Page numbers refer to the print edition but are hyperlinked to the appropriate location in the e-book.
Agamben, Giorgio, 55, 93, 166–67, 175, 252n6, 256n3, 260n9, 267n27, 274n17, 274n18
Balda, Kyle, The Lorax, 95
Beckett, Samuel, End Game, 212
Capra, Frank, It’s a Wonderful Life, 81–82
Chaplin, Charlie, Modern Times, 161, 272n6
Clair, René, À Nous la liberté, 272n6
Communism, 76, 83, 119; abundance, 200, 204–5; critique, 47, 167, 252n2; revolution, 9, 70–71, 173–74; society, 154–56
Coppola, Sofia, Lost in Translation, 231–35
Cronenberg, David, Crash, 44; A Dangerous Method, 245–46n8
Crowe, Cameron, Jerry Maguire, 278n25
d’Argenteuil, Héloïse, 189
Duchamp, Marcel, Fountain, 167–68
Emmerich, Roland, 2012, 139
Ephron, Nora, You’ve Got Mail, 278n26
Fairbairn, W. R. D., 27–29
Fitzgerald, F. Scott, The Great Gatsby, 126–27
Fourier, Charles, 13, 205
Freedom, 4, 47–50, 60, 65, 186, 249n14, 251n28, 274n21; choice, 266n19; economic, 44, 251n31, 265n14, 265n15; and God, 114–35, 267n30; liberal, 265n3, 265n10, 265n14, 265n15; moral law, 264n7, 265n7, 265n8
Free speech movement, 170
Freud, Sigmund, 240, 254n20, 257n10; Beyond the Pleasure Principle, 16, 28, 32, 49–50, 243; Civilization and Its Discontents, 1, 61–62; critique of capitalism, 5–11, 14, 245n4; and Jung, 245–246n8; loss, 15–18, 27–30, 32, 41, 205–6; sacrifice, 91, 259n5; self-interest, 73–74, 256n4; sublimation, 246n13; trauma, 201, 281n14
General Equilibrium Theory, 96, 107
Gillespie, Craig, Lars and the Real Girl, 276–77n13
Guillermin, John, The Towering Inferno, 139
Hawthorne, Nathaniel, The Blithedale Romance, 282n22; The Scarlet Letter, 282n22
Hegel, G. W. F., 247n3, 248n10, 267n30, 271n27; critique of capitalism, 284n6, 285n20, 286n26; critique of Kant, 228–31, 235, 237, 248n7; cunning of reason, 131, 266n24; individual, 169, 274n21; infinite, 136–37, 140, 145, 150–51, 153–56, 268n3, 268n4; mediation, 247n4, 252–63n8; revolution, 174, 267n2; sacrifice, 91, 109; substance, 250–51n24, 263–64n1, 264n4
Highsmith, Patricia, The Cry of the Owl, 277n15
Ideology, 22, 110, 209, 254n18, 281n15; freedom, 119; love, 179, 191–92, 194–95, 277–78n21, 278n23; nature, 77, 81, 138, 201; promise, 11; surveillance, 67–68; utility, 107, 112; vitalism, 109
Kant, Immanuel, 62, 136, 240, 264n6, 266n23, 272n3, 284n6; freedom, 117–19, 130, 264n7, 264n8; sublime, 219–30, 228–31, 235, 237, 284n11, 285n19; thing in itself, 248n7
Lacan, Jacques, 62, 248–249n11, 249n13; desire, 247–48n6, 267n28; fantasy, 43–44; gaze, 78, 257n13; love, 180–81, 186–87, 277n18, 278n22; objet a, 26, 255n21, 255n23; Other, 35, 134; satisfaction, 31; sublimation, 283n1
Luccheli, Juan Pablo, 183
Malthus, Thomas Robert, 268n11
Márquez, Gabriel García, One Hundred Years of Solitude (Cienaños de soledad), 172–73
Marshall, Garry, Pretty Woman, 193–95
Marx, Karl, 12, 167, 232, 250n22, 260n11, 268n11, 272n37; accumulation, 240–44; commodity, 216–20, 225, 283–84n4, 284n5; consumption, 36, 108; crisis, 86, 72; freedom, 120; and Freud, 15–16, 18, 133, 245n4; and Hegel, 136, 283n2, 284n6; injustice, 4–7; nature, 76–77; privacy, 252–53n8, 254n14; production, 36–38, 250n19, 265n13; revolution, 9–11, 13, 153–56, 175, 210, 238, 256n4, 280n9, 281n20; surplus value, 4–5, 8, 37, 74, 95–96, 222
Merleau-Ponty, Maurice, 272n5
Michell, Roger, Notting Hill, 194–95
Mitchell, Artie and Jim, Behind the Green Door, 171
Munchausen, Baron von, 203
National Security Agency, 68
Object relations psychoanalysis, 27–28
O’Connor, Gavin, Miracle, 278n27
Peckinpah, Sam, The Getaway, 171
Promise, 11–16, 33, 38, 48, 199, 223–25, 231, 235–38, 244, 246n15
Renaud, Chris, The Lorax, 95
Revolution, 9, 12–16, 40, 50, 70–71, 77, 153–56, 172, 214, 229–30, 235
Robson, Mark, Earthquake, 139
Rousseau, Jean-Jacques, 51, 54, 69
Russian Revolution, 70–71
Schelling, F. W. J., 248n7
Scott, Ridley, Prometheus, 271n30
Second Law of Thermodynamics, 93, 138
September 11, 2001, 44, 236
Shakespeare, William, Romeo and Juliet, 190
Singer, Bryan, The Usual Suspects, 70, 89
Das Adam Smith Problem, 128–33, 135; labor theory of value, 95, 222; morality, 204, 252–53n8, 266n23; progress, 144–45, 269–70n19; self-interest, 55–56, 75–76, 257n10, 266n24, 267n27
Socialism, 8–9, 158, 231; abundance, 200, 204–5, 211; critique, 47, 252n2; Hegel, 136, 155
Stone, Oliver, Wall Street, 269n14
Truffaut, François: The Bride Wore Black (La mariéeétait en noir), 255n25; Fahrenheit 451, 255n25; The 400 Blows (Les quatre cents coups), 65–66, 255n25; Mississippi Mermaid (La sirène du Mississippi), 255n25; Shoot the Piano Player (Tirez sur le pianiste), 255n25
Weir, Peter, The Truman Show, 87
Wittgenstein, Ludwig, 52–53
Woolf, Virginia, To the Lighthouse, 212