BHUBANESWAR to KONARK; KM 5,217–5,389
The NH5 that ran the length of India’s east coast was a swift highway, unencumbered by too many delays or diversions. It was primed for carefree cruising and only occasionally punctuated by the odd fleet of lorries, herd of goats or roadwork diversions that bottlenecked all the highway traffic through a single tiny village. Thor called me on the road and found an unusually calm and composed Thunderbolt on the line.
‘You’re not supposed to be talking while you’re driving.’
‘Uh-huh. I’m willing to risk the fine. Besides, I’m on a straight-shot road right now.’
‘Wow, really?’
‘Yeah, it’s like the highway of our dreams. I’m holding a steady 85 and I haven’t seen an animal in like twenty minutes.’
‘You sure you didn’t cross over to China by mistake?’
‘Yep. I’m pretty sure the trucks in China aren’t this colourful.’
‘You missing your passenger?’
‘Eh, maybe. I could do with some company. In fact, I’ve got a confession to make.’
‘What’s that?’
‘I’m a bit bored.’
‘Bored? How is that possible?’
‘It’s the road’s fault.’
‘It’s always the road’s fault. A bad driver always blames…’
‘Nothing’s happening.’
‘I thought you wanted stuff to stop happening. Like highways ending abruptly and elephants attacking the car. Like potholes and diversions and…’
‘Yeah, but not like this. I keep falling asleep.’
‘Asleep? I can’t begin to imagine anyone getting sleepy behind the wheel in that traffic.’
‘Blame the Golden Quadrilateral.’
Thor was back in Berlin, but continued to call me every couple of days. He phoned during times he knew I was on the road for long stretches and needed some company, and we talked like he was back in the passenger seat.
‘Fuck me, you should see the size of the balls of this horse I’m tracking. They’re like coconuts, I swear.’
‘Take a photo, take a photo.’
‘I can’t, they won’t fit in the lens.’
‘Aw, I wish I was there.’
My spirits were high: the roads were good and we were moving fast, which was just the combo I needed after a stock-take in the town of Vijayawada, which had been my stop after Nagarjuna Sagar. There I had spread out the long-neglected Stanford’s map on my king-sized bed at the budget-busting Quality Inn (my only choice since I discovered too late that wedding season had descended on Vijayawada and spare rooms in the city were very hard to come by) and scrutinized our current position with a pencil and a calculator app. We were just under halfway up the east coast from Kanyakumari to Kolkata, which was a bit disheartening since I had marked Kolkata as our next major destination. It had been two and a half weeks since Vivekananda’s ashram, which – not taking into account the Hyderabad diversion – was around 1,250 km and nine days behind us. Kolkata was the same distance ahead, and the prospect of taking a further week and a half to get there was about as appealing as another night feeding microscopic buddies my epidermis at a lakeside hotel. With a little over five weeks remaining to reach our 10,000 km target, I realized we needed to get our groove on.
A peek at my bank balance sealed my conviction. Another nine days to reach Kolkata was not an option; the clock was ticking and the coffers were draining. I had already completed six weeks and only covered 4,000 km, a pace that was not going to suffice unless I wanted to be greeted back in London by a bankruptcy suit. And the Playboy Mansion nights at the likes of the Quality Inn were only aggravating the situation. I needed to step up and reach Kolkata within three days, which meant travelling at three times the current pace. I felt my chicken biryani dinner do an uncomfortable turn somewhere in my duodenum at the prospect of the impending hours at the wheel.
But if there was a bright side, it was that the NHAI had our back; on its online project map, the NH5 was coloured in glorious, victorious, fait accompli red. According to the key, this meant it had already been lovingly fondled by the restorative fingers of the roadwork team, which potentially meant an uninterrupted stretch of two-lane highway with an average speed of at least 70 kmph all the way up to Kolkata. At that rate, 400 km a day would be a cakewalk.
And they were; but this particular piece of cake was laced with something eminently soporific. Between slugs of energy drinks and hyperventilation exercises designed to shake away the looming sleepiness and send blood back to my brain, I reflected on this easy road I had spent the last seven weeks wishing for. It was smooth, it was fast and it seemed relatively safe. My close encounters had been fewer and further between and not quite as butt-clenchingly terrifying as those before. Here, as Thor rightly pointed out, was the infrastructure I’d been harping on about, the progress the multitudes were calling for; well oiled and effective, it was nonetheless as dull as monsoon ditchwater, and as sleep inducing as a tank of chloroform.
The erratic pendulum of my desires set itself back in the opposite direction and began to hanker after something more colourful, more exciting than mere efficient plod. After a night spent among the easy-wash linoleum floors, sparse pine-veneer furniture and the kind of bathroom you might expect to find in a space-age mental asylum at the Tata-branded Ginger Hotel in Bhubaneswar, my impulse had upgraded to a yearning, and by morning, my resolve to keep pounding relentlessly on to Kolkata had dissipated in favour of a burn around rural Orissa. The final straw might have been waking up to the austere Swedish-prison interior of my room, or it could have been the glyco-synthetic qualities of the Coffee Day Iced Eskimo and chocolate doughnut I’d gorged on for breakfast, or even the uncanny smell of ginger that lingered through the hotel’s corridors, but the prospect of another day watching chevrons disappear under my dashboard at a steady speed, unimpeded by livestock or holes in the road, could not be tolerated. Abhilasha and I needed to return to rural roads, get back to nature.
Consulting the guidebook, I came across a strong recommendation for the beach resort of Puri, only 75 km away, which apparently attracted two types of visitors: the ‘spiritual’ and those after ‘worldly pleasures’. Having a penchant for a bit of each, I thought this would be just the place to break the monotony of modern progress: a small coastal settlement and a favourite with hippies in the 1970s. I imagined a less-developed Goa from which full English breakfasts and even the likes of Café Coffee Day would be mercifully absent, and where an evening could be spent contemplating the gently cascading tide from the terrace of a converted Maharaja’s palace. Screw the time limit, the devil take the budget – I was not a driving machine, and Abhilasha was not just a means of slogging from one business hotel to the next in order to chug coffeeccinos and battle with uncooperative wireless networks.
The Orissan countryside was an eyeful. Lush feral fields bordered by palm trees and criss-crossed by pathways and bicycle tracks the colour of the terracotta earth were plentiful grazing grounds for cattle, who lowed serenely between mouthfuls of grass alongside their companions, the white storks, who looked on quizzically. Sporadic temple ruins punctuated the landscape, their pyramidal shapes echoed by the outlines of the loosely stacked bales of hay, scenes worthy of a subcontinental Constable painting. Grass huts that looked like they were about to melt into the ground were surrounded by swamplands blanketed by a profusion of untamed lilac flowers.
I watched as a line of women in bright saris waded through the rice fields, while a gang of teenagers whizzed past, howling from a trio of overloaded bikes. A man holding a large black umbrella squatted in the corner of a field; another hacked away at the ground for all he was worth with what resembled a highly ineffective wooden machete. Across the road from him, a driver in a pressed beige uniform pulled a rag over the headlights of a parked Ambassador with the leisurely air of someone passing an abundance of excess time. The cattle mooed behind him, snazzy new Hyundais and Suzukis occasionally whizzed by in front: three ages of Indian transport condensed into a single snapshot.
Aside from invoking a pang of guilt that Abhilasha and I had never shared such an intimate moment of personal hygiene (the only washes she had ever received had been at the hands of the odd-job boys and parking attendants at the hotels where we’d stayed), the image also ignited in me a curious nostalgia. It was a given that the luscious bucolic terrain that surrounded us was a world in decline as agriculture and village life dwindled in India. But I was also aware that the Ambassador – the graceful, old-fashioned Ambi, as people affectionately called it, with its curvilinear bodywork and the enduring robustness of a reliable old mare – was also on the edge of obsolescence.
I had loved the car since I’d seen it in Delhi the first time I came to India, but I was perplexed about its origins, mistakenly believing for a long time that it was a remnant of the Raj, left in India by departing Brits in the 1940s. I was very wrong: it turned out the Ambassador was an Indian car, first put out by Hindustan Motors a decade after independence. Its blueprint was taken directly from an English jalopy, the Morris Oxford, devised by Sir Alec Issigonis, the Greek-British car designer who was better known for drafting the Mini. I was amazed to discover that India’s Ambassadors were still in production in a form quite similar to the original 1957 model. But all this was set to change: that very month, the government passed a new set of emission standards that spelled the beginning of the end for antiquated cars not running on greener engines. Within a year, sales of the car for use as taxis in India’s cities would be phased out altogether.
For decades the Ambassador had been one of the only two cars available in the country, along with the Fiat 1100D Padmini, made by India’s other car manufacturer, Premier. The Padmini ceased production in 2001, but is still famous for being Mumbai’s yellow-and-black taxi of choice. The Ambassador and the Padmini basically ruled the roads until the early 1980s, when the cogs of economic liberalization began to turn and other car manufacturers arrived on the scene, including Maruti Suzuki, which produced India’s own Tin Lizzie prior to the Nano, the Maruti 800 (now rebranded the Alto).
Tata Motors put out its first passenger vehicle in 1991, the same year Ratan Tata was appointed chairman of the group. Its foray into the world of private cars came at the perfect time: India’s economy was starting to expand and individual purchasing power was on the verge of rising. Since then, India has seen the influx of international car brands the likes of Hyundai, General Motors, Ford and Honda, so it makes sense that relics like the Ambassador have already been pushed to the back burner, and will soon be shoved out of the market altogether. There’s little room for old uncles in this rapidly changing family picture in which a younger generation of cute, cheap, fuel-efficient little yellow cars have become the new point of focus. For now, at least.
My escape from the ho-hum turned out to be a bit more tum-te-tum, as it dawned on me just how ambivalent I was towards homogenized progress on the one hand and barmy bits of rural life on the other. Drawing closer to Puri, I began to deck out my fantasies with increasingly elaborate images of sandy white beaches and golden sunsets, a vision that, in retrospect, was only doomed to disappointment. The slippery slope to disenchantment began on the outskirts of town when Delilah was scuppered in her attempts to get us to the centre by a number of road closures and diversions. Disoriented at a forlorn train junction somewhere that seemed miles from my vision of a Bay of Bengal Baywatch, I decided to wind down the window and let the world – and its road directions – in.
I waved down a nearby motorcyclist wearing an enormous padded white leather jacket. Having furnished me with excellent directions to Chakratirtha Road, the man proceeded to cross the hospitable local–psychopathic stalker divide by tailing Abhilasha and sticking to us like Velcro for the next few kilometres. Whenever the road afforded him the opportunity, the motorcyclist sped up to come level with my face and actually rapped on the window for my attention. The first couple of times I thought he might be trying to alert me to the fact that a flock of man-eating seagulls had nested on the car’s roof, or that one of her tyres could do with a puff of air, but his intentions were far more amicable.
‘Where are you from?’ he screamed with urgency against the wind, which was carrying his voice back down the road at 30 kmph.
Perplexed at the high-speed small talk, I mouthed back through the glass, ‘Uh, England.’
Spurred on by my participation in the curious dialogue, and not even fractionally letting up on his speed, the motorcyclist continued his line of questioning in earnest.
‘What is your good name?’
Before I had the chance to answer, a rickshaw van piled up with wooden crates that was coming in the opposite direction forced my friend to swerve and slow down to take his place behind me and let the vehicle pass. Within less than a minute, his knuckles were at the window again.
‘Which hotel are you staying at?’ he asked with an interrogator’s seriousness that consigned him once and for all to the nutters’ wing of my estimations. I declined to answer and instead scowled at him from the driver’s seat, baring my teeth. His was a friendliness that gave me goosebumps and I had no intention of encouraging his attentions further. Several thumps of the window later and even a disrespectful slap of Abhilasha’s posterior, my eager escort went on his way, ostensibly bored by my indifference and definitely terrified by my well-honed vitriolic growl.
We finally pulled up on Chakratirtha Road, home to the main run of small hotels in Puri, to be treated to a sight somewhere between the scene of a recent natural disaster, a horror movie set and a building site. The trinity was a painful one, spiked with the thorns of my own broken dreams of a night at a beach paradise. The surrounding streets were lined with boxy concrete buildings, all of which bore an eerie air of emptiness. A thick cloud of dust rose from the unpaved ground under Abhilasha’s wheels as we drove around the grid of streets lined with scattered building debris and hog-wild weeds. I found my hotel, the so-called Maharaja’s Palace, only to see that it was walled in and shut up and looked as appealing a venue for a night’s dreamy sea-watching as the deck of a sinking ship. In fact, where was the sea? According to the map, it was only three blocks away, so I tried steering Abhilasha in the right direction. Maybe after a lungful of fresh Bay of Bengal air and a paddle in its waters, I might have a renewed, more positive perspective on this town that, to all current intents and purposes, seemed a bit of a dump.
But every time I thought we were close to seeing the sea, the street would be blocked off by a wall of rubble or a pile of sandbags, to the point where getting to it seemed so difficult, I finally gave up the ghost. It was hardly St Tropez, and no sooner had I had that thought than a French-looking lad with an expression that suggested he was dealing with a very bad smell passed by. We made momentary eye contact and looked away immediately as though any kind of camaraderie in this place would amount to lesser chances of saving oneself. We appeared to be embroiled in a game of escape and survival, and as far as that went, the four wheels under my posterior were my advantage.
That day, in Puri, all the pains of driving a car in India paid off in one happy reimbursement: unlike the suffering backpackers who arrived by long and agonizing bus or train journeys, I was mobile and free as a bird. With only 75 km back to Bhubaneswar and the simple pleasures of the Ginger Hotel (once again coloured sunny and appealing in my fickle memory banks), I was under no obligation to stay in this two-bit excuse for a resort.
‘This place has bad juju, Abs,’ I obliged myself to say out loud, in case there were any doubt cast over my awesome coolness. ‘Let’s get the hell out.’ As we sped out of town, I allowed Puri one last concession: that it was off season, which was probably the reason for its construction sites, sandbags and uncanny lack of people. Or was it just my increasing boredom with all things developed or developing and the homogenous sludge they exuded?
I decided to take one last detour: nearby was Konark, the famous Temple of the Sun, ostensibly Orissa’s most fascinating archaeological site and largest tourist draw. Given that Puri went under the guidebook designation ‘undiscovered’, I figured mass consensus might work in my favour for once in this rapidly disintegrating day of adventure and sightseeing.
I pulled Abhilasha into a space at the end of a row of cars just outside a gated entrance to a long bazaar that led up to the temple. Our arrival immediately attracted the attention of a group of loitering youths, one of whom stepped forward and – much to my surprise – took the liberty of opening the driver’s door after I had barely cut the engine. What I first took to be a charming gesture of chivalry turned out to be a means of giving the Nano’s interior a thorough and quite unsolicited inspection. I nudged the impudent adolescent out of the way and, hauling myself out of the seat, made an exaggerated show of locking all the doors and giving Abhilasha a proprietary pat on the roof before walking away. Was it me, or were the young men of Orissa more roguish than their counterparts in the rest of the country?
At the bazaar entrance, I was set upon by a throng of guides, from which I settled for a man called Suryamani, the only person who claimed to guarantee the Nano’s safety in addition to showing me the sights, and who tried to appease me regarding the fact that Abhilasha had now become a leaning post for the young guys who had propped themselves up against her with an air of entitlement that made me plain uncomfortable.
‘Don’t worry,’ Suryamani said with a dismissive, boys-will-be-boys laugh, ‘they don’t want to take the car, only to touch it and look. Is very new and exciting, you know.’
Yeah, I knew, but my inner maternal jackal was roused at seeing such flippant manhandling of her bodywork.
Suryamani turned out to be tour-guide gold. After fifteen years on the job at the Sun Temple, he had the spiel down to a fine art. The building was a truly impressive and magnificently preserved temple that dated back to the thirteenth century and was dedicated to Surya, the sun god (a nominal coincidence that appeared to tickle Suryamani pink). The temple was aligned along perfect coordinates for solstice and equinox wow factors and the structure was a chariot, with twelve pairs of stone wheels adorning the outside and seven bucking horses pulling it from the front, towards the sunrise.
We started with an introductory stroll around the pillared remains of a dance hall, where Suryamani pointed out various animal carvings in the stone. ‘This is sheep – S-H-E-E-P; and this one is bull – B-U-L-L; over there is cow – C-O-W’ and so on.
With Farmyard Spelling 101 in the bag, Suryamani, who had appeared distracted for the last five minutes as though something was on his mind, finally cut to the chase. ‘Madam, can I talk about the Kama Sutra?’ he asked in a conspiratorial whisper, to which I cautiously answered in the affirmative. If I hadn’t, our tour would have stopped right there, because almost the entire perimeter of the main temple building was covered with sexually explicit carvings of a highly imaginative variety.
‘This,’ said Suryamani, adopting a very business-like tone while pointing at a twelve-inch man in a compromising position with two members of the fairer sex, ‘is bigamy. B-I-G-A-M-Y. Two women and one man.’
‘Gosh,’ I said, not knowing how else to react.
‘Yes!’ Suryamani exclaimed triumphantly. ‘They are having intercourse together.’
I nodded sagely and we moved on.
‘Three women together,’ he continued, gesturing at the relevant carving. ‘One woman giving one man oral sex. O-R-A-L S-E-X.’
I went closer and squinted. ‘Good lord!’
We kept walking and the sculptures became increasingly X-rated. At one point, Suryamani threw a furtive glance over his shoulder. ‘This,’ he said in a hushed voice, ‘is doggy style. And these are two elephants doing doggy style. Look!’
I looked and can confirm that indeed they were.
We turned a corner and something in Suryamani’s excited demeanour told me we had reached his favourite part. ‘Look you!’ he signalled at the figure of a woman riding an unidentified animal. ‘One woman with dog. D-O-G!’
I thought it only polite to match Suryamani’s enthusiasm with incredulity, but as I widened my eyes in overacted shock, I realized I was genuinely stunned. What from the onset had seemed like an 800-year-old temple constructed by the very regal-sounding King Narasimhadeva the First, head of the Eastern Ganga Dynasty, was actually an array of chiselled hardcore pornography, from girl-on-girl scenarios to threesomes and even a bit of bestiality, put on by some ancient-day Hugh Hefner. If the artistic evidence of this temple was anything to go by, it was a wonder empires were built at all, given all the hanky-panky with which thirteenth-century Indians ostensibly passed their time. Or perhaps it was all fantasy: the men who were drafted to work on the temple were, Suryamani told me, often separated from their womenfolk for months at a time. So is it any wonder their imaginations might have started to run wild?
Whatever the reason, I had to admit that in principle at least, thirteenth-century Indian cheesecake gave the likes of Playboy a run for its money, though it would be a damn sight harder to stash discreetly under the bed. Still, I figured it had done the trick – invigorated and my enthusiasm restored, I went back in the direction of Bhubaneswar, my mind buzzing with enough P-O-R-N-O-G-R-A-P-H-I-C I-M-A-G-E-R-Y to keep me alert and amused as far as Calcutta.