INDEX
“A Kind of Alaska: Women in the Plays of O’Neill, Pinter, and Shepard
300
Adult Children of Alcoholics
145
Advertisements for the Unexperienced Planters of New England
71 “Ain’t No Fortunate Son, I” 66
American Drama Criticism
293
American Drama since, 1960
300
American Literature and the Arts
302
Angel City
19,
23,
73,
124–126,
128,
131,
189,
199,
206,
210,
238–239,
307
Bad Day at Black Rock
174,
176 Beckett, Samuel 3,
14,
40,
50,
53,
56,
73,
83,
86,
103,
139,
145,
176,
198,
222,
255,
285,
297
Beckett Translating/Translating Beckett
301
Belgian Essays on Language and Literature
302 “Blue Bouquet, The” 4,
271
Body Across the Map, A
295
Boy Life on the Prairie
212
Buried Child
2,
5,
8,
14,
19,
21,
24,
27,
52,
58,
67–68,
72–73,
111–121,
140,
163,
172–173,
176–177,
179–181,
187,
213,
235,
261,
266,
269,
289,
293,
297,
301,
304–305,
307 Cambridge History of American Theatre, vol. III, The 300 Carpenter, Charles A. 293 Chaikin, Joseph 4,
6,
74–75,
79,
83–110,
189,
235–236,
250,
257,
293,
298,
304,
308–309
Coleridge, Samuel Taylor 123–124
Communists, Cowboys, and Queers
172 Coppola, Francis Ford 193 Creedence Clearwater Revival 66
Critical Introduction to Twentieth-Century American Drama, A
302 “Curse of the Raven’s Black Feather, The” 250
Curse of the Starving Class
2,
5,
8,
15–16,
19,
20–22,
27,
67–68,
72–73,
87,
111–122,
140,
146,
163,
172,
174,
177–179,
187,
196–197,
206,
213–214,
217,
219,
235,
240,
260–261,
270,
289,
293,
307
Customs Collector in Baggy Pants, The
41–43
Day of the Locust, The
23,
129–130
Death of a Salesman
72,
119 Deats, Sarah Munson 192–193,
196
Desire Under the Elms
20,
301
Devils of Loudun, The
189,
205
Die Tyrannei der Bilder: Sam Shepard’s Dramen
298
Doctor Faustus
71,
189–209
Dramatic Dialogue
303–304
Eddleman, Floyd E. 293–294
El Teatro de Sam Shepard
299
Essays on Contemporary American Drama
302
Essays on Modern American Drama
301
Feminist Rereadings of Modern American Drama
301 Ferlinghetti, Lawrence 4,
41–43
Fool For Love
2,
5,
8,
13,
15,
22,
24,
58,
60,
67–68,
73,
111,
124,
133–135,
140,
154,
163,
193,
211,
214–215,
219–221,
243,
279,
298,
301,
308
Fourteen Hundred Thousand
89
Frescoes of the Skull
139
From Middleton and Rowley’s “Changeling” to Sam Shepard’s “Bodyguard”
296 “Gary Cooper or the Landscape” 174
General History of Virginia, The
70
Geography of a Horse Dreamer
8,
17,
19,
59,
66,
124,
126,
128,
130–131,
190,
306–307
Gothic Family Romance, The
111
Guide to Critical Reviews, A
293 Hemingway, Ernest 25,
189 “Hero Is in His Kitchen, The” 254
How I Learned to Drive
258 “I’m So Tired of Being Alone” 202
Inner Landscapes: The Theatre of Sam Shepard
298
Joseph Chaikin: Exploring at the Boundaries of Theatre
304 Judson Memorial Church 37,
41,
65 Judson Poets’ Theatre 35,
36–37
Kennedy, John Fitzgerald 2,
66,
101 “Language, Visualization, and the Inner Library” 203 “Late Henry Conran, The” 79,
284–285
“Left-Handed Kachina” 250
Lesson in Dead Language, A
48
Lie of the Mind, A
1,
5,
8,
15–16,
21–25,
27,
67,
73,
111,
124,
134,
139–155,
157–160,
163,
166,
192,
214,
220,
225,
243,
251,
261–263,
269–270,
272,
289,
295,
299,
301,
303,
305,
308
Long Day’s Journey into Night
1,
15,
21–22
Lorca, Federico Garcia 12–15
Lucille Lortel Theatre 270
Mad Dog Blues, The
35,
48,
57,
87–88,
90,
124,
171–172,
186,
229,
231,
279 Madison Square Garden 230
Major Strategies in Twentieth-Century Drama
303 Malkin, Jeanette R. 140–141,
303 “Man That Corrupted Hadleyburg, The” 189
Man with a Shattered World, The
96 Manhattan Theatre Club 271,
275 Marlowe, Christopher 189–206
Midsummer Night’s Dream, A
222 Mingus, Charles, II 41,
237
Modern American Drama
302
Modern Drama Scholarship and Criticism
293,
299,
301
Monologue in Contemporary American Drama
303
Mutation Show, The
100–101
New American Dramatists
302
New Essays on American Drama
302 New York Public Theatre 265 “No More Masterpieces” 100 O’Connor, Frank 4,
78–79,
284–285
O’Neill and the Emergence of American Drama
301
Operation Sidewinder
5,
9,
163,
199,
210,
214,
228,
231,
233,
302,
306
Other American Drama, The
303
Paris, Texas
15,
21–22,
25,
132,
155,
160–163,
169,
171,
177–178,
181,
199,
218,
220–221
Performing Drama/Dramatizing Performance
303
Presence of the Actor, The
91,
95,
100 Quinlan, Karen Ann 89,
234 Raben, Estelle Manette 303 Ragland-Sullivan, Ellie 156
Real Boys: Rescuing Our Sons from the Myths of Boyhood
157
Realism and the American Dramatic Tradition
301
Reconstruction-Analysis of “Buried Child”, A
297
Redneck Manifesto, The
50
Rock Garden, The
3,
34–36,
38–40,
43,
51,
67–68,
154,
198,
233,
298,
305
Rolling Thunder Logbook
230 “Rolling Thunder Review” 229 Royal Court Theatre 66,
112 Royal Shakespeare Company 189
Sad Lament of Pecos Bill on the Eve of Killing His Wife, The
206,
270,
307
Sam Shepard and the American Theatre
295
Sam Shepard on the German Stage
298
Sam Shepard, Arthur Kopit, and the Off-Broadway Theater
301
Sam Shepard: A Casebook
299
Sam Shepard: Between the Margins and the Centre
299
Sam Shepard: Stalking Himself
293
Sam Shepard: The Life and Work of an American Dreamer
292–294
Sam Shepard: Theme, Image, and the Director
296
Sam’s Shepard’s Metaphorical Stages
294,
297 “See You in My Dreams” 284–285
“Self-Made Man, The” 248–250
Shakespeare, William 75,
288 Shepard, Samuel Rogers (father) 12,
51
Simpatico
5,
7–8,
17,
19,
22–23,
26–30,
47–48,
59–60,
71,
206,
212,
214,
217–218,
243,
257–278,
309
Sleeping at the Wheel
249 “Snows of Kilimanjaro, The” 189 “Spencer Tracy Is Not Dead” 174,
255 Stanislavski, Konstantin S. 74
States of Shock
5,
8–9,
10,
13,
15,
59,
198,
205–206,
243,
257–278,
292,
297,
309 Steppenwolf Theatre Company 72,
269,
308
Streetcar Named Desire, A
73
Studies in American Drama–Present
294
Suicide in B-flat
93,
298–299
Synge, John Millington 79–80
Ten Modern American Playwrights
293
The Play and Its Critics
304
The Theatre of Sam Shepard
295
Theatre of Sam Shepard, The
294 Theatre on the Square 280
Theatres, Spaces, Environments
304
Thousand and One Nights
12
Tongues
4,
31,
74,
81,
87,
89–90,
98–99,
102,
105,
189,
236,
304,
308
Tooth of Crime (Second Dance), The
231,
276,
309
Tooth of Crime, The
4,
8,
14,
17,
27,
49,
54,
59,
93,
124,
144,
186,
201,
205,
227,
229–232,
244,
260,
266,
293,
300,
303–306
Tragedy of Homer Stills
57
Tragicomedy and Contemporary Culture
301
True Lies: The Architecture of the Fantastic in the Plays of Sam Shepard
296
True West
1,
2,
3,
5,
21–23,
27,
48,
51,
58,
60,
67–69,
72,
76,
93,
111,
124,
131,
133,
139–154,
161–164,
172–173,
175,
177,
181–187,
189,
203,
210,
212–217,
219–220,
223,
225,
266,
275,
286,
293,
298,
302,
308
Understanding Contemporary American Drama
303
Unseen Hand, The
27,
35,
52,
55,
65,
163,
172,
206,
231–232,
306 van Itallie, Jean-Claude 102 Vanden Heuvel, Michael 301,
303
Verbal Violence in Contemporary Dramav
303
Von Cowboys bis True West: Sam Shepard’s Dramen
298 Walter, Sidney Schubert 89
Water Works at Lincoln, The
4–50,
54–55
When the World Was Greenv
2,
5,
9,
75,
81,
89,
98,
102–103,
105,
243,
257,
270,
295,
309
Who’s Afraid of Virginia Woolf?
2,
12 Williams, Tennessee 9,
73,
302 Winter Project 89–90,
102 Yale Repertory Theatre 306
Yearbook of Research in English
304
Young Man from Atlanta, The
270