Filmography

Across 110th Street (dir. Barry Shear, United Artists, 1972)

Adam at 6 A.M. (dir. Robert Scheerer, National General Pictures, 1970)

Adventurers, The (dir. Lewis Gilbert, Paramount Pictures, 1970)

Airport (dir. George Seaton, Universal Pictures, 1970)

Alex in Wonderland (dir. Paul Mazursky, Metro-Goldwyn-Mayer, 1970)

Alice Doesn’t Live Here Any More (dir. Martin Scorsese, Warner Bros., 1974)

All-American Boy, The (dir. Charles Eastman, Warner Bros., 1973)

American Dreamer, The (dir. L. M. Kit Carson, Lawrence Schiller, EYR Films, 1971)

American Graffiti (dir. George Lucas, Universal Pictures, 1973)

Annapolis Story, An (dir. Don Siegel, Allied Artists, 1955)

Annie Hall (dir. Woody Allen, United Artists, 1977)

Apocalypse Now (dir. Francis Ford Coppola, United Artists, 1979)

Appaloosa, The (dir. Sidney J. Furie, Universal Pictures, 1966)

Bad News Bears, The (dir. Michael Ritchie, Paramount Pictures, 1976)

Badlands (dir. Terrence Malick, Warner Bros., 1973)

Barefoot in the Park (dir. Gene Saks, Paramount Pictures, 1967)

Basic Instinct (dir. Paul Verhoeven, TriStar Pictures, 1992)

Beach Blanket Bingo (dir. William Asher, American International Pictures, 1965)

Beavis and Butthead Do America (dir. Mike Judge, Paramount Pictures, 1996)

Bed Sitting Room, The (dir. Richard Lester, Lopert Pictures, 1969)

Bedknobs and Broomsticks (dir. Robert Stevenson, Walt Disney Productions/Buena Vista Distribution, 1971)

Been Down So Long It Looks Like Up to Me (dir. Jeffrey Young, Paramount Pictures, 1971)

Beguiled, The (dir. Don Siegel, Universal Pictures, 1971)

Big Boss, The/Fists of Fury (dir. Lo Wei, Golden Harvest, 1971)

Big Jake (dir. George Sherman, National General Pictures, 1971)

Birthday Party, The (dir. William Friedkin, Continental Distributing, 1968)

Blazing Saddles (dir. Mel Brooks, Warner Bros., 1974)

Blow-Up (dir. Michelangelo Antonioni, Metro-Goldwyn-Mayer, 1966)

Blue Velvet (dir. David Lynch, De Laurentiis Entertainment Group, 1986)

Bonnie and Clyde (dir. Arthur Penn, Warner Bros.-Seven Arts, 1967)

Boxcar Bertha (dir. Martin Scorsese, American International Pictures, 1972)

Boys, The (dir. Sidney J. Furie, Gala Film Distributors, 1962)

Boys in the Band, The (dir. William Friedkin, National General Pictures, 1970)

Brewster McCloud (dir. Robert Altman, Metro-Goldwyn-Mayer, 1970)

Bullitt (dir. Peter Yates, Warner Bros.-Seven Arts, 1968)

Butch Cassidy and the Sundance Kid (dir. George Roy Hill, Twentieth Century Fox, 1969)

Candidate, The (dir. Michael Ritchie, Warner Bros., 1972)

Cannonball Run, The (dir. Hal Needham, Twentieth Century Fox, 1981)

Carnal Knowledge (dir. Mike Nichols, AVCO Embassy Pictures, 1971)

Carrie (dir. Brian De Palma, United Artists, 1976)

Catch 22 (dir. Mike Nichols, Paramount Pictures, 1970)

Chinatown (dir. Roman Polanski, Paramount Pictures, 1974)

Christian Licorice Store, The (dir. James Frawley, National General Pictures, 1971)

Cisco Pike (dir. Bill L. Norton, Columbia Pictures, 1972)

Citizen Kane (dir. Orson Welles, RKO Radio Pictures, 1941)

Cockfighter (dir. Monte Hellman, New World Pictures, 1974)

Coffy (dir. Jack Hill, American International Pictures, 1973)

Coming Apart (dir. Milton Moses Ginsberg, Kaleidoscope Films, 1969)

Conversation, The (dir. Francis Ford Coppola, Paramount Pictures, 1974)

Coogan’s Bluff (dir. Don Siegel, Universal Pictures, 1968)

Cotton Comes to Harlem (dir. Ossie Davis, United Artists, 1970)

Creature from the Haunted Sea (dir. Roger Corman, The Filmgroup, 1961)

Crime in the Streets (dir. Don Siegel, Allied Artists, 1956)

Cruising (dir. William Friedkin, United Artists, 1980)

Days of Heaven (dir. Terrence Malick, Paramount Pictures, 1978).

Deadhead Miles (dir. Vernon Zimmerman, Paramount Pictures, 1973)

Dealing: Or the Berkeley-to-Boston Forty-Brick Lost Bag Blues (dir. Paul Williams, Warner Bros., 1972)

Det sjunde inseglet/The Seventh Seal (dir. Ingmar Bergman, Janus Films, 1957)

Deus o Diablo na Terra do Sol/Black God, White Devil (dir. Glauber Rocha, New Yorker Films, 1964)

Diamonds Are Forever (dir. Guy Hamilton, United Artists, 1971)

Dirty Harry (dir. Don Siegel, Warner Bros., 1971)

Dirty Mary Crazy Larry (dir. John Hough, Twentieth Century Fox, 1974)

Disclosure (dir. Barry Levinson, Warner Bros., 1994)

Doctor Dolittle (dir. Richard Fleischer, Twentieth Century Fox, 1967)

Downhill Racer (dir. Michael Ritchie, Paramount Pictures, 1969)

Dr. Blood’s Coffin (dir. Sidney J. Furie, United Artists, 1961)

Dr. No (dir. Terrence Young, United Artists, 1962)

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (dir. Stanley Kubrick, Columbia Pictures, 1964)

Drive, He Said (dir. Jack Nicholson, Columbia Pictures, 1971)

Duffy (dir. Robert Parrish, Columbia Pictures, 1968)

During One Night (dir. Sidney J. Furie, Gala Film Distributors, 1961)

Dusty and Sweets McGee (dir. Floyd Mutrux, Warner Bros., 1971)

Easy Rider (dir. Dennis Hopper, Columbia Pictures, 1969)

Easy Rider (dir. James Benning, no distributor, 2012)

Easy Rider: Shaking the Cage (dir. Charles Kiselyak, Columbia TriStar Home Entertainment, 1999)

Electra Glide in Blue (dir. James William Guercio, United Artists, 1973)

Empire Strikes Back, The (dir. Irvin Kershner, Twentieth Century Fox, 1980)

End of the Road (dir. Aram Avakian, Allied Artists Pictures, 1970)

Enter the Dragon (dir. Robert Clouse, Warner Bros., 1973).

Escape from the Planet of the Apes (dir. Don Taylor, Twentieth Century Fox, 1971)

Exorcist, The (dir. William Friedkin, Warner Bros., 1973)

Exorcist II: The Heretic (dir. John Boorman, Warner Bros., 1977)

Faces (dir. John Cassavetes, Continental Distributing, 1968)

Falling Down (dir. Joel Schumacher, Warner Bros., 1993)

Fatal Attraction (dir. Adrian Lyne, Paramount Pictures, 1987)

Father of the Bride (dir. Vincente Minnelli, Metro-Goldwyn-Mayer 1950)

Fiddler on the Roof (dir. Norman Jewison, United Artists, 1971)

Fist of Fury/The Chinese Connection/The Iron Hand (dir. Lo Wei, National General Pictures, 1972)

Five Easy Pieces (dir. Bob Rafelson, Columbia Pictures, 1970)

Fletch (dir. Michael Ritchie, Universal Pictures, 1985)

Fletch Lives (dir. Michael Ritchie, Universal Pictures, 1989)

Fortune, The (dir. Mike Nichols, Columbia Pictures, 1975)

Foxy Brown (dir. Jack Hill, American International Pictures, 1974)

French Connection, The (dir. William Friedkin, Twentieth Century Fox, 1971)

French Connection II (dir. John Frankenheimer, Twentieth Century Fox, 1975)

Funny Face (dir. Stanley Donen, Paramount Pictures, 1957)

Funny Girl (dir. William Wyler, Columbia Pictures, 1968)

Futz (dir. Tom O’Horgan, Commonwealth United Entertainment, Inc., 1969)

Game, The (dir. David Fincher, PolyGram Filmed Entertainment 1997)

Gauntlet, The (dir. Clint Eastwood, Warner Bros., 1977)

Getting Straight (dir. Richard Rush, Columbia Pictures, 1970)

Gigot (dir. Gene Kelly, Twentieth Century Fox, 1962)

Girlfriends (dir. Claudia Weill, Warner Bros., 1978)

Glen and Randa (dir. Jim McBride, Universal Marion Corporation, 1971)

Glory Stompers, The (dir. Anthony M. Lanza, American International Pictures, 1967)

Godfather, The (dir. Francis Ford Coppola, Paramount Pictures, 1972)

Godfather Part II, The (dir. Francis Ford Coppola, Paramount Pictures, 1974)

Golden Child, The (dir. Michael Ritchie, Paramount Pictures, 1986)

Good Times (dir. William Friedkin, Columbia Pictures, 1967)

Graduate, The (dir. Mike Nichols, Embassy Pictures, 1967)

Great Race, The (dir. Blake Edwards, Warner Bros., 1965)

Green Berets, The (dir. Ray Kellogg, John Wayne, Mervyn LeRoy [uncredited], Warner Bros.-Seven Arts, 1968)

Gypsy Moths, The (dir. John Frankenheimer, Metro-Goldwyn-Mayer, 1969)

Happy Ending, The (dir. Richard Brooks, United Artists, 1969)

Harold and Maude (dir. Hal Ashby, Paramount Pictures, 1971)

Head (dir. Bob Rafelson, Columbia Pictures, 1968)

Heartbreak Kid, The (dir. Elaine May, Twentieth Century Fox, 1972)

Heaven’s Gate (dir. Michael Cimino, United Artists, 1980)

Hello, Dolly! (dir. Gene Kelly, Twentieth Century Fox, 1969)

Hells Angels on Wheels (dir. Richard Rush, U.S. Films, 1967)

Hester Street (dir. Joan Micklin Silver, Midwest Films, 1975)

Hired Hand, The (dir. Peter Fonda, Universal Pictures, 1971)

Hoosiers (dir. David Anspaugh, Orion Pictures, 1986)

Hot Rock, The (dir. Peter Yates, Twentieth Century Fox, 1972)

I Never Sang for My Father (dir. Gilbert Cates, Columbia Pictures, 1970)

if . . . (dir. Lindsay Anderson, Paramount Pictures, 1968)

Il buono, il brutto, il cattivo/The Good, the Bad, and the Ugly (dir. Sergio Leone, United Artists, 1966)

Images (dir. Robert Altman, Columbia Pictures, 1972)

Invasion of the Bodysnatchers (dir. Don Siegel, Allied Artists, 1956)

Ipcress File, The (dir. Sidney J. Furie, Universal Pictures, 1965)

It’s a Mad, Mad, Mad, Mad, World (dir. Stanley Kramer, United Artists, 1963)

It’s My Turn (dir. Claudia Weill, Columbia Pictures, 1980)

Jackie Brown (dir. Quentin Tarantino, Miramax Films, 1997)

Jaws (dir. Steven Spielberg, Universal Pictures, 1975)

Jaws 2 (dir. Jeannot Szwarc, Universal Pictures, 1978)

Jaws 3-D (dir. Joe Alves, Universal Pictures, 1983)

Joe (dir. John G. Avildsen, Cannon Films, 1970)

John and Mary (dir. Peter Yates, 20th Century Fox, 1969)

Joy in the Morning (dir. Alex Segal, Metro-Goldwyn-Mayer, 1965)

Kelly’s Heroes (dir. Brian G. Hutton, Metro-Goldwyn-Mayer, 1970)

Kid Blue (dir. James Frawley, Twentieth Century Fox, 1973)

Killer Joe (dir. William Friedkin, LD Entertainment, 2011)

Killers, The (dir. Don Siegel, Universal Pictures, 1964)

King Boxer/Five Fingers of Death (dir. Chang-hwa Chung, Warner Bros., 1972)

King of Marvin Gardens, The (dir. Bob Rafelson, Columbia Pictures, 1972)

Klute (dir. Alan J. Pakula, Warner Bros., 1971)

La Chinoise (dir. Jean-Luc Godard, Pennebaker Films, 1967)

La última película (dir. Raya Martin, Mark Peranson, M’Aidez Films, 2014)

Last American Hero, The (dir. Lamont Johnson, Twentieth Century Fox, 1973)

Last Movie, The (dir. Dennis Hopper, Universal Pictures, 1971)

Last Picture Show, The (dir. Peter Bogdanovich, Columbia Pictures, 1971)

Last Run, The (dir. Richard Fleischer, Metro-Goldwyn-Mayer, 1971)

Lawyer, The (dir. Sidney J. Furie, Paramount Pictures, 1970)

Le départ/The Departure (dir. Jerzy Skolimwoski, Pathé Contemporary Films, 1967)

Le mépris/Contempt (dir. Jean-Luc Godard, Embassy Pictures, 1963)

Le vent d’est/Wind from the East (Groupe Dziga Vertov, New Line Cinema, 1970)

Leather Boys, The (dir. Sidney J. Furie, Allied Artists Pictures, 1964)

Legend of Lylah Clare, The (dir. Robert Aldrich, Metro-Goldwyn-Mayer, 1968)

Lions Love (. . . and Lies) (dir. Agnès Varda, Max L. Raab Productions, 1969)

Little Big Man (dir. Arthur Penn, National General Pictures, 1970)

Little Fauss and Big Halsy (dir. Sidney J. Furie, Paramount Pictures, 1970)

Long Goodbye, The (dir. Robert Altman, United Artists, 1973)

Longest Yard, The (dir. Robert Aldrich, Paramount Pictures, 1974)

Looking Glass War, The (dir. Frank R. Pierson, Columbia Pictures, 1969)

Love Bug, The (dir. Robert Stevenson, Buena Vista Distribution, 1968)

Love Story (dir. Arthur Hiller, Paramount Pictures, 1970)

Loving (dir. Irvin Kershner, Columbia Pictures, 1970)

Lust for Gold (dir. S. Sylvan Simon, Columbia Pictures, 1949)

Magic Christian, The (dir. Joseph McGrath, Commonwealth United Entertainment, Inc., 1970)

Magnificent Ambersons, The (dir. Orson Welles, RKO Radio Pictures, 1942)

Magnum Force (dir. Ted Post, Warner Bros., 1973)

Magus, The (dir. Guy Green, Twentieth Century Fox, 1968)

Marooned (dir. John Sturges, Columbia Pictures, 1969)

M*A*S*H (dir. Robert Altman, Twentieth Century Fox, 1970)

McCabe & Mrs. Miller (dir. Robert Altman, Warner Bros., 1971)

McQ (dir. John Sturges, Warner Bros., 1974)

Mean Streets (dir. Martin Scorsese, Warner Bros., 1973)

Medicine Ball Caravan (dir. François Reichenbach, Warner Bros., 1971)

Medium Cool (dir. Haskell Wexler, Paramount Pictures, 1969)

Mickey One (dir. Arthur Penn, Columbia Pictures, 1965)

Midnight Cowboy (dir. John Schlesinger, United Artists, 1969)

Minnie and Moskowitz (dir. John Cassavetes, Universal Pictures, 1971)

Model Shop (dir. Jacques Demy, Columbia Pictures, 1969)

Monte Hellman: American Auteur (dir. George Hickenlooper, Umbrella Entertainment, 1997)

More American Graffiti (dir. Bill L. Norton, Universal Pictures, 1979)

Move (dir. Stuart Rosenberg, Twentieth Century Fox, 1970)

Myra Breckinridge (dir. Michael Sarne, Twentieth Century Fox, 1970)

Naked City, The (dir. Jules Dassin, Universal Studios, 1948)

Naked Runner, The (dir. Sidney J. Furie, Warner Bros., 1967)

Nashville (dir. Robert Altman, Paramount Pictures, 1975)

New Centurions, The (dir. Richard Fleischer, Columbia Pictures, 1972)

New York, New York (dir. Martin Scorsese, United Artists, 1977)

Night Moves (dir. Arthur Penn, Warner Bros., 1975)

Night They Raided Minsky’s, The (dir. William Friedkin, United Artists, 1968)

Nobi/Fires on the Plain (dir. Kon Ichikawa, 1959)

O.C. and Stiggs (dir. Robert Altman, Metro-Goldwyn-Mayer, 1987)

One Flew Over the Cuckoo’s Nest (dir. Milos Forman, United Artists, 1975)

1 P.M. (dir. Jean-Luc Godard, Richard Leacock, D.A. Pennebaker, New Yorker Films, 1972)

Osterman Weekend, The (dir. Sam Peckinpah, Twentieth Century Fox, 1983)

Out of the Blue (dir. Dennis Hopper, Discovery Films, 1980)

Outlaw Josey Wales, The (dir. Clint Eastwood, Warner Bros., 1976)

Paint Your Wagon (dir. Joshua Logan, Paramount Pictures, 1969)

Parallax View, The (dir. Alan J. Pakula, Paramount Pictures, 1974)

Paris, Texas (dir. Wim Wenders, Twentieth Century Fox, 1984)

Pat Garrett and Billy the Kid (dir. Sam Peckinpah, Metro-Goldwyn-Mayer, 1973).

Patton (dir. Franklin J. Schaffner, Twentieth Century Fox, 1970)

Per qualche dollaro in più/For a Few Dollars More, (dir. Sergio Leone, United Artists, 1965)

Per uno pugno di dollari/A Fistful of Dollars (dir. Sergio Leone, United Artists, 1964)

Petulia (dir. Richard Lester, Warner Bros.-Seven Arts, 1968)

Pierrot le fou (dir. Jean-Luc Godard, Pathé Contemporary Films, 1965)

Planet of the Apes (dir. Franklin J. Schaffner, Twentieth Century Fox, 1968)

Play Misty for Me (dir. Clint Eastwood, Universal Pictures, 1971)

Point Blank (dir. John Boorman, Metro-Goldwyn-Mayer, 1967)

Prime Cut (dir. Michael Ritchie, National General Pictures, 1974)

Putney Swope (dir. Robert Downey, Cinema V, 1969)

Puzzle of a Downfall Child (dir. Jerry Schatzberg, Universal Pictures, 1970)

Race with the Devil (dir. Jack Starrett, 20th Century Fox, 1975)

Raging Bull (dir. Martin Scorsese, United Artists, 1980)

Rain People, The (dir. Francis Ford Coppola, Warner Bros.-Seven Arts, 1969)

Rebel Without a Cause (dir. Nicholas Ray, Warner Bros., 1955)

Red Desert (dir. Michelangelo Antonioni, Rizzoli, 1964)

Red River (dir. Howard Hawks, United Artists, 1948)

Return of the Jedi (dir. Richard Marquand, Twentieth Century Fox, 1983)

Ride in the Whirlwind (dir. Monte Hellman, Walter Reade Organization, 1965)

Riot (dir. Buzz Kulik, Paramount Pictures, 1969)

Romancing the Stone (dir. Robert Zemeckis, Twentieth Century Fox, 1984)

Rosemary’s Baby (dir. Roman Polanski, Paramount Pictures, 1968)

R.P.M. (dir. Stanley Kramer, Columbia Pictures, 1970)

Run Wild, Run Free (dir. Richard C. Sarafian, Columbia Pictures, 1969)

Scalphunters, The (dir. Sydney Pollack, United Artists, 1968)

Scarecrow (dir. Jerry Schatzberg, Warner Bros., 1973)

Second-Hand Hearts (dir. Hal Ashby, Paramount Pictures, 1981)

Semi-Tough (dir. Michael Ritchie, United Artists, 1977)

Serpico (dir. Sidney Lumet, Paramount Pictures, 1973)

Seven-Ups, The (dir. Philip D’Antoni, Twentieth Century-Fox, 1973)

Shaft (dir. Gordon Parks, Metro-Goldwyn-Mayer, 1971)

Shaking the Cage (dir. Charles Kiselyak, Columbia TriStar Home Entertainment, 1999)

Shooting, The (dir. Monte Hellman, Walter Reade Organization, 1966)

Singin’ in the Rain (dir. Gene Kelly, Stanley Donen, Metro-Goldwyn-Mayer, 1952)

Skammen/Shame (dir. Ingmar Bergman, Lopert Pictures Corporation, 1968)

Skin Game (dir. Paul Bogart, Gordon Douglas, Warner Bros., 1971)

Slither (dir. Howard Zieff, Metro-Goldwyn-Mayer, 1973)

Smokey and the Bandit (dir. Hal Needham, Universal Pictures, 1977)

Snake Woman, The (dir. Sidney J. Furie, United Artists, 1961)

Soldier Blue (dir. Ralph Nelson, AVCO Embassy Pictures, 1970)

Sons of Katie Elder, The (dir. Henry Hathaway, Paramount Pictures, 1965)

Speed (dir. Jan de Bont, Twentieth Century Fox, 1994)

Star! (dir. Robert Wise, Twentieth Century Fox, 1968)

Star Wars (dir. George Lucas, Twentieth Century Fox, 1977)

Stay Hungry (dir. Bob Rafelson, United Artists, 1976)

Sting, The (dir. George Roy Hill, Universal Pictures, 1973)

Strawberry Statement, The (dir. Stuart Hagman, Metro-Goldwyn-Mayer, 1970)

Sugarland Express, The (dir. Steven Spielberg, Universal Pictures, 1974)

Summer of ’42 (dir. Robert Mulligan, Warner Bros., 1971)

Sunrise: A Song of Two Humans (dir. F. W. Murnau, Fox Film Corporation, 1927)

Super Fly (dir. Gordon Parks Jr., Warner Bros., 1972)

Supergirl (dir. Jeannot Szwarc, TriStar Pictures, 1984)

Superman II (dir. Richard Lester, Richard Donner [uncredited], Warner Bros., 1980)

Superman III (dir. Richard Lester, Warner Bros., 1983)

Sweet Sweetback’s Baadasssss Song (dir. Melvin Van Peebles, Cinemation Industries, 1971)

Taking Off (dir. Milos Forman, Universal Pictures, 1971)

Targets (dir. Peter Bogdanovich, Paramount Pictures, 1968)

Taxi Driver (dir. Martin Scorsese, Columbia Pictures, 1976)

Tell Them Willie Boy Is Here (dir. Abraham Polonsky, Universal Pictures, 1969)

Texas Chainsaw Massacre 2, The (dir. Tobe Hooper, Cannon Films Inc., 1986)

They Shoot Horses, Don’t They? (dir. Sydney Pollack, Cinerama Releasing Corporation, 1969)

Thomas Crown Affair, The (dir. Norman Jewison, United Artists, 1968)

Three on a Spree (dir. Sidney J. Furie, United Artists, 1961)

3 Women (dir. Robert Altman, 20th Century Fox, 1977)

Tora! Tora! Tora (dir. Richard Fleischer, Toshio Masuda, Kinji Fukasaku, Twentieth Century Fox, 1970)

Tout va bien (dir. Jean-Luc Godard, Jean-Pierre Gorin, New Yorker Films, 1972)

Transformers (dir. Michael Bay, DreamWorks/Paramount, 2007)

Transformers: Age of Extinction (dir. Michael Bay, Paramount Pictures, 2014)

Transformers: Dark of the Moon (dir. Michael Bay, Paramount Pictures, 2011)

Transformers: Revenge of the Fallen (dir. Michael Bay, DreamWorks/Paramount, 2009)

Transformers: The Movie (dir. Nelson Shin, De Laurentis Entertainment Group, 1986)

Treasure of the Sierra Madre, The (dir. John Huston, Warner Bros., 1948)

Trip, The (dir. Roger Corman, American International Pictures, 1967)

Two-Lane Blacktop (dir. Monte Hellman, Universal Pictures, 1971)

Two Mules for Sister Sara (dir. Don Siegel, Universal Pictures, 1970)

2 ou 3 choses que je sais d’elle/2 or 3 Things I Know About Her (dir. Jean-Luc Godard, New Yorker Films, 1967)

2001: A Space Odyssey (dir. Stanley Kubrick, Metro-Goldwyn-Mayer, 1968)

Ulzana’s Raid (dir. Robert Aldrich, Universal Pictures, 1972)

Unforgiven (dir. Clint Eastwood, Warner Bros., 1992)

Vanishing Point (dir. Richard C. Sarafian, Twentieth Century Fox, 1971)

Voyage to the Planet of Prehistoric Women (dir. Peter Bogdanovich [as Derek Thomas], American-International Television, 1968)

Wall Street (dir. Oliver Stone, Twentieth Century Fox, 1987)

Wanda (dir. Barbara Loden, Bardene International, 1970)

Week End (dir. Jean-Luc Godard, Grove Press, 1967)

Welcome to Hard Times (dir. Burt Kennedy, Metro-Goldwyn-Mayer, 1967)

Where Eagles Dare (dir. Brian G. Hutton, Metro-Goldwyn-Mayer, 1968)

White Lightning (dir. Joseph Sargent, United Artists, 1973)

Who’s That Knocking at My Door/I Call First (dir. Martin Scorsese, Joseph Brenner Associates, 1967)

Wild Angels, The (dir. Roger Corman, American International Pictures, 1966)

Wild Bunch, The (dir. Sam Peckinpah, Warner Bros.-Seven Arts, 1969)

Wild One, The (dir. László Benedek, Columbia Pictures, 1953)

You Can Never Go Fast Enough—Two-Lane Blacktop Revisited ([dir.] Gabriel Cowan, Brett Mann, John Suits, and Monte Hellman, Umbrella Entertainment, 2007)

Young Ones, The (dir. Sidney J. Furie, Paramount Pictures, 1961)

Your Three Minutes Are Up (dir. Douglas Schwartz, Cinerama, 1973)

You’re a Big Boy Now (dir. Francis Ford Coppola, Warner Bros.-Seven Arts, 1966)

Z (dir. Costa-Gavras, Cinema V, 1969)

Zabriskie Point (Michelangelo Antonioni, Metro-Goldwyn-Mayer, 1970)

Audio Commentaries

Hellman, Monte, and Gary Kurtz. Audio commentary, Two-Lane Blacktop DVD. Distributed by Umbrella Entertainment, 2007.

Hopper, Dennis. Audio commentary, Easy Rider DVD. Distributed by Columbia TriStar Home Video Australia, 2000.

Rafelson, Toby. Audio commentary, Five Easy Pieces DVD. The Criterion Collection, New York, 2010.

Sarafian, Richard C. Audio commentary, Vanishing Point DVD. Twentieth Century Fox Home Entertainment, 2003.

Schickel, Richard. Audio commentary, Dirty Harry DVD. Distributed by Warner Home Video, 2008.

Albums

Cash, Johnny. Little Fauss and Big Halsy soundtrack. Columbia Records, 1971.

Delaney & Bonnie and Friends. Motel Shot. Atco, 1971.

Dylan, Bob. Blonde on Blonde. Columbia Records, 1966.

Dylan, Bob. Bringing It All Back Home. Columbia Records, 1965.

Dylan, Bob. The Freewheelin’ Bob Dylan. Columbia Records, 1963.

Dylan, Bob. Nashville Skyline. Columbia Records, 1969.

Langhorne, Bruce. The Hired Hand soundtrack. Scissor Tail, 2012.

Primal Scream. Vanishing Point. Creation Records, Reprise/Warner Bros. Records, 1997.

Simon and Garfunkel. The Graduate soundtrack. Columbia Masterworks, 1968.

Taylor, James. Sweet Baby James. Warner Bros., 1970.

Various Artists. Dennis Hopper in “The American Dreamer”. Mediarts, 1971.

Various Artists. Easy Rider soundtrack. Dunhill, Reprise, 1969.

Various Artists. Vanishing Point soundtrack. A&M, Amos Records, 1971.

Young, Neil. Journey Through the Past soundtrack. Reprise, 1972.