Ariadne on Naxos

(A Dramatic Monologue)

Between the hero’s going and the god’s coming

She paced a flinty shore, her windflower feet

Shredded and bleeding, but the flesh was numb

Or the mind too delirious to heed

Its whimpers. From the shore she vainly dredged

The deep horizon with a streaming eye,

And her strained ears like seashells only fetched

A pure pale blare of distance. Listlessly

She turned inland. Berries on bushes there

Watched her like feral eyes: she was alone:

The darkening thicket seemed a monster’s fur,

And thorn trees writhed into a threat of horns.

She walks a knife-edge here, between the woe

Of what is gone and what will never go.

O many-mooded One, you with the bared

Horizons in your eye, death in your womb,

Who draw the mariner down to a choked bed

And write his name upon an empty tomb –

Strangle him! Flay the flesh from his dishonoured

Bones, and kiss out his eyes with limpets! – No,

Drown my words! Who is the faithless now? Those eyes

Were true, my love. Last night, beside the myrtle,

You said ‘For ever’, and I saw the stars

Over your head, and then the stars were lost in

The flare and deluge of my body’s dawn.

False dawn. I awoke. Still dark. Your print upon me

Warm still. A wind, chilling my nakedness,

Lisped with the sound of oars. It was too dark

To see the wake of your bold, scuttling ship,

Or I’d have reeled you back on that white line,

As once … Is it because I saved you then

That you run from me as from a place accursed?

What is it in the bushes frightens me so?

A hide for nothing human. Coalfire eyes

Penning me on the beach. You had a kingdom

In your eyes. When you looked at me with love,

Were you only seeing a way to it through me?

I am a girl, unversed in the logic of heroes –

But why bring me so far, rescuing me

From my father’s rage, to leave me on this island

For the wild beasts? leave me like a forgotten

Parcel, or a piece of litter you had no time

To bury when you had used it under the myrtle?

Already a star shows. It is a day, an age

Since we came here. Oh, solitude’s the place

Where time congeals and memories run wild.

I put the ball of thread into your hands.

It is my own heartstrings I am paying out

As you go down the tunnel. I live with you

Through the whole echoing labyrinth, and die

At each blind corner. Now you have come back with

A bloody sword, a conqueror’s tired smile.

For you, the accustomed victory: for me,

Exultation, miracle, consummation.

Embracing you, the steel between us, I took

That blood upon myself, sealing our bond

Irrevocably with a smear of blood,

Forgetting that a curse lifted falls elsewhere

And weighs the heavier, forgetting whose blood it was.

Did you hear my mother’s willing, harsh outcry

Under the bull, last night? and shrink from your

Accomplice in the hot act, remembering

Whose daughter she is and whose unnatural son

She helped you butcher in the labyrinth?

I was a royal child, delicately nurtured,

Not to be told what happened once a year

Beneath the mosaic floor, while the court musicians

Played louder and my father’s face went still

As a bird listening for worms. But the maids gossiped;

And one day, when I was older, he explained –

Something about war crimes, lawful deterrents,

Just compensation for a proved atrocity.

It seemed nothing to do with flesh and blood,

The way he talked. Men have this knack for embalming

And burying outraged flesh in sleek abstractions.

Have you, too, found already a form of words

To legitimize the murdering of our love?

Ah well, I was not guiltless – never a thought for

The writhing give-and-take of those reparations

Until, with the last consignment of living meat

To be fed to the man-bull in the maze, you came.

You with the lion look among that huddle

Of shivering whelps – I watched you from the gate-tower

And trembled, not in pity, but afraid

For my own world’s foundations. When our hands

Touched at the State Reception, I knew myself

A traitor, wishing that world away, and found

My woman’s heart – sly, timorous, dangerous creature,

Docile but to the regent of her blood,

Despising the complexities men build

To cage or to hush up the brute within.

What were parents and kingdom then? or that

Poor muzzled freak in the labyrinth, my brother?

– Forgotten all. Forgetfulness, they say,

Is the gods’ timeliest blessing or heaviest curse.

A bundle of fear and shame, too much remembering,

I lie, alone, upon this haunted isle.

A victim for a victim is the law.

Is there no champion strong enough to break

That iron succession? Listen! What is this word

The bushes are whispering to the offshore breeze?

‘Forget’? No. Tell me again. ‘Forgive.’ A soft word.

I’ll try it on my tongue. Forgive. Forgive …

How strangely it lightens a bedevilled heart!

Come out of the thorn thicket, you, my brother,

My brother’s ghost! Forgive the clue, the sword!

Forgive my fear of you! Dead, piteous monster,

You did not will the hungry maze, the horns,

The slaughter of the innocents. Come, lay

Your muzzle on my forsaken breast, and let us

Comfort each other. There shall be no more blood,

No more blood. Our lonely isle expands

Into a legend where all can dream away

Their crimes and wounds, all victims learn from us

How to redeem the Will that made them so.

So on the dark shore, between death and birth,

Clasping a ghost for comfort, the girl slept.

Gently the night breeze bore across that firth

Her last, relinquishing sob: like tears unwept,

Windflowers trembled in the eye of night

Under the myrtle. Absence whirred no more

Within her dreamless head, no victim cried

Revenge, no brute fawned on its conqueror.

At dawn, far off, another promise broken,

The hero’s black sail brought his father death.

But on that island a pale girl, awoken

By more than sunlight, drew her quick, first breath

Of immortality, seeing the god bend down

And offer a hoop of stars, her bridal crown.