Drawing is the process of recording what we see. The subject can be drawn by studying a live model or from photographs and study sketches used as reference material. I (Mark) find drawing from a live model fluid and essential, whereas working from photos is more technical and precise.
For the artist there is perhaps no better drawing experience than firsthand figure observation using a live model.
If a live model isn’t available, the next best thing is to work from photos and sketches. Close-up and angled images can aid in the study of the subject.
Working from photos and sketches allows studying and drawing the subject without being limited to the model’s personal time frame.
Sketching and drawing a live model can be done using an easel or an art horse (donkey bench) to support the paper and drawing surface, or by sitting and holding the paper and drawing surface. A French easel with a drawing board attached is especially useful because it is portable and has a drawer for storing and carrying supplies.
Supplies can include sketch or drawing paper, drawing board, pencils, erasers, pencil sharpener and bulldog clips.
The model’s pose should be easy for the model to keep so she doesn’t get tired and achy after an extended period of time. A stick or staff can be used for the model to support her arms.
It works well to set up your drawing surface so the subject appears next to the paper rather than above or behind. You will more easily compose your drawing when looking back and forth, from drawing to subject.
Supplies when working from photos and sketches include sketch or drawing paper, drawing board, pencils, erasers and a pencil sharpener. You can sit at a table or stand at an easel.
All you really need to sketch while out and about is a sketch pad and pencil for quick, observational sketches.