There are many kinds of ghost stories. Here’s one.
One night in June 1984, I took a girl from my high school named Laura to meet my friend Jimmy at a local miniature-golf course, the Putt-O-Links.
Putt-O-Links was located at the end of a long strip of abandoned industrial buildings outside of Canton, Ohio. Canton was once a blue-collar Mecca devoted to making vacuum cleaners, ball bearings, and steel. During the 1980s, Canton, like the entire Midwest Rust Belt, was in absolute denial that its way of life was dying right before its eyes. I don’t think globalization was even a word then, but places like Canton were already experiencing it firsthand.
Each spring the world around Putt-O-Links got smaller and smaller. One by one the nearby factories closed. Next, the car dealerships down the street moved. After that, the diner closed. Eventually, the Putt-O-Links and the ice cream stand next door were the only signs of life for half a mile in any direction. Then, that spring, the Putt-O-Links didn’t open either. Neither did the ice cream stand. There were no GOING OUT OF BUSINESS or THANKS FOR THIRTY GREAT YEARS signs, just tall weeds and a fallen rusty chain that had once closed off the parking lot. It looked almost as if the owners had just forgotten that summer was coming and it was time to open again.
My friend Jimmy didn’t let Putt-O-Links’s change of fortune slow him down; he still went golfing there at least three times a week just like he had every summer. Every time I was with him, highlights of his mini-golf exploits were always part of the conversation. He shared his secret for getting his little pink ball exactly up the middle of the big clown’s tongue and explained how the now stationary windmill blades always screwed up his hitting par on the twelfth hole. So when I told him I wanted us to hang out with Laura, a girl I’d only recently started spending time with, he immediately suggested meeting up at Putt-O-Links.
Jimmy had been designated as the drummer in my budding quasi-fictional rock band, Ritzo Forte, a group that largely existed in order to impress girls with the claim that I was in a rock band. I’d seen Jimmy sit behind his drum kit and play for about three and a half seconds one time when we were doing bong hits in his basement. That was good enough for me. I was to be Ritzo Forte’s singer, songwriter, and principal stylist. I owned a Radio Shack microphone and a mike stand on which to put said microphone. Ritzo Forte had a name, a list of influences, even some song lyrics and titles. The only things missing were bandmates, equipment, complete songs, rehearsals, and actual performances.
However, I had put a great deal of thought into this band and its potential awesomeness. It was just a matter of time until everything fell into place. I was trying to impress Laura with my seriousness and determination, so I thought it would be good for us to go out with Jimmy.
It was almost dark by the time we got to Putt-O-Links. Introductions weren’t necessary. They weren’t that kind of people. Laura knew who Jimmy was; he knew her. Jimmy had been briefed for the occasion. I reminded him of all the cool bands he was supposed to like, drilled him on the titles and lyrics of the songs we hadn’t written yet, and confirmed our plan to buy matching knee-length leather coats for all Ritzo Forte members.
Jimmy and I had gone to school together for six years but were never really tight until our senior year, when it became increasingly apparent that we were both going to be “Left Behinds.” Left Behinds were those kids who weren’t visiting many college campuses or filling out a lot of admission applications. It just seemed like a waste of time. It was obvious that we weren’t going anywhere. Jimmy and I bonded because we both knew that when all our other friends left for school that fall, we’d be pretty much all we had left.
“Someone broke into the storeroom and stole all the putters,” Jimmy said, pulling a decrepit set of clubs from the trunk of his car when we arrived. “But they left all the balls. I don’t get that. I mean, you could think of a lot of stuff to do with buckets of golf balls, but what could you do with all those clubs?”
I should have pointed out the hundreds of other potential uses for a golf club but decided to roll with Jimmy’s line of thought.
“What could you do with buckets of golf balls?” I asked, handing out beers.
“Umm, like, throw them at stuff,” Jimmy said with a hint of indignation. “A golf ball could even be used as a lethal weapon. It’s just like we learn in jujutsu training.”
When Jimmy wasn’t talking about mini-golf, drums, or pot, he was often talking about jujutsu. He had signed up for a twelve-week beginner’s course at the YMCA, attended four classes, then dropped out because it interfered with watching Monday Night Football. He had been plotting his triumphant return for eight months, claiming to practice on his own almost daily.
“A jujutsu student learns that almost anything can be used as a weapon when necessary,” he explained as he handed out clubs and we got set up at the first hole.
Jimmy gestured for Laura to go first. She picked a ball, lined it up, then stood frozen.
“I can’t see the hole,” she said.
“What do you mean?” I asked.
“I mean, it’s completely dark out here and I have no idea what I’m aiming at.”
“Fuck that,” Jimmy said, taking a swooping step toward the tee, swinging his club grandly and swiftly at the colored balls, sending one firing toward the side of a miniature church. The ball ricocheted off the building and buzzed past my head almost instantly, causing me to duck out of its way.
“It’s Beer Golf. Just swing and see what happens,” he said.
I should explain that Beer Golf wasn’t really a game. The name suggests some kind of wacky rule-heavy drinking game with madcap arcanery requiring players to swig every time they miss par or set their ball down without touching their elbows or something. Beer Golf was no such thing. Rather than modifying each other, the words simply described the two primary simultaneous activities. When not doing one, you did the other. It probably should have been called Beer and Golf, but Jimmy, as its originator, got to name it as well as determine the rules. Not that there were any rules to speak of, besides that Jimmy got to be master of ceremonies and determine who did what when, and who bought the beer (it was never Jimmy).
We continued through the next six or seven holes without incident. Laura was very focused on the golf part of the evening, Jimmy and I on the beer part. We played in the moonlight, laughed a lot, made fun of one another at every possible opportunity, and worked through a twelve-pack of disgustingly cheap Wiedemann beer without much effort. Jimmy was instructing us how to navigate around an empty water hazard when headlights panned across the course. They were from a car entering the parking lot. Specifically, a sheriff’s patrol car.
Outside of instinctively putting down our beers, we stood completely still as we saw an officer get out of the car, put on a wide-brimmed hat, and walk toward us, shining a flashlight in our faces.
“I’d like some ID and a reasonable explanation of what you’re doing out here,” the deputy said.
“Oh, we just look after the place and play sometimes,” Jimmy said.
“Shut up,” I snapped, trying to keep my voice quiet enough that the deputy wouldn’t hear me.
“We just make sure that everything’s okay and nothing is busted or gets broken.”
“Jimmy,” I whispered.
“You know, some people will come in here and vandalize the place. We just make sure people know someone is out here watching it,” he continued.
“So the owners asked you to be here?” the deputy asked.
“Well, not exactly,” Jimmy replied.
“Do you even know the owners?”
“Yeah, sure. Not by name, but I came here for years,” Jimmy replied.
“So you have no consent or permission to be here, but you say you are taking care of the place,” she said. “Tell me how that works.”
Jimmy yammered on about civic duty and Good Samaritanism. After telling Jimmy to be quiet and collecting our IDs, the deputy instructed us to sit on a bench while she radioed in our info. We were told that if we got up for any reason, we would be stopped. Assuming that that involved a gun, we sat there quietly while she was in the car.
“Okay, you guys are clean,” she said on returning. “But that doesn’t mean we don’t have a serious problem.”
“Serious like what?” I asked.
“Serious like trespassing,” she said. “And theft … and open container … and destruction of property.”
“Wait,” interrupted Jimmy. “We didn’t—”
“You are playing with stolen equipment, aren’t you?” the deputy cut in. “We can tack on something else if you like.”
“Look, Officer, we obviously put no thought into what we were doing here,” Jimmy said. “It was a mistake to come here, I understand that now. I really did like the owners of this place. They used to let me clean up balls out of the hoppers to earn free games. They let me play an extra round when it wasn’t busy. I’ve spent days and days here every summer since I could walk. They were good to me. I would never do anything to disrespect that.”
The deputy inhaled deeply.
“I guess what I’m saying is that I’m sorry … we’re sorry. These guys just came here because I asked them to; they have nothing to do with this.”
“You certainly haven’t done much to show your respect,” the deputy said.
“I didn’t break into that storeroom. That was someone else,” Jimmy said. “Really, we didn’t mean any harm. I guess I just come out here because it’s fun and I miss it. I don’t want to let it go.”
“I can’t just let you off,” the deputy said.
Even in the darkness, I could see a tiny sparkle in Jimmy’s eyes.
“I’ll tell you what,” Jimmy said. “How about a friendly way to settle this?” He reached into his pocket, pulled out a light blue ball, and dropped it down in front of the tee. “Let’s say I take one shot right from where that ball sits,” he said. “If I miss the hole, you can take me in and charge me with whatever you want. But if I make it in one shot, then you let us go and we promise never to come back here again.”
The deputy stared at Jimmy. Then she looked at the hole, illuminated by the headlights of her patrol car. There were two empty water hazards with a ten-inch strip of loose Astroturf between them, then a slope down to the green, which had a small cement ditch surrounding the edges. The ball was way off to the side of the rail next to the tee. It would be difficult, if not impossible, in daylight, sober, and without the threat of prosecution hanging over his head.
“One shot?” she said.
“One shot,” Jimmy replied.
“What the hay,” the deputy said. “Let’s see you give it a try.”
“So we have a deal?” Jimmy asked.
“You don’t have nothing if you don’t hit a hole in one,” she replied.
Jimmy nodded to the deputy and got into position behind the ball. He broke his concentration once to ask me to move out of the light. He moved his head and eyes back and forth down the fairway several times, exhaled loudly, then slowly and fluidly swung his club forward.
The ball rolled precisely down the middle of the two water hazards, swooped down the slope, took a slight hop as it entered the putting green, and landed directly in the cup with a deliberate and distinct plastic plop.
“Fucking hell,” I said, letting out a bit of a laugh before I realized that none of the others were making any noise. We just stood there for a moment staring at one another.
“Would you like to try, Officer?” Jimmy asked.
We all stood there staring at the deputy; she was looking Jimmy right in the eye.
“I’m going to go down to Maggiore’s to get a can of iced tea,” she said. “I’m going to be gone for about ten minutes. When I come back, there will be no sign of you or of you ever even being here. Anything you took or moved will be put back where it belongs. If you are here when I get back, I will charge you with everything I can think of. And if I ever drive by this place, which I do several times a week, and I see you here, there won’t be any more golfing contests. You will go to jail. Do you hear me?”
“Yes, Officer,” Jimmy said. “Thank you.”
“Okay then, get out of here,” she said, turning back to her patrol car.
As we saw the car’s taillights head down the road, I dropped to the ground and screamed, Laura started jumping up and down, and Jimmy just stood there smiling.
“Hey, Nuzum, why don’t you toss me some of that piss swill you always buy.”
“Jimmy, how the fuck did you do that?!?” I yelled.
“Dude, I golf here three times a week. I can’t remember the last time I didn’t get a hole in one on that hole. Now get me a beer before I steal your wallet and your girlfriend and go buy some more.”
“I’m not his—”
“Yeah right, whatever,” Jimmy interrupted. “Beer. Now.”
We were so excited by Jimmy’s amazing performance that we stood around drinking and talking for probably another half hour, almost forgetting that we had to leave before the deputy came back. Then we rushed through our goodbyes and headed off into the night.
Here’s the thing about the story I just shared, the thing that makes it feel like a ghost story.
I’m the only one left to tell it.
I often warn people about being my friend, for two reasons. First, I’m a lousy friend. I forget people’s birthdays. I can’t remember their kids’ names. I don’t recall where they just went on vacation or what my friends’ husbands/wives/lovers do for a living.
The second reason is that a lot of my friends end up dead. I have seen a disproportionately large number of my friends die at young ages. Steve and Scott died of AIDS. Tim, Connor, and another guy named Tim all from various forms of cancer. Drugs took Dan, Monica, and a third guy named Tim. Brad, Meghan, Jim, and Sherry all died in auto accidents. My friend Doug destroyed his liver and died. I don’t even want to think about the ones who died from suicide. You name a path to an early grave, and I’m sure I have some young formerly alive friend who followed it. I’ve even had a few friends who died with no one quite certain how or why, they just did. Regardless, I’ve seen more than my fair share of untimely deaths. It’s left me with a lot of questions. I wonder about what happened to all of them after life. I worry about who will remember their experiences and stories, right their wrongs, and carry on what was important to them. I think about how their lives and deaths are supposed to affect and change me. An unfortunate consequence of this high body count is that when I look back at the friends who’ve had the most influence on who I’ve become, I realize that most of them are gone.
One in particular: Laura. Most of this book is the story of my friendship with Laura and what happened to each of us before and after our evening of Beer Golf.
When I started writing about this time in my life, particularly my friendship with Laura, I wanted to look up Jimmy, to see what he was up to. After a small amount of digging, I found out that Jimmy had died a few years earlier, a heart attack at age thirty-nine. He left behind a wife and kid.
The sheriff’s deputy possibly aside, that means I am the only one who is here to remember that night at the Putt-O-Links.
I once heard an interview with Rev. Billy Kyles, who was standing on the balcony at the Lorraine Motel in Memphis when Dr. Martin Luther King, Jr., was shot dead in 1968. He said he’d come to peace with his role in history: “God unfolded to me that I was there to bear witness. Events need witnesses, those with some degree of clarity, so people can say what they saw.”
When I first heard him say that, I was surprised by the idea of accepting what, to me, felt like an unextraordinary life, simply being there to witness the action of others. I think most people would aspire to be history makers, not history watchers. But now sometimes I wonder if I’m supposed to be a dumbass lowbrow version of the same thing—if my purpose in life is simply to remember stupid shit like Beer Golf.
For me, it’s almost impossible to recall these old stories without experiencing the pain of losing those who are no longer around to tell them themselves. I think of Laura and Jimmy and I miss them.
I have a lot of them—ghosts, that is.
That’s not even counting my “real” ghost.
Assuming, of course, that my real ghost was actually real.
Here’s another ghost story.
Twenty-odd years later, I’m sitting in an Italian restaurant on Seventeenth Street in Washington, D.C. It’s just a big, mostly empty yellow room with generic tables and chairs and generic artwork, completely lacking in anything distinctive. However, it’s easy to find, never busy, and away from the areas where tourists lurk, which is why I often use it as a meeting spot.
Across the table is my friend Matt.
Matt used to be my best friend. But Matt and I haven’t really spoken in years. Since back when all that happened.
I look down at my plate and notice some chunks of zucchini.
I hate zucchini.
I mean, I really hate zucchini.
It isn’t that I hate the taste of zucchini. I have no recollection of what zucchini tastes like at this point.
There was a time in my life, back when Matt and I were close friends, when the sight of zucchini would cause me to stop eating, as I would refuse to eat not only zucchini but anything that had touched zucchini.
I’ve mellowed as I’ve aged. Now I simply flip it off to the side.
My feelings about zucchini are one of a collection of things that my friends refer to as “Ericisms”: things I passionately do or refuse to do for what appears to be no apparent, rational, or cogent reason. It isn’t like these are debilitating compulsions or anything. In my own way, I have sound reasons for them all.
The zucchini thing started one summer when I was nine or ten years old. My parents had decided to put six zucchini plants in their garden. By the end of that summer, my dad would come back into the house every evening with armfuls of ripe zucchini. My mom made zucchini everything: zucchini bread, zucchini pasta, zucchini salad, zucchini parmigiana, and at least three different zucchini casseroles. No matter what she made, our house was still filled with fresh zucchini. They tried taking bags of zucchini into work and offering it to their friends. I think they even started leaving zucchinis on our neighbors’ porches at night. After I told my mom that I couldn’t eat any more zucchini, she started hiding it in our food and taking a degree of pleasure in telling me, after we’d eaten, how many of the things I’d just consumed had, in fact, contained zucchini. That’s when I said I would never, ever again eat a zucchini, or anything that contained zucchini or even touched zucchini. A promise I’ve largely kept.
Now, see, that isn’t a crazy story. It (almost) makes sense. It isn’t like I once looked at a zucchini and saw a face that suddenly began speaking to me, begging me not to eat it or any of its squash brethren.
My friends, though, don’t really care why I won’t eat zucchini. They just think I’m trying to be funny or difficult or contrarian. To them, it’s just another Ericism. Like when I refuse to use pens with blue ink, won’t wear clothing with logos or writing on it, swear off pork for a year, or touch the door frame of airplanes when I’m about to board.
Or like when I insist on opening any closed doors inside my house.
My wife suffers from this one all the time. She closes doors to the guest room or office or other rooms we aren’t using. Then I come around sometime later and open them again. She closes. I open.
She thinks I’m doing it just to annoy her. Whenever she gets irritated to the point of mentioning it to me, she always gets the same response.
“I hate closed doors.”
She closes. I open.
This has been going on for sixteen years.
Recently, after a rapid-fire bout of openings and closings of our guest room door (or perhaps it was a few rounds with the laundry room door), she—for the first time—asked if there was a particular reason why I hated closed doors.
“Of course there is,” I replied. I had always assumed the answer was obvious.
She raised her eyebrows slightly, as if to reluctantly invite me to expand my answer.
“Because there could be a ghost on the other side,” I answered.
I don’t have a problem with all closed doors—just the ones that might have ghosts hiding behind them. The problem is when I look at a door and can feel something on the other side. Something that shouldn’t be there. I’ll look at a closed door and instantly become overwhelmed with dread—a heavy, thick feeling in my chest that sends cold waves of fear throughout my body.
That’s how I know.
So how have I dealt with these occurrences? I just make sure I’m around as few closed doors as possible. No closed door, no feeling of dread. No feeling of dread, no ghost.
Have I ever seen a ghost emerge from behind a closed door? No.
But that doesn’t mean one isn’t there.
After pushing my zucchini to one side, Matt and I spend the rest of our reunion dinner talking about our lives and our work. But we don’t talk much about the past. You’d think we would, as we have a lot in common. Growing up in Canton, we went to the same school and church youth group, did stuff together on weekends. But we rarely wade into that history, especially that time. That time is why we were best friends for almost two decades, then absolute strangers for two more.
At the end of the meal, though, Matt looks me straight in the eye and says, “So, do you still see ghosts of little girls in blue dresses?”
I just about choke on a piece of garlic bread.
“How do you know about that?” I ask.
At first, Matt says nothing. “Know about it? You were obsessed with it,” he eventually says, now a bit uncomfortable that the conversation topic had stuck. “You talked about it all the time. You don’t remember?”
I can count on one hand the people I remember ever telling about the Little Girl. Matt is not one of them. I have told bits to a few people here and there during late-night drunken conversations. Even my wife has never heard the whole story.
Over the course of several years during my late teens, I slowly became unhinged, disillusioned, and depressed. I started losing touch with the distinction between what was real and what wasn’t. What started off with a curious noise coming from my parents’ attic ended in the belief, forged in my dreams, that I was haunted by a ghost who wanted to harm me—or at least warn me of harm to come.
The dreams were all more or less the same.
I’m in a forest at night walking among a thick crop of trees. Then I stumble into a clearing with high grass made bright with moonlight. There’s a picnic table.
As I walk toward it, I can see three or four people sitting there. They stop their conversation to look up and stare at me as I approach.
There is always a man sitting at the far end of the table wearing a cheap matted wolf costume, complete with a loose-fitting mask that makes him look sort of like Batman, except with tall ears and a long, bent snout. He slowly points toward another path at the opposite side of the clearing. He doesn’t say anything; he doesn’t need to. I know exactly where he wants me to go, why he wants me to go there, and what’s waiting for me.
As I enter the path, I can see Her outline in the moonlight. I step closer and start to see detail.
A Little Girl in a Blue Dress.
She’s wet, like She’s been in water.
She’s staring right at me, eyes wide, cold, and dark.
When I’m only a few steps from Her, She starts yelling at me. It sounds like gibberish. She never moves, never takes Her eyes away from mine. As I come closer, She seems more and more irritated and frantic.
When She is at the point of screaming so loud that She’s shaking, I wake up.
The dreams weren’t always that complete; most times I just experienced moments, sometimes just a few scenes mashed together or in a different order. In the beginning, often all I’d experience was the very end. Her standing there, outline illuminated by moonlight, then the gibberish. Sometimes I’d go months without having these dreams, then I’d have several in a week. I eventually started putting the pieces together in my head. The Little Girl in the dreams was making the strange noises that I heard in my parents’ attic. It was Her I felt on the other side of a closed door.
Coupled with a deluge of substances calling out “Drink me,” “Swallow me,” and “Smoke me,” the dreams contributed to my losing touch with everyone and everything around me. I ended up strung out and on suicide watch in the mental ward of a local hospital.
Very few people in my life stuck with me through all this. One who did was Laura. It was Laura who really helped me get on my feet again, who put me back together, while I was in denial, the whole time, that I was very much in love with her.
A few months later she left for college.
Not long after that, she was in the wrong place at the wrong time and was killed.
She saved me from my imaginary ghost but became one herself.
One that continues to haunt me today.
“You don’t still believe that little ghost girl lived in your attic, do you?” Matt asks.
I just give him a polite smile.
I have no idea what really happened.
“Oh, come on,” he says. “That was all chemically induced.”
I just shake my head.
“Do you remember inviting Thérèse and me to your little exorcism?”
As he tells me the story, details slowly start coming back to me. Details I buried twenty years ago. What Matt describes as an exorcism was actually more like a séance—a séance to communicate with and get rid of Little Girl. I’d photocopied some ritual from some book at the library, then tried to get Matt and his girlfriend to read it with me.
I was so high at the time that I was drooling while I tried to read. When I started having trouble saying the words, I picked up a marker and started writing random images and words on the walls of my bedroom.
And that’s about all I remember—forgotten for two decades until suddenly shaken loose over a plate of shitty zucchini-laced pasta.
Matt notices the time. He has to go.
A few weeks after our meal I write to Matt, asking him to tell me more about that night upstairs in the attic. The ritual. The writing. The talk about the Little Girl. I need someone’s help to move beyond the fragments that I’ve retained from that time, refugees of my repeated attempts to forget. Matt agrees, saying he’d be happy to help later.
“Later” turns into later still, as Matt is too busy with work, travel, and his family to go over what he remembers. Eventually, it becomes clear to me that he isn’t interested in going back there. This isn’t his journey.
Not long afterward I’m visiting my friends David and Gina. We are sitting in their driveway drinking beer and watching their night-blooming cereus do its thing. Most of the year, the night-blooming cereus is probably the world’s ugliest plant. It is huge, with strange twisted woody branches. When I first saw this thing in their living room, I assumed it was dead. But one night, only once a year, after the sun sets, the night-blooming cereus opens its huge white blossom, emitting a pleasant perfume. The flower wilts and dies off by the following morning. Typically a night-blooming cereus produces only one or two blossoms for its one magical night each year, but this year David and Gina’s has somehow managed close to twenty. On the night all the blossoms are set to open, people come and go from their house all evening, simply to stand in their driveway and watch all these flowers slowly open. At some point in the evening, one of our fellow night-blooming cereus watchers asks David which window of their house “was the one with the ghost.”
As part of a series of newspaper columns David had written about buying and renovating their house, they’d brought in a psychic to tell them about their new home’s spiritual energy. The psychic had told them that there was a concentration of energy in the summer bedroom, which is on the second floor, directly above where the night-blooming cereus is currently performing its annual show.
After the conversation moves to other topics, David asks why I visibly shuddered when he pointed the ghost-inhabited room out to the fellow blossom watcher.
While I don’t talk about Little Girl, I’ve always been quick to tell people a simpler truth: that I’m scared of ghosts. I offer it to explain why I’ll walk across a street to avoid some supposedly haunted location or close my eyes and plug my ears whenever a ghost-themed movie trailer comes on in the theater. I will audibly gasp and walk out of a room when some innocent channel surfing lands on a broadcast of The Sixth Sense on HBO. People just assume these are more Ericisms. No one ever thinks I’m all that serious about my fear.
When I tell people that I’m scared of ghosts, they all have the same reaction: They want to tell me a ghost story. I’ve always found this particularly odd. I’m sure they don’t intend to be mean, but that’s pretty similar to saying you’re an alcoholic and having your friend reply, “Oh man, let’s do a shot of Jägermeister! Don’t you love that smack of licorice that kicks in as it burns down the back of your throat?”
It happens every single time.
Most of the stories are third-person. The teller’s mother, aunt, best friend, or trusted co-worker heard a sound coming from an empty room, witnessed a gravy boat move across a table, or saw a disembodied head hovering outside a bedroom window.
Whenever someone tells a ghost story, they do so without a drop of the skepticism they apply to anything else. Why is that? Why do people have a near compulsion to tell and believe ghost stories? Especially since, after centuries of encounters, no one has put forth a single shred of conclusive evidence that these stories are anything other than pure bullshit. People from all walks of life, well-educated people, religious people, old, young, and even those who appear to believe in nothing else whatsoever are willing to entertain the possibility that some unexplainable experience might be the work of an apparition.
Including me.
My own reluctance to share my experience has always been a litmus test for me when it comes to judging ghost stories told by others. To my ears, those who are quick to share first-person encounters with the dead are usually mistaken, lying, exaggerating, or just looking for some easy attention. I put much more stock in those who would rather not talk about what they’ve experienced. Their encounters with ghosts are confusing, even embarrassing and somewhat humiliating. The things they experience don’t make a lot of sense or flow together in a tidy little narrative.
“I don’t know if I’ve ever told you this before,” I say. “But I’m really scared of ghosts.”
“Why’s that?” Gina asks.
While the night-blooming cereus is working its magic, I tell them the whole story. Starting with the noises in the attic, the Little Girl in a Blue Dress, my depression, Laura, everything. It is probably the first time in half my life that I’ve told anyone the whole story. I mean, I know all the pieces, I’ve just never realized how they all fit together.
Telling the story, I realize how tired I am of dragging around the memories and feelings and fears of that time in my life. I don’t want to be scared anymore, and the key to not being scared is starting to confront and unravel the thing I fear even more than ghosts: my past.
Shortly after the night-blooming cereus bloomfest, I put a sticky note next to my computer monitor and start a list, a list of haunted places. I plan to force myself to visit some of them, if for no other reason than to see what will happen. I’m thinking that if I can see their ghosts, it can help me understand my own.
How are the two things connected? The only way I can describe it is to compare it to synesthesia, the neurological condition where people get their senses cross-wired. They smell loud sounds or see colors when they bite into something sour or sweet. People with synesthesia often correlate words and numbers with color and will talk about how music “looks” to them—kind of like tripping on acid.
When I see a trailer for a ghost movie, all I can think about is my past desire to end my life. When I see someone doing drugs, all I can think about is a Little Girl in a Blue Dress. When someone talks about a haunted building, I think of Laura. My memories and fears are all twisted and knotted together, impossible to separate neatly. In order to remember and make sense of them, I’m going to have to scare each last detail out of myself.
I realize that if I want peace with my past, I have to enlist the help of the one remaining vestige of that time in my younger life.
Ghosts.