ACKNOWLEDGEMENTS

As a work of fiction based on a true story, Tell Anna She’s Safe relied on conversations and interviews with innumerable people—family and friends of Louise Ellis, police involved in her search, and officials at the prisons where Brett Morgan served time. My appreciation goes first and foremost to Louise’s family, and especially to her sister, Mary Ellis, for giving me her blessing to tell this painful story, for understanding my intention to tell it from a sympathetic, not sensationalist, perspective, and for allowing me access to Louise’s two journals that were used as evidence in court.

My research really began the night after Louise was reported missing, when I enlisted the assistance of a deep-trance psychic to help me try to find her. My thanks go to Don Daughtry and the late Jean Daughtry of Myndstream for their assistance in getting answers to my many questions.

I am deeply indebted to Asante Penny for being with me on this journey from that first traumatic night, through all my struggles to understand Louise’s interior journey, to rejoicing with me in the acceptance of the novel for publication.

Norm Barton set aside his understandable concern that I not have anything to do with Brett Morgan to help with part of my search and was a rock of support at Louise’s memorial service. John Maisonneuve spent hours with me recounting his relationship with Louise and filling in many gaps in my knowledge of her. I know I raised some painful memories but hope that all the time we spent talking was in some way also cathartic. Miriam Russell generously answered all my questions about her close friend. I also appreciate the conversations I had with many of Louise’s other friends and colleagues who shared their memories with me before I spoke at the memorial service. My thanks go to Peter Gallinger, Iain Baines, Heather Quipp, Brenda Wagman, Ron Pouliotte, Audrey Kaplan, and Tracy Westdale, and my apologies to anyone I’ve forgotten.

The trial was another avenue of research. I’m grateful to Ottawa Assistant Crown Attorneys Malcolm (Mac) Lindsay and Louise Dupont and defence lawyer Patrick McCann for granting me permission to sit in on the rest of the trial after I gave my own evidence: I filled seven notebooks with material. I’m also grateful for the support and information on police procedure I received from Staff/Sergeant Bob Pulfer (now retired) and Detective Sergeant John Savage (now deceased) of the then Ottawa-Carleton Regional Police Service.

As part of my research, I visited the prisons where Louise had visited Brett Morgan. My thanks go to all those at Correctional Services Canada who assisted me: Chris Stafford for providing me with contacts at both Warkworth and Pittsburgh institutions; John Odie, who allowed me to persuade him to give me permission to visit Warkworth; and Dave Phair at Warkworth and Donna Shetler and Mike King at Pittsburgh, who showed me around the respective visiting facilities and answered all my questions on visiting protocols. Any errors in police procedure or prison protocol are entirely my own.

I could not have completed this work without the support of my own family and friends. To my Mom and my late father, my gratitude for giving me the opportunities, especially a love of books and a literary education, that set me on the path. To my sisters, Nancy Beverly, Kathryn Missen, and Lynne Jolly, for never doubting my writing aspirations, and especially Lynne, for reading the first, long draft and showing me how to cut half of it out, and for buoying me up when the long process of submitting a manuscript for publication got me down. Special thanks go to my niece Meaghan Beverly for her eagle eyes on the galleys and all the “good catches.”

And then there were my readers: Darrell Neufeld read every chapter (at least twice) with gratifying enthusiasm and egged me on; Akka Janssen, David Black, and Vince Chetcuti gave me invaluable comments, edits and critiques; and Sandy Thomson helped me rework the climax and injected me with renewed enthusiasm and optimism when she declared that the most recent draft be “recommended for immediate publication.”

Jim MacTavish provided me with medical and forensic information. Susan Towndrow kindly identified and spelled out the names of the Hungarian dishes mentioned in Chapter 18. And merci to Linda Landry for correcting all my French. If there are still errors, she’s not to blame.

Excerpts from the Drowning Accident Rescue Team (DART) website (www.dartsac.org) are used with permission, including the change of pronoun from the masculine to the feminine.

It may seem odd to acknowledge a provincial park, but given the difficult subject matter I was tackling, I have a great appreciation for the serene lakes and warm Canadian Shield rocks of Algonquin Park, where on my canoe trips I found exactly the environment I needed—beautiful but also isolating!—to pull much of the first draft out of me.

My heartfelt thanks go to my fellow book club members, who graciously agreed to read the manuscript as a book club choice and offered valuable feedback; and most especially to member Luciana Ricciutelli, who happens to be Editor-in-Chief at Inanna Publications: she came to the meeting with something I was not expecting but will always be grateful for—an offer to publish. Lu’s sensitive and incisive editing has given the book a polish that even a writer who is also an editor could not achieve. Thank you, Lu, for believing in the novel and in me and for conspiring with the other two Lu’s—Louise Ellis and Lucy Stockman—to bring it to the world.

Finally, I want to acknowledge and thank Louise herself. In life, she challenged me; in death, she came in dreams to encourage me and, I swear, charged me with the telling of her story. Louise, I’m sure it took far longer than you were expecting, but I hope I got it right.