VERNON WATKINS 1906–67


PEACE IN THE WELSH HILLS

Calm is the landscape when the storm has passed,

Brighter the fields, and fresh with fallen rain.

Where gales beat out new colour from the hills

Rivers fly faster, and upon their banks

Birds preen their wings, and irises revive.

Not so the cities burnt alive with fire

Of man’s destruction: when their smoke is spent,

No phœnix rises from the ruined walls.

I ponder now the grief of many rooms.

Was it a dream, that age, when fingers found

A satisfaction sleeping in dumb stone,

When walls were built responding to the touch

In whose high gables, in the lengthening days,

Martins would nest? Though crops, though lives, would fail,

Though friends dispersed, unchanged the walls would stay,

And still those wings return to build in Spring.

Here, where the earth is green, where heaven is true

Opening the windows, touched with earliest dawn,

In the first frost of cool September days,

Chrysanthemum weather, presaging great birth,

Who in his heart could murmur or complain:

‘The light we look for is not in this land’?

That light is present, and that distant time

Is always here, continually redeemed.

There is a city we must build with joy

Exactly where the fallen city sleeps.

There is one road through village, town and field,

On whose robust foundation Chaucer dreamed

A ride could wed the opposites in man.

There proud walls may endure, and low walls feed

The imagination if they have a vine

Or shadowy barn made rich with gathered corn.

Great mansions fear from their surrounding trees

The invasion of a wintry desolation

Filling their rooms with leaves. And cottages

Bring the sky down as flickering candles do,

Leaning on their own shadows. I have seen

Vases and polished brass reflect black windows

And draw the ceiling down to their vibrations,

Thick, deep, and white-washed, like a bank of snow.

To live entwined in pastoral loveliness

May rest the eyes, throw pictures on the mind,

But most we need a metaphor of stone

Such as those painters had whose mountain-cities

Cast long, low shadows on the Umbrian hills.

There, in some courtyard on the cobbled stone,

A fountain plays, and through a cherub’s mouth

Ages are linked by water in the sunlight.

All of good faith that fountain may recall,

Woman, musician, boy, or else a scholar

Reading a Latin book. They seem distinct,

And yet are one, because tranquillity

Affirms the Judgment. So, in these Welsh hills,

I marvel, waking from a dream of stone,

That such a peace surrounds me, while the city

For which all long has never yet been built.