Tuesday night: April 1st: An absolutely grim and grey and sorrowful barren day. Woke home in Wellesley in my straight single bed to steaming of radiators. A rainy mizzle introducing April. Chill. A dull wait at the dentist reading articles in Mlle & gritting how well I could write them if only given time. A painful and routine session with Dr. Gulbrandsen – pale, stare-eyed, like a gentle blond pig, digging my gums to blood that I swallowed, not to be bothersome, cleaning and not bothering to look for cavities. I must have a low pain threshhold. All day my gums have ached, my left shoulder has ached from the first polio shot, my eyes have ached from bad lights and driving glare. After a bowl of hot corn chowder with mother we started back to Hamp with a full thermos of hot coffee. Grey low clouds blurred the hilltops & the landscape loomed all shades and lovely changes of purple, lavender – bare, still, and trees here yellow-twigged, here twigged bright red. We sipped scalding coffee, felt grey and diffuse as the wet weather. Counted twelve Volkswagon’s on the two & three-quarter hour trip. Home to no mail but a mimeographed circular notifying me how there will be lessons for women in investing money in stocks. Ha. Everything in-between – no acceptances or rejections. No writing freedom. No energy or inclination to do my Hopkins lessons which I must have ready for the day after tomorrow at 9 am. Ugh. Tearful. Sore. Grumpy with Ted who sometimes strikes my finicky nerves as coarse – scratching, nose-picking, with unwashed, unkempt hair & a dogmatic grumpiness – all unnecessary & unpleasant, about which I am nagging if I say anything. And I am much worse – petulant, procrastinating, chafing with ill will at the inevitable grind beginning again.
Sunday night: April 6: A mean miserable cold: I turned out the light at eight-thirty after two aspirins expecting they would knock me out. No such luck. Head swimming and dull with a day-full of absolutely fake & useless bufferin & codethricin or some such idiotic name I sneeze and sneeze, wet and soggy, piling up sodden frayed Kleenex tissues, throat aching, eyes twitching & an allergic sneezy twitch inside my head, lips swollen, nose sore. And this weekend I had planned to rest up & get ahead on my work. Now, by the time I am breathing & on my feet it will be time to teach again. All yesterday afternoon & today I have been too ratty miserable to do anything but hunch in bed & sneeze & twitch and read the latest women’s magazines – McCall’s & the Ladies Home Journal: irony upon irony: McCall’s, the “magazine of togetherness” is running a series of articles on illegitimate babies & abortions, an article on “Why Men Desert Their Wives”; three stories & articles considered, seriously here, humorously there, suicide from boredom, despair, or embarassment. The serial story, “Summer Place”, by Sloan-the-Man-in-the-Grey-Flannel-Suit Wilson is about a miserable middle-aged woman named, significantly enough, Sylvia, who commits adultery with the man she should have married twenty years ago but didn’t because she was foolish & didn’t realized when he raped her at the age of sixteen that they were meant for each other – adultery, love affairs, childless women, incommunicative & sullen couples – “Can this marriage be saved?” The psychologist asks of two selfish, stupid, incompatible people who were idiots to marry in the first place. It came over me with a slow wonder that all these articles & stories are based on the idea that passionate & spiritual love is the only thing on earth worth having & that it is next to impossible to find and even harder to keep, once caught. I turned to Ted, who is as close & warm & dear as can be, closer, warmer, dearer than I ever was to myself – who sees me sick, ugly, sallow, sneezy & hugs me, holds me, cooks me a veal chop & brings bowls of iced pineapple, steaming coffee at breakfast, tea at teatime. I feel, miraculously, I have the impossible, the wonderful – I am perfectly at one with Ted, body & soul, as the ridiculous song says – our vocation is writing, our love is each other – and the world is ours to explore. How did I ever live in those barren, desperate days of dating, experimenting, hearing mother warn me I was too critical, that I set my sights too high & would be an old maid. Well, perhaps I would have been if Ted hadn’t been born. I am, at bottom, simple, credulous, feminine & loving to be mastered, cared for – but I will kill with my mind, my ice-eye, anyone who is weak, false, sickly in soul – and so I have done. Our needs – of solitude, quiet, long walks, good meat, all our days to write in – few friends, but fine ones who measure nothing by externals – all these agree & blend. May my demons & seraphs guard me on the right way and we live long toward white hair & creative wisdom & die in a flash of light in each other’s arms. He uses me – uses all of me so I am lit and glowing with love like a fire, and this is all I looked for all my life – to be able to give of my love, my spontaneous joy, unreservedly, with no holding back for fear of his, misuse, betrayal. And so, in the lousy shut-in world of this cold, last night & put on my new white nylon nightgown with red roses, very small, embroidered on the collar, & filled Ted’s slippers with a chocolate rabbit & ten tiny chocolate eggs, each wrapped63 in a different color of tinfoil – green spots on silver, gold mottling, streaked peacock blue. I believe he has eaten them all. I think I shall sit up all night & force myself to read or write untill this drugged, dregged twitching goes. Pray God Ted doesn’t catch this for his reading in Cambridge on Friday. Today, as so many days this year, & so many days in my life, has been a horrid painful limbo. Woke after a sleep & queer nightmare – of seeing a new comet or satellite – round, but conical, with the point behind it like a faceted diamond. I was up somewhere on a dark high place watching it pass over head like a diamond moon, moving rapidly out of sight & then, suddenly, there were a series of short sharp jerks & I saw the planet halted in a series of still-shot framed exposures, which for some reason was a sight not granted to the human eye, & at once I was lifted, up, my stomach & face toward earth, as if hung perpendicular in mid-air of a room with a pole through my middle & someone twirling me about on it. I looked down at Ted’s kahki legs stretched out on a chair, & the bodies of other faceless people crowding the room & my whole equilibrium went off, giddy, as I spun & they spun below & I heard surgical, distant, stellar voices discussing me & my experimental predicament & planning what to do next. I spun, screaming, sick & woke up to a knife-cutting sore throat, a headache which is now at its height, & a swollen, streaming nose. Tried to write a poem about a fool on April Fool’s day, but was too weak & drugged to lift a pen, so it didn’t work. Feel very blue. Hate wasting a weekend like this. To hell. This makes me want a Spanish climate. To breathe. Pored over Beardsley. Felt utterly fin de siècle & fin de moi-měme.
An hour later, feverish, doped, I sit up still. Easter night. Stirred only this morning to watch the Catholic red-brick church across the street disgorge its crowds into the thin softly greening April rain – umbrellas flowered, pink, yellow, blue, green, and women came in white gloves with flowers pinned to their coat shoulders. Now, still, the traffic runs. Must I utterly squander in conscious misery a whole day & night every two weeks of my life? Lord knows where this wet drippy mucous spins itself from. Nothing to do but wake & endure & blink away the twichery water. I count my calendar, miraculously having lived through a week on Hopkins teaching – knowing full well 3 poems a day is no “work” for them, as most of them don’t work at all. Cathy Fey, the sullen white-fleshed slob in a straw man’s hat coming late, coughing loudly & insolently, swigging medecine or brandy from a brown bottle. Anne Bradley “in a mood”, snotty, vague. Well I love Hopkins’ poetry, will read, expound & not waste myself on the worst of them but simply mark them down. The best – my whole 11 o’clock – then, Sally Lawrence, Sue Badian, Jane Campbell, Sylvie Koval, Topsy Resnick – for these live & joyous & working girls I give thanks. Will I ever stop these wet sneezes? The one thing I have done more than I ever thought I would do is write those eight good poems over spring vacation & my book swells to 30 poems & 48 typewritten double-spaced pages. I aim for 30 more poems by next December 31st, the year’s end: a book then & hopefully, all the poems accepted for publication. What ratty stuff gets printed in these quarterlies! If I get rejected from The New Yorker this week, will promptly send batch to the Atlantic, then Harper’s.
Monday: April 7: Still in bed, weak & headachey & miserable – utterly useless & stupid with this cold which has ruined inexcusably two-and-a-half perfectly good, cherishable days of my precious week. I am at the point now of not caring: to hell with it: I am lousy miserable with a fever of almost a hundred & a head ringed with the devil’s own iron garter. Good love-making today, morning & afternoon, all hot and hard and lovely. Ted washed the mountain of collected dishes & Elly came – stylish, sexy, quieter yet still an actress in extremely high black heels with pin-point spikes, a tight black dress, cocktail type, which showed bare shoulder & black bra straps, and a deep smoky bluey-purple cashmere sweater worn like a cape. She stayed over three hours, played to Ted, whom I am sure she comes to see anyway, and I sat up, drinking glass after glass of iced white wine & feeling exhausted. I made a mess of tuna mayonnaise, mashed potatoes & corn & onions, very good & fortifying after no food all day, and lolled in the big green chair. Ellie rose & took off all the various skits & entertainments she has seen recently & I felt oddly casual: her job with John Crosby on the Herald Tribune sounds “thrilling” and dangerous – I should think he’d want to have an affair with her, but except for idle curiosity to hear about how these queer people live – lesbians & homosexuals – I couldn’t care less. I am sick of everything – of feeling forever tired, sick, nose grated raw, throat swollen & smarting, eyes watery & twitchy, body lethargic & wan white & the job of preparation crammed & crowded again although I would, virtuously, have done it by now if well. Sent off more entries to Dole & Heinz contest. How nice to win five Ford cars, a two-week trip to Paris, all debts paid & a $10,000 nest egg. Will we? How I wish.
Tuesday: April 8: Still in bed, still feeling lousy & sneezing like the Great Twitch the minute I get up in Ted’s woolen bathrobe, my long practical & unlovely peach flannel nightgown & black wool knee socks. This cold has no right to still be wet & snuffly after three days. Instead of raining, as it did yesterday, it is cold & clear & sunny. Woke out of a queer hectic unremembered dream at crack, literally, of dawn – almost night, still, but that queer clear new blue undersea light heralding the change – birds, rudimentary, chirp-churping in dark pines & the waned streetlights an ungodly luminous pale green color. Washed in the half-light, the east sky a lightening cold ice bluegreen. Have been wandering around all morning since Ted left at seven thirty after making me a cup of coffee in that lovely glossy white china Stangl pottery cup with the pink tulip on one side & the light blue springing forget-me-not on the other. Slipped into my dirty red down-at-the-heel ballet shoes (which I must throw out) & tried to sit in the relatively clean & unfeverish livingroom after wandering about collecting dirty plates & glasses & stacking them intricately in the yellow plastic dish pan. No good. Began to sneeze, wetly stream, the left side of my head hardening to unbreathable concrete. Back to bed, with the elegant black mohair shawl Ted gave me draped around my shoulders. Made myself a pot of too-strong tea & drank three cups while I read Frank Sousa’s story about two drunk women which is a steal from Salinger’s “Uncle Wiggily in Connecticut” and then read “Uncle Wiggily in Connecticut” and four or five other Salinger stories. I have no energy. Feel strong as a wet nylon stocking. And not half as clean. Ted’s key is at last turning in the lock.
Thursday: April 10: It is a race between me & the taxi: I am feeling exactly as bad, wet and snuffly as I felt Sunday, only a good bit more worn down & tired. Five more teaching hours to last out today & tomorrow morning & then the 3 free-cuts & home posthaste at noon tomorrow to stop at the blessed doctors & get some cure for this pernicious, persistent infection. The April weather looks lovely. But outside yesterday a pernicious chill raw wind hacked at my head & I relapsed to blockheaded runny agony last night. My nosedrops are almost gone – I must somehow conserve them till tomorrow morning. My afternoon class yesterday must have sensed I was feeling lousy, for they were gentle & responsive. If this 9 am class doesn’t respond, I shall simply give them the information with the minimum strain. Ted is wonderful: stands by, hugs, makes coffee & clears up dishes. God be thanked for a husband who can stand a sniveling weak-sick wife & care for her in sickness & health, for better & for much much worse. He is my life now, my male muse, my pole-star centering me steady & right. O god, if I stayed in the whole week (& not just a measly four days) I would posthaste recover but I must hear Ted read at Harvard tomorrow (& look forward to meeting the long looked-at poetess Adrienne Cecile Rich) that I will not be on sick-leave now for it would make my leaving tomorrow impossible & improbable & involve me unpleasantly with the department again. Yesterday – how casual, how cool I am become – I received my first acceptance from The Ladies’ Home Journal of a poem: This doesn’t really count at all for my book, but is pleasantly lucrative: They pay me $10 a line (I thought I would get only beginner’s rate $3 a line & so was left breathless today with a $140 check – feel as if I’d sold an unsightly yet solidly lucrative pink-flowered pig.
Saturday night: April 12: A week from the start of my cold & its exhausting & painful continuing I am now in bed at home, tired, almost too tired to write or form letters, & too tired to do justice to yesterday – our trip up from Northampton in a white whirlwind of sopping horizontal snow banging straight into our windshield – The reading of Ted’s at Harvard with the small loyal audience & the drinks at Jack Sweeney’s with Mairé and Adrienne Cecile Rich & her husband Al Conrad64 & the wine-floating supper of shrimp & chicken cacciatore at Felicia’s just off Hanover Street. I am fighting the last shreds of cold with newly & too-late acquired cocaine drops
Sunday afternoon: April 13th: Back in Northampton – still slightly out of focus, eager, in spite of vestigial fatigue, to hear from poems sent out, from innumerable contests entered with great gullibility – the dole pineapple & heinz ketchup contests close this week, but the French’s mustard, fruit-blended oatmeal & slenderella & Libby-tomato juice contests don’t close till the end of May. We stand to win five cars, two weeks in Paris, a year’s free food, and innumerable iceboxes & refrigerators and all our debts paid. Glory glory. I suppose nobody intelligent or poor ever wins. I suppose people named Ponter Hughes never win. We woke to sunlight & April thaw this morning & told each other our literary dreams – each of us had a dream within a dream. I dreamt – and much more forgotten – we were visiting the author of the other “Feast of Lupercal” (Ted’s projected title for his second book – Mairé told us her cousin had just published a novel by that name) – who turned out to be a young black-haired greekish-italian in a white toga with a face combining the babyish softness about cheeks & mouth of Phil McCurdy, the vigor of the young Orson Welles & the glamorous obvious sex-appeal of Peter S. Fiebleman. He was holding a feast in his court – a twelve-storied greek-façaded palace full of bright modern art paintings (a recall of Sweeney’s rooms?) I forget the rest: it was colored, radiant, full of promise. I am attaining, with my return of health & the stubborn break-through of spring, the first real deep-rooted peace & joy I have known since early childhood, when I dreamt complete technicolor stories and fairy tales. TODAY: is an anniversary. Two years ago, on Black Friday the 13th, I took a plane from Rome through the mist-shrouded sky of Europe, to London – renounced Gordon, Sassoon – my old life – & took up Ted and my resurrection came about with that green and incredible Cambridge spring. How I must write it up in my novel – and in various stories for McCall’s & the New Yorker – I can do it: these eight spring-vacation poems have given me confidence that my mind & my talent has been growing underneath my griefs and agonies and drudgeries – as if my demons and angels guarded and increased whatever gifts I ignored, forgot and despaired of during the black year, which has turned out to be the most maturing & courage-making year yet – I could have dreamed up no test more difficult. The week ahead bulks huge – cramming Melville today & tomorrow before the deluge of Arvin’s Tuesday exam & 55 books to correct. Then my own load of 65 poetry papers. But with each week the year diminishes & my writing time nears. How my projects will wax & multiply! I have a feeling that after two years of sweat, study, bleared-eyes & dogged work we will somehow become creative children of Fortune.
We have finished tea, and the late afternoon Sunday sun lights the blue-lined page opposite and causes the red armchair to incandesce like ruby. I can write for the woman’s slicks: More & more this comes over me – as easily as I wrote for Seventeen, while keeping my art intact: I shall call myself Sylvan Hughes – pleasantly woodsy, colorful – yet sexless & close to my own name: a perfectly euphonious magazine name. The drive back: warm, sunny & a new start: hills an incredible vivid purple & snow-capped in the blue distance; flooded groves with trees up to mid-trunk in mirroring wet blue; a dead rabbit, a dead black & white skunk with its four little feet crisped up; twenty-seven doughty bug-nosed Volkswagons – we are doing a spontaneous statistical survey of them. Now, hearing Ted type in the bedroom, untidy because of unwashed hair & the pink scruff & scraps on the rug, I postpone Melville, yearn to write a poem with the resurge of spring & my health this one day which two years ago brought me my dream, my love, my artist & my artist’s life. Friday now – in reminiscence. I blurred & pushed through cold rain and my two morning classes, forgetting to pass out any mimeographed sheets for the poetry lecture tomorrow. My nine o’clock class was cold, unsatisfactory, refractory. My eleven o’clock was a delight, responsive, humorous – bringing visitors all listening & eager. Two of my best students asked Ted & me to dinner this week & next week, so we should save more money – I hope to hit a new low budget of $200 this month: ten days in New York in June will probably cost a good bit even if we have no extra rent & just food & entertainment. Now at last about Friday: we fought through a horizontal whirlwind of sleet which covered my whole-part of the window as the windshield wiper wasn’t working & made me furiously twittery since I saw only the vast looming shapes of approaching trucks through the semi-opaque lid of sleet and each shape seemed, coming, looming, a menace, a possible death. We pushed on, eating good steak sandwiches, drinking from the thermos of scalding coffee, and counting Volkswagons like snow-going beetles. After two and three-quarters hours of begging Ted to go ten-miles-an-hour-less than fifty, we came to the narrowing & familiar wood-road, Weston Road. We drove beyond Elmwood to the Fells drugstore where I stepped out into slush-damned brown puddles of icewater ankle deep. Ran in & bought a dry shampoo to cure my greasy hair. Home to Elmwood and unloading of sacks, drank off last of brandy. To Brownlee’s, then, where we bared left arms for our second polio shots, secured a prescription for cocaine, then on through laggard traffic, to Cambridge & Jack Sweeney, waiting, gracious, whitehaired, loveable, in the quiet sanctum of the poetry room. We slogged in ice mud & rivulets. Fell into a taxi & rode to Radcliffe’s Longfellow hall. Sepulchral. Deserted. I imagined no one would come. Followed a white-dressed attendant down echoing marble-speckled & polished halls to a lavatory where a thick horse-bodied Radcliffe girl was combing her hair. There was no gilded liquid soap in glass bulbs above the sink – only rough honest dirt-expunging borax. And the bracing odor of disinfectant. Back to the hall to shake hands with Harry Levin’s dark, vigorous small Russian wife: “Harry is onder ze wedder. I bring a good ear.” We went in, after greeting Mrs. Cantor, Marty & Mike, & Carol Pierson,65 and the room blurred before my eyes. Very big room, very sparsely peopled – listeners scattered. I followed Mrs. Levin & saw Mairé’s luminous pallor, gold hair done in a low chignon, and a quaint small hat of black and russet feathers like a bird-down cloche. Ted began, (after a fine & precise introduction by Jack, mentioning the steel-factory night-watchman work & the job as a rose-gardener) to read. I felt cold, felt the audience thin & cold. The poems, which I knew by heart, sent the inevitable chill of awe & wonder over me: the foolish tears jumped to my eyes. Mrs. Levin squirmed, reached for her pocketbook & scribbled something in pencil on a rattling envelope, asked me to repeat the title of “The Thought-fox.” Afar off, somewhere, a clock struck five. Ted spoke of out-Tennysoning Tennyson – the audience laughed, a pleasant muted burble. Laughed & warmed. I began to relax: new poems gave good surprise – “To Paint a Waterlily”: clear, lyric – rich & yet craggy. He ended on “Acrobats” – a perfect metaphor, really, for himself as a poetic acrobat-genius & the desirous & in many cases envious audience. A burst of warm genuine applause. Jack went up & asked Ted to read another. He did “The Casualty”. I knew, with the same clairvoyance I had two years ago envisioning this foothold, how in ten years Ted would have a packed Harvard stadium audience to applaud and adore. The audience broke up & suddenly seemed all friends – Peter Davison,66 Mrs. Bragg (now Harry Levin’s secretary), Gordon Lameyer (no doubt jealous as hell, but noble, in his way, to come – pulling out a leaflet about his big-money project – The Framingham Music Circus which will make him rich & for which he has raised hundreds of thousands of dollars in backing). Phil McCurdy, chastened, boyish-faced, married to Marla with a baby girl & teaching Biology in Brookline High, illustrating science text books for Scribner’s, offering us a joint trip to Maine on a friend’s yacht this summer which I hope might come true. Mother – thin & somehow frail – & bluet-eyed Mrs. Prouty: “Isn’t Ted wonderful.” Philip Booth: a new meeting for the first time – he, handsome & strangely nice-guy innocent looking: we exchanged compliments, spoke of his aunt & the aging Smith psychiatrist Dr. Booth – he hemmed at my asking if he’d teach at Wellesley next year & admitted, with some joy, to just having heard he’d been granted a Guggenheim. But he & his wife & kids will be around next year. Hope to meet again. Adrienne Cecile Rich: little, round & stumpy, all vibrant short black hair, great sparking black eyes and a tulip-red umbrella: honest, frank forthright & even opinionated. The crowd thinned, & the Sweeney’s, Ted & I & Adrienne slogged through rain to a taxi, switched (Jack, Ted & I) to our sodden Plymouth, & soon were tiptoeing gingerly down the red-brick cobbles of Walnut Street’s hilly decline to Jack’s polished hall, all slippery black & white linoleum. His apartment reached in the thin gilt barred elevator. Adrienne & Mairé there – also the doe-eyed tan Al Conrad, an economist at Harvard, whom I felt cold & awkward with at first. I in my old & trusted lavendar tweed dress, pale, with bright turquoise & white weave & blue & silver beads. Two bourbons & water on ice. Found out that the two huge paintings leaping out of the left wall were original Picasso’s (c. 1924) The brown, cream & black composition on the right, with its sinister black mask – a Juan Gris. And, in the library, the springing blue-green oil of a rider on a horse (“The Singing Rider”) by old Jack Yeats, just dead – WB’s brother – “rather like Soutine – like Kokoshka” (whom I would know not, were it not for Mrs. Van der Poel). I felt distant from everyone. Feverish in lavender tweed. We left then, in Al’s great station-wagon for “Supper at Felicia’s”. A blur of lights, neons. We parked on Hanover Street – a Paris bistro-street of shops & diners. Walked, heads down, down a narrow street, past the wonderful room of a bake shop, a greased paper, like butter frosting lidding one window, a bare interior, a heavy wooden trestle table covered with yellow-browned round cakes, large, middling, small, and two men in white aprons laying white frosting on a three-tiered square cake. Then a narrow doorway with “Felicia’s” printed over it, a crowd of ladies – who would emphatically consider themselves ‘girls’ – probably a crew of telephone-operators – one with a corsage: set old-maidy or borderline-tarty faces: “Betty Clarke?” “Betty Andrews”? They gathered galoshes & umbrellas at the top of the stair-head & left. We sat, I with Jack on my left, Al on my right. Began with a bottle of fine dry Italian white wine shaped like a blue-glass urn. Antipasto – shrimps hot in red sauce & Felicia herself like an honest actress, hawk nose, bright peach-pink sweater & lipstick & powder to match, reeled off the menus “fettucini, linguina.” I talked to Al about trudo, tuberculosis, deep, deeper, enjoying him. A long time, through chicken cacciatore with queer pieces of bone & white chunk meat. Then switched to Jack, who asked me to make a recording in June, on Friday the 13th.
April 14: Monday night: Still feeling too sogged & groggy, although convalescent, to wash hair and self. And very weary. I got up to sunshine and through a cold succulent honeyed pink grapefruit, a duty half of toast with bacon & pellets of overcooked chicken liver & milky no-coffee coffee. Came early to the dark yellowed halls of Seelye & relieved the history supply shelf of yet another pink book. Arvin’s classroom at 8:45 stood empty a moment. I sat in my front-corner seat by the window and contemplated the bright chrome yellow expanse of Alexander’s empire: to be a baker in one of the minor outposts: the mind quails at such expanding spaces in such bottomless times. I wondered uneasily, as after a long illness when one adjusts one’s delicate hearing and sickroom vision to the crude noise and glare of the health-gifted world, if I were in the right room, if this were the day of the test by some fluke, & I misplaced. No: Arvin took out his jangling keyring, and I picked up in my 1954 notes his 1958 thread. Weary: on Melville’s short tales. I am rereading “Moby Dick” in preparation for the exam deluge tomorrow – am whelmed and wondrous at the swimming Biblical & craggy Shakespearean cadences, the rich & lustrous & fragrant recreation of spermaceti, ambergris – miracle, marvel, the ton-thunderous leviathan. One of my few wishes: to be (safe, coward I am) aboard a whale ship through the process of turning a monster to light & heat. Shopped, meditative, strolling with my wicker cart & plucking off the labeled & logically shelved provender: no wheat-garnering & deer-slaying alas, all cellophaned & mute, identity-less. A groggy afternoon: a feverish nap claimed me. Then the rather good Eng 11 lecture by Maynard Mack. Made a huge fish soup. Park-walked at sunset. A pheasant cried at our feet, started, flew long-tailed. Found two blue jay feathers
Tuesday night: April 15: Washed at last, hair clean & slightly damp rolled up on 3 handkerchiefs – blood alive & roseate warm from bath, jagged nails filed smooth & freshly painted with transparent laquer. Powdered. In new knee-length white nylon gown with the red rosebudded shawl collar which would fit me equally well, perhaps better, if I were pregnant. An undermining day. Walked to Arvin’s to collect exams. To art: Orozco: the murals at Dartmouth the history of the Indians. A Christ-the-tiger hacking down his own cross & the statues of classicism, Buddhism. The great white god Quetzl-coatl banishing the false crew of gods of death, magic, fire, storms. Sorted exams for Arvin. Steaming & savory fish soup for lunch, smacking good all onion-essence, chunks of soaked fish & potato steaming, hot, bacon bits, buttery crackers foundering in it. A warm day – buds cracking miraculously – fat green buds on bush (lilac?) by verandah. Scrawled down some notes on Yeats in the gloomy corner of my office. Got just about nowhere: felt rebellious: wanted to sit, read deep at leisure. Am appalled at the turgid essays on Yeats: about & about & about – all take one farther & farther from the poems. I long for peace, solitude: to read his poems through aloud. Read only the great poets: let their voices live in my ear & not the dregs & academic twiddle & pish of the young modern grey-flannel suit poets. Felt sterile. No energy to work. A frightening lassitude. Have not outlined this week’s poems – must tomorrow a.m. And then Arvin’s exams. And then my own student papers. And a dinner or some such every night. I tell myself that this will be my worst week this year. After all, every thing lets up and diminishes after this. Torturous wait for mail: no mail but the infernal flannel-stuffing of circulars. Ted out at Paul’s – I too weary – for reading of Paul’s “Oedipus.” I yawn. Wait up.
Thursday morning: April 17: time, almost time, to rise, dress & go to meet my morning classes. Still, when I wake up, (and the sun shines bright in our room shortly after six) I feel as if I were rising from a grave, gathering my moldy, worm-riddled limbs into a final effort. Yesterday was poor – felt shot – worked on a couple of Yeats poems for class preparation & read & read in him: the scalp crawled, the hair stood up. He is genuine: an anti-type of Eliot, and I do enjoy Eliot, Yeats is lyrical and sharp, clear, rock-cut. I think the reason why my favorite poems of my own are “The Disquieting Muses” & “On the Decline of Oracles” is because they have that good lyrical tension: crammed speech and music at once: brain & beautiful body at once. More & more I realize how I must stop teaching & devote myself to writing: my deep self must seclude, sequester, to produce lyrics & poems of high pitch intensity – differing from the neat prosy gray-suited poems of Donald Hall, et. al. I am unrecognized. The New Yorker has not replied to the ms. I sent off two & a half weeks ago. The Art News has not answered the two poems I sent them: I run for mail & get mocked by a handful of dull space-consuming circulars addressed to “Professor Hughes” and advertising tedious books on the art of writing an intelligible sentence. I have the joyous feeling of leashed power – also the feeling that within a year or two I should be ‘recognized’ – as I am not at all now, though I sit on poems richer than any Adrienne Cecile Rich. I amuse myself, am all itch & eager fury for the end of my term. My 3 o’clock yesterday, except for the bland useless Liz, very kind, agreeable, cooperative – much fun indeed, surprisingly. I always feel better after my week’s first class: a jinx of chilliness broken & me in heat – also – the week begun, must grind to an end & after this: only 4 ½ weeks of joyous poets & poems. Park walk yesterday noon: first tulip cracked its green bud sheath & opened red silk and purple-black stamens to sun –
Tuesday morning: April 22: Must shortly leap into clothes & out into the pearl-grey, dull-grey morning to Arvin out of politeness and to Baskin on Rodin out of interest. I will also catch up in here on my crammed Friday. Yesterday was wiped out by the cramps & drug-stitched stupor of my first day of the curse, as it is so aptly called. Do animals in heat bleed, feel pain? Or is it that sedentary blue-stockinged ladies have come so far from the beast-state that they must pay by hurt, as the little mermaid had to pay when she traded her fish-tail for a girl’s white legs? Sunday also blotted out – by housecleaning. I’d forborne to ask Mrs. McKee for the vacuum for quite some time & the result was increasing unpleasant tremors of repulsion at the scruffy, palpably dirty rugs, floors & dust-thick surfaces. So Sunday: the purge – scrubbed the bathroom, the kitchen – defrosted icebox, scrubbed floor. Moved bed to alcove in bedroom unearthing great balls & tangles of dust & hair, but now have the look of a new room – great space – will be cooler in summer. Sorted books, magazines, papers & finally the vacuum to purify all. Now feel clear of soul. How the old maxim must have taken profound root: cleanliness is next to godliness. An absurd quarrel with Ted Sunday night as we were dressing to go to Wiggin’s – he accusing me of throwing away his awful old cufflinks “as I had done away with his coat”, and, for that matter, his book on Witches, since I never could stand the torture parts. None of this being true. He wouldn’t say it was foolish, I, as stubborn, wouldn’t forget. So I ran out, sickened. Couldn’t drive anywhere. Came back. Ted had gone out. Sat in the park – all vast, dark, ominously full of silent Teds, or no Ted – nightcrawler hunters came with flashlights. I called, wandered. Then saw his figure striding down Woodlawn under street lamps and raced after, paralleling his course hidden by the row of pines edging the woods. He paused, stared, and if he weren’t my husband I would have run from him as a killer. I stood behind the last fat fir tree & wagged the branches on each side till he came over. We raced to dress, to Wiggins. To a supper that was spoiled by our extreme budget consciousness – that a snack we could have managed for very little amounted to nine dollars – thank goodness, we felt, we had $3.50 credit from the Welcome Wagon. We did love the great iced raw oysters on their scraggly-lace, blue-eyed peacockish shells & the little bottle of strange sauteurne. But the mushrooms tasted like rubber. And the relishes were good, and the lobster, but the salad tasteless, the tomatoes hothouse synthetic. Ah, how frugal we are become. Lucky we’re both puritans & great misers: Lord knows, we need to be.
– Evening: A day of misery: The New Yorker rejection of all the poems (O, Howard Moss, or “They” liked The Disquieting Muses & The Rousseau Sestina) – a burning sense of injustice, sobs, sorrow: desire to fight back, & no time or energy to do so till June. No work done: none – all my papers to correct & three hours of preparation to do. Finished What Maisie Knew: ironically, Henry James’ biography comforts me & I long to make known to him his posthumous reputation – he wrote, in pain, gave all his life (which is more than I could think of doing – I have Ted, will have children – but few friends) & the critics insulted & mocked him, readers didn’t read him. I am made, crudely, for success. Does failure whet my blade? I read, baked a chocolate cake with white frosting, wrote letters to Marty, my student whose knee is being operated on today, Peter Davison (& sent him the rejected poems – wishing I could try Harper’s first) & now, after a grey sticky unsatisfactory & profitless day, go oily-haired, bloody-gutted & unprepared-for class to bed.
Saturday morning: April 26: Almost time to walk out into the end of April – Monther’s birthday – to my 9 o’clock which I feel very loth to confront, weary as I am & have been this week. “Among School Children” today. This week I drudged. Having drudged on Arvin’s scrawled exams last week, cleaned this Augean stable of a house Sunday, crumped out with the curse Monday, shuddered & gloomed over the New Yorker rejection all sticky grey lethal Tuesday and cut Arvin & Art rudely Wednesday to cram preparation & begin my own jam-packed correcting of 64 papers which I slaved at, blearing my eyes, until yesterday noon. Was sick-tired last night: additional fury & humiliation, anguish & anger: Stanley Sultan (who always looks to me as if, with his black-liquid eyes & hair & golden skin – he had just climbed out of a barrel of warm whale oil) told me the girl whose Lawrence thesis I had voted, with misgivings for my generosity – a low cum, received a summa, the highest grade possible. He had voted MAGNA. Putting aside my more picayune scruples, I could see a MAGNA, even wish I had given it a MAGNA & the other a SUMMA (which will probably fail) – but a SUMMA! never – the conclusion was lousy: hasty, a messy plum-pudding with pits. O how they must amuse themselves: it is as if, after ruining my clear eyes for a week over Arvin’s exams, he simply re-marked them all – a waste. Next year I would know better, but, of course, won’t be here. Such small situations must be sucked up & lost in the sun’s burning & mammoth belly. Goodbye to it. How is this for the title of a poetry book, such as my firsts THE EVERLASTING MONDAY? Surprisingly, it appeals: the christian story of the man bearing faggots in the moon: the epigraph: “Thou shalt have an everlasting Monday & stand in the moon” – the Yeatsian idea of work, becoming, fused with static being: a work & a life of eternal Mondays, eternal launderings & fresh starts
Tuesday morning: April 29: Called back, just as I was going out to a wet grey plodding office hour – and the hour most pleasantly cancelled. I have been dilatory, and it shows: I am ten days behind here. So will cram in something before I set out again to Arvin, with Mrs. Van der Poel’s cane. How strange I delayed in going till 5 of eight, the moment Donna called. Felt, as usual, exhausted this morning & fell back into those horrid dreams of getting up to make a school deadline, waking up & being still in the dream & it being still later. Dreamed Chris Levenson called up to ask me to do some sort of poetry reading (of other people’s poems, characteristically) & I delayed, dawdled into clothes & arrived late (a memory from the close of “The Bostonians”? – the angry, eager audience stamping out its impatience for the tardy & never-to-be-speaker Verena?) and saw a peculiar ‘rhythmic’ dance going on past the hour for classes to begin with several of my weakest students – Al Arnott, Emmy Pettway, etc. – doing an awkward unlearned dance with a rope (preparatory to tarring & feathering me?) in green, pale green nymph-suits. I must have anemia, or mononucleosis, or some dread insidious disease: I stayed in bed all yesterday with Ted bringing me meals (Arvin had called to say there would be no class) & read till I finished The Bostonians, and here I am, deeply exhausted as ever. Sunday also was a blue day: weary, depressed: is it partly because I am so close to freedom (which is actually a different tyranny: insecurity) and as yet unable to bridge the gap, as I did that one week of spring vacation, with productive writing? Perhaps: teaching, even 28 weeks, was secure as a machine running on atomic energy. Writing, once I get into it, I hope, will be deeper, surer, richer & more life-giving than anything I have ever done before.
Amazing how warm a gauze of nylon stocking is: just decided not to go bare-legged and suddenly stopped sneezing. If only Ted doesn’t object too much to the noise, I will enjoy the summer here in spite of the constant traffic. When I am blue – as yesterday, I think about death, about having to die having lived awake to so little of the world – of the dreams of glory – lives of great authors, moviestars, psychiatrists. People who don’t have to grub for money. Then I think of my gross fears at having a baby which I suppose center around that crucial episode at the Boston Lying-In so many years ago when that anonymous groaning woman, shaved & painted all colors, got cut, blood ran, water broke, & the baby came with bloody veins & urinated in the doctor’s face. Every woman does it: so I cower & want, want & cower. I also think of how far I fall short from the ideal of Doris Krook – what a slipshod part time scholar I am – no nun, no devotee. And how, on the other hand, very far I fall short from writing – how many thousand publish in the New Yorker, the Sat Eve Post, who work, study, get material, and I, I dream & boast I could do it but don’t & maybe can’t. What else? O the desire to write a novel & a book of poems before a baby. The desire also for money which I am miserly about, not buying clothes, nor frills, although I could go wild doing so – startling dresses & frivolously colored shoes to match. Amazing how money would simplify problems like ours. We wouldn’t go wild at all, but write & travel & study all our lives – which I hope we do anyway. And have a house apart, by the side of no road, with country about & a study & walls of bookcases. –
Wednesday: April 30: Clock rounding fast, faster, toward midnight and I am more than usually sick of being tired. In twenty minutes it will be Mayday which, as I so wittily explained to my class, means Distress, or ‘M’aidez’ in the airforce, and hence exam day. Thank heaven: I couldn’t stand a full week of lecturing. Today: cold, after thickening rain last night. Cold & sunny. It seems I’ve been running about all day – more & more tired in the morning. A dash to Arvin in time to hear roughly the same things about The Bostonians I heard four years ago. Cheated my conscience & skipped art & the earnest Spanish Gordon67 from the Spanish department who explained so well yesterday how Goya the rationalist who drew witches & monsters did exist. Drove straight down town in the chill, brilliant light – to the bank, to buy 3 jerseys @ $1.98 to renew my ‘teaching wardrobe’ for the ensuing month – a bright medium blue with a shock almost purple, a white, and a scoop neck with thin horizontal red, white & blue stripes. Home & spent the next hours typing up a florid, unbalanced & embarassingly serious obvious version of a central incident in my novel: this summer I will study under Henry James & George Eliot for social surface, decorum: this I think I need, not the absurd “I love you kid let’s go to bed” which equates every Jack and Jill with every other, but a complex, rich, colored & subtle syntactical structure to contain, to chalice the thought & feeling of each second. Horrid dull mail today, but yesterday’s of pleasure & interest: Ted’s four poems in a place of honor (after Robert Penn Warren & before WS Merwin, et al) in the Spring Sewanee – also a review of his book, among 20 others, in the same issue – the critic criticizes the maelstroms & cataclysms, but echoes Eliot & says “very considerable promise”. Oscar Williams will end his new revised edition of Modern Poetry with Ted’s poems (three) & PEN accepted my “Sow” for their annual with Ted’s “Thrushes.”
Thursday: MAYDAY: A scrambled page to profit from coffee-consciousness and moments before starting out for class: I shall try, later, to record that memorable Friday recording poems in Springfield with Lee Anderson,68 plus the Glascock Reading & party at Holyoke, with the cast of characters present. All holds fire: my poems at Art News & The Atlantic (editor’s gone gallivanting to Europe), Ted’s two good stories at The Atlantic. Woke as usual, feeling sick and half-dead, eyes stuck together, a taste of winding sheets on my tongue after a horrible dream involving, among other things, Warren being blown to death by a rocket. Ted, my saviour, emerging out of the néant with a tall mug of hot coffee which sip, by sip, rallied me to the day as he sat at the foot of the bed dressed for teaching, about to drive off – I blink every time I see him afresh. This is the man the unsatisfied ladies scan the stories in the Ladies’ Home Journal for, the man women read romantic women’s novels for: oh he is unbelievable & the more so because he is my husband & I somehow love cooking for him (make a lemon layer cake last night) and being secretary, and all. And, riffling through all the other men in the world who bore me with their partialness, the only one. How to make it sound special? Other than sentimental, in my novel: a gross problem. Am giving exams today, so must go early to write on board – but to record, here, a conscious change of tone, of heart: suddenly realized I am no longer a teacher – oh, I have a month & a day to go, but just as I jitterily became a teacher a month before my first class, so my prophetic Pans & Kevas are free already, and their impatient tugs toward writing at every itch applied by reading Marianne Moore, Wallace Stevens, etc., disturb my equilibrium – Suddenly I no longer care – let the Wasteland run how it may – I am already in another world – or between two worlds, one dead, the other dying to be born. We are treated as ghosts by permanent members of the faculty – as shadows already departed with no flesh & blood interest in their future. I ignore classes till the last minute, want to hastily bundle them off, and wonder how I can stand the next three weeks. After today, exactly three weeks. I chafe, itch, die to get to my writing. Yet must and must, dead though I am to it, now leave and perform the gestures which will mislead them into giving me my salary for the next perilous month of waiting.
– A little later: exactly three weeks from today – and this book will see it, I finish classes. I feel strange after today, so tired I long only for sleep – and must still stay in stockings to leave momently for student supper at Park House. Ted received a terse, or rather, wordless, communication from The Nation in the noon mail: a proof, on the Nation’s usual smutchy blotting paper, of his poem “Historian”: it is a difficult, different, abstract poem, but I have come to like it immensely. Today was streaks & patches – sallies out thrice during exams to shop & read, between exams to glimpse at magazines – all miscellaneous patches & pieces. And the day, from a cold morning overcast with a jigsaw puzzle of high tight clouds, blew away with clouds, presented a clear sun, blue sky and cool wind. I am ridiculously apathetic about my work – distant, bemused, feeling, as I said, a ghost of the world I am working in, casting no shadow. And living thus a living death, which I shall expatiate upon at length as we deal with TS Eliot this week and next. How I shall live until May 22nd I wonder. The Arvin exams till June 1st present no problem: it is the platform preaching that wearies.
Saturday: May 3: That weariness, that Saturday death came upon us again and now after an afternoon of drugged and agony-stitched sleep, we sit over the remains of cold steak and hot cheese crackers and white wine – tired still, but slept in pain enough to sleep in peace. Read a bit of William Dunbar, a bit of “The White Godess” and unearthed a whole series of subtle symbolic names for our children whose souls haunt me – that my hurt & my two legs could be the doorway for walking, talking human beings – it seems too strange and fearful. We thought: Gwyn, Alison, Vivien, Marian, Farrar, Gawain. All white goddesses and knights. A cold drear day. Half my nine o’clock absent & a rather productive hour with the weaker ones. Rain, then, cold, a green cast to puddles – treeleaf reflections & the campus full of fathers – odd ugly men, fat wealthy men, grey aristocratic men: negro chauffeurs and cadillacs and black hired limousines. No fresh man fathers though – we shopped for bread, butter & lettuce & came home in a chill shower. After a supper, or lunch, of mashed potatoes & sausage we fell in bed, made love and slept, a sick, pained near-death sleep. I feel occasionally my skull will crack, fatigue is continuous – I only go from less exhausted to more exhausted & back again. Tomorrow I must correct all my exams which I should do in one day – they’re short & all on the same subject. Then a close outline of The Wasteland which should take all week. I pick up my ms. of poetry & leaf through it, unable to invent, to create – all my projected nostalgia for my students can’t shake the conviction that teaching is a smiling public-service vampire that drinks blood & brain without a thank you.
Monday – May 5th: Close to eleven, I am untransformed Cinderella home alone after scrub-jobs waiting for Ted. Felt tired today: nothing new, but not even desirous of going out tonight with priss-mouthed pale queer Antoine from Holyoke, Ted’s friend, so Ted didn’t push, but went, neither of us eating any supper, and I forgoing the Amherst play. I finished the rather easy job of marking the exams on “The Equilibrists”, scrubbed a stack of dishes, dusted dining & living & bed rooms, washed hair, bathed in lukewarm water, lacquered my nails. Wish I could at same time have gone to see the Anouilh play – I am superstitious about separations from Ted, even for an hour. I think I must live in his heat and presence, for his smells and words – as if all my senses fed involuntarily on him and deprived for more than a few hours, I languish, wither, die to the world. We had the car fixed today – muffler & exhaust pipe renewed after several days of jet-puttputt noises & eardrum pressure as if we were climbing dangerous altitudes. The muffler has been broken almost all year, so I am convinced carbon monoxide was seeping into the car – it always smelt just a tinge strange & sickish – and slowly, day by day, keeping us doped, drugged, exhausted – I write about nothing but weariness (the door downstairs creaks, a step, a key on the lock & Ted mounting) and nothing of the colored days & nights – such as the Friday with Lee Anderson and the Glascock reading. Last Friday Ted & I bundled into George Gibian’s beachwagon with Kay,69 Marlies Danziger (whom I greeted coolly, remembering my gauche sobstory to her last fall, and her refusal of tea, supper) and briefly Elizabeth Drew (who left when she considered the show might have music & modern dance) to Holyoke to see Denis Johnston’s70 production of “Finnegan’s Wake”. It was a cold night – an incredible twilight along the river & mountain road. The Holyoke range lit purple in the paling light – all mauves, reddish-lavenders, and a strange greening spume tipped and stippled the trees. Water, river water and flooded flats reflected orange-gilt or flat pale blue. A moon loomed, as if set off like a balloon a moment before. We hung around the ugly Holyoke hall for half an hour, joking & gossiping. The seats were highly uncomfortable – not graded up toward the back, so it was impossible to see the floor of the stage, and grossly creaky. “Finnegan’s Wake”: strange: impossible to hear half the words for the creaking of the irritable chairs, and the words heard and unseen hard to decipher the puns of – liked best, of course, the parts I’d read – the riverrun opening, the ‘tell me of Anna Livia’, the stone & elm scene at the river with the washerwomen, the Mookse & the Cripes, the Ondt & the Gracehoper. Some scenes did make me shiver, the words carried all the creaks, too-loud records & cricked neck before them – but the rest of it was trying to catch the mumblety-peg jabber of a cosmic doubleacrostic in the heart of a thunderstorm. Whisky at Marlies’ and gossip – the sense that they eventually choose poems for their classes to read because of the battery of ‘examples’ of irony, metaphor, zeugma, etc. Have begun “The Wings of the Dove” and begun with the pale blue-eyed witch – named Kate Croy who is passive as yet, though shrewd-sighted, between the self-interested exploitist tactics of her sister, father and Aunt Lowder, but she will soon, I trust, begin to take on the exploiter’s role. O money. For want of it or for excess of it what crimes and sufferings are enacted in the Jamesian sphere. I must get my moral code in my novel: I have one – but lack the structure of a well-defined society to give tension to rebellion: convention must work for me in this.
Tuesday morning: May 6: Time, I think, there will be for a page before leaving for Arvin: I shall end this week firm in duty by going to Arvin & Art all three days. Woke as usual, eyes stuck shut and dear Ted to bring coffee and a roast-beef sandwich. I dressed, conscious of color and the loveliness of being thin and feeling slink, swank and luxurious in good fits and rich materials. For the first time put on my red silk stockings with red shoes – they feel amazing, or, rather, the color feels amazing – almost incandescent fire silk-sheathing my legs: I can’t stop looking – the stocking goes almost flesh-color, but gathers rose and glows at the edges of the leg as it cuts its shape on air, concentrating the crimson on the rounding-away, shifting as I shift. Quite satisfactory. I shall wear my white pleated wool skirt and deep lovely median blue jersey with the square neck to hear Robert Lowell71 this afternoon: read some of his poems last night & had oddly a similar reaction (excitement, joy, admiration, curiosity to meet & praise) as when I first read Ted’s poems in St. Botolph’s: taste the phrases: tough, knotty, blazing with color & fury, most eminently sayable: “where braced pig-iron dragons grip / The blizzard to their rigor mortis.” Oh god, after coffee, even I feel my voice will come out strong and colored as that! Want today to write about our Sunday night with Leonard & Esther72 Baskin whom, suddenly and well, we met. Sunday a grumpy day, stogged in the middle of exams with grey wet weather and chill. Took Ted over to Sylvan’s after supper to read the poems turned in for the spring contests and money prizes. Paul Roche was there, his face that bright artificial orangey tan, his eyes marbley-blue and his hair like rather pampered & crimped wheat – I feel curious as to his machinations, his avowedly ‘voluminous’ correspondence & ability to meet people. Marie73 there also, lovely today, soft and soft-haired, not the sorrowing and eldering-faced Marie she often is.
Saturday midnight: May 10: The day is passing over into Sunday. We fell sighing and aching into bed about three o’clock this afternoon in the pink-grey room, venetian blinds drawn, and I dreamed strangely, but not at all unpleasantly. Paul Roche figured in my dreams which centered around the Smith College Library – he with mint-green eyes in his mint green tweed suit – in an English Department Meeting room resembling the coffee shop, with booths, sat a shoddy, fat refugee-sort of old man fumbling over a paper-bag lunch – he was rather like Max Goldberg asking Lowell to teach his class – but not with any of Max’s crude exploitation-shark aura – a pathetic ‘Bartleby-the-Scrivener’ look. Smith refused to pay him a year’s salary – he wasted, starved. We took up a collection & presented him with a great lavendar-tinted glass jar of Ovaltine marked $2.19 on the cover: nourishing at least. Later, Ted & I were sitting out on the lush green lawn in deck chairs between the library and Hatfield with some other faculty people who kept observing that the heavy scent of sweet grass (I think the lawn was somehow ours) smelt of the heat of love, the heart of the love-bed. I could see Max, minus his despicable qualities, in the old man when I woke later, at 8:30, but whence his lovable & pitiable self? The jar may well be a transfer from the gigantic jar in the center of the library entrance filling with dollar bills for African students scholarships74 which my conscience has been nagging me to contribute to. And the smells – an amusing transference of my obsession with Ted’s delicious fragrances which are to me lovelier than any field of new-cut grasses? We woke in darkness, the sky a memory of orange light, and had tea – toasted tuna-salad sandwiches and some excellent canned peaches. I shall soon go to bed & hope to wake rested tomorrow to clean house and prepare my final three lessons. It seems impossible I should ever say these words, but say them I do now, and deserve to. Twelve days from now (it is just turned Sunday morning) I shall be teaching my last classes, and must make them good ones. I need to lie out much in the sun, roast and rest and write. This week’s mail has been atrocious – flannel & unwanted invitations. My classes today were thin – half the girls there only. I had to do most of the work & got through ‘The Fire Sermon’ sooner than I thought I would. Saw Sylvan displaying a tarot pack – like mine – to George Gibian and Joan Bramwell at the crossroads between library and Seelye. I am become a fiend for money. Greedily I add up & readd our bank balance from writing, our checking balance from salaries – between the two we have about $ three thousand and hope to have $4 thousand saved by Sept. 1st when we must somehow start to bring in new money. If only by a freak we could win one of these oatmeal-naming contests or get Ted that Saxton! Ironically, if we had a year to write, we could earn the next year, and so on, until we were at least able to bargain for better jobs. I need to curb my lust for buying dresses (“for New York”) only by recalling our budget & keeping it whittled thin. We expect so much! and need so much – teaching 3 or 4 days a week with over 3 months of paid vacation seems a gift, now I think of it. But we need all our time for writing now. A road to freedom – or, more freedom than we have: how many incidental grubbing writers publish a story monthly, a poem weekly – & we must dedicate ourselves & work & work. Today we sat in the park – clear, chilly Mayday – high blue sky and apple-blossoms out. Watched black frogs in pond – two sleek ones – who surfaced, eyes high on heads, to stare at us. Children behind a tree sang – song insults and hootings.
Sunday: May 11: Mother’s day, mother calling late last night to thank us for pink camellia & pink roses. Queer mother – stiff about helping us come to Boston. Her conscious mind always split off, at war with her unconscious: her dreams of terrible insecurity, of losing the house – her guarded praise at our getting poems published, as if this were one more nail in the coffin of our resolve to drown as poets and refuse all ‘secure’ teaching work. Today I rose & made breakfast – coffee, and toast & bacon, and chilled peaches & pineapple. Then making love, hearing the cars come and go in regular battalions, to and from the hourly masses. Another title for my book: Full Fathom Five. It seems to me dozens of books must have this title, but I can’t offhand remember any. It relates more richly to my life and imagery than anything else I’ve dreamed up: has the background of The Tempest, the association of the sea, which is a central metaphor for my childhood, my poems and the artist’s subconscious, to the father image – relating to my own father, the buried male muse & god-creator risen to be my mate in Ted, to the sea-father neptune – and the pearls and coral highly-wrought to art: pearls sea-changed from the ubiquitous grit of sorrow and dull routine. I am going on with The Wings of the Dove and ravenously devouring a thousand page anthology of magnificent folk & fairy tales of all nations, my mind again re-peopling itself with magics and monsters – I cram them in. O, only left to myself, what a poet I will flay myself into. I shall begin by setting myself magic objects to write on: sea-bearded bodies – and begin thus, digging into the reaches of my deep submerged head, “and It’s old and old it’s sad and old it’s sad and weary I go back to you, my cold father, my cold mad father, my cold mad feary father …” so Joyce says, so the river flows to the paternal source of godhead.
Tuesday morning: May 13:75 Thirteen days behind schedule in here. I have been listening to my mind’s streaming thoughts all morning and have an hour – two hours, to myself before Ted comes home from work. The queerness, the richness which rises to my mind in these mornings – my first free from Arvin & Art – seems so quick, so complex, as to defy setting down. I have had more & more to write, accumulating, gathering, and yet am held, tight, tense, galled, in tether. This week on my calendar looms full and scrawled with meeting, dinners, classes, and the deluge of my last and long papers to come and engulf the weekend – then next week – two days & my classes done with, only James to fill up on and then Arvin’s last exams. I can’t shape into writing now: my superficial mind must keep itself up: nine months dwindle to nine weeks, which obligingly dwindle to the present nine days. Partly this, keeps me from writing (tried a bad dull poem Sunday about our landlady which was deadly, dogged & depressed me terribly: as soon as I produce a bad one – within these strictures of time: knowing I can’t try again, knowing I can’t throw it away, prodigal, & start afresh the next hour – I hear my chittering ogres and efrits or whatever mocking me in just the same insinuating, patronizing tone of George Gibian or Mrs. Van der Poel: ‘why not write summers? what makes you think you can, or want, or will write anyway? You have shown little, you may show less’,) my two allies are: Ted, and time to myself to perfect the crude personal roughness, generality & superficiality of that 35 page description of falcon yard I sent to New World Writing. Henry James teaches me hourly – he is too fine for me – but then, I am so crude and loud that his lesson can only serve to make me less crude, not more fine – teaches me how life is circuitous, rich, sentences and acts laden with all the riches of meaning and implication. Well, I am half through The Wings of the Dove: Millie seems to me so damnably good: a kind of wealthy Patsy O’Neil: even Patsy will be grist for my mill. But Millie is so noble: she sees and sees and will not flinch or be mean, be small: like Maggie Verver she will not indulge “the vulgar heat of her wrong.” With which, under which, I should explode. By being ‘simple’, aren’t they, by that very quality, being highly wrought? O if my Dody might be complex: the trouble with amorality is that it sets up no tensions except the rather simple one of the inavailability of what is wanted: once this is provided, the tensions are swamped in a rather gross all-embracing flood. I must erect a real china shop, only not fake, for my splendid bulls. I read of Millie with her ominous as-yet-undefined illness. And I can scarcely lift a pen. I don’t write here partly for that reason: the thought of penmanship exhausts me. I feel to have undulant fever, but my temperature is perfectly normal: I am too tired to read, too tired to write, too tired to prepare my last three lessons, which I should at least strain myself for. I wander in my bathrobe & wool socks about the cold, beautifully bare and clean apartment: how cleanliness rests my soul. I have an arduous apprenticeship to begin this summer. Writing a volume of poems, writing a novel – is so small in one sense: in comparison to the quality & quantity of others. And nothing, maliciously, evilly, confirms my ambition. I have an ominously red, sore & swollen eyelid, a queer red spot on my lip – and this ennervating fatigue like a secret and destructive fever – can I do my dreams justice? The Atlantic, Harper’s, Art News – all are silent on the head of my poems. And John Lehmann76 won’t publish, it seems, those he accepted over a year ago. I brace myself for the large, fat envelopes, the polite, encouraging, yet inevitable rejection. The air is empty, vacant, and its restrained surprises will no doubt prove most unpleasant. Well, I have a year. Lord knows how good I would feel if Ted’s Saxton came through – I hate the idea of his working – it would quite take half the joy from my own dedication. Outside, after, ten days of rain, a cold clean wind and flashes of green leaves, of sunlight. There is a doggedness in me that resents even these last two weeks & longs for liberation, won’t run about dithering up preparation. I spent all yesterday rushing about, shopping, scouring, making a runny but delicious custard-meringue-raspberry pie. Paul & Clarissa came, Clarissa five months pregnant, thickening under a black loose shirt, her hair bright gilt, Paul, double, probably quite wicked (we learned he has an older brother & sister: a fact difficult to adjust to our strong impression of his singularity – heard how he lay naked in the rose-garden at Clarissa’s mansion in Saginaw, crocheted, while intently observing TV, a light blue wool cape for Pandora with PR embroidered on it in white angora and a bunny tail at the back). Why are the Roche’s so intriguing, though Paul is an obvious, a palpable sham, and Clarissa is simple, even deluded? Their show is diverting – they are ‘sports’ – odd quantities on a slate of evens. Less intelligent, less rich in mind & such than many others here, they loom absorbing as any eccentric. We go to see them to learn more – to ‘place’ them, for they have places, queer, but nonetheless, places. Paul – who wouldn’t like to know what goes on in his head – what machinations lead him to set about doing Greek translations, for example? to impress Clarissa’s parents, to stall (until they come across handsomely by leaving a fortune) under the aura of a specialist scholar’s life work? One can’t help wanting to know. He is ‘successful’ in getting money, getting an audience, although Smith at large has seen through the gaudy clothwork, and I, that one night at Sylvan’s, saw the orange, blond, blue-eyed mask slip and naked hate, or perversion, glare out with the stilled malice of a cougar about to spring. To kill. Paul is thirty-one. He has published nothing since the book of fables & the novel six years ago – what does he do? The translations are a front: he uses a lexicon. Stanley claims to have seen the lexicon & Louis MacNiece’s translation on his desk, open, and his own page a kind of elaborate synthesis. So he is a fraud. One suspects, one knows, this – and yet one wonders: how, so beautifully, does he keep it up? Keep it up in face of outright insults which he, it appears, frankly recognizes, admits – as he & Clarissa admitted to us not long ago that people drop them, have resoundingly dropped them: “Oh they come over, but they never ask us back.” What swallowings of pride must this mean – must the open admission, still more, mean – to such socially conscious people? Ted & I are aware of a great dearth of invitations, of Tony Hecht even, one might say, owing us a dinner – but the reaction, partly sour, is also a relieved one – I’m sick of dinners – their cost, what one pays – is only socially fixed, repaid, by one’s having to spend more & more of oneself, and this I am through with. It comes home, strongly, how exterior relations impoverish if one is not heart-deep in one’s own work. Bless Ted for being like me in this and demanding, with a sauce of good other people, our sequestering, our dedication. How the problems, and I knock wood as I write, of a handsome and gifted-poet husband, then, fray to mist, because of Ted’s being himself, and me, one hopes, my own self. The church bell on the Church of the Blessed Sacrament opposite is just bonging out its queer version of twelve noon. I am now dressed in my red Christmas shirt with its subtle pattern of paisley black, green and grey foliage, and my very subtle smoky green skirt, deep grey-green, like a military color. I feel better for dressing: that poem by Yeats comes to mind – the one about our restlessness: always longing for the next, the different season: our longing being the longing for the tomb. And so tonight I will long to get in bed and to sleep: Ted’s witchy Aunt Alice77 illustrates this admirably when she stays in bed for no reason except that there’s no reason to get up if one only has to go back to bed again. I made a great dinner last night: the lamb was tough, though. Mrs. Van der Poel came: black, tiny, elegant, her grey hair curled into spit, or kiss curls, her heels high, her fur opulent, a highly trained & soulless silver poodle with a taste for modern art: her relations seem to suggest linkage to primary colors, the garish Leger city scapes where women are turbine-engines. I never felt such an inimical presence as Mrs. Van der Poel’s. She makes me feel large, soft, and agreeably doltish. She is sterile, absolutely barren. Her coming, I feel, was forced. She said, when she first refused that she’d ‘love to come another time’, which I took up as a dogged duty – to give her the chance for another time, and after three or four shiftings, which I should have interpreted as refusal, she came, sat, chittered. About art, artists, notably Baskin – nothing. Either one wasn’t worth her wisdom, or she wasn’t in the mood, or she doesn’t have the best kind of wisdom: she can put everything into bright, neat words, and this is killing. One suspects her dry bright tidy little voice could find a lucid epithet for the worst chaos. One wonders about her vanished husband. Priscilla: the name does, for her. One supposes she keeps the Van der Poel for its high tone. Ted and I both came away with the strong impression that she dislikes Leonard Baskin. Why? She possesses an admirable, huge Baskin “Hanging Man”, she invited him to give three lectures on sculpture for her classes; she is, however, a Professor, a chairman of the department, and he a creative artist with an avowed scorn of offices-in-the-art-building, department meetings, and such. At any event, she exuded dislike. I can’t, nor can Ted, spot the sentence, the clause, but it was evident.
– Just now, restless, unproductive, I was wandering about the bare clean apartment eating a piece of buttered toast and strawberry jam when, stopping wolfish by the bathroom venetian blind, as I always do, to eye the vista for the mailman, I heard a burst of prophetic whistling and the man himself exploded, as it were, into view with his light blue shirt and beaten leather shoulder-pouch. I ran to get ready to go downstairs and felt him pause, so hurried to the livingroom gable window. And there, as suddenly sprung up, was Ted in his dark green corduroy jacket waylaying the man and demanding mail. From the window I could see it was nothing, nor was it – a handful of flannel: circulars – soap-coupons, Sears sales, a letter from mother of stale news she’d already relayed over the phone, a card from Oscar Williams inviting us to a cocktail party in New York on the impossible last day of my classes. No news. I feel a nervous havoc in my veins – and am close to starving myself – Ted’s influence here is marked. When he won’t eat I all too easily find it a bother to prepare food for myself and so fail in nourishment and sleep. A dull and useless day, dream-dictated. Went to the library for an office-hour with Sylvie Koval – found myself uttering pompous nothings. Browsed in magazines while hours fled, stomped home bare-legged in the grey cold, rain threatening. Miss Hornbeak a horn beak, cold as dry-ice.
May 14: Wednesday: Grim night. My eyelid’s hot stinging itch has spread, in actuality, or by sympathetic imagining nerves, to all my body – scalp, leg, stomach: as if an itch, infectious, lit and burned, lit and burned. I feel like scratching my skin off. And a dull torpor shutting me in my own prison of highstrung depression. Is it because I feel a ghost –? My influence waning with my classes who have no exam, but one paper and then no need to work or listen. At the faculty meeting I marveled so much time had passed and I was in my same aloneness, only further in, as if a transparent lid enveloped me & shut up all others whose faces have no personal meaning for me – they are going on next year, I am gone already in spirit, if lingering in a locust-itchy-crawly body. I feel about to break out in leprousy: nervous: hearing stairs creak: dying of cowardice – ready for all the lights mysteriously to go out and the horror of a monster to take me: nightmares haunt me: Joan of Arc’s face as she feels the fire and the world blurs out in a smoke, a pall of horror. I wait for Ted’s return from Paul’s reading of Oedipus. I itch. I feel between two worlds, as Arnold writes – “one dead, the other powerless to be born”: all seems thus futile – my teaching has lost its savor: I feel the students are gone & have none of the satisfaction as a teacher of planning a better more vital course next year: that is done. Then, on the other hand, I have nothing but a handful of poems – so unsatisfactory, so limiting, when I study Eliot, Yeats, even Auden and Ransom – and the few written in spring vacation to link me umbilically to a new-not-yet-born world of writing – only the five-year distant adolescent successes in writing: a gap. Will I fill it, go beyond? I am hamstrung: papers to come, senior exams & Arvin’s. My eyes are killing me – what is wrong with them. No mail – only letter from Patsy which holds out New York – a vision of time – a bridge from a dead world to a newborn one.
May 19: Monday: Only it isn’t Monday at all, but now Thursday the 22nd of May and I through with my last classes & a hot bath and disabused of many ideals, visions and faiths. Irony: the mature stance which covers up the maudlin ladies’ magazine blurt of tears. Disgust. Yes, that’s more like it: revulsion at much in myself and more in Ted, whose vanity is not dead, but thrives. Irony: in almost two years he has turned me from a crazy perfectionist and promiscuous human-being-lover, to a misanthrope, and – at Tony’s, at Paul’s, a nasty, catty and malicious misanthrope. How he praised this in me: I at last “saw” the real world. So I put the two of us in our separate, oh infinitely superior world: we are so nice, naturally, too nice-‘smilers’. So we are now, in society, nasty & cruel & calculated – oh, not first off, but only when attacked. No more brave innocent blinkings – all tooth and nail. And just as I rose to a peak of nastiness for perhaps the first time in my life – I have never been catty professionally & publicly, I got the final insight: not only am I just as nasty as everybody else, but so is Ted. A liar and a vain smiler. How it works: how irony is the spice of life. My novel will hardly end with love & marriage: it will be a story, like James’, of the workers & the worked, the exploiters & the exploited: of vanity and cruelty: with a ronde, a circle of lies & abuse in a beautiful world gone bad. The irony I record here, for the novel, but also for the Ladies’ Home Journal. I am no Maggie Verver. I feel the vulgar heat of my wrong enough to gag, to spit the venom I’ve swallowed: but I’ll take my cue from Maggie, bless the girl. How the irony builds up – every time I made one of my foolish bland statements I felt a chill, a dark rubber-visaged frog-faced fate, ready to loom up at the fulness of the moment, to confront me with some horror as yet unseen, unforseen. And all this time it has been going on, on the far edges of my intuition. I confided my faith in Ted, and why is the wife the last to see her husband’s ulcer? Because she has the most faith, the carefully & lovingly nurtured blind faith that turns unquestioning to follow the course of the sun, hearing no outside cries of thirst from the desert, no curses in the wasteland. I saw James leave Joan Bramwell, or, rather, saw Joan pack him off because of a mad affair, diabolical, with the Lamia S—–, and Joan’s thin wavery voice confessing her suffering, her gladness in spite of all of what she has learned, her humiliations, her sanity – hated – in the face of madness, S—–’s keeping James out till midnight after the movies, Joan calling & asking him home, & James coming: S—– calling later & saying that she had bashed her hands through the window & that they were bleeding badly – her ugly raised wrist-scars. O, I said in a bright clear voice: “I am the only woman on the faculty who has a husband” – Joan’s is a weak vain elderly rat & doesn’t count, is gone; Marlies doesn’t live with hers except on weekends. Well, mine is a liar, a vain smiler, a twister. I look at Lowell’s first book: Jean Stafford78 then. Well, at least she writes for The New Yorker – a good career, a good living – or maybe she’s in a madhouse even as I speak, she’s been an alcoholic. Who knows who Ted’s next book will be dedicated to? His navel. His penis. I first saw him vain, a smiler. And here after all these years is the old nick. Well, start with the background to the facts – the misanthropy felt for all except Ted & myself, the faith in Ted & myself & distrust of all others. Add last night – Ted reading the part of Creon for Paul’s translation of Oedipus & practically telling me not to come. (May 22) I said all right, but rebelled. I am superstitious about not hearing Ted read. I raced through my second set of papers (and still have another to go) and leapt up, as if drawn on a leash, and started running, down the stairs, out into the warm, heavy lilac-scented may dark. The new moon stared at me over the trees – its shadow of wholeness clearly drawn. I ran, skimming, although deep in long tension & exhaustion, as if I would fly, my heart a hurting fisted lump in my chest. I ran on, not stopping, down the bumpy, steep hill by Paradise Pond, saw a rabbit, fuzzed, brown, in the bushes behind the Botany Building. I ran on up to the lighted colonial front of Sage hall, white columns glowing in the electric lights, not a person in sight, empty echoing pavements. The hall was glaring: two people, a fat girl & ugly man, were in the side booth running a tape of music for the recording. I tiptoed in, slipped into a seat in back, and tried to still the funny knocking of my heart & my rasping breath. Ted stood on the left of the stage, far off, next to Bill Van Voris, in the center, as Oedipus. Chris Denney79 in elegant black and Paul, rumpled & gilt-curled head erect on his lily stalk neck, beside her. Paul’s voice came ghostly over the tape – (like his novel, the satyr entering the body of the novitiate & loving him up) which he answered. Ted looked slovenly: his suit jacket wrinkled as if being pulled from behind, his pants hanging, unbelted, in great folds, his hair black & greasy in the light. The minute I came in he knew it, and I knew he knew it, and his voice let the reading down. He was ashamed of something. He gave the last line with the expression of a limp dishtowel & I felt this faint flare of disgust, of misgiving. There he stood, next to the corrupt, white snail-faced Van Voris whose voice luxuriated over the words: loins, incest, bed, foul. I felt as if I had stepped barefoot into a pit of sliming, crawling worms. I felt like hawking & spitting. Ted knew whom he stood beside, and whose words he read. He shrank, slouched away from it. But he could have gotten out of it before. Long before. Paul would love to have Philip Wheelwright read Creon. Ted didn’t come to meet me afterwards. I stood in front, went out behind & asked the janitor where the readers were. He had to tell me. In a small lighted room Bill Van Voris slumped in a loose boneless position, legs stuck straight out, on a flowery-upholstered couch. Ted sat with a mean wrong face over the piano, banging out a strident one-finger tune, hunched, a tune I’d never heard before. Nor had I seen that odd, lousy smile since Falcon Yard. Oh yes, the preying ones, how I shall manage it. He didn’t speak. He wouldn’t come away. I sat down. We went then. Clarissa had been cold & nasty: Pat Hecht had possibly revenged herself by telling Clarissa all the nasty things we’d said of Paul, leaving in politic fashion, Tony’s insults out. Anyway, it was a stale, rancid evening, just as the evening with the Hechts had been. Which more of in the course of this. So it was an accident. So Ted was ashamed of appearing on the platform in the company of lice. So today is my last day. Or was. Armed with various poems by Ransom, cummings & Sitwell, I went to class, received applause in the exact volume of my enjoyment of the class – a spatter at 9, a thunderous burst at 11, and something in between both extremes at 3. I had made a kind of ceremonial stab at asking Ted to drive down with me till I got through this afternoon, so I could see him & rejoice the very minute I got through my first class. So we went. I was teaching, among other things, ‘parting without sequel’: how perfect – I moralized about the joy of revenge, the dangerous luxury of hate and malice, and how, even when malice & venom are ‘richly deserved’, the indulgence of these emotions can, alas, be ruinous. Ah Ransom. All boomerangs. Before class I had twenty minutes. Ted arranged to bring books into the library & meet me in the car: to be waiting there till my classes ended. I went alone into the coffee shop which was almost deserted. A few girls. And the back of the head of Bill Van Voris. He did not see me come in, nor ask for coffee, although I was almost within his view. But the girl he was sitting with in the booth opposite him could see me. She had very fine black eyes, black hair, and a pale white skin, and was being very serious. I took my coffee up and did not attract Bill’s attention, but sat down in the booth directly in back of him, facing the back of his head and his student. Ha, I thought, listening, or, rather, hearing. I sipped my coffee and thought of Jackie80 whose skin is dough color with fine tight wrinkles, whose hair is mousecolor whose eyes are of indeterminate color behind tortoise-shell rimmed glasses. Who is not perhaps as cultivatedly ‘intellectual’ as Bill’s students. I noted Bill’s back well: the tasteful thin-grain corduroy jacket fitting his broad masculine shoulders, a light-cinnamon color, tweedy or tobacco color, his pale bull neck, the little springing crisp whorls of his dark very-close cropped hair. He was talking in his way: silly, pretentious, oh yes fatuous. She stammered prettily, as I left my ears unshuttered: Something about “The hero … the comic as distinct from the classic Hero.” “Comic?” Bill’s voice cracked up, a whisper, or wheeze nuzzled somewhere in it. “You mean …” she faltered, dark eyes asking for help. “Satiric”, Bill proposed, all sure wisdom. I felt a stir, a desire to tap his shoulder, lean over & tell him to come off it, comic heroes were fine, satire didn’t hold a monopoly. But I shut up. Bill quickly swerved to Restoration drama. Sniffing, inhaling the daisies in his own field. “Morality. Of course, all that material for jokes, that wonderful opportunity for bawdy jokes. Men and men leaving their wives.” The girl responded, geared for the supreme, the most intense understanding: “O, I know, I know”. They were still talking when I left the coffeeshop for my class. At which I almost talked myself hoarse. I could see Al Fisher, sitting in the same seat, & me opposite, that official sexual rapport. Al Fisher and his dynasties of students: students made mistresses. Students made wives. And now, his silly, fatuous vain smile. When Bill gets tenure – probably not much but play about till then – he will begin Smith mistresses. Or maybe Jacky will die: she has death, and great pain written on her stretched mouth: grim gripped lips and eyes that measure, reserved, cold, the chances she takes and has to take and will take. These images piled up. I felt tempted to drop in at the library before class and share with Ted my amusing insight, my ringside seat at Van Voris and the Seductive Smith girl: or William S. is bad agayne. But I went to class. When I came out, I ran to the parking lot, half-expecting to meet Ted on the way to the car, but more sure of finding him inside. I peered through a perspective of car windows but saw no dark head. Our car was empty and the emptiness struck me as odd, particularly on this day which we have counted toward for twenty-eight weeks. I did see Bill, after what was probably over an hour and a half, bidding a warm smiling goodbye to his student between the green lilac bushes framing the path from the coffee shop to the parking lot. He began coming toward me & I quickly turned my back on him and got into the car which I drove up to the library, figuring Ted would be in the reading room, oblivious of time, immersed in The New Yorker article by Edmund Wilson. He was not there. I kept meeting left-over students of mine from my three-oclock class. I had an odd impulse to drive home, but I was not destined to anything shocking in the apartment yet, although I have been prepared to be. As I came striding out of the cold shadow of the library, my bare arms chilled, I had one of those intuitive visions. I knew what I would see, what I would of necessity meet, and I have known for a very long time, although not sure of the place or date of the first confrontation. Ted was coming up the road from Paradise Pond where girls take their boys to neck on weekends. He was walking with a broad, intense smile, eyes into the uplifted doe-eyes of a strange girl with brownish hair, a large lipsticked grin, and bare thick legs in khaki Bermuda shorts. I saw this in several sharp flashes, like blows. I could not tell the color of the girls eyes, but Ted could, and his smile, though open and engaging as the girl’s was, took on an ugliness in context. His stance next to Van Voris clicked into place, his smile became too whitehot, became fatuous, admiration-seeking. He was gesturing, just finishing an observation, an explanation. The girl’s eyes souped up giddy applause. She saw me coming. Her eye started to guilt and she began to run, literally, without a goodbye, Ted making no effort to introduce her, as I’m sure Bill would have. She hasn’t learned to be deceitful yet in her first look, but she’ll learn fast. He thought her name was Sheila; once he thought my name was Shirley: o all the twists of the tongue – the smiles. Strange, but jealousy in me turned to disgust. The late comings home, my vision, while brushing my hair, of a black-horned grinning wolf all came clear, fused, and I gagged at what I saw. I am no smiler anymore. But Ted is. His aesthetic distance from his girls so betrayed by his leaning stance, leaning into the eyes of adoration – not old adoration, but new, fresh, unadulterated. Or, perhaps adulterated. Van Voris looks white. Lily-handed. Why is it I so despise this brand of male vanity? Even Richard had it, small, sickly & impotent as he was at nineteen. Only he was rich, had family and so security: a lineage of men able to buy better wives than they deserved. As Joan said: Ego and Narcissus. Vanitas, vanitatum. I know what Ruth would tell me, and I feel I can now tell her. No, I won’t jump out of a window or drive Warren’s car into a tree, or fill the garage at home with carbon monoxide & save expense, or slit my wrists & lie in the bath. I am disabused of all faith, and see too clearly. I can teach, and will write and write well. I can get in a year of that, perhaps, before other choices follow. Then there are the various- and few-people I love a little. And my own dogged and inexplicable sense of dignity, integrity that must be kept. I have run too long on trust funds. I am bankrupt in that line.
– Later, much later. Some time the next morning. The fake excuses. Vague confusions about name & class. All fake. All false. And the guilty look of stunned awareness of the wrong presence. So I can’t sleep. Partly out of shock myself at the cheapness of vanity, the heavy ham act: oh yes, Stanley, very clever: matinee idol: hanging over, great inert heavy male flesh: “Let’s make up.” O such good fuckings. Why so weary, so slack all winter? Ageing or spending. Fake. Sham ham. No explanations, only obfuscations. That is what I cannot stand, why I cannot sleep. He snorts & snores even now in smug sleep. And the complete refusal to explain. What Kazin said that spring evening was true: that’s why Ted jumped at him. Only Kazin was wrong in one particular: it wasn’t Smith girls. No – the eager leaning open grin and my vision of Van Voris with this – of Fisher, later, yes. Dishonesty – a rift. All stupidity & frankness on my side: what a fool one is to sincerely love. Not to cheat. To two time. It is awful to want to go away and to want to go nowhere. I made the most amusing, ironic & fatal step in trusting Ted was unlike other vain and obfuscating and self-indulgent men. I have served a purpose, spent money, mother’s money, which hurts most, to buy him clothes, to buy him a half year, eight months of writing, typed hundreds of times his poems. Well, so much have I done for modern British & American poetry. What I cannot forgive is dishonesty – and no matter what, or how hard, I would rather know the truth of which I today had such a clear & devastating vision from his mouth than hear foul evasions, blurrings and rattiness. I have a life to finish up here. But what about life without trust – the sense that love is a lie and all joyous sacrifice is ugly duty. I am so tired. My last day, and I cannot sleep for shaking at horror. He is shamed, shameful and shames me & my trust, which is no plea in a world of liars and cheats and broken or vanity-ridden men. Love has been an inexhaustible spring for my nourishment and now I gag. Wrong, wrong: the vulgar heat of it: the picture of fatuous attention, doe-eyed rollings of smiles, startled recognition, flight – all cannot be denied. Only clearly explained. I do not want to ask for what should be given before the heavy hammy American cheap slang “let’s make up.” The heavy too jocular-jocularity. This is the vain, selfish face & voice I first saw and the Yorkshire Beacon boy, the sweet & daily companion is gone. Why should he be proud of my recent nastiness to Hecht & Van Voris if it isn’t a judgment on his own inner corruption. For I smell it. The house stinks of it. And my vision fills in the blurred latenesses with oh yes Frank Sousa. I know. I know worse for knowing all myself & he not telling me or understanding what it is to know. His picking his nose, peeling off his nails & leaving them about, his greasy unkempt hair – what does this matter? Why did I make his concerns my own & wish to see him his best & finest, I won’t bother now; the dirt is too deep for Halo shampoo & lux soap, the raggedness too far-frayed for the neat nip of trimming shears. He does not care. He is sulking as he began to after I came to the reading. His accepting that & keeping up to it showed how far down he has gone. He wants to go down, to leave me to hunt for him on my last moment of teaching to celebrate the end of a year of teaching by learning what my intuition clears for me like a pool of clearing water after the mud settles. O I see the frogs on the mud-bed. And the corruption in warts on their slick and unctuous black hides. So what now.
June 11: Wednesday: A green cool rainy night: peace & concord almost a month behind in this book, but much to tell – I have avoided writing here because of the rough & nightmarish entry I must take up from – but I take up & knit up the raveled ends. I had a sprained thumb, Ted bloody claw-marks, for a week, and I remember hurling a glass with all my force across a dark room; instead of shattering the glass rebounded and remained intact: I got hit and saw stars – for the first time – blinding red & white stars exploding in the black void of snarls & bitings. Air cleared. We are intact. And nothing – no wishes for money, children, security, even total possession – nothing is worth jeopardizing what I have which is so much the angels might well envy it. I corrected, sullenly, my eyes red with a stinging itchy rash, honors papers – simply putting in time in the garden of the faculty club – they could all be ‘summas’ or ‘cums’ for all I cared – under Miss Hornbeaks’ acid eye. And then Arvin’s exams which I finished, along with all my obligations at Smith, about 10 days ago, on Sunday June 1st. We have half of June, then July and August clear to write, but the looming blackness of no Saxton for Ted. The irony is that his own editor at Harper’s is adviser to the trustees and his project although most warmly approved, is ineligible because of the very qualification we thought would win for him – his Harper-published book. So I shall try for a Saxton for 10-months & Ted for a Guggenheim this next year – he trying to rank TS Eliot, WH Auden, Marianne Moore, etc., behind him. I don’t want to live in the country this year, but in Boston, near people, lights, sights, shops, a river, Cambridge, theater, editors, publishers – where we won’t need a car & will be well away from Smith. So we will gamble – on a possible Saxton for me & at least on Boston jobs if we aren’t earning, by writing, but that last only a death’s door resort. We must keep round-trip ship-fare for Europe intact, and our mystic $1,400 of poetry earnings. I am just getting used to peace: no people, no assignments, no students. Peace, at least after our visit home to apartment hunt this weekend, & me to make a recording at Harvard & to celebrate our 2nd wedding anniversary – how can I say this calmly? This was a central problem in my other book, and here it begins well into marriage. An incident today to start a train of remembering our wearying and also rejuvenating week in New York which cleared out Smith cobwebs: we went at twilight to walk in the green Park – (I have just written a good syllabic poem on the ‘Child’s Park Stones’ as juxtaposed to the ephemeral orange & fuchsia azaleas and feel the park is my favorite place in America.) The evening was dim, light grey with wet humid mist, swimming green. I took a pair of silver-plated scissors in my raincoat pocket with the intent to cut another rose – yellow, if possible – from the rose garden (by the stone lion’s head fountain) just come into bloom – a rose to begin to unbud as the red, almost black-red rose now giving out prodigal scent in our livingroom. We walked round on the road to the stucco house & were about to descend to the rose garden when we heard a loud crackling sound as of the breaking of twigs. We thought it must be a man we’d seen in another part of the park coming through the thick rhododendron groves from the frog-pond. The yellow roses were blowzy, blasted, no bud in view. I leaned to snip a pink bud, one petal uncurling, and three hulking girls came out of the rhododendron grove, oddly sheepish, hunched in light manilla-colored raincoats. We stood regnant in our rose-garden and stared them down. They shambled, in whispered converse, to the formal garden of white peonies & red geraniums, stood at a loss under a white arbor. “I’ll bet they’re wanting to steal some flowers”, Ted said. Then the girls evidently agreed to walk off. I saw an orange rosebud, odd, which I’ve never before seen, and bent to clip it, a bud of orange velvet, after the girls were out of sight. The grey sky lowered, thunder rumbled in the pines, and a warm soft rain began to fall greyly as if gently squeezed from a grey sponge. We started home through the rhododendron groves where the girls had come out. I saw, as we had half-envisioned, but yet saw with a shock, a newspaper loaded with scarlet rhododendron blossoms neatly tucked behind a bush. I began to get angry. We walked farther, and saw another newspaper crammed full of bright pink rhododendrons. I had a wild impulse, which I should have followed to satisfy my blood lust, to take up all the rhododendron flowers and set them afloat in the frog-pond like rootless lilies to spite the guilty-pickers & preserve the flowers as long as they would be preserved in water for the public eye. I picked up bunches of the scarlet ones, but Ted, also angry, wouldn’t have it. But as we passed the pond and had come out onto open grass, we both turned back, of one accord to put the blossoms in the pond. As I must have sensed, the girls were back – we heard muffled laughter & the cracking of branches broken carelessly. We came up slowly with evil eyes. I felt blood-lust – sassy girls, three of them – “O, here’s a big one”, a girl ostentatiously said. “Why are you picking them?” Ted asked. “For a dance. We need them for a dance.” They half-thought we would approve. “Don’t you think you’d better stop?” Ted asked, “this is a public park.” Then the little one got brassy & fairly sneered “This isn’t your park.” “Nor yours,” I retorted, wanting strangely to claw off her raincoat, smack her face, read the emblem of her school on her jersey & send her to jail. “You might as well pull up the bush by its roots.” She glared at me & I gave her a mad wild still stony glare that snuffed hers out. Showily she directed another girl to get the other rhododendrons. We followed them to the pond, where they stood, consulted, then doubled back on their tracks. We followed to the edge of the rhododendron grove in the rain, lightning flashed, almost clear red, and we saw them hurrying down to a waiting car & loading the rhododendrons into the openback trunk. We let them go. If we made them uncomfortable it is almost enough. But we were angry. And I wondered at my split morality. Here I had an orange and a pink rosebud in my pocket and a full red rose squandering its savors at home, & I felt like killing a girl stealing armfuls of rhododendrons for a dance: I guess I feel my one rose a week is aesthetic joy for me & Ted & sorrow or loss for no one – yellow roses are gone blowzy – why not conserve one bud through full bloom to blowzy death & replace it with another: to possess & love an immortal many-colored rose during rose-season while leaving a gardenful – but these girls were ripping up whole bushes – that crudeness & wholesale selfishness disgusted & angered me. I have a violence in me that is hot as death-blood. I can kill myself or – I know it now – even kill another. I could kill a woman, or wound a man. I think I could. I gritted to control my hands, but had a flash of bloody stars in my head as I stared that sassy girl down, and a blood-longing to fly at her & tear her to bloody beating bits.
Friday, June 20: My motto here might well be “My spirits, as in a dream, are all bound up.” I have been, and am, battling depression. It is as if my life were magically run by two electric currents: joyous positive and despairing negative – which ever is running at the moment dominates my life, floods it. I am now flooded with despair, almost hysteria, as if I were smothering. As if a great muscular owl were sitting on my chest, its talons clenching & constricting my heart. I knew this fresh life would be harder, much harder, than teaching – but I have weapons, & self-knowledge is the best of them. I was blackly hysterical last fall, beginning my job: the outside demands exacted my blood, and I feared. Now, a totally different situation, yet the same in emotional content – I have fourteen months “completely free” for the first time in my life, reasonable financial security, and the magic and hourly company of a husband so magnificent, sweet-smelling, big, creative in a giant way, that I imagine I made him up – only he offers so much extra surprise that I know he is real and deep as an iceberg in its element. So I have all this, and my limbs are paralyzed: inside demands exact my blood, and I fear – because I have to make up my demands: the hardest responsibility in the world: there is no outer recalcitrant material to blame for snags and failures, only the bristling inner recalcitrance: sloth, fear, vanity, meekness. I know, even as I wrote last fall, that if I face & command this experience & produce a book of poems, stories, a novel, learn German & read Shakespeare & Aztec anthropology and the origin of the species – as I faced & commanded the different demands of teaching, I shall never be afraid again of myself. And if I am not afraid of my self – of my own craven fears & wincings – I shall have little left in the world to be afraid of – of accident, disease, war, yes – but not of my standing up to it. This is, of course, a manner of whistling in the dark. I have even longed for that most fearsome first woman’s ordeal: having a baby – to elude my demanding demons & have a constant excuse for lack of production in writing. I must first conquer my writing & experience, & then will deserve to conquer childbirth. Paralysis. Once the outer tensions are gone: I sit on a cold grey June day in welcome of the green gloom of leaves, I fall back & back into myself, dredging deep, longing to revisit my first hometown: Winthrop, not Wellesley. Jamaica Plain, even: the names are become talismans. The church clock, or is it angelus? strikes twelve in its queer measured sequences of bells. I have let almost a month slip by – going to New York, to Wellesley & apartment hunting. Frittering. Being with people. I say it is people I need, yet what good have they done me? Perhaps, as I try a story, I shall discover. I lean on the window, forhead to the glass, waiting for the blue-uniformed mailman to walk out from the house, having left letters of acceptance. I dreamt about Stanley Sultan last night, laughing & slapping his thighs in recounting a movie he saw where the eternal Sid Caesar, on the forty-ninth floor of his apartment building, answered the exorbitant demands of his ritzy sweetheart & found a bee-tree (memory of the Bronx Zoo?) in the city, but the bees flew & police men had to chase them with ariel nets. I also dreamed the Atlantic rejected my two poems. If life is prosaic – there seem, of late, to be greasy dishes & pots forever piled in the sink – at least dreams should be colored, wondrous. I go suspended in the void, the vacuum, the exhaust of the year’s teaching machine which speeds off clicking and purring. I must, again for the first time and for the longest time, tightly & creatively structure my days – fill myself with reading & writing projects – keep a clean & well-run house, get rid of my slovenly sickness. We found, this week, an ‘ideal’ apartment – ideal aesthetically if not in high price & kitchen crammed against one wall of the livingroom. But the view, oh the view, yes the view. Two tiny rooms for $115 a month, and yet light, quiet & a sixth floor Beacon Hill View to the river, with two Bay windows, one each for Ted & me to write in. I await only Marianne Moore’s letter before I can send off my application for a Saxton grant, which would just cover an economical ten months of our contracted year & relieve my puritan conscience completely about the rent. The rented Beacon Hill flat gives our summer free peace. I write here, because I am paralyzed everywhere else. Compulsive. As if in reaction to the dance, the tarentella of the teaching year, my mind shuts against knowledge, study: I fritter, gliddery – pick up this & that, wipe a dish, stir up some mayonnaise, jump at the imagined note of the mailman’s whistle above the roar of traffic. I am disappointed with my poems: they pall. I have only a few over 25 and want a solid forty. I have distant subjects. I haven’t opened my experience up. I keep discarding & discarding. My mind is barren of ideas & I must scavenge themes as a magpie must: scraps and oddments. I feel paltry, wanting in richness. Fearful, inadequate desperate. As if my mind clicked into a “fix”, which stood frozen, blindered. And I must slowly, slowly set my lands in order: make my dream of self with poems, breast-sucking babies, a wife-of-bath calm, humor and resilience, come clear with time. I face no school-scheduled year, but the hardest year where all choosing is mine, all making and all delays, defautings, shyings off and all tardy sloths.
June 25th: Wednesday
A starred day, probably the first in this whole book. I was going to write here yesterday, but was in a teary, blue wits’ end mood. Today I sat to type back letters & more of Ted’s & my poems to send out. Seated at the typewriter, I saw the lovely light blue shirt of the mailman going into the front walk of the millionairess next door, so I ran downstairs. One letter stuck up out of the mailbox, and I saw The New Yorker on the left corner in dark print. My eyes dazed over. I raced alternatives through my head: I had sent a stamped envelope with my last poems, so they must have lost it & returned the rejects in one of their own envelopes. Or it must be a letter for Ted about copyrights. I ripped the letter from the box. It felt shockingly, hopefully thin. I tore it open right there on the steps, over mammoth marshmellow Mrs. Whalen sitting in the green yard with her two pale artificially cute little boys in their swimsuits jumping in and out of the rubber circular portable swimmingpool and bouncing a gaudy striped ball. The black thick print of Howard Moss’s letter banged into my brain. I saw “MUSSEL-HUNTER AT ROCK HARBOR seems to me a marvelous poem & I’m happy to say we’re taking it for the New Yorker …” – at this realization of ten years of hopeful wishful waits (& subsequent rejections) I ran yipping upstairs to Ted & jumping about like a Mexican bean. It was only moments later, calming a little, that I finished the sentence “… as well as NOCTURNE, which we also think extremely fine”. Two POEMS – not only that, two of my longest – 91 and 45 lines respectively: they’ll have to use front-spots for both & are buying them in spite of having a full load of summer poems & not for filler. This shot of joy conquers an old dragon & should see me through the next months of writing on the crest of a creative wave.
Thursday: June 26: The first day of swelter: grey, wet, warm rain making a slither of the streets. A dog barks far off. The milk bottles sweat drops, the butter slumps. The house begins to look untidy again. I think I shall bathe tonight & clean it tomorrow. Drove with Ted this afternoon to the roadside fruit & vegetable market and made the effort I’ve avoided – loaded up on beets, asparagus, strawberries, new potatoes, chicory – all to be cooked, prepared. In the A & P I rushed to the magazine rack & there was Ted’s story ‘Billy Hook and the Three Souvenirs’ in the July issue of Jack & Jill. The story was sumptuously presented: two fine lively color pictures & two half-tone drawings: gay & magic. Looked up spiders and crabs and owls in the sticky deserted gloom of the college library: pleasant to feel ownership of it in sodden summer. Wrote a brief poem this morning – “Owl over Main Street” in syllabic verse. Could be better. The beginning is a bit lyrical for the subject and the last verse might be expanded. I should leave poems to lie, to be rescrawled, & not be so eager to stick them in my book. I’d like a good fifteen to twenty poems more. That owl we heard on our midnight walk around town – the great feathered underside of the bird’s body, its wide wing spread over the telephone wires – a ghoulish skrwack. Also: the black spider in Spain knotting ants around its rock. Visions of violence. The animal world seems to me more & more intriguing. Odd dreams: drank from a plastic cylindrical bottle with a red tip & realized in horror it was starch-poison I put in it – waited for my stomach to wrench & wither, ran to icebox, remembering about antidotes, & swallowed a raw egg whole: Ted says it’s a symbolic dream of conception. Also, last night – a musical comedy & a hundred Danny Kayes. Pulled a piece of skin off my lip & my lips began welling blood, lip-shape – my whole mouth a skinless welling of brilliant red blood.
Tuesday: July 1st: The sticky weather, sulphurous, sultry, has begun with a flow of blood: began yesterday. I shut my head to the dopey blur of sense, to the cramp, & climbed Mount Holyoke with Ted. Hot, drenched green. I found words & phrases from my “Above the Oxbow” poem right & making the scene righter: “leaf-shuttered escarpments”. We sweat, and looked for animals, but saw only squirrel heads & tails to account for occasional brush crashes. Then, on the bend in the tar road after the birches, by the path to ‘Taylor’s Notch’, we saw the grey furred grubbing shape that puzzled us so in the road on our drive a few days ago: a humped, short-legged, stump-tailed rattish-faced creature. When we were almost upon it, snuffling rapt, as it was, at something in the road, it lumbered slowly & awkwardly into the fern & stopped. Ted walked round to the other side of the animal & started trying to catch it by throwing his raincoat over it. He jumped forward, the coat spread like a cloak & fell onto the creature, but it scrabbled across the road & into the fern backed by a ledge where it turned to face us, shaking piteously & making a chattering clack-sound with its long yellow rodentine lower teeth, fat & squat, like a mother full of babies. I longed to pat it, to feed it a leaf, to make it somehow apprehend our love, but it feared & stood its ground valiant, a fierce, scared rodent. We decided it was a wood chuck, a groundhog, & left it in the fern in pity. A haze blurred Hadley fields to a muzzy green, the river flowed – dull molten pewter. The whole interior of Prospect House was walled with reliquaria – a hundred years ago, after the Civil War, Abraham Lincoln, Jenny Lind, went up in the snow-smashed funicular railway. A newspaper of 1916 recapitulated history. We staggered down to fly-blown barns & hen stench on the flat river-level farms below.
Thursday: July 4:81 Grey, for once, a sunless blessing after two days of still, suffocating air and sweat dripping at every move, prickling when sitting still and sticking my back to the chair-backs. I have been writing poems steadily & feel the blessed dawn of a desire to write prose beginning: bought a literary Mlle to whet my emulous urge – don’t feel angry now: have my own time. I am rejecting more & more poems from my book which is now titled after what I consider one of my best & curiously moving poems about my father-sea-god muse: Full Fathom Five. “The Earthenware Head” is out: once, in England, “my best poem”: too fancy, glassy, patchy & rigid – it embarrasses me now – with its ten elaborate epithets for head in 5 verses. I suppose now my star piece is “Mussel Hunter at Rock Harbor”: the author’s proofs came from The New Yorker yesterday, three long columns of them in the blessed New Yorker print which I’ve envisioned for so long. My next ambition is to get a story in The New Yorker – five, ten more years work. A horrid two-day noise of an electric saw cutting a tree down & up at the priests’ angered & disturbed these days, the truck is gone & I hope for peace – the traffic is regular & soft enough to be minimal. I began German – two hours a day, on July 1st. Have started translating Grimm’s fairytales, making a vocab list, but must work now on the grammar lessons – have forgotten all verb & noun-case forms, but am surprised enough I can get the sense of a story after two years of not touching it. My life is in my hands. I’m plowing through penguin books on Aztecs, the personality of animals, Man & the Vertebrates. So much to read, but this year I will make out schedules, lists – that is a help. Ted has given me several poetry subjects & assignments which are highly exciting: I’ve already written a good short poem on the groundhog & on landowners & am eager for others.
Friday: July 4: Independence day: how many people know from what they are free, by what they are imprisoned. Cool air, Canadian air, changed the atmosphere in the night & I woke to cool weather, cool enough for hot tea & sweatshirt. I woke to feed our baby bird. Yesterday, with this queer suffocating hysteria on me – partly, I think, from not writing prose – stories, my novel – I walked out with Ted in the dense humid air. He stopped by a tree on the street. There on bare ground, on its back, scrawny wings at a desperate stretch, a baby bird, fallen from its nest, convulsed in what looked like a death-shudder. I was sick with its hurt, nauseous. Ted carried it home cradled in his hand, and it looked out with a bright dark eye. We put it in a small box of cardboard, stuffed with a dishtowel & bits of soft paper to simulate a nest. The bird shook & shook. It seemed to be off balance, fell on its back. Every moment I expected the breath in its scrawny chest to stop. But no. We tried to feed it with bread soaked in milk on a toothpick, but it sneezed, didn’t swallow. Then we went downtown & bought fresh ground steak, very like worm shapes, I thought. As we came up the stairs the bird squawked piteously & opened its yellow froggish beak wide as itself, so its head wasn’t visible behind the fork-tongued opening. Without thinking, I shoved a sizeable piece of meat down the bird’s throat. The beak closed on my fingertip, the tongue seemed to suck my finger, & the mouth, empty, opened again. Now I feed the bird fearlessly with meat & bread & it eats often & well, sleeping inbetween two-hourly feedings & looking a bit more like a proper bird. However small, it is an extension of life, of sensibility & identity. When I am ready for a baby it will be wonderful. But not until then. Wickedly didn’t do German for the last two days, in a spell of perversity & paralysis.
Last night Ted & I did PAN for the first time in America. We were rested, warm, happy in our work & the overturned brandy glass responded admirably, oddly, often with charming humor. Even if our own hot subconscious pushes it (It says, when asked, that it is “like us”), we had more fun than a movie. There are so many questions to ask it. I wonder how much is our own intuition working, and how much queer accident, and how much ‘my father’s spirit.’ PAN informed us my book of poems will be published by Knopf, not World (They are ‘liars’ at World – a strange note: do I feel this?) Also: fifty poems for my book. We will have two sons before we have a girl & should name the boys Owen, or Gawen, the girl Rosalie. Pan recited a poem of his own called ‘Moist’, stated his favorite poem of Ted’s is “Pike” (“I like fish”, and of mine is “Mussel-Hunter” (“Kolossus likes it.”) Kolossus is Pan’s “family god.” He advises me to ‘lose myself in reading’ when depressed (it’s the ‘hot weather’) and claims my novel will be about love, & I should start writing it in November. Among other penetrating observations, Pan said I should write on the poem-subject ‘Lorelei’ because they are my ‘Own Kin’. So today, for fun, I did so, remembering the plaintive German song mother used to play & sing to us beginning “Ich weiss nicht was soll es bedenten …” The subject appealed to me doubly (or triply): the German legend of the Rhine sirens, the Sea-Childhood symbol, and the death-wish involved in the song’s beauty. The poem devoured my day, but I feel it is a book poem & am pleased with it. Must agonizingly begin prose – an irony, this paralysis, while day by day I do poems – and also other reading – or I will be unable to speak human speech, lost as I am in my inner wordless Sargasso.
Monday: July 7: I am evidently going through a stage in beginning writing similar to my two months of hysteria in beginning teaching last fall. A sickness, frenzy of resentment at everything, but myself at the bottom. I lie wakeful at night, wake exhausted with that sense of razor-shaved nerves. I must be my own doctor. I must cure this very destructive paralysis & ruinous brooding & daydreaming. If I want to write, this is hardly the way to behave – in horror of it, frozen by it. The ghost of the unborn novel is a Medusa-head. Witty or simply observant character notes come to me. But I have no idea how to begin. I shall, perhaps, just begin. I am somewhere in me sure I should write a good ‘book poem’ a day – but that is nonense – I go wild when I spend a day writing a bad twelve lines – as I did yesterday. My danger, partly, I think, is becoming too dependent on Ted. He is didactic, fanatic – this last I see most when we are with other people who can judge him in a more balanced way than I – such as Leonard Baskin, for example. It is as if I were sucked into a tempting but disastrous whirlpool. Between us there are no barriers – it is rather as if neither of us – or especially myself – had any skin, or one skin between us & kept bumping into and abrading each other. I enjoy it when Ted is off for a bit. I can build up my own inner life, my own thoughts, without his continuous ‘What are you thinking? What are you going to do now?’ which makes me promptly & recalcitrantly stop thinking and doing. We are amazingly compatible. But I must be myself – make myself & not let myself be made by him. He gives orders – mutually exclusive: read ballads an hour, read Shakespeare an hour, read history an hour, think an hour & then ‘you read nothing in hour-bits, read things straight through’. His fanatacism & complete lack of balance & moderation is illustrated by his stiff neck got from his ‘exercises’ – which evidently are strenuous enough to disable him.
Another grey day. The small black bird sneezing, jumping frantically out of his box & falling over his feet onto his head – can’t walk, can’t fly. What to do? I sit with him under this book, dozing on my stomach between my thighs. Yesterday – a sick suffocating day – we went on a green drive through ‘backwoods’ New England to Chesterfield Gorge, where our odd Child’s Park rocks are supposed to come from. A green gloom – a sog-needled pine wood falling sheer away in rocks to a rocky bottom – a ‘roll-rock highroad’ – amber water clear, sluicing over oval & round stones – odd potholes & wavy formations worn in the rocks – how old? how old? We saw ants, at the river edge, & walked in our sneakers over the stones. The water, brown, peaty-green. A black frog – as I imagine obsidian-carvings – crouched on a stone. A stream welled deep in lush thick grass clumps. On the path we found a dead mole – the first I have ever seen – a tiny creature with bare flat feet, looking like a tiny man’s, and pallid white pushy-looking hands – a delicate snout & its sausage-shaped body all covered with exquisite grey-blue velvety fur. We also found a dead red squirrel, perfect, its eye glazed in death, and stiff. I felt somehow nonexistent – had a sudden joy in talking to a grease-stained husky garage mechanic boy. He seemed real. Unless the self has enormous centering power, it flies off in all directions through space without the bracing & regulating tensions of necessary work, other people & their lives. But I won’t get my writing schedule from outside – it must come from within. I’ll leave off poems for a bit – finish the books I’m now in the middle of (at least five!) do German (that I can do) & write a kitchen article (for Atlantic’s Accent on Living?), a Harper’s Cambridge Student Life article – a story ‘The Return’ & suddenly attack my novel from the middle. O for a plot.
Wednesday: July 9: Freshly bathed, it being early for once & not too hot. We are recovering after a week of the bird. Last night we killed him. It was terrible. He wheezed, lay on one side like a stove-in ship in his shit streaks, tail feathers drabbled, rallying to open his mouth, convulsing. What was it? I held him in my hand, cradling his warm heart-beat & feeling sick to the pit of my stomach: Ted no better – I let him take the bird for a day & he was as sick as I. We hadn’t slept for a week, listening for his scrabble in the box, waking at blue dawn & hearing him flutter his pin-feather wings against the cardboard sides. We couldn’t see what was wrong with his leg – only that it had folded, useless, under his stomach. We walked out through the park – not wanting to go back to the house & the sick bird. We went to the tree where we’d found him & looked up to see if there was a nest – we’d been too upset to look when we picked him up a week ago. From a dark hole about ten feet up in the trunk a small brownish birdface looked, then vanished. A white shit shot out in a neat arc onto the sidewalk. So that was where our little bird had his habit of backing to the edge of his papers. I resented the hale whole birds in the tree. We went home: the bird peeped feebly, rallied to peck at our fingers. Ted fixed our rubber bath hose to the gas jet on the stove & taped the other end into a cardboard box. I could not look & cried & cried. Suffering is tyrannous. I felt desperate to get the sickly little bird off our necks, miserable at his persistent pluck & sweet temper. I looked in. Ted had taken the bird out too soon & it lay in his hand on its back, opening & shutting its beak terribly & waving its upturned feet. Five minutes later he brought it to me, composed, perfect & beautiful in death. We walked in the dark blueing night of the park, lifted one of the druid stones, dug a hole in its crater, buried him & rolled the stone back. We left ferns & a green firefly on the grave, felt the stone roll of our hearts.
Prose writing has become a phobia to me: my mind shuts & I clench. I can’t, or won’t, come clear with a plot. Must put poetry aside & begin a story tomorrow, today was useless, a wash of exhaustion after the bird. Always excuses. I wrote what I consider a ‘book poem’ about my runaway ride in Cambridge on the horse Sam: a ‘hard’ subject for me, horses alien to me, yet the dare-devil change in Sam & my hanging on god knows how is a kind of revelation: it worked well. Hard as my little gored picador poem was hard. But now I can’t write as I used to – generally, philosophically, with “thoughts that found a mare of mermaid hair / tangling in the tide’s green fall”. – I have to write my “Lorelei” – to present the mermaids, invoke them. Make them real. I write my good poems too fast – they are on objects, not themes, thus concrete, limited. Good enough, but I must extend. I must start outlining a story plot: obviously it takes time – I half expect to fly to the typewriter & begin. Central conflict – my life is full of it. Start there. Marriage: Courtship. Jealousy. Settings I know: try Wellesley – suburbia. Cambridge apartment: Lou Healy, Sat Eve Post style. Jealousy: sister of newlywed husband. Poor poet. Couple divided over baby: why fear? Not like other men. Suburban neighborhood. I have fragments. Vignettes. Mrs. Spaulding is a story herself. I must note backgrounds jobs against which my people can move. Plagiarism in college. Young teacher. Decision to make. Start with that: 15 to 20 pages a week. Why not? Ambivalent position. Romance involved. Campus setting. I know this. Make a page of story plots & subjects tomorrow. That’s what – a paragraph on each – style & sort. Also several on “The Return”. Use Baskin. Ho ho. Everyone here. Aaron’s cocktail party. S————, James & Joan triangle. From whose point of view? Think, Think. Study sympathy point of view – emotional center –
Saturday: July 12: I feel a change in my life: of rhythm & expectancy, and now, at 11 in the morning, tired, very, yet steady after our great talk last night. A change has come: will it tell, a month from now, a year from now? It is, I think, not a false start. But a revision of an old, crippling delusion into a sturdy-shoed, slow-plodding common sense program. Yesterday was the nadir. All day I had been sitting at an abstract poem about mirrors & identity which I hated, felt chilled, desperate, about, my month’s momentum (over 10 poems in that time) run down, a rejection from The Kenyon sealing hopelessness. I began, realizing poetry was an excuse & escape from writing prose. I looked at my sentence notes for stories, much like the notes jotted here on the opposite page: I picked the most ‘promising’ subject – the secretary returning on the ship from Europe, her dreams tested & shattered. She was not gorgeous, wealthy, but small, almost stodgy, with few good features & a poor temperament. The slicks leaned over me: demanding romance, romance – should she be gorgeous? Should Mrs. Aldrich, so normal & plodding & good with her seven children, have an affair with young, sweet Mr. Cruikshank82 across the street? I ran through my experience for ready-made ‘big’ themes: there were none: E—’s abortion? Marty’s lack of a child? Sue Weller’s weepy courtship with Whitney? All paled, palled – a glassy coverlid getting in the way of my touching them. Too undramatic. Or was my outlook too undramatic? Where was life? It dissipated, vanished into thin air, & my life stood weighed & found wanting because it had no ready-made novel plot, because I couldn’t simply sit down at the typewriter & by sheer genius & will power begin a novel dense & fascinating today & finish next month. Where, how, with what & for what to begin? No incident in my life seemed ready to stand up for even a 20 page story. I sat paralyzed, feeling no person in the world to speak to, but off totally from humanity in a self-induced vacuum. I felt sicker & sicker. I couldn’t happily be anything but a writer & I couldn’t be a writer: I couldn’t even set down one sentence: I was paralyzed with fear, with deadly hysteria. I sat in the hot kitchen, unable to blame lack of time, the sultry July weather, anything but myself. The white hardboiled egg, the green head of lettuce, the two suave pink veal chops dared me to do anything with them, to make a meal out of them, to alter their single, leaden identity into a digestible meal. I had been living in an idle dream of being a writer. And here stupid housewives & people with polio were getting their stories into the Satevepost. I went into Ted, utterly shattered, & asked him to tackle the veal chops. And burst into tears. Useless, goodfornothing. We talked it out, analyzed it. I felt the lead tons of the world lift. I have been spoiled, so spoiled by my early success with Seventeen, with Harper’s & Mademoiselle, I figured if I ever worked over a story & it didn’t sell, or wrote a piece for practise & couldn’t market it, something was wrong. I was gifted, talented – oh, all the editors said so – so why couldn’t I expect big returns for every minute of writing. A cracking good story a week? I demanded a 20-page plot about a top-of-the-head subject that didn’t engage me. Now, every day, I am writing 5 pages, about 1,500 words on a small vignette, a scene charged with emotion, conflict & that is that: to make these small bits of life, which I discarded as trivial, not serious ‘plot material’. I cannot correct faults in rhythm, in realization – in thin air. I spend 3 hours & shall from now on, in writing, not letting a bad or slight subject engulf the day. I began with a woman menaced by a dog this morning. I bite off what I can chew. The first try is awkward, gets little mood, but it begins. Nora Marple is the sort of woman dogs growl at. Here life begins. Out of 30 exercises, perhaps a character: out of 100, perhaps the seed of a story. I shall doggedly work, wait & expect the minimum.
Thursday: June 17:83 After two days of no-schedule, disrupted by our seeing Baskins, Rodman84 & the intolerable stuffy lazy Clark’s with their mean, mealy-mouthed Quakerism, I sit down on a clear cold sunny day with nothing to beef at except the slick sick feeling which won’t leave. It comes & goes. I feel I could crack open mines of life – in my daily writing sketches, in my reading & planning, if only I could get rid of my absolutist panic. I have, continually, the sense that this time is invaluable, & the opposite sense that I am paralyzed to use it: or will use it wastefully & blindly. I have all the world’s reading on my back, instead of a possible book a day. I must discipline myself to concentrate on certain authors, certain fields, lest I welter, knowing nothing and everything. Across the street there is the chink, chunk of hammers on nails, the tap of hammers on wood. Men are on the scaffolding. I am neither a no-nothing nor a bohemian, but I find myself wishing, wishing, to have a corner of my own: something I can know about, write about well. All I have ever read thins and vanishes: I do not amass, remember. I shall this year work for steady small growth, nothing spectacular, & the ridding of this panic. The windows shake in their sockets from some unheard detonation. Ted says they are breaking the sound barrier. Somewhere I have a vision, not of thwarting, of meanness, but of fulness, of a maturer, riper placidity, a humor to bear nightmare, an ordering, reshaping faculty which steadies & fears not. A housewife – with children & writing & reading in the midst of business, but fully, with good friends who are makers in some way. The more I do, the more I can do. I should choose first the few things I wish to learn: German, poets & poetry, novels & novelists, art & artists. French also. Are they making or breaking across the street there? All fears are figments: I make them up.
(July 17) Marianne Moore sent a queerly ambiguous spiteful letter in answer to my poems & request that she be a reference for my Saxton. So spiteful it is hard to believe it: comments of absolutely no clear meaning or help, resonant only with great unpleasantness: “don’t be so grisly”, “I only brush away the flies” (this for my graveyard poem), “you are too unrelenting” (in “Mussel-Hunter”). And certain pointed remarks about “typing being a bugbear”, so she sends back the poems we sent. I cannot believe she got so tart & acidy simply because I sent her carbon copies (“clear”, she remarks). This, I realize, must be my great & stupid error – sending carbons to the American Lady of Letters. Perhaps I thus queered my chance of a Saxton. I hope not. O such clear days & earliness should be the repository for work & work. There is no heartening in the mail. The Baskins Sunday – we walked over, was desultory, Esther in a sullen, or sick mood. Ted & I sat on the grass under the trees by the back porch, Esther on the chaise with the blond, blue-eyed naked cherub Tobias whom we watched, admired & centered our afternoon around. Janet Aaron came. Tan very brown, lean as a rake, with her raspy, sarcastic drawl – she looks like a woman who has found it ridiculous to commit herself to a single emotional stance in anything, but must always ride high heavy irony. Tobias spent the afternoon opening her wicker pocket book & spreading its contents on the grass – pennies, film wrapped in silver paper, a gaudy slick postcard of a man fishing, green stamps (Tobias got these stuck to his stomach & rear), two lipsticks, a compact, pencils (he appropriated these). When the scraps of paper & ruck were all spread in the grass, Tobias sprinkled dirt joyously in the bowl of watermelon. Leonard & Esther seem to me so strong – how have they agreed to be so strong – Esther is dying, I guess. I think much of her. She needs to urinate every half-hour & didn’t go in, but told Ted to go look at Tobias in the rubber-tub of water while she shakily stood & let down her pants & sat at the side of the chaise, letting the urine dribble into the grass, her back pale, with red blotches, perhaps from sitting so. Leonard & Ted threw green small apples fallen from the tree at the bust of the laurelled, rotund poet Laureate. Leonard mimicked Tony: “I haven’t gone into the physiology of this.” Ted hit the Laureate square on the chin. Janet left: she knows Isabella Gardner (niece, great-niece? of the Boston museum Isabella), some poet named John Hay. The afternoon waned. Leonard took Janet & Ted & me to his studio in the long brick carriage house. The doorway was overgrown with leaves, the room inside light, with a green overcast from the leaves bordering the windows. Dead men, bronzes, lay in an irregular row on the floor. Two stone-carvings stood on pedestals – one – the ‘Ricardo de Napoli’? a smiling, bald wise merchanty man on a nubbled pillar, with an exquisitly carved penis the only other protuberance on the oblong column beside his head. “Death, Sated” – an apish, thick, hunched, barrel-set monster with sketched stare & grimace sketched white on the grey stone. Then, on its back on two sawhorses, dominating the room, a great angel, wingless. The floor was slippery with shavings. Leonard got Ted to lift the angel & Janet & I cleared the shavings from under its thick-blocked yet uncarven feet. Upright, the angel shouldered us into the corners & dominated the room. A sketch, profile, hung on the wall, showed the angel’s outline superimposed on the numbered layers of laminated walnut wood. The angel was half again as high as we were, stood, head bald, eyes orientally hooded, face smoothed, smile wise beyond sorrowing, arms folded & belly rounded, weight lofted up on firm, slender arch of legs as if he stood on inches of air. His shoulders were pegged to receive the wings, the rich dark-honey walnut wood glows golden in my memory. In the corner, the square-edged wing-shapes, like the rockers of a child’s wooden rocking-horse, uncarved & still crude. What to do but take it in, in praise, amaze. I like the stone-carvings best. Esther seemed weary. Janet left. I helped Esther to the door, she leaning on my arm, shaking, using her black cane with the gilt eagle-head. The screen door opened out, pushing us off the steps, but she balanced, the door scraping her as Lester opened it. “It’s terribly hard.” “I know, I know,” Leonard almost impatiently, hushed her, took her in. We shilly-shallied about supper, left then, for the promise of meeting again tomorrow over Rodman. Monday I wrote for the third day a beginning of a piece that pleased me, instead of leaving me dead-cold & despairing, caring nothing. A flowery beginning to the runaway horse. I must finish it this morning: have done no writing but caught up here, & am already wasting my German hours. Monday I baked a cake, vanilla, with lemon icing. It was raining & seems to have rained all month. I sat at Baskins with Esther, watching her undress & wash Tobias. Rodman came in with Baskin: a surprise: no fat oily Jewish intellectual but a thin, wiry, tan fellow with dark, queerly vulnerable brown eyes, very lean, almost hollow-chested. His girl strangely simian, self-possessed, pretty and sevenish, green-eyed, with thick brown curly hair. She drew pictures – odd ladies under stars in whirly skirts. Their pug dog, Pudgy, they left outside tied to a wicker garden chair in the failing wet twilight. For the first time we were with Baskins when they were with somebody that knew them less than we. We ate cheese & ham sandwiches, fruit compote & my cake. Baskin ragged Rodman: “You’re so vulnerable,” repented, & showed him photographs, and us, of his drawings, wood cuts & sculptures. Rodman had an article on James Kearns, Aubrey Schwartz & Baskin in Arts in America. I liked Schwartz’s “Crying Vendor,” Baskin’s “Darkened Man”. How much of horror, of despair, of death, springs from Esther’s shaking, dying, muscles going, bit by bit. We took Rodman to his hotel & came back. A magical evening, Esther talked to me: Tobias a curse & a blessing. She got much worse in her seventh month, couldn’t walk – she misses carrying him very much, In the kitchen, Leonard carved at a woodblock, talked to Ted. Likes Ted’s poem “Pike” & will do a broad sheet of it he says. We looked, after midnight, toward two, through one magnificent volume of Flora Londonensis, or something like – magnificent flowers, queer & delightful writing about their use, habitats. We left with “Tobias & the Angel”, “Man with Forsythia”, “Avarice” – the priest under the wolf-head, and several fine cuts of Blake & Samuel Palmer. I almost don’t want to go back, for fear all meetings must fall short of this one. Rodman for breakfast Tuesday – his little girl leaving her scrambled eggs & soggy toast, Pudgy eating some vile dogfood (“the best”) in the kitchen & Rodman in a too-bright, too-crisp cotton checked shirt, socks & leather sandals, drinking much coffee & we dragging bit by bit, information out of him. Although he has authored anthologies of poetry, the authorative book on Haiti (& has one appearing on Mexico this fall), he seems to know everything about nothing. Divorced from his wife (a wild society, motor-cycling Polack), he seems petrified, with no emotional center, no deep flux of rapport. Serious, tenacious, scared: “Going to Martha’s Vineyard – I play tennis, four, five hours a day.” His child, too wise, too much his puppet
Saturday: July 19: Paralysis still with me. It is as if my mind stopped & let the phenomena of nature-shiny green rosebugs and orange toadstools & screaking woodpeckers – roll over me like a juggernaut – as if I had to plunge to the bottom of non-existence, of absolute fear, before I can rise again. My worst habit is my fear & my destructive rationalizing. Suddenly my life which always had clearly defined immediate & long-range objectives – a Smith scholarship, a Smith degree, a won poetry or story contest, a Fulbright, a Europe trip, a lover, a husband – has, or appears to have none. I dimly would like to write (or is it to have written?) a novel, short stories, a book of poems. And fearfully, dimly, would like to have a child: a bloodily breached twenty-year plan of purpose. Lines occur to me & stop dead: “The tiger lily’s spotted throat.” And then it is an echo of Eliot’s “The tiger in the tiger pit,” to the syllable & the consonance. I observe: “The mulberry berries redden under leaves.” And stop. I think the worst thing is to exteriorize these jitterings & so will try to shut up & not blither to Ted. His sympathy is a constant temptation. I am made to be busy, gay, doing crazy jobs & writing this & that – stories & poems & nursing babies. How to catapult myself into this? When I stop, moving, other lives & single-track aims shoulder me into shadow. I am fixed, fixated on neatness – I can’t take things as they come, or make them come as I choose. Will this pass like a sickness? I wish I could get some womanly impartial advice on this. Defensively, I say I know nothing: lids shut over my mind. And this is the old way of lying: I can’t be responsible, I know nothing. Grub-white mulberries redden under leaves. Teaching was good for me: it structured my mind & forced me to be articulate. If I don’t settle my trouble from within, no outside shower of fortune will make the grass grow. I feel under opiates, hashish – heavy with paralysis – all objects slipping from numb fingers, as in a bad dream. Even when I sit at my typewriter, I feel as if what I wrote were written by an imbecile ten miles off. I am on the bird now, and have been for two days; I have written eighteen pages of confused repetitious observation: Miriam felt this, Owen said that, the bird did this. I have not gotten to the dramatic part where they kill & bury the bird whose sickness has come to dominate their lives. I am sure of the solidity of the subject, but not sure of the emotional line & crisis of my story: yet it will be a story. Tomorrow morning I will finish it & begin it over again, drawing structure out of it. I must be ghastly to live with. Incompetence sickens me to scorn, disgusts me, & I am a bungler, who has taken a bad turn in fortune – rejected by an adult world, part of nothing – of neither an external career of Ted’s – his internal career when written out, perhaps – nor a career of my own, nor, vicariously, the life of friends, nor part of motherhood – I long for an external view of myself & my room to confirm its reality. Vague aims – to write – fall stillborn. I sense a talent, sense a limited fixity of view stifling me now. I would be supremely happy, I tell myself, if I could only get ‘in the swing’ of writing stories. I have two ideas: bless them – enough for a summer: a serious bird-story where the bird becomes a tormenting spirit & by its small sick pulse darkens & twists two lives – and the story I’ll get all the factual background for when I visit Spaulding’s on the Cape: I want to learn how she built & designed those cottages. Work & work on human interest of how she’ll get a house herself. Saving her pennies, antiques – Lester’s illnesses. Humbly, I can begin these things. Start in two realities that move me, probe their depths, angles, dwell on them. I want to know all kinds of people, to have the talent ready, practised, ordered, to use them, to ask them the right questions. I forget. I must not for get, not panic, but walk about bold & curious & observant as a newspaper reporter, developing my way of articulation & ordering, losing nothing, not sitting under a snail-shell.
Sunday: July 27: A grey day, cool, gentle. The strangling noose of worry, of hysteria, paralysis, is miraculously gone. Doggedly, I have waited it out, and doggedly, been rewarded. The prose does not prosper. I am rewriting an old story, a two-year old story, for “The Return”, amazed at the lush, gaudy, giddy romantic rhetoric. I have written four or five quite good poems this past ten days, after a sterile hysterical ten days of non-production. The poems are, I think, deeper, more sobre, sombre (yet well colored) than any I’ve yet done. I’ve written two about Benidorm, which was closed to me as a poem subject till now. I think I am opening up new subjects & have, instead of a desperate high-keyed rhetoric, a plainer, realer poetry. I’ve about 29 poems for my book – a perpetual maximum it seems, but have discarded already half of those written in my hectic April vacation week, & several written since, my earliest being ‘Faunus’, ‘Strumpet Song’, which I wrote just after I met Ted. I have a peculiar and very ennervating fever, and have had, these last days. I have been ridiculously exhausted every morning, as if waking out of a coma, a queer deathlike state, when Ted brings me juice – and that, late enough, about ten o’clock, after ten hours of sleep. What is it? I am in the prime of life, my best years ahead to work in, to write poems & have children, and I am exhausted, a dull, electric burning dessicating my skull, my bloodstream. Will I write here in perfect health from our little Boston apartment in a month & more? I hope so. I feel I am beginning solidly & calmly to face the work ahead, expecting a minimum of produce with a maximum of work study & devotion. Read some of Hardy’s poems with Ted at tea – a moving, highly kindred mind, Hardy’s, especially ‘An Ancient to Ancient’s,’ & Last Words to a Dumb Friend.”
August 1: Friday: A new month. Hot, lush, tropical-rainy weather until today, today bright and clearly autumnal. The drive back to Hamp strangely repetitive – as if a regression, we almost asphyxiated by the faulty car. Moving is upon us – also, the need to plunge deeply into life: it is not coming, it is perpetually here: here and gone. Dreaded the beach today with the Van Voris family & found it oddly charming. The substance of their family – I find stimulating, restful & rich in its own way: life in a natural sequence. Swam in the lukewarm limpid lake with the children, mainly playing. In dense, green-dark pinegroves sat pleasantly dazed in woodsmoke eating hamburgs & watermelon as if in a dream, conversation flowing to Paris, to Dublin, to California. I am not especially drawn to the children, but enjoyed them & wish I could get my life clear-edged so I could have some. I have a queer growing hunger for a baby. I feel an immaturity there, where a teen-age mother is farther advanced in womanhood than I. If this year I work & slave & get perhaps a practical skill together with writing, perhaps I will break open several worlds. The Van Voris’s obviously plan a long stay: they have painted their house blissful shades – monterey red, white, hot orange & have fine-textured fabrics, burlapy linens with stylized prints & so on. They are good, Jacky, especially, whom I like. She is a solid girl, must work & work. I feel I can get so much from them by simply asking & listening & being kind. Story material. But write the story. Start with the here & now. The trip to the doctor, the x-ray & blood-test, seemed ironically to exorcise my fever. So I sat all evening in a wet suit, covered by Bill’s eminently fine Dublin sweater. I wonder what one needs to sacrifice to have money for a home & children – is it a sacrifice? We need, both of us, to be alas, wealthy, simply to ever have a family. I must work on those women’s story’s & even stenotyping.
August 2: Saturday: I have a strong feeling of sickness, of which I am heartily sick. A life of doing nothing is death. Our life is ridiculously ingrown, sedentary. Ted has fanatic ideas – he wants to get thin & eats jam, sugar, sweet things in great amounts, simply walks, won’t hear of any plausible or implausible exercise – Later: Sunday morning: it is as if I needed crises of some sort to exercise my fiber. I find all cool, clear & possible this morning. The great fault of America – this part of it – is its air of pressure: expectancy of conformity. It is hard for me to realize that Dot & Frank probably don’t like Ted simply because he “won’t get a job, a steady career.” I have actually married exactly the sort of man I most admire. I will shut up about the future for a year & face work & encourage Ted’s work in which I have the greatest of faith. I find myself horrified at voicing the American dream of a home & children – my visions of a home, of course, being an artist’s estate, in a perfect privacy of wilderness acres, on the coast of Maine. I will no doubt be an impractical vagabond wife & mother, a manner of exile. I must work for an inner serenity & stability which will bear me through the roughest of weathers externally: A calm, sustaining, optimistic philosophy which does not depend on a lifelong street address within easy driving distance of an American supermarket. And what fun to see England with Ted, to live in Italy, the South of France. If I can work this year like mad & get one woman’s story published, a book of poems finished, I will be pleased: also, review & read German & French. Ironically, I have my own dream, which is mine, & not the American dream. I want to write funny & tender women’s storys. I must be also, funny & tender & not a desperate woman, like mother. Security is inside me & in Ted’s warmth. The smell & feel of him is worth a private fortune a year & how lucky I am – there are no rules for this kind of wifeliness – I must make them up as I go along & will do so.
August 3: Sunday: Felt a sudden ridiculous desire this morning to investigate the Catholic Church – so much in it I would not be able to accept: I would need a Jesuit to argue me – I am yet young, strong – must seek adventure & not depend on a companion. As for children – I’ll be happier to have worked a year on writing, had a holiday – before I begin with them: once I have a baby, I won’t be able to go on writing unless I have a firm foundation for it. The apartment, small as it is, will encourage little house work & cooking. Peace, I must tell myself, so it becomes an instinctive sense, peace is interior, radiating outward. I must keep note books of people, places – to recall them. Now: a plane drones, cars whoosh by, a few birds are chirping, a car door bangs, Ted has just thrown down a paper, sighed, & his pen is scratching rapidly. I must learn to lead my own life with him, but not lean on him for every move. Note: A woman of twenty-five feels the shock of her age simply by saying: if I live as long as I have already lived I shall be fifty. Note: The sort of woman who, when it begins to rain and while it rains, can think only of open windows – car windows, second floor windows, everywhere – open windows, and the rain pouring in at a vicious slant, ruining woodwork, wallpaper, books & furniture irreparably.
Yesterday we sat in the rose garden at sundown, a lovely incandescent time, reminiscent of Yorkshire, of those late afternoons in granchester meadows watching the water-voles. Rose leaves red, deep-red tipped, the flowers in the formal garden white, yellow, lit up by the horizontal rays. A rainbow in the fountain. A man approaches a young woman in Trafalgar Square: “Pardon me. But you’re standing on the wrong side of the fountain”. “Why, sir, what do you mean?” He takes her around & shows her the rainbow waiting in the opposite side. I shall write a complete fantasy life of tearful-joyful stories for women – tremulous with all varieties of emotion.
August 8: Friday: “He is the transparence of the place in which He is and in his poems we find peace.” – Stevens
I am awestruck, excited, smiling inside creamy as a cat: the day has evaporated, quite gone, in a rapt contemplation of my poem “Mussel Hunter At Rock Harbor” which came out in the August 9 issue of the blessed glossy New Yorker – the title in that queer wobbly, half-archaic type I’ve dreamed poem & story titles in for about eight years. Queerest of all, I dreamed the poem would come out last night! Luckily I told Ted my dream – about Howard Moss & some poet who’d “finally got into the New Yorker”, even though he had a note in italics at the bottom of the poem saying it had been almost completely revised & edited by a woman named, I think, Anne Morrow (a sense of Moss changing my lowercase-letters to capitals, adding commas & subtracting hyphens?) – in my dream, my poem was clipped, as on a dummy copy, on the left-hand side of a page between a left-hand column & right page of adds. I was amazed when Florence Sultan called me up & told me my poem was in. I went over, drank wine with her & admired the baby Sonia, who has suddenly got to be a dark curly haired blue eyed image of Florence, sweet & solid. There the poem was in her copy, the first poem in the magazine, this page, taking up almost a whole page on the left, except for about an inch & a half of a 3-column story at the bottom – plenty of shiny white New Yorker space around my two column poem, about 45 lines in each column. Well, this week will soon be over: I have the naive idea people all over the world will be reading & marveling at the poem! Of course, it inhibits my poetry in one way (what other work could achieve this grandeur!) & yet, deep in me, it encourages my prose immensely – that I, too, may work my stories up to the exquisite several-paged surface of the ones next to & following my poems seems less like a mad goal.
[Appendix 10 contains Sylvia Plath’s description of the Whalens’ garage (entry 40a), a 9 August description of the Connecticut River (entry 40b) and a drawing of golden-rod (entry 41b) – ed.]
August 27: Wednesday: Fury jams the gullet & spreads poison, but, as soon as I start to write, dissipates, flows out into the figure of the letters: writing as therapy? A venomous blow-up with the landlady, Mrs. Whalen. Insane accusations on her part, tremulous retorts & disgust on mine: a shaming encounter: behind our back, while we were at the Cape, she took the livingroom rug to be cleaned (which I had told her we had a right to as floor covering, it being a ‘furnished apartment’) & substituted a filthy summer straw mat whose spots & stains loomed to meet the eye. She also took all the curtains. Deceit, insult, fury: last night we discovered this – or, rather, this morning – as we drove back at night through mist & cold black woods – I had a panic fear in the dark middle of the wood: we saw two deer: Ted one, I, that & another: white head & ears pricked up, eyes glowing green, trans-fixed by the car-lights. After the long rainy trip to & from NYC in one day Monday to pick up Warren, this was the last exhaustion – woke hollow at noon after a bare seven hours sleep – coffee only, & then we got stupidly involved reading magazines in the library at Smith which always sickens me: vitriol between critics, writers, politicians: an arsonist burned to black crisp depicted in Life in the space before death, his skin hanging & curling away like peeled black paint; cremation fires burning in the dead eyes of Anne Franck: horror on horror, injustice on cruelty – all accessible, various – how can the soul keep from flying to fragments – disintegrating, in one wild dispersal? We read, dibbled, for hours – on no food, fools we – shopped – peaches, corn. Then, as I half-sensed it, Mrs. Whalen had to come up – bad conscience about rug & curtains? Fury, rather, about our leaving the house windows open – she plumped her fat white bulk on the stairs, breathed, ranted – we let her go on – ‘apartment in a mess, terrible shape’ – we took her up: “what, exactly, was the mess?” She hemmed, hawed – greasy wall by kitchen sink, dirty venetian blind in bathroom – moved, obviously, by the desire to circuit accusations of spying: ‘she’d just seen this on running through’ – we’d left the apartment in apple pie order. ‘Have you looked under the bed?’ I said. I felt exhausted, starved, too stupid & sick to be clever & neat – she had no right to criticize the place – which is equivalent to criticizing my housework – no damage to the house: I would have picked up, but after the rug episode feel like smearing filth over it: I am not cool either. She yattered about Mrs. Yates85 calling up: ‘the bathroom screen fell down on Mrs. McKee’s roof’ – she fumed: Ted quietly said it had no doubt fallen down in the storm while we were away. Then we were ‘uncooperative’ – & so on. ‘Get down off your high horse’ she told me: “I’m just a kitchen maid, I never had an education …” This spilled out, & Mrs. McKee’s hand was apparent here – our companionable chats against Mrs. Whalen’s compulsive laundry & lack of aesthetics had turned to Mrs. McKee’s purpose. She, I learned, helped Whalen drag the ‘heavy’ rug upstairs – as if it was a favor to us! Then ‘Jim won’t speak to you, he’s so mad. He’s Irish.’ As if greasy walls were his business – they will be now. The humor of this gradually seeps in on me – it shoots off, objectifies – the venomous three – Whalen, McKee & Yates: I shall write about this & cariacature them all three: spite, hate being the theme in its various unsightly forms – including my own spite, which is indignant, vicious – ‘I don’t see any dirty fingerprints on the wall,’ Mrs. McKee observed when she was up here for tea a month ago – story from her point of view – spite & machinations of lazy, unhappy woman. ‘Frog’ collection – green plants. All fury, grist for the mill. I shall rest &, resting more & more, see it whole.
I am in the middle of a book on demoniacal possession – cases extremely diverting – but also inspiring – metaphors for states of human experience as well as the experience itself – as Aphrodite is the personification of lust & rending passion, so these visions of demons are the objective figures of angers, remorse, panic: Possession: Demoniacal & Other: Oesterreich.86 ‘Four years ago C. was one day going home from her work when she met in the street the apparition of a woman which spoke to her. Suddenly something like a cold wind blew down her neck as she was speaking, & she at once became as if dumb. Later her voice returned, but very hoarse & shrill.” … “She then loses the sense of her individuality”.
Possession by fox: “Neither excommunication nor censing nor any other endeavor succeeded, the fox saying ironically that he was too clever to be taken in by such manœuvres. Nevertheless he consented to come out freely from the starved body of the sick person if a plentiful feast was offered to him. ‘How was it to be arranged?’ On a certain day at four o’clock there were to be placed in a temple sacred to foxes & situated twelve kilometres away two vessels of rice prepared in a particular way, of cheese, cooked with beans, together with a great quantity of roast mice & raw vegetables, all favourite dishes of magic foxes: then he would leave the body of the girl exactly at the prescribed time’. Of Achilles (Janet hypnotizes ‘devil’)
“Although the patient appeared possessed, his malady was not possession but the emotion of remorse. This was true of many possessed persons, the devil being for them merely the incarnation of their regrets, remorse, terrors & vices.”
To brood over this, to use & change it, not let it flow through like a seive.87 Our Boston flat we saw in rain yesterday – lovely afternoon with the Jacobs girl talking of her work with problem children & adolescents in NYC – the place a dream, elegant view – better than we remembered it – four nights away: it waits, we will work.
August 28: Thursday: A chill clear morning. Yesterday’s anger has clearer, finer edges now: I could have said more than I did better than I did, but in four days we will be off & all here will lose its emotional tension & become a flat memory only, to be ordered, embellished by the chameleon mind. Dreamed last night I was beginning my novel – “What is there to look to?” Dody Ventura said – a beginning conversation – then, a sentence, a paragraph, inserted first of all of description to ‘place’, to ‘set’ the scene: a girl’s search for her dead father – for an outside authority which must be developed, instead, from the inside. Midnight: still tired, but curiously elated, as if absolved from suffocation – projects bubble: Boston & our flat seems as fine, finer than Widow Mangada’s Mediterranean hideout or our Paris Left Bank room. Suddenly I like people, can be nice, natural. We lolled over supper: cold chicken, summer squash, cabbage – sat in the twilit rose garden – a cricket chirred from the ivy on the stone wall, stone flagstones between which grass grew long, roses of pink and yellow, color gone in the grey blueing twilight to a faintly luminous pallor, the fountain plinking, five arcs on the summer house temple, the stone lionhead set in the wall, a ferocious grimace set in stone. I think I am growing more casual – am I? Or is this a lull in a merry go round of panic blackouts, to take all for what it is & delight in the small pleasures – a good dog poem by Ted: a green afternoon with Esther Baskin & Tobias under the trees, apples fallen, rotting on the ground, reading her essay of the bat, Ted’s proof of the pike poem – Tobias blond, pink, cherubic, smiling, crowing, crawling, taking the papers from my purse & scattering them about – an atmosphere of books, poems, wood engravings, statues. Tea & cookies at the Clarkes – they opening up, mimicking Mary’s father – Mr. Godfrey, the old drunken lawyer in the condemned house nextdoor, the boys who threw his mother’s picture out of the window, his pillows & all his law books – no heat, no water he had.
Animal possession from Central Africa (145) – “A number of murders … ultimately traced to an old man who had been in the habit of lurking in the long grass beside the path to the river, till some person passed by alone, when he would leap out & stab him, afterwards mutilating the body. He admitted these crimes himself. He could not help it (he said) as he had a strong feeling at times that he was changed into a lion & was impelled as a lion to kill & mutilate … this ‘were-lion’ has been most usefully employed for years in perfect contentment keeping the roads of Chiromo in good repair.”
September 2: Tuesday: A change of scene, of air, of people. Amazing – like someone else’s apartment: I haven’t begun to work here yet, so am not accustomed to this – strange muted sounds – radios, opera singers, church bells – and the almost constant howl and chug of fire engines flashing red up the steep brick-cobbled hill. At six-thirty we smelled smoke drifting into our bedroom – saw it, filtering by – then, as if called up, fire sirens: men in raincoats, carrying axes, milling in the street – an incinerator fire – started, we were sure, by Ted throwing bundles down last night. A day gone to the dogs shopping – three long foot-hammering trips – a ridiculous tiff with the phone company where upon a pleasant morning agreement to continue our phone service with the Jacobs number resulted in cut-off service & a stupid denial of our conversation by a later phonelady & a long futile walk to the phone offices to another hardboiled & slot-machine lady. We have an enormous view – the Charles river, sailboats, reflected lights from MIT – the moving stream of car lights on Riverside Drive – the hotels & neons – red, blue, green, yellow, above the city – the John Hancock building, weather tower – flashing – rooftops, chimneypots, gables – even the tree tops of the common from the bedroom – a fine place, dark green & light blue. We have also an aquarium & two goldfish. Very weary still. Must to bed.
Beethoven
Piano Sonata Eb no. 11 – Atitur Schnable WCRB
Sonata no 12 Ab Op.26
September 5: Friday. Almost midnight. Hot, weary, having slept a bare four hours last night, Luke arriving late & talking till dawn – Ted’s friend, stander-by of those days of fury I remember. Now we are quieter, placider, ageing. A day of hopes & frustrations – wherein we have, in effect, made & lost £300. A letter from the Guiness Brewery this morning saying Ted had won the first prize for the best poem in England by a living author this past year – an honor & a sum equalling his book’s revenue. The phoneman came & installed the phone – to be “connected up at the central office later.” We three left on the clear, sultry morning on the crest of promise, elation – rode a round on the swan boats trailed by squabbling, ravenous brown-speckled ducks, pontificating about novels, writing, ways of living. Walked Washington Street, turned away from dark, cavernous bars with “No Ladies Allowed.” Crowds in Filene’s. We sat over beers & swordfish & fried scallops in a Commercial Street tavern: gradually the sickening understanding grew on me that “The Thought-Fox” was not technically eligible for the money because it had first been published in The New Yorker in America, not Britain. We wandered, disconsolate across the broad, truck-crowded, railroad tracked Atlantic Street to the wharves – T-Wharf, with its sagging houses, rickety wooden balconies, windowboxes of petunias & geraniums. At the third floor “Blue Ship Tea Room” overlooking the harbor, we treated ourselves to delicious desserts & tea & read the menu advertising venison, whale & bear steak. The tables were covered with bright stylized Pequod-Moby Dick prints. Saw crates of crabs – lithe, shiny, spreckled, unloaded into barrels “to cook” the little syphylitic man loading them told me. One crab fell outside the crate, sidled to the edge of the wharf & dropped down, pale stomach up, into the black, garbage & oil slicked water to sink out of sight. We saw a cat, tiger, meowing by barrels of haddock heads in front of the ship-loading markets. Walked up Hanover Street: a surprising Italiana – children everywhere, on curbs, jumping through those new round hoops that serve to twirl in, jump through, roll & no doubt much more: Paul Revere mall – a flash reminisce of a Roman square – endless pastry shops – elaborate wedding cakes, inedible cream-filled cakes. We stopped at a clam bar, a sort of Italian fish & chip shop & had 5 quahogs apiece, sitting on red stools at the high narrow counter, watching the dark sallow-skinned boy whipping the quahogs open with a knife, loosen them & set them on a white, blue-patterned plate around half a lemon – salty, gritty, but good. Crossing under the great highway artery, past “Mama Anna’s” where we went with the Sweeney’s – we discovered the open markets – the first “foreign” market I’ve seen in America – cheaper than Paris, more highpowered than Benidorm – stacks of peaches, oranges, tomatoes, squash – each stall undercutting the other – peppers, onions – one-third, one-half cheaper than the posh Beacon Hill shops. Cellars-full of meat, chickens, beefs – overcoming, weight upon weight of goods – I must price, weigh, haggle. We bought pork, bananas, tomatoes. War is talked of again – Chinese communists, fareast-news breaks in grimly. Moonshot rivalry. Death sentence of negro stealing $1.95. How? Hatred, madness, bigotry. One cannot retreat. Miss America beauty pageant fashion chaos – three contestants wear same gown. Phone not on when we came home. A wearying comedy of errors. Dozed in heat. Rose exhausted to drink tea, make an apple pie. Luke & Ted talk in livingroom – I too tired – Boston: nooks, crannies. Stimuli, to discover, to expand – but also to contract, work – I have done nothing, little. This eight hundred dollars gleams, vanishes – irony upon the Saxton irony. I must rest this week end & start writing. Mellifluous Schumann. Eyes droop – what will come of this new year –?
Thursday: September 11: A pleasant day – clear, blue, early on, and magnificently fresh. Clouding over later, with a wicked wind. Yesterday was lost in a fog of pain, cramps, curses & dopey-sickness from too much useless bufferin. Time slips shockingly by with our ‘schedule’ unbegun as yet – and nothing but a whole year, undivided, ahead: the discipline demanded is enormous. I have been tired, feverish, cramped. We have spent a lot of money already – on shoes (I bought mine too tight as usual & got frightful heel blisters from my ‘walking shoes’ on our first walk at midnight through Scollay Square – we saw gypsies, madams, a paddy-wagon, a lit tattoo-shop, a fat man, facing the window straddled on a chair, head propped on folded arms, braced, wincing, as the tattooer (– a beautiful devoted man with oddly pale, kindled blue-eyes whom I pointed out yesterday, when he wasn’t at work, as a murderer-type) took up a fresh electric needle. We joined a crowd at the window – a guy beside us said: “Never paid a thing for a tattoo but this one on my arm. Five dollars. A tiger head.” The models of the tattoers art were pinned on the wall in the form of drawings – girls, American flags, innumerable serpents. It is late now – our kitchen curtains are up – cutting off kitchen distractions from my workroom: crisp, starched. I love the dark green of the walls, the bare floors, the dark woods & comfortable couch. Impressions are so rich, so new, hard to assemble – the assault of experience – innumerable characters seen, overheard, edges of multitudinous lives – sights: the grotesque & ornate brownstone Trinity Church next & under the enormous clean grey granite of John Hancock. Beethoven’s piano sonata twenty-six, twenty-seven sound from the bedroom. How little one knows, learns – I cling to compulsive orders, am easily nonplussed, confused, suspicious. Already I look at job adds. I must write – every morning, an88 exercise, meticulous recapturing, embroidering on an event, an experience the day before: our goldfish dying – our freeing the last one in the Public Garden pond last night, watching the ridiculous, funny snowwhite Aylesbury duck billing among two proud, hostile white swans – no other common brown ducks to be seen – mucking about in the grass with its bill snorting even, like a hog at apples. After ten days of a comedy, frustrating, of errors with the phone company: this I must write up, I got furious – felt the whole order of reality and responsibility crumbling: wrote a succinct, eloquent letter to the ‘manager’. I felt, glumly, nothing would happen, but the letter freed my anger, straitlaced in the jargon of decorum – quoting names of operators, times of calls, never saying “lies”, but far worse, “misinformation”. Today, about two, strange oceanic roars and diminuendos sounded over the previously dead line – a dial tone, dim ringings – although no numbers I dialed took effect. At last, after a ten-day silence in which the instrument had diminished to a ridiculous toy, a ring. “All-righty”, a repairman said, utterly heartening. (all my senses are shaken up, tittillated, here) – I must force myself into new experiences – a good part-time job – not deadening, if any. I have not yet assimilated enough to retire, to write, alone. A paradox: life stimulates one, refreshes a sense of people, places, events – yet must be shut off during the actual writing time. Sonata no. 28. Liz Taylor is getting Eddie Fisher away from Debbie Reynolds who appears cherubic, round-faced, wronged, in pincurls and houserobe – Mike Todd barely cold. How odd these events affect one so. Why? Analogies? I would like to squander money on hair styling, clothes. Yet know power is in work and thought. The rest is pleasant frill. I love too much, too wholly, too simply for any cleverness. Use imagination. Write and work to please. No criticism or nagging. Shut eyes to dirty hair, ragged nails. He is a genius. I his wife.
Sunday morning: September 14: two weeks here have inexplicably withered away. Yesterday we both bogged in a black depression – the late nights, listening sporadically to Beethoven piano sonatas – ruining our mornings, the afternoon sun too bright and accusing for tired eyes, meals running all off-schedule – and me with my old panic fear sitting firm on my back – who am I? What shall I do? The difficult time between twenty-five years of school routine and the fear of dilatory, dilotante days – the city calls – experience and people call, and must be shut out by a rule from within. Tomorrow, Monday, the schedule must begin – regular meals, shoppings, launderings – writing prose and poems in the morning, studying German and French in the afternoon, reading aloud an hour, reading in the evenings. Drawing and walking excursions. I must be happy first in my own work and struggle to that end, so my life does not hang on Ted’s. The novel would be best to begin this next month. My New Yorker poems were a minor triumph. Who else in the world could I live with & love? Nobody. I picked a hard way which has to be all self-mapped out & must not nag (ergo: mention haircuts, washes, nail-filings, future money-making plans, children – anything Ted doesn’t like: this is nagging); he, of course, can nag me about light meals, straight-necks, writing exercises, from his superior seat. The famed & fatal jealousy of professionals – luckily he is ahead of me so far I never need fear the old superiority heel-grinding – in weak-neck impulse. Perhaps fame will make him insufferable. I will work for its not doing so. Must work & get out of paralysis – write & show him nothing: novel, stories & poems. A misty, furred, grey-sunny Sunday. Must lose paralysis & catapult into small efforts – life for its own sake. A nightmare sequence – jazz breaking through Beethoven, soap opera downstairs shattering profound vocational meditation. Do we, vampire-like, feed on each other? A wall, sound-proof, must mount between us. Strangers in our study, lovers in bed. Rocks in the bed. Why? He sleeps like a sweet-smelling baby, passion gone into the heat of his skin. If I write eleven more good poems I will have a book. Try a poem a day: send book to Keightley – ten more during the year – a fifty poem book – while the crass Snodgrasses publish & gain fame. Ted fought for publication before his book which was an open sesame – gathering prizes & fame. And so do I now fight – but have broken three doors open since June: New Yorker, Sewanee & Nation: one a month. I feel, suddenly today, the absence of fear – the sense of slow, plodding self-dedication. This book led me through a year of struggle & mastery. Perhaps the book I am about to begin will do something akin. Smile, write in secret, showing no one. Amass a great deal. Novel. Poems. Stories. Then send about. Let no book-wishing show – work. I must move myself first, before I move others – a woman famous among women.
Monday: September 15: Brag of bravado, & the fear is on. A panic, absolute & obliterating: here all diaries end – the vines on the brick wall opposite end in a branch like a bent green snake. Names, words, are power. I am afraid. Of what? Life without having lived, chiefly. What matters? Wind wuthering in a screen. If I could funnel this into a novel, this fear, this horror – a frog sits on my belly. Stop & ask why you wash, why you dress, you go wild – it is as if love, pleasure, opportunity surrounded me, and I were blind. I talk hysterically – or feel I will explode: I am in a fix: how to get out of it? Some little daily external ritual – I am too ingrown – as if I no longer knew how to talk to anyone but Ted – sat with my face to a wall, a mirror. My odd publications here & there argue writing is no vain dream, but a provable talent – I am in a vicious circle – too much alone, with no fresh exterior experiences except the walking around, about, staring at people who seem, simply because they are other, to be enviable – the responsibility of my future weighs, terrifies. Why should it? Why can’t I be pragmatic, common? At the end of a teaching day, no matter the reversals, I had earned ten dollars – motive enough, in many minds. I need a vocation & to feel productive & I feel useless. Ignorant. To develop writing when I feel my soul is bitty, scatty, tawdry? Why aren’t I conceited enough to enjoy what I can do & not feel fear? Lawrence bodies the world in his words. Hope, careers – writing is too much for me: I don’t want a job until I am happy with writing – yet feel desperate to get a job – to fill myself up with some external reality – where people accept phone bills, meal-getting, babies, marriage, as part of the purpose to the universe. A purposeless woman with dreams of grandeur. My one want: to do work I enjoy – must keep clear of any confiding in mother: she is a source of great depression – a beacon of terrible warning
Thursday: September 18: Much happier today – why? Life begins, minutely, to take care of itself – an odd impulse brings a flood of joy, life – queer nice slightly sinister people: at the tattooist’s. Also, even though I got up ‘late’, nineish, on the wet grey day, & felt the usual morning sickness ‘what shall I do today that is worthwhile?’, I got right to work after coffee & wrote 5 pages analyzing P.D. – one or two well-turned sentences. Then I sat & read on my “Bird In The House” story which was so lumbering & bad I felt I could improve it – worked meticulously on 5 pages & felt better by lunch. A fine mail, even though I got a snotty letter from Weeks rejecting my snakecharmer (“although bewitched by the sinuosity, etc., etc.), for Ted had a lovely check of $150 for “Dick Straightup”, which makes, with the “Thought-Fox Prize”, about $1,000 earned this September. Walked out to deposit check & I got more & more drawn to the tattooist shop – it was chill, about to rain, but Ted acquiesced. We found the place with the display window on Scallay Square & stood outside, I pointing to the panther head, the peacocks, the serpents on the wall. The tattooist, with a pale, odd little fellow inside, were looking at us. Then the tattooist came to the door in black cowboy boots, a soiled cotton shirt & tight black chino pants. “You can’t see good enough from out there. Come on in.” We went, gog-eyed, into the little shop, brightly lit, tawdry: I shall spend all next morning writing it up. I got the man talking – about butterfly tattoos, rose tattoos, rabbit hunt tattoos – wax tattoos – he showed us pictures of Miss Stella – tattooed all over – brocade – orientals. I watched him tattoo a cut in his hand, a black, red, green & brown eagle & “Japan” on a sailor’s arm, “Ruth” on a schoolboy’s arm – I almost fainted, had smelling salts. The pale, rather excellent little professorial man – who was trying out new springs in the machine, hung round about – rose tattoos, eagle tattoos spin in my head – we’ll go back. Life begins to justify itself – bit by bit – slowly I’ll build it.
Saturday: September 27: I shall end these pages, I hope, in a more placid, optimistic mind than heretofore. After yesterday’s climax of frustration – dazing, humid heat, late rising, botched haircutting, overloading of groceries & staggering up the steep Hancock Street to the jeers of passing policemen, the insolence of an ugly little landlady when I asked, breathless & pained if she had a phone (“Ve don do dat here, let strangers into da livingroom” – whereupon she trotted up the steps & into the house as if I had a contagious disease, swept a well-aimed dust wad behind her, in my direction & slammed the door), the ride offered in the nick of time – Ted’s depression, the laundry to collect, which got smutty on the line up stairs, the usual depressing call from mother, depressing because of her hardships at work, her unspoken nervousness about our fortunes, my lack of a job – and the sense of nothing written, nothing read, nothing done – after all this, today dawned cool, grey with consoling rain, limiting alternatives. We stayed in – writing, consolidating our splayed selves. I diagnosed, & Ted diagnosed my disease of doldrums – & I feel better, as if I can now start to cope: like a soldier, demobbed, I am cut loose of over twenty steady years of schooling & let free into civilian life – as yet, newly, I hardly know what to do with myself. I start, like a race horse at the bugle, or whatever, hearing about schools opening – I get weird impulses to rush to Harvard, to Yale, begging them to take me on for a Phd, a master’s, anything – only to take my life out of my own clumsy hands. I am going to work, doggedly, all year, at my own pace, being a civilian, thinking, writing, more & more intensely, with more & more purpose, & not merely dreaming, ego-safe, about the magnificent writer I could be. I have worked hard today on my bird story – words come right, rhythms come right, here, there & it is a beginning of a new life.
October 14; Tuesday: A moment snatched, two & a half weeks later, chicken & squash ready in the oven for Ted’s return from the library, back achey, eyes bleary from new job. I went out to three agencies a week ago Monday, got the first job I was interviewed for Tuesday – more hours than I wanted, & low pay, but with compensations of fascinating work & no home work – typing records in the psychiatric clinic at Mass. General, answering phones, meeting & dispatching a staff of over twenty-five doctors & a continual flow of patients – it is exhausting, now I’m new to it, but gives my day, & Ted’s, an objective structure. Got a rejection of poems I thought a “sure thing” at the New Yorker & haven’t had time or energy to brood – or write! But I figure the job is good for me – all my desires to be analyzed myself, except for occasional brief returns of the panic-bird – are evaporating: paradoxically, my objective daily view of troubled patients through the records objectifies my own view of myself. I shall try to enter into this schedule a wedge of writing – to expand it. I feel my whole sense & understanding of people being deepened & enriched by this: as if I had my wish & opened up the souls of the people in Boston & read them deep. A woman today – fat, fearing death – dreaming of three things – her dead father, her dead friend (dead in childbirth, rheumatic fever), her own funeral – she, in the coffin, & also standing & weeping among the onlookers. Her son falling downstairs & fracturing his skull, drinking poison (D.D.T.) – her mother in the house when it exploded, burning to death – Fear: the main god: fear of elevators, snakes, loneliness – a poem on the faces of fear. Relevant note from Defoe’s Journal of the Plague Year: “… it was the opinion of others that it (the plague) might be distinguished by the party’s breathing up on a piece of glass, where, the breath’s condensing, there might living creatures be seen by a microscope, of strange, monstrous & frightful shapes, such as dragons, snakes, serpents & devils, horrible to behold.” – The chaemeras of the sick mind also.
[Appendix 14 contains Sylvia Plath’s ‘Hospital Notes’ – ed.]89