor sacrificial smoke from meat.

[Nor does the bird bescreech intelligible cries,

as they have feasted on the fat of human blood.]°

Please give hard thought to this, my son—

all human beings make mistakes sometimes;

and, when one does, it does not mean

he has to go on being foolish or unfortunate

if he sets out to remedy the trouble he has fallen in,

and does not stay immovable—

it’s stubbornness that earns a verdict of stupidity.

So give way to the dead,

and don’t keep stabbing one who’s down.

What bravery is there in continuing to kill the dead? 1030

I mean good will to you when I say this;

It’s a delight to learn from someone

who gives good advice if it brings gain.

creon

Old man, you all of you let fly at me like archers

at a target—even with your prophecies.

I’ve long been bought and sold, negotiated, by your sort.

Pile up your gains, import electron coins

from Sardis,° gold from India, go on:

but, no, you shall not cloak that body

in the grave—not even if high Zeus’s eagles 1040

want to snatch it up and bear the carrion to his throne,

not even then would I be scared by this miasma

into letting him have burial.

I don’t believe a human has the power

to pass pollution to the gods.

Even the cleverest people, old Tiresias,

fall down in ugly ways when, out to make some gain,

they dress up ugly allegations in fine words.

tiresias

That’s bad. Does anybody know, or think . . .

creon

Think what? What universal truth do you proclaim?

tiresias

. . . how judgement is the greatest thing one can possess. 1050

creon

Yes, just as much as foolish thinking does the greatest harm.

tiresias

Well, that’s the illness you’re infected with.

creon

I do not want to cast abuse back at the seer.

tiresias

And yet you do when you condemn my prophecy as false.

creon

Because all prophets are a money-grasping clan.

tiresias

And tyrants also love corrupted ways of getting rich.

creon

You realize it is your chief you are abusing?

tiresias

I do. In fact it’s thanks to me you’ve kept this city safe.

creon

You are a clever prophet, but too fond of going wrong.

tiresias

You’ll stir me into saying things I’m keeping undisclosed. 1060

creon

Go on, disclose! Don’t speak for payment, though.

tiresias

Is that what you believe I have been doing?

creon

You’ll never buy and sell my judgement, that’s for sure.

tiresias

°And you can be assured of this:

the sun shall not run many circuits more

before you shall have given one from your own blood,

a corpse in recompense for corpses.

This is to pay for thrusting down below

a human from this world above,

resettling a living spirit in the tomb,

whilst also keeping here above 1070

a corpse belonging to the gods below,

unportioned and unburied and unhallowed.

Yet these things are not for you to regulate,

nor for the gods above: they have been

violently displaced through your command.

So spirits of destruction, late to strike,

are waiting for you, powers of Hades and the gods;

so that you will be caught up in these selfsame wrongs.

Now look and see if I’ve been overlaid with silver—

this will be revealed through wear and tear

by men and women mourning in your house.°

°[And all the cities are becoming agitated[1080]

in resentment, where the dogs and beasts

and birds have swallowed bits of corpses,

spreading the polluted stink into the smoke from altars.]

So, since you’ve wounded me, in anger

I have aimed these arrows straight at you;

and you shall not be able to elude their sting.

(to his servant) My boy, now take me home,

and leave this one to vent his rage on younger men.

Then he may learn to cultivate a softer tone

and better cast of mind than he has now. 1090

Tiresias is led back towards the city.

chorus-leader

The man has gone, my lord, with terrifying prophecies.

Yet ever since my hair first turned to white from black,

I’ve never known him utter to our city

any warning that was false.

creon

I know, and I am much perturbed.

While giving in is terrible,

to let my firm resolve come crashing down in ruins

would be so as well.

chorus-leader

Son of Menoeceus, you must summon wisdom.

creon

What should I do then?

Tell me and I’ll follow your advice.

chorus-leader

Go, let the girl free from her deep-dug cell, 1100

and organize the burial of the body lying there.

creon

You mean you recommend: that I give way?

chorus-leader

As quickly as you can, my lord.

The gods’ reprisals cut short those who cling to wrong.

creon

It’s hard, but I must let go of my heart’s resolve.

No good to fight against what has to be.

chorus-leader

Then do it, and don’t delegate to others.

creon

Yes, I shall go, just as I am.

Come on, come on, attendants far and wide,

bring heavy tools and hurry to that place in view. 1110

And I—now that my judgement has been overturned—

I shall be there myself, the one who closed her up,

to undo what’s been done.

I’m coming to suspect that it is best

to go through life still keeping

to the long-established laws.

Exit Creon with attendants, towards the plain.

sixth choral song

chorus

°O god of many names, we call on you,

the son of Theban maid and thunderer Zeus.°

You range through Italy,° and have your power

within Demeter’s folds, hospitable 1120

Eleusis’ holy shrine°—O Baccheus, come!

Your birthplace-home is Thebes, the mother-town

of bacchants, here beside Ismenus’ flow

and dragon-meadow where the teeth were sown.

The torch’s blazing light has sighted you

above the double crests of Delphi’s heights,

where the Corycian nymphs go dancing, source

of the Castalian stream;° and ivy slopes 1130

of Nysa° by the coast grown thick with grapes—

all these domains of yours are sending you

to where your followers raise ritual shouts,

assembling to protect our Theban streets.

Thebes among all others

is the city you honour most,

here beside your mother

who was struck by the lightning bolt.°

Now her people suffer 1140

from attacks of malign disease,

so across Parnassus

or over the sounding seas

come to purify us,

and to grant us a pure release.

Cosmic chorus-leader

of the stars breathing fiery light,

and divine protector

as your worshippers sing by night,

great progeny of Zeus,

come, appear now—compassionate

epiphany—before us,

with your maenads who through the night 1150

dance and sing their chorus

as they celebrate your rite.°

scene 10

An attendant of Creon hurries on as messenger from the side of the plain.

messenger

You citizens of Thebes,

I say there is no state of human life

that I would ever praise or criticize as fixed.

For constantly chance lifts and chance tips down

to make the fortunate unfortunate and back again;

so nobody can prophesy what stands as firm for humans. 1160

Take Creon.

He was enviable, so far as I could tell:

he’d saved this land of Thebes from enemies;

he’d taken over total sovereign power;

he flourished with fine children. . . .

And now that’s gone, all gone.

For when delight has left a man deserted,

I would not count him as alive—

more like a corpse with breath.

Build up great wealth, go on, and live in regal style;

but if the joy has gone from this, 1170

I wouldn’t give smoke’s shadow for the rest,

not set against delight in life.

chorus-leader

What’s this new grief you bring our royal house?

messenger

They’re dead. And it’s the living are to blame.

chorus-leader

Who is the killer? Who the victim? Tell.

messenger

It’s Haemon dead, blood shed by his own blood.

chorus-leader

D’you mean his father did it? Or he killed himself?

messenger

By his own hand, in fury at his father.

chorus-leader

Prophet, your words have turned out all too true!

messenger

Therefore you should consider what to do.

chorus-leader

But here I see Eurydice,° poor wife of Creon. 1180

Is it chance she’s coming out of doors,

or has she heard about her son?

Eurydice has entered from the palace door.

eurydice

Good citizens, I heard some talk as I was coming out

to go and supplicate Athena with my prayers.

I was unfastening the door-bolts when some news

of troubles for this household reached my ears,

so that I fainted back into my women’s arms.

Yet tell again whatever that news was— 1190

I’m well experienced in grief.°

messenger

I was right there, dear mistress,

and I’ll not pass over any word of truth.

What would be the point of reassuring you

when later I’ll be seen to have been lying?

Truth is always best.

I attended on your husband to the far edge of the plain,

to where the corpse of Polynices,

torn about by dogs, unpitied, lay.

With prayers to Hecate and Hades 1200

to be kind and hold their anger back,

we washed him with pure water,

and then burnt his last remains

upon a pyre of new-cut brushwood.

When we’d heaped his mound of native earth,

we moved towards the bridal-chamber

of the maiden with its bed of rock.

From far away we heard loud crying sounds

that echoed round that cursèd portico,

and went to warn our master Creon.

As he came nearer, incoherent cries of grief 1210

engulfed him, and he cried aloud in anguish:

‘Ah, am I to be the prophet then?

Am I upon the most disastrous path I’ve ever trod?

That’s my son’s voice that’s greeting me.

Come, servants, hurry close and peer

into the tomb—go through the hole there

where the wall of stones has been torn down.°

See if I’m right to recognize that voice as Haemon’s,

or if I am deluded by the gods.’

So following our master’s anxious words,

we went and looked. 1220

There in the furthest corner of the tomb we saw her,

hanging from a fastened noose of linen cloth.

And him beside, embracing her around the waist,

lamenting for his marriage-partner killed

and gone below, and for his father’s actions,

and his own unhappy union.

When Creon saw, he went towards him

calling in a dreadful, pleading tone:

‘O no, what have you done?

What were you thinking?

What is it has so maddened you?

Come out, my son, I beg of you.’ 1230

His son just glared at him, wild-eyed,

and, making no reply, spat in his face;

then drew his two-edged sword,

but, as his father hurried to escape,

he missed his blow.

And there and then the poor boy, angry with himself,

hard braced his body on the blade,

and plunged it half its length into his side.

Then, still alive, he took the woman in his arms

and clung to her; with gasps he showered spurts

of crimson blood upon her pallid cheek.

His body lies enfolded with her body, 1240

so the poor man has fulfilled his wedding rites

below in Hades’ house.

He’s surely demonstrated how bad thinking

is for humans far the worst of faults.

°Eurydice goes indoors.

chorus-leader

What do you make of this? The lady has gone back

indoors without a word of any kind.

messenger

I am surprised as well. My hope is that,

on hearing of her son’s last agonies,

she did not want to make a mournful noise in public,

but indoors will have her maids raise cries

of lamentation for this family grief.

She has the sense to keep clear of committing wrong. 1250

chorus-leader

I’m not so sure. To me excessive silence

seems as serious as too much crying out aloud.

messenger

I’ll find out if she’s holding back some hidden impulse

by going in myself. You’re right

that extreme silence may be ominous.

Messenger goes inside, as Creon approaches from the direction of the plain with the body of Haemon.

scene 11 (lyric dialogue)

chorus-leader

°Here the king himself is coming,

carrying a clear reminder,

to be honest, of his downfall—

his and no one else’s error. 1260

creon

Mistakes of my ill-judged judgement

inflexible, deathwards tending!

You see kindred killed and killer,

disaster of my mis-thinking.

(cry of distress, then to the dead Haemon)

You lie dead, your young life ended

through my, not your, ill thinking.

chorus-leader

Too late, it seems, you’ve understood what’s right. 1270

creon

Yes, I have learnt from my mistakes.

Back then a god beat on my head with heavy blows,

and threw me far off course on savage tracks,

and so has overturned and trampled on my joys.

Such pain on pain weighs down our human ways.

The messenger-attendant re-enters from the house.

messenger

You have, my lord, one burden and you will get more.

The one you carry in your arms,

and soon you shall set eyes upon

the other sorrow in your house. 1280

creon

What can there be that’s yet more terrible to add?

messenger

Your wife, true mother of this corpse,

lies dead from stabs just dealt.

creon

O harbour of death, undraining,

why more and more, why destroy me?

Bad-news-bringer, what new sorrow?

You crush a man down already.

(cry of distress)

What’s this increased disaster— 1290

my wife heaped on the slaughter?

°The body of Eurydice is brought out.

messenger

See for yourself; her body is no more indoors.

creon

Here is a second soul-destroying sight.

Can there, can there be any further doom in wait?

It was just now my arms took up my son,

and here I see her lying dead before my feet.

Unhappy mother and poor child, both gone. 1300

messenger

Before the altar <she took up a sword

and pierced herself> upon its sharpened point.°

As darkness fell upon her eyes,

she cried out for the glorious fate

of Megareus,° the son who died before,

and then for Haemon here;

and with her dying breaths she sang the litany

of your wrong deeds that killed your child.

creon

I’m whirled aloft with dread.

Why doesn’t somebody

take up a sharp-edged blade

and strike me fatally?

I’m steeped in bitter pain,

infused with misery. 1310

messenger

Indeed this woman here, now dead,

denounced you for this death and those before.

creon

How was it that she brought about her end?

messenger

When she had heard her son’s appalling fate,

with her own hand she stabbed deep in herself.

creon

The blame for this cannot be pinned

on someone else. I am the one.

For I killed you, yes you I killed—

truth must be told. My servants, take, 1320

take me to far away, and quick,

the man who is no more alive

than somebody who does not breathe.

chorus-leader

That’s well advised, if there is any good in such bad times.

Best to be brief when troubles strew the way.

creon

Please come, O let it come,

the finest fate for me,

far best, my final day. 1330

O let it come, please come,

so that I never see

another shining day.

chorus-leader

°That is the future: it’s the present calls for action.

Matters must be left to those who should take care of them.

creon

But I have prayed for everything that I desire.

chorus-leader

Then pray no more. There’s no release for humans

from events that have to be.

creon

Please take away this empty man,

who did not mean to kill you, son, 1340

and you as well, my wife, my own.

I don’t know where to point my sight,

nor where to lean. For every deed

I take in hand skews off from straight.

Cruel fate has swooped down on my head.

Attendants take Creon and the two bodies indoors.

chorus

Wisdom is the first prescription

for good living: never rashly

spurn the gods. Disdainful language 1350

gets repaid with painful lashes,

teaching us in old age wisdom.

The chorus go off in the direction of the city.