Adaptation

His surname was Johnson.

He was one of the thousand Garys

born that week in the fifties

when people had no ready term

for every minor variation

from the norm. People were not

crazy then, or they were.

He had a thin face,

placid as a Modigliani,

his skin the shade of lake fog,

his hair beach-sand tan.

He wore perma-press slacks

an inch too short, that matched

his beige zip-front jacket.

How to describe a man who took

such pains to be nondescript:

he was like a curious word that,

once you finally learn its meaning,

you see everywhere.

He read the paper at the library,

always yesterday’s

so no one cared how long he took,

sitting in the corner behind the stacks

shaking the paper straight

as though in his living room chair.

He had opinions, my yes!

If anyone should ask.

Presumably he had a mother who

had stopped expecting him to give her

anything delightful to tell her friends.

He dined at art openings. Olives

and cheese cubes. Grapes, one by one.

Sometimes the table was lavish.

A little loaded plate

trembled in his long fingers.

But he did his part and stared

at the white walls bright with frames

and all the odd things people wore.