Selected Bibliography of the Works of Arthur Danto

“The Artworld,” The Journal of Philosophy 61, October 15, 1964.

Nietzsche as Philosopher: An Original Study (New York: Columbia University Press, 1965).

Analytical Philosophy of History (Cambridge: Cambridge University Press, 1968).

Analytical Philosophy of Knowledge (Cambridge: Cambridge University Press, 1968).

What Philosophy Is: A Guide to the Elements (York: Harper & Row, 1968).

Analytical Philosophy of Action (Cambridge: Cambridge University Press, 1973).

“The Transfiguration of the Commonplace,” The Journal of Aesthetics and Art Criticism, 33, 1974.

Jean-Paul Sartre (New York: Viking, 1975).

“Moving Pictures,” Quarterly Review of Film Studies, Winter 1979, 20–21.

The Transfiguration of the Commonplace (Cambridge, MA: Harvard University Press, 1981).

Narration and Knowledge (New York: Columbia University Press, 1985).

The Philosophical Disenfranchisement of Art (New York: Columbia University Press, 1986).

“Munakata in New York: A Memory of the '5Os,” New Observations, 47, 1987, 3–10.

Mysticism and Morality: Oriental Thought and Moral Philosophy (New York: Basic Books, 1987).

The State of the Art (New York: Prentice Hall Press, 1987).

“Artifact and Art,” in Art/Artifact: African Art in Anthropology Collections (Munich: Prestel Verlag, 1988).

“Beautiful Science and the Future of Criticism,” in The Future of Literary Criticism, ed. Ralph Cohen (New York: Routledge, 1988).

“Some Remarks on The Genealogy of Morals,” in Reading Nietzsche, ed. Robert C. Solomon and Kathleen M. Higgins (New York: Oxford University Press, 1988).

“Andy Warhol,” The Nation, April 3, 1989.

“Anselm Keifer,” The Nation, January 2, 1989, 26–28.

Connections to the World (New York: Farrar, Straus, Giroux, 1989).

La Transfiguration du banal, trans. C. Harry-Schaeffer (Paris, 1989).

“Ming and Qng Paintings,” The Nation, October 23, 1989, 469–472.

Encounters and Reflections: Art in the Historical Present (New York: Farrar, Straus, Giroux, 1990).

“The Artworld Revisited: Comedies of Similarity,” The Nation, October 18, 1991.

“Description and the Phenomenology of Perception,” in Visual Theory: Painting and Interpretation, ed. Norman Bryson, Michael Ann Holly, & Keith Moxey (London and New York: Harper-Collins, 1991).

“The Sacred Art of Tibet,” The Nation, December 16, 1991, 788–792.

“The Shape of Artistic Pasts, East and West,” in Culture and Modernity, ed. E. Deutsch (Honolulu: University of Hawaii Press, 1991).

Beyond the Brillo Box: The Visual Arts in Post-Historical Perspective (New York: Farrar, Straus, Giroux, 1992).

“Narrative and Style,” The Journal of Aesthetics and Art Criticism, 49/3, Summer, 1992.

“What Happened to Beauty?” The Nation, March 30, 1992, 418–421.

After the End of Art (Princeton, NJ: Princeton University Press, 1997).

The Abuse of Beauty (Chicago: Open Court, 2003).