SPRING OVERTURES—RECREATIONS

February 10. The first chirping, almost singing, of a bird today. Then I noticed a couple of honeybees spirting and humming about the open window in the sun.

February 11. In the soft rose and pale gold of the declining light, this beautiful evening, I heard the first hum and preparation of awakening spring—very faint—whether in the earth or roots, or starting of insects, I know not—but it was audible, as I lean’d on a rail (I am down in my country quarters awhile), and look’d long at the western horizon. Turning to the east, Sirius, as the shadows deepen’d, came forth in dazzling splendor. And great Orion; and a little to the northeast the Big Dipper, standing on end.

February 20. A solitary and pleasant sundown hour at the pond, exercising arms, chest, my whole body, by a tough oak sapling thick as my wrist, twelve feet high—pulling and pushing, inspiring the good air. After I wrestle with the tree awhile, I can feel its young sap and virtue welling up out of the ground and tingling through me from crown to toe, like health’s wine. Then for addition and variety I launch forth in my vocalism; shout declamatory pieces, sentiments, sorrow, anger &c., from the stock poets or plays—or inflate my lungs and sing the wild tunes and refrains I heard of the blacks down south, or patriotic songs I learn’d in the army. I make the echoes ring, I tell you! As the twilight fell, in a pause of these ebullitions, an owl somewhere the other side of the creek sounded too-oo-oo-oo-oo, soft and pensive (and I fancied a little sarcastic) repeated four or five times. Either to applaud the negro songs—or perhaps an ironical comment on the sorrow, anger, or style of the stock poets.