“I’m very into the Kustom Kulture art that sprang up around the California hot rod scene in the late ’50s, early ’60s. Artists like Ed Roth, Robert Williams, Kenny Howard, Crumb.”
—Michael Berardino
Michael Berardino started his culinary career in Detroit, Michigan. Starting as a dishwasher, he advanced his career the old-school way, by working his way up the kitchen ranks, learning every station along the way. After moving to New York City for the first time, he was exposed to a more traditional type of Italian cuisine—simple, rustic foods that grabbed his attention and remain his culinary passion to this day.
After working at a variety of positions in Ann Arbor, MI, and Boston, MA, where he continued to hone his Italian cooking skills, Michael eventually returned to NYC. He was hired as sous-chef at ‘inoteca, the well-known Lower East Side wine bar, and began to work closely with owner Jason Denton and chef Eric Kleinman on their new fine-dining Italian concept, the now-closed Bar Milano. After leaving Bar Milano, he moved to dell’anima, a small Italian restaurant in the West Village where he worked closely with rising restaurateur star Joe Campanale. Michael and Joe worked hard to make dell’anima a restaurant industry hot spot by keeping the kitchen open late, and it worked. dell’anima was and still is one of the best places in the West Village to get great Italian food at 2:00 A.M.
After leaving dell’anima, Michael consulted with a few smaller Italian restaurants before taking the executive chef position in 2011 at the Cannibal. The small restaurant on East 29th, with a beer-centric bar and a focus on whole-animal cooking, gave Michael a chance to explore the world of craft beer and practice his butchery. Michael acted both as butcher as well as chef and reaped positive press from The New York Times and The Wall Street Journal. In 2012, he left the Cannibal, deciding he wanted to cook Italian food again, and became the executive chef of Angolo SoHo, a modern Italian restaurant in SoHo.
Michael’s tattoos reflect his Motor City roots, and he is covered in pinup girls and a hot rod motif. Michael says, “My first tattoo was of the dead man’s hand, aces and eights, spades and clubs.” As he continued to get ink, he found inspiration in Kustom Kulture, a name used to describe the group of modern-day admirers of the hotrod and custom car culture of the 1950s.
The bulk of Michael’s work was done by fellow Kustom Kulture enthusiast Jeff Shea of Wholeshot Tattoo in Detroit. Michael says, “He would always be striping or screen printing when he wasn’t tattooing. He’s only doing custom work and wouldn’t deal with flash pieces, so any time we would talk about doing a piece, there would be a discussion, he would draft something up, if we both liked it, we went with it. He’s a very talented artist. I had seen someone with a relatively fresh piece he had done and knew I’d like his style.”
And Michael does have his own sense of style, whether you’re talking ink or food. Today, Michael continues his love of Italian cooking. Most recently as executive chef for Fabbrica, which is Italian for “the factory.” The large industrial-looking restaurant in North Williamsburg, Brooklyn is his focus as he overhauls the kitchen and puts his own brand of traditional rustic Italian dishes on the menu. While Michael continues to make his mark helping restaurants establish themselves with authentic Italian cooking, he admits that opening his own place is likely in the near future.
NOTES FROM THE CHEF
“00 flour” is a very finely milled flour commonly used in Italy.