BIBLIOGRAPHY
This list includes works cited and further reading provided by the contributors. Many of them contain extensive bibliographies of their own.
Primary works
The Anglo-African Magazine, Volume 1 – 1859. Facsimile. Introd. William Loren Katz. New York: Arno Press and the New York Times, 1968.
Albert, Richard N., ed. From Blues to Bop: A Collection of Jazz Fiction. Baton Rouge: Louisiana State University Press, 1990.
Andrews, Raymond. Appalachee Red. New York: Dial, 1978; Athens: University of Georgia Press, 1987.
Andrews, Raymond. Baby Sweet’s. 1983; Athens: University of Georgia Press, 1998.
Andrews, Raymond. Rosiebelle Lee Wildcat Tennessee. 1980; Athens: University of Georgia Press, 1988.
Angelou, Maya. I Know Why the Caged Bird Sings. New York: Bantam Books, 1970.
Anon. Narrative of the Uncommon Sufferings, and Surprizing Deliverance of Briton Hammon. Boston: Printed and sold by Green & Russell, 1760.
Anon. “Patrick Brown’s First Love.” New York’s Anglo-African Magazine, September, 1859.
Attaway, William. Blood on the Forge, A Novel. Garden City: Doubleday, Doran, 1941.
Baldwin, James. Another Country. 1962; New York: Vintage Books, 1990.
Baldwin, James. Giovanni’s Room. New York: Dell Publishing, 1956.
Baldwin, James. Go Tell It on the Mountain. New York: Dell Publishing, 1952; New York: Laurel Publishing, 1981.
Baldwin, James. If Beale Street Could Talk. New York: New American Library, 1974.
Baldwin, James. Just Above My Head. 1979; New York: Dell Publishing, 2000.
Baldwin, James. Nobody Knows My Name. 1955; rpt. New York: Dial Press, 1961.
Baldwin, James. Notes of a Native Son. Boston: Beacon Press, 1955.
Baldwin, James. Tell Me How Long the Train’s Been Gone. New York: Dell Publishing, 1968.
Baldwin, James. “Everybody’s Protest Novel.” Notes of a Native Son. Boston: Beacon Press, 1968.
Bambara, Toni Cade. The Salt Eaters. 1980; New York: Vintage Books, 1992.
Barnes, Steve. Lion’s Blood. New York: Aspect/Warner Books, 2002.
Baudrillard, Jean. Simulations. Trans. Paul Foss, Paul Patton, and Philip Beitchman. New York: Semiotext(e), 1983.
Beatty, Paul. The White Boy Shuffle. New York: Random House, 1996; London: Vintage, 2000.
Beck, Robert. The Naked Soul of Iceberg Slim. Los Angeles: Holloway House, 1967.
Beck, Robert. Trick Baby. Los Angeles: Holloway House Pub. Co. (distributed by All American Distributors Corp.), 1967.
Behn, Aphra. Oroonoko, or, the History of the Royal Slave. A True History. London: William Canning, 1688. Rpt. in Aphra Behn; Oroonoko, Rover, and Other Works. Ed. Janet Todd. London: Penguin, 1992.
Bell, Derrick. Faces at the Bottom of the Well. New York: Basic Books, 1992.
Bellamy, E. Equality. 1897; New York: AMS Press, 1970.
Bellamy, E. Looking Backward, 2000–1887. 1888; New York: Penguin, 1982.
Blackson, L. D. The Rise and Progress of the Kingdoms of Light and Darkness; or, The Reigns of Kings Alpha and Abandon. 1867; Upper Saddle River, NJ: The Gregg Press, 1968.
Bontemps, Arna. Black Thunder. New York: Macmillan, 1936.
Bontemps, Arna. God Sends Sunday. New York: Harcourt Brace, 1931.
Bradley, David. The Chaneysville Incident. 1981; New York: Harper & Row, 1990.
Brooks, Gwendolyn. Annie Allen. 1949; Westport: Greenwood Press, 1971.
Brooks, Gwendolyn. Maud Martha. New York: Harper, 1953.
Brown, Linda Beatrice. Crossing over Jordan. 1995; New York: Ballantine, 1996.
Brown, Frank London. Trumbull Park, A Novel. Chicago: Regnery, 1959.
Brown, Lloyd. Iron City. New York: Masses & Mainstream, 1951.
Brown, Wesley. Darktown Strutters. New York: Cane Hill Press, 1994.
Brown, William Wells. Clotel: Or, the President’s Daughter, a Narrative of Slave Life in the United States. London: Partridge & Oakey, 1853.
Brown, William Wells. Clotelle: A Tale of the Southern States. Boston: J. Redpath, 1864.
Brown, William Wells. Clotelle; or the Colored Heroine: A Tale of the Southern States. Boston: Lee & Shepard, 1867.
Brown, William Wells. Miralda, or, The Beautiful Quadroon in the New York Weekly Anglo African. Dec. 8, 1860 to Mar. 15, 1861. The first two installments have been lost
Brown, William Wells. Narrative of William W. Brown A Fugitive Slave Written by Himself. Boston: Published by the Anti-Slavery Office, 1847.
Bruce, J. E. The Black Sleuth. Boston: Northeastern University Press, 2002.
Butler, Octavia. Kindred. Garden City: Doubleday, 1979.
Butler, Octavia. Parable of the Sower. 1993; New York: Warner Books, 2000.
Butler, Octavia. Parable of the Talents. New York: Seven Stories Press, 1998.
Butler, Octavia. Wildseed. New York: Warner Books, 2001.
Carroll, Rebecca. Sugar in the Raw. New York: Crown Trade Paperbacks, 1997.
Cartiér, Xam Wilson. Be-Bop, Re-Bop. New York: Available Press, 1987.
Cartiér, Xam Wilson. Muse-Echo Blues. New York: Harmony Books, 1991.
Chase-Riboud, Barbara. Sally Hemings. New York: Viking Press, 1979.
Chesnutt, C. W. “To Be an Author”: Letters of Charles W. Chesnutt, 1889–1905. Ed. J. R. McElrath Jr. and R. C. Leitz III. Princeton: Princeton University Press, 1997.
Chesnutt, C. W. The Colonel’s Dream. 1905; Upper Saddle River, NJ: The Gregg Press, 1968.
Chesnutt, C. W. The Conjure Woman. 1899; Ridgewood, NJ: Gregg, 1968.
Chesnutt, C. W. The House Behind the Cedars. 1900; Athens: University of Georgia Press, 1988.
Chesnutt, C. W. The Journals of Charles W. Chesnutt. Ed. R. Brodhead. Durham: Duke University Press, 1993.
Chesnutt, C. W. Mandy Oxendine. Urbana: University of Illinois Press, 1997.
Chesnutt, C. W. The Marrow of Tradition. 1901; Ann Arbor: University of Michigan Press, 1969.
Child, Lydia Maria. Letters of Lydia Maria Child. With a Biographical Introduction by John G. Whittier and an Appendix by Wendell Phillips. Boston: Houghton, Mifflin and Company, 1883.
Child, Lydia Maria. “The Quadroons.” Fact and Fiction: A Collection of Short Stories. London: William Smith, 1847. 13–17.
Clarke, John Henrik. William Styron’s Nat Turner: Ten Black Critics Respond. Boston: Beacon Press, 1968.
Cliff, Michele. Abeng. Trumansburg, NY: The Crossing Press, 1984.
Cliff, Michele. Free Enterprise. New York: Dutton, 1993.
Colter, Cyrus. Night Studies. Chicago: Swallow Press, 1979.
Cooper, J. California. Family. Garden City: Doubleday, 1991.
Cooper, J. California. The Wake of the Wind. New York: Doubleday, 1998.
Crafts, Hannah. The Bondwoman’s Narrative. 1850s. Unpublished manuscript. Ed. Henry Louis Gates Jr. New York: Warner Books, 2002.
Cullen, Countee. Color. 1925; New York: Arno Press, 1969.
Danticat, Edwidge. Breath, Eyes, Memory. New York: Soho Press, 1994.
Dash, Julie. Daughters of the Dust [feature film]. 1992.
Delany, Martin R. Blake, or, the Huts of America. A Tale of the Mississippi Valley, The Southern United States, and Cuba. 1859–62. Introd. Floyd J. Miller. Boston: Beacon Press, 1970.
Delany, Samuel R. Dhalgren. 1974; Boston: Gregg Press, 1977.
Delany, Samuel R. The Jewels of Aptor. London: Gollancz, 1968.
Detter, T. Nellie Brown; or, The Jealous Wife. 1871; Lincoln: University of Nebraska Press, 1996.
Dick, Bruce and Amritjit Singh, ed. Conversations with Ishmael Reed. Jackson: University Press of Mississippi, 1995.
Dixon, Melvin. Trouble the Water. New York: Washington Square Press, 1989.
Doctorow, E. L. Ragtime. New York: Bantam Books, 1975.
Douglass, Frederick. The Claims of the Negro, Ethnologically Considered. Rochester: Press of Lee, Mann & Co., 1854.
Douglass, Frederick. Narrative of the Life of Frederick Douglass. An American Slave, Written by Himself. Boston: Published by the Anti-Slavery Office, 1845.
Douglass, Frederick. “The Heroic Slave.” Frederick Douglass’ Paper (March 4, 1853: 1; March 11, 1853: 1; March 18, 1853: 1; March 25, 1853: 1–2)
Douglass, Frederick. “The Heroic Slave.” Autographs For Freedom. Ed. Julia Griffiths. Boston: John P. Jewett and Company; London: Low and Company, 1853. pp. 174–239.
Dove, Rita. Thomas and Beulah. Pittsburgh: Carnegie-Mellon University Press, 1986.
Dreiser, Theodore. American Tragedy. New York: Heritage Press, 1954.
Du Bois, W. E. B. Dark Princess: A Romance. New York: Harcourt Brace, 1928.
Du Bois, W. E. B. The Quest of the Silver Fleece. 1911; Boston: Northeastern University Press, 1989.
Du Bois, W. E. B. Souls of Black Folk. 1903; New York: Fine Communications, 2003.
Due, Tananarive. The Between. New York: HarperCollins, 1995.
Due, Tananarive. The Living Blood. New York: Pocket Books, 2001.
Dunbar, P. L. The Fanatics. 1901; Miami: Mnemosyne Pub. Inc., 1969.
Dunbar, P. L. The Love of Landry. 1900; New York: Negro Universities Press, 1969.
Dunbar, P. L. The Sport of the Gods. 1902; New York: Dodd, Mead, 1981.
Dunbar, P. L. The Uncalled. 1898; New York: AMS Press, 1972.
Eliot, T. S. The Waste Land. London: Faber & Faber, 1961.
Ellison, Ralph. The Collected Essays of Ralph Ellison. Ed. John F. Callahan. New York: Modern Library, 1995.
Ellison, Ralph. Going to the Territory. New York: Vintage-Random, 1987.
Ellison, Ralph. Invisible Man. 1952; New York: Vintage Books, 1982.
Ellison, Ralph. Juneteenth. Ed. John F. Callahan. New York: Random House, 1999.
Ellison, Ralph. Shadow and Act. 1964; New York: Vintage Books, 1972.
Equiano, Olaudah. The Life of Olaudah Equiano, or Gustavus Vassa, the African. Ed. Joslyn T. Pine. New York: Dover, 1999.
Faulkner, William. The Sound and the Fury. New York: Random House, 1956.
Fauset, Jessie Redmon. The Chinaberry Tree: A Novel of American Life. 1931; College Park: McGrath Publishing Co., 1969.
Fauset, Jessie Redmon. Plum Bun: A Novel Without a Moral. New York: Frederick A. Stokes, 1929.
Fauset, Jessie Redmon. There is Confusion. New York: Boni & Liveright, 1924.
Fisher, Rudolph. The Conjure-Man Dies: A Mystery Tale of Dark Harlem. 1932; Ann Arbor: University of Michigan Press, 1992.
Fisher, Rudolph. The Walls of Jericho. New York: Alfred A. Knopf, 1928.
Fitzgerald, F. Scott. The Great Gatsby. 1953; New York: Scribner, 1961.
Fleming, S. L. B. Hope’s Highway. 1918; New York: G. K. Hall, 1995.
Forrest, Leon. The Bloodworth Orphans. New York: Random House, 1977; Chicago: Another Chicago Press, 1987.
Forrest, Leon. Divine Days. New York: Norton, 1992.
Forrest, Leon. Meteor in the Madhouse. Evanston: Northwestern University Press, 2001.
Forrest, Leon. There Is a Tree More Ancient Than Eden. 1973; Chicago: Another Chicago Press, 1988.
Forrest, Leon. Two Wings to Veil My Face. 1983; Chicago: Another Chicago Press, 1988.
Fowler, C. H. Historical Romance of the American Negro. 1902; New York: Johnson Reprint Corp., 1970.
Freeman, Gosden and Charles Corell, The Amos ‘n’ Andy Show. 1928; or CBS Situation Comedy. The Amos ‘n’ Andy Show. June 28, 1951–June 11, 1953.
Fulton, D. B. Hanover, or the Persecution of the Lowly. 1900; New York: Arno Press, 1969.
Gaines, Ernest. The Autobiography of Miss Jane Pittman. 1971; New York: Bantam, 1989.
Gates, Henry Louis Jr., ed. The Classic Slave Narratives. New York: New American Library, 1987.
Golden, Marita. A Woman’s Place. 1986; New York: Ballantine Books, 1988.
Gomez, Jewelle. The Gilda Stories. Ithaca: Firebrand Books, 1991.
Grant, J. W. Out of the Darkness: or, Diabolism and Destiny. 1909; Freeport, NY: Books for Libraries Press, 1972.
Gray, Thomas R. The Confessions of Nat Turner, The Leader of the Late Insurrection in Southhampton, VA. Baltimore, 1831.
Greenlee, Sam. The Spook Who Sat by the Door. New York: R. W. Baron, 1969.
Griffiths, Julia, ed. Autographs For Freedom. Boston: John P. Jewett and Company; London: Low and Company, 1853.
Griggs, S. E. The Hindered Hand; or, The Reign of the Repressionist. 1905; New York: AMS Press, 1969.
Griggs, S. E. Imperium in Imperio. 1899; New York: Arno Press, 1969.
Griggs, S. E. Overshadowed. 1901; New York: AMS Press, 1973.
Griggs, S. E. Pointing the Way. 1908; New York: AMS Press, 1974.
Griggs, S. E. Unfettered. 1902; New York: AMS Press, 1971.
Grimes, William. The Life of William Grimes: The Runaway Slave, Written by Himself. New York: n.p., 1825.
Haley, Alex. Roots. Garden City: Doubleday, 1976.
Harper, Frances Ellen Watkins. A Brighter Coming Day: A Frances Ellen Watkins Harper Reader. Ed. w/Introd. Frances Smith Foster. New York: The Feminist Press, 1990.
Harper, Frances Ellen Watkins. Iola Leroy; or, Shadows Uplifted. 1892; Boston: Beacon Press, 1897.
Harper, Frances Ellen Watkins. Minnie’s Sacrifice. 1869. In Minnie’s Sacrifice, Sowing and Reaping, Trial and Triumph: Three Rediscovered Novels by Frances E. W. Harper. Ed. Frances Smith Foster. Boston: Beacon Press, 1994.
Harper, Frances Ellen Watkins. Sowing and Reaping. 1876–1877. In Minnie’s Sacrifice, Sowing and Reaping, Trial and Triumph: Three Rediscovered Novels by Frances E. W. Harper. Ed. Frances Smith Foster. Boston: Beacon Press, 1994.
Harper, Frances Ellen Watkins. Trial and Triumph. 1888–1889. In Minnie’s Sacrifice, Sowing and Reaping, Trial and Triumph: Three Rediscovered Novels by Frances E. W. Harper. Ed. Frances Smith Foster. Boston: Beacon Press, 1994.
Harper, Frances Ellen Watkins. “The Two Offers.” New York Anglo-African Magazine September, 1859: 288–291; October, 1859: 311–313.
Harris, E. Lynn. Invisible Life. Atlanta: Consortium Press, 1991.
Henderson, David. De Mayor of Harlem: The Poetry of David Henderson. New York: E. P. Dutton, 1970.
Henderson, George Wylie. Ollie Miss. New York: Frederick A. Stokes, 1935.
Hildreth, Richard. The Slave; or, Memoirs of Archy Moore. 2 vols. Boston: John H. Eastburn, 1836.
Himes, Chester. Cast the First Stone. New York: Coward McCann, 1952.
Himes, Chester. If He Hollers Let Him Go. 1945; New York: Thunder’s Mouth Press, 1986.
Himes, Chester. Lonely Crusade. 1947; New York: Thunder’s Mouth Press, 1986.
Himes, Chester. The Third Generation. 1954; New York: Thunder’s Mouth Press, 1989.
Holmes, C. H. Ethiopia: The Land of Promise (A Book with a Purpose). 1917; New York: AMS Press, 1973.
Hopkins, P. E. Contending Forces: A Romance Illustrative of Negro Life North and South. 1900; New York: Oxford University Press, 1988.
Himes, Chester. Hagar’s Daughter: A Story of Southern Caste Prejudice. 1901–1902; The Magazine Novels of Pauline Hopkins. Ed. Hazel Carby. New York: Oxford University Press, 1988.
Himes, Chester. Of One Blood; or, The Hidden Self. 1902–1903; in The Magazine Novels of Pauline Hopkins. New York: Oxford University Press, 1988.
Himes, Chester. Winona: A Tale of Negro Life in the South and Southwest. 1902; in The Magazine Novels of Pauline Hopkins. New York: Oxford University Press, 1988.
Himes, Chester. “Reply to Cordelia A. Condict.” March 1903; in The Norton Anthology of African American Literature. Ed. H. L. Gates Jr. and N. Y. McKay. New York: W. W. Norton, 1997. 594–595.
Hopkinson, Nalo. Brown Girl in the Ring. New York: Warner Books, 1998.
Hopkinson, Nalo. Midnight Robber. New York: Warner Books, 2000.
Hopkinson, Nalo. Skin Folk. New York: Warner Books, 2001.
Howard, J. H. W. Bond and Free: A True Tale of Slave Times. 1886; College Park: McGrath Pub. Co., 1969.
Hughes, Langston. Not Without Laughter. 1930; New York: Scribner’s, Simon and Schuster, 1969.
Hughes, Langston. The Weary Blues. New York: A. A. Knopf, 1926.
Hughes, Langston. “The Negro Artist and the Racial Mountain.” In The Norton Anthology of African American Literature. Ed. Henry Louis Gates Jr. and Nellie Y. McKay. New York: W. W. Norton, 1997. Vol. 1, 267–1,271.
Hurston, Zora Neale. Jonah’s Gourd Vine. Philadelphia: J. B. Lippincott, 1934.
Hurston, Zora Neale. Seraph on the Suwanee. New York: Scribner’s, 1948.
Hurston, Zora Neale. Their Eyes Were Watching God. 1937; Urbana: University of Illinois Press, 1978.
Jackson-Opoku, Sandra. The River Where Blood is Born. New York: One World, 1997.
Jacobs, Harriet. Incidents in the Life of a Slave Girl: Written by Herself. Ed. Jean Fagan Yellin. 1861; Cambridge: Harvard University Press, 1987.
Johnson, A. E. Clarence and Corinne; or, God’s Way. 1890; New York: Oxford University Press, 1988.
Johnson, A. E. The Hazeley Family. 1894; New York: Oxford University Press, 1988.
Johnson, A. E. Light Ahead for the Negro. 1904; New York: Grafton, 1975.
Johnson, A. E. Martina Meriden; or, What Is My Motive? Philadelphia: American Baptist Publication Society, 1901.
Johnson, A. E. “Afro-American Literature.” The New York Age, 30 January 1892.
Johnson, Charles. Dreamer. New York: Scribner, 1998.
Johnson, Charles. Middle Passage. New York: Atheneum, 1990.
Johnson, Charles. Oxherding Tale. Bloomington: Indiana University Press, 1982.
Johnson, J. W. Along This Way: The Autobiography of James Weldon Johnson. 1933; New York: Viking, 1968.
Johnson, J. W. The Autobiography of an Ex-Coloured Man. 1912; New York: Hill & Wang, 1960.
Jones, Gayle. Corregidora. New York: Random House, 1975.
Jones, Gayle. Eva’s Man. New York: Random House, 1976.
Jones, Gayle. The Healing. Boston: Beacon Press, 1998.
Jones, Gayle. Mosquito. Boston: Beacon Press, 1999.
Jones, J. M. Hearts of Gold. 1896; College Park: McGrath Pub. Co., 1969.
Kelley, William Melvin. dem. Garden City: Doubleday, 1967.
Kelley, William Melvin. Dunfords Travels Everywheres. Garden City: Doubleday, 1970.
Kelley-Hawkins, E. D. Four Girls at Cottage City. 1895; New York: Oxford University Press, 1988.
Kelley-Hawkins, E. D. Megda. 1891; New York: Oxford University Press, 1988.
Kenan, Randall. A Visitation of Spirits. New York: Random House, 1989; New York: Vintage, 2000.
Killens, John O. And Then We Heard the Thunder. 1962; New York: Knopf, 1963.
Killens, John O. Youngblood. 1954: Athens: University of Georgia Press, 2000.
Kincaid, Jamaica. Annie John. New York: Farrar, Straus, Giroux, 1985.
Kincaid, Jamaica. Lucy. New York: Plume, 1990.
Komo, Dolores. Clio Brown. Freedom, CA: Crossing Press, 1988.
Komunyakaa, Yusef. Neon Vernacular. Hanover: University Press of New England, 1993.
Larsen, Nella. Passing. New York: Alfred A. Knopf, 1929.
Larsen, Nella. Quicksand. New York: Alfred A. Knopf, 1928.
Locke, Alain. ed. The New Negro: An Interpretation. NewYork: A. & C. Boni, 1925.
Lorde, Audre. Zami: A New Spelling of My Name. Trumansburg, NY: Crossing Press, 1982.
McElroy Ansa, Tina. Baby of the Family. New York: Harcourt Brace, 1989.
McHugh, Vincent. Caleb Catlum’s America. New York: Stacpole Sons, 1936.
McKay, Claude. Banjo: A Story Without a Plot. 1929; New York: Harvest/HBJ, 1957.
McKay, Claude. Harlem Shadows. New York: Harcourt, Brace and Company, 1922.
McKay, Claude. Home to Harlem. 1928; Boston: Northeastern University Press, 1987.
McMillan, Terry. How Stella Got Her Groove Back. New York: Viking, 1996.
McMillan, Terry. Waiting to Exhale. Boston: G.K. Hall, 1993.
McPherson, James Alan. Elbow Room. 1977; New York: Scribner, 1987.
Mackey, Nathaniel. Atet. A.D. San Francisco: City Lights Books, 2001.
Mackey, Nathaniel. Bedouin Hornbook. Lexington: University of Kentucky Press: Callaloo Fiction Series, 1986.
Mackey, Nathaniel. Djbot Baghostus’s Run. Los Angeles: Sun & Moon Press, 1993.
Major, Clarence. Dirty Bird Blues. San Francisco: Mercury House, 1996.
Mackey, Nathaniel. My Amputations. New York and Boulder: Fiction Collective, 1986.
Mackey, Nathaniel. Reflex and Bone Structure. New York: Fiction Collective, 1975.
Marshall, Paule. Brown Girl, Brownstones. 1959; New York: The Feminist Press, 1981.
Marshall, Paule. The Chosen Place, The Timeless People. 1969; New York: Vintage, 1992.
Marshall, Paule. Daughters. New York: Plume, 1992.
Marshall, Paule. The Fisher King. New York: Scribner Paperback Fiction, 2001.
Marshall, Paule. Praisesong for the Widow. New York: Plume, 1983.
Meriwether, Louise. Fragments of the Ark. New York: Pocket Books, 1994.
Moody, Anne. Coming of Age in Mississippi: An Autobiography. New York: Dell Publishing, 1968.
Morrison, Toni. Beloved. New York: Plume, 1987.
Morrison, Toni. The Bluest Eye. 1970; New York: Plume, 1994.
Morrison, Toni. Jazz. New York: Knopf, 1992.
Morrison, Toni. Paradise. New York: Alfred A. Knopf, 1998.
Morrison, Toni. Song of Solomon. New York: Knopf, 1977.
Morrison, Toni. Sula. New York: Bantam Books, 1973.
Morrison, Toni. Tar Baby. New York: Plume, 1981.
Mosley, Walter. Blue Light. Rockland, MA: Compass Press, 1998.
Mosley, Walter. Devil in a Blue Dress. New York: Norton, 1990.
Mosley, Walter. RL’s Dream. New York: W. W. Norton, 1995.
Murray, Albert. The Hero and the Blues. Columbia: University of Missouri Press, 1973.
Murray, Albert. The Omni-Americans. 1970; New York: Vintage Books, 1983.
Murray, Albert. The Seven League Boots. New York: Random House, 1995.
Murray, Albert. The Spyglass Tree. New York: Random House, Pantheon, 1991.
Murray, Albert. Train Whistle Guitar. New York: McGraw-Hill, 1974; Boston: Northeastern University Press, 1989.
Naylor, Gloria. The Women of Brewster Place. New York: Penguin, 1982.
Nunez, Elizabeth. Beyond the Limbo Silence. Seattle: Seal Press, 1998.
Palmer, Robert. Deep Blues. New York: Viking, 1981.
Parks, Gordon. The Learning Tree. New York: Fawcett, 1963.
Perry, Richard. Montgomery’s Children. New York: Harcourt Brace Jovanovich, 1984.
Petry, Ann. The Street. 1946; Boston: Beacon Press, 1985.
Phillips, J. J. Mojo Hand. 1966; Berkeley: City Miner Books, 1985.
Picayune Times, ed. The Picayune Creole Cook Book. 1901; New Orleans Applewood Publishers, 2003.
Pryor, G. L. Neither Bond Nor Free: A Plea. 1902; New York: AMS Press, 1975.
Reed, Ishmael. Flight to Canada. New York: Random House, 1976.
Reed, Ishmael. The Free-Lance Pallbearers: An Irreverent Novel. New York: Atheneum, 1989.
Reed, Ishmael. Japanese by Spring. New York: Atheneum, 1993.
Reed, Ishmael. The Last Days of Louisiana Red. New York: Atheneum, 1989.
Reed, Ishmael. Mumbo Jumbo. Garden City: Doubleday, 1972.
Reed, Ishmael. New and Collected Poems. New York: Atheneum, 1989.
Reed, Ishmael. Reckless Eyeballing. New York: Atheneum, 1988.
Reed, Ishmael. The Reed Reader. New York: Basic Books, 2000.
Reed, Ishmael. Shrovetide in Old New Orleans. New York: Atheneum, 1978.
Reed, Ishmael. The Terrible Threes. New York: Atheneum, 1990.
Reed, Ishmael. The Terrible Twos. New York: Atheneum, 1988.
Reed, Ishmael. Writin’ Is Fightin’: Thirty-Seven Years of Boxing on Paper. 1988; New York: Atheneum, 1990.
Reed, Ishmael. Yellow Back Radio Broke-Down. New York: Atheneum, 1988.
Reed, Ishmael. “The Neo-HooDoo Aesthetic.” New and Collected Poems. New York: Atheneum, 1989. Initially published as part of Ishmael Reed’s collection Conjure: Selected Poems, 1963–1970. Amherst: University of Massachusetts Press, 1972.
Reed, Ishmael, ed. 19 Necromancers from Now. New York: Doubleday, 1970.
Rogers, J. A. From Superman to Man. 1917; Freeport, NY: Books for Libraries Press, 1972.
Sanda (pseudonym of W. H. Stowers and W. H. Anderson). Appointed: An American Novel. Detroit: Detroit Law Printing Co., 1894; New York: AMS, 1977.
Sanders, Dori. Clover. New York: Fawcett Columbine, 1990.
Sapphire, Push. New York: Alfred A. Knopf, 1996.
Schuyler, George S. Black Empire. Boston: Northeastern University Press, 1991.
Schuyler, George S. Black No More: Being an Account of the Strange and Wonderful Workings of Science in the Land of the Free, A.D. 1933–1940. New York: Macauley, 1931.
Scott, Walter. Ivanhoe. 1819; London: Dent, 1970.
Shange, Ntozake. Betsey Brown. New York: Picador, 1985.
Steinbeck, John. The Grapes of Wrath. 1939; Ed. Peter Lisca. New York: Viking Press, 1972.
Stowe, Harriet Beecher. Uncle Tom’s Cabin: or, the History of a Christian Slave. London: Partridge & Oakey, 1852.
Styron, William. Confessions of Nat Turner. 1967; New York: Vantage International Editions, 1992.
Thurman, Wallace. The Blacker the Berry . . . New York: Macauley, 1929.
Thurman, Wallace. Fire!! Devoted to Younger Negro Artists. 1926; Westport: Negro Universities Press, 1970.
Thurman, Wallace. Infants in the Spring. New York: Macauley, 1932.
Tillman, K. D. C. Beryl Weston’s Ambition: The Story of an Afro-American Girl’s Life. 1893; in The Works of Katherine Davis Chapman Tillman. New York: Oxford University Press, 1991.
Tillman, K. D. C. Clancy Street. 1898–1899; in The Works of Katherine Davis Chapman Tillman. New York: Oxford University Press, 1991.
Toomer, Jean. Cane. New York: Boni & Liveright, 1923.
Van Vechten, Carl. Nigger Heaven. New York: Alfred A. Knopf, 1926.
Walker, Alice. Anything We Love Can Be Saved: A Writer’s Activism. New York: Random House, 1997.
Walker, Alice. By the Light of My Father’s Smile. New York: Random House, 1998.
Walker, Alice. The Color Purple. New York: Harcourt Brace & Company, 1982.
Walker, Alice. In Search of Our Mothers’ Gardens: Womanist Prose. New York: Harcourt Brace & Company, 1983.
Walker, Alice. Meridian. New York: Harcourt Brace Jovanovich, 1976.
Walker, Alice. Possessing the Secret of Joy. New York: Harcourt Brace Jovanovich, 1992.
Walker, Alice. The Same River Twice. New York: Scribner, 1996.
Walker, Alice. The Temple of My Familiar. New York: Harcourt Brace Jovanovich, 1989.
Walker, Alice. The Third Life of Grange Copeland. With Afterword. 1970; New York: Simon & Schuster/Pocket Books, 1988.
Walker, Alice. “Anything We Love Can Be Saved: The Resurrection of Zora Neale Hurston and Her Work.” Anything We Love Can Be Saved. New York: Random House, 1997. 45–50.
Walker, Alice. “Everyday Use.” Love and Trouble. New York: Harcourt Brace Jovanovich, 1973.
Walker, Margaret. For My People. New Haven: Yale University Press, 1942.
Walker, Margaret. How I Wrote Jubilee and Other Essays on Life and Literature. Ed. Maryemma Graham. New York: The Feminist Press, 1990.
Walker, Margaret. Jubilee. Boston: Houghton Mifflin, 1966.
Waring, R. L. As We See It. 1910; College Park: McGrath Pub. Co., 1969.
Washington, Booker T. Up From Slavery, An Autobiography. New York: Doubleday, 1951.
Webb, Frank J. The Garies and Their Friends. With an Introductory Preface by Harriet B. Stowe. London: Routledge, 1857.
West, Dorothy. The Living Is Easy. 1948; Old Westbury: The Feminist Press, 1982.
West, Nathanael. “The Dreame Life of Balso Snell.” Novels and Other Writings. New York: Library of America, 1997.
White, Walter. The Fire in the Flint. New York: Alfred A. Knopf, 1924.
Whitehead, Colson. John Henry Days. New York: Doubleday, 2001.
Wideman, John Edgar. A Glance Away. New York: Harcourt, Brace & World, 1967.
Wideman, John Edgar. All Stories Are True. New York: Vintage, 1992.
Wideman, John Edgar. The Cattle Killing. Boston: Houghton Mifflin, 1996.
Wideman, John Edgar. Damballah. New York: Avon, 1981.
Wideman, John Edgar. Fatheralong: A Meditation on Fathers and Sons, Race and Society. New York: Pantheon, 1994.
Wideman, John Edgar. Fever. New York: Holt, 1989.
Wideman, John Edgar. Hiding Place. New York: Avon, 1981.
Wideman, John Edgar. The Homewood Books: Damballah, Hiding Place, Sent for You Yesterday. Pittsburgh: University of Pittsburgh Press, 1992.
Wideman, John Edgar. Hurry Home. New York: Harcourt, Brace & World, 1969.
Wideman, John Edgar. The Lynchers. New York: Harcourt, Brace & Jovanovich, 1973.
Wideman, John Edgar. Philadelphia Fire. New York: Holt, 1990.
Wideman, John Edgar. Reuben. New York: Holt, 1987.
Wideman, John Edgar. Sent for You Yesterday. New York: Avon, 1983.
Wideman, John Edgar. Two Cities. Boston: Houghton Mifflin, 1998.
Williams, James. Narrative of James Williams, An American Slave. New York: American Anti-Slavery Society, 1838.
Williams, John A. Clifford’s Blues. Minneapolis: Coffee House Press, 1999.
Williams, John A. Sissie. New York: Farrar Strauss and Cudahy, 1963.
Williams, Sherley Anne. Dessa Rose. New York: William Morrow, 1986.
Wilson, Harriet E. Our Nig or, Sketches from the Life of a Free Black, In a Two-Story White House, North. Showing that Slavery’s Shadows Fall Even There. By “Our Nig.” 1859. Ed. R. J. Ellis. Nottingham: Trent, 1998.
Wright, Charles. The Wig, A Mirror Image. New York: Farrar, Straus, and Giroux, 1966.
Wright, Richard. Black Boy. 1945; New York: Harper and Row, 1966.
Wright, Richard. Eight Men. Cleveland: World, 1961.
Wright, Richard. Lawd Today! New York: Walkers and Co., 1963.
Wright, Richard. The Long Dream. New York: Doubleday, 1958.
Wright, Richard. Native Son. New York: Harper and Brothers, 1940.
Wright, Richard. The Outsider. New York: Harper and Brothers, 1953.
Wright, Richard. Rite of Passage. New York: HarperCollins, 1994.
Wright, Richard. Savage Holiday. New York: Avon Books, 1954.
Wright, Richard. Uncle Tom’s Children. New York: Harper and Brothers, 1938.
Wright, Richard. How “Bigger” Was Born. New York: Harper, 1940 (pamphlet)
Wright, Richard
. “Blueprint for Negro Writing.” New Challenge
I (Fall 1937): 53–65.
Wright, Richard
. “Rascoe-Baiting.” The American Mercury
50 (July 1940): 376–377.
X, Malcolm with Alex Haley. The Autobiography of Malcolm X. London: Hutchinson, 1966.
Yerby, Frank. Foxes of Harrow. 1946; New York: Dial, 1947.
Yerby, Frank. “How and Why I Write the Costume Novel.” Harper’s Magazine (October 1959): 145–150.
Young, Al. Snakes. New York: Holt Rinehart and Winston, 1970.
Secondary works
Aaron, Daniel. Writers on the Left. New York: Avon, 1965.
Abbandonato, Linda. “Rewriting the Heroine’s Story in The Color Purple.” Alice Walker: Critical Perspectives Past and Present. Ed. Henry Louis Gates and K. Anthony Appiah. New York: Amistad, 1993. 296–308.
Adeleke, Joseph Ajibola. “Feminism, Black Feminism and the Dialectics of Womanism.” Critical Essays on the Novel in Francophone Africa. Ed. Aduke Adebayo. Ibadan: AMD Publishers, 1996. 21–36.
Albert, Richard N., ed. From Blues to Bop: A Collection of Jazz Fiction. Baton Rouge: Louisiana State University Press, 1990.
Allan, Tuzyline Jita. “The Color Purple: A Study of Walker’s Womanist Gospel.” Womanist and Feminist Aesthetics: A Comparative Review. Athens: Ohio University Press, 1995. 69–94.
Allan, Tuzyline Jita. “Introduction: Decoding Womanist Grammar of Difference.” Womanist and Feminist Aesthetics: A Comparative Review. Athens: Ohio University Press, 1995. 1–17.
Allan, Tuzyline Jita. “Womanism Revisited: Women and the (Ab)use of Power in The Color Purple.” Feminist Nightmares: Women at Odds. Ed. Susan Ostrov Weisser and Jennifer Fleischner. New York: New York University Press, 1994. 88–105.
Amritjit Singh, ed. Postcolonial Theory and the United States: Race, Ethnicity, and Literature. Jackson: University Press of Mississippi, 2000.
Anatol, Giselle Liza
. “‘I Going Away, I Going Home’: Mothers and Motherlands in Paule Marshall’s Brown Girl, Brownstones
” in Mango Season: Caribbean Women’s Writing
13.1 (Spring 2000): 43–53.
Andrews, William L. “The 1850s: The First Afro-American Literary Renaissance.” Literary Romanticism in America, ed. William L. Andrews. Baton Rouge: Louisiana State University Press, 1981. 38–60.
Andrews, William L. “Toward a Poetics of Afro-American Autobiography.” Afro-American Literary Study in the 1990s. Eds. Houston A. Baker, Jr. and Patricia Redmond. Chicago: University of Chicago Press, 1989. 78–90.
Andrews, William L. To Tell a Free Story: The First Century of Afro-American Autobiography, 1760–1865. Urbana: University of Illinois Press, 1986.
Antin, David. “Modernism and Postmodernism.” Boundary 2 1 (1972). Qtd. The New Princeton Encyclopedia of Poetry and Poetics. Ed. Alex Preminger and T. V. F. Brogan, Princeton: Princeton University Press, 1993.
Aptheker, Herbert, ed. Book Reviews by W. E. B. Du Bois. Millwood, NY: Kraus-Thompson, 1977.
Arnett, Paul and Arnett, William, eds. Souls Grown Deep: African American Vernacular Art of the South, Volume 1: The Tree Gave the Dove a Leaf. Atlanta: Tinwood Books, 2000.
Arnold, Martin. “Books by Blacks in Top 5 Sellers.” The New York Times, July 26, 2001.
Arnold, Martin. “Coming Soon: Paperbacks That Sound like Hip-Hop.” The New York Times, Sept. 21, 2000.
Ashcroft, Bill, Gareth Griffiths, and Helen Tiffin. The Empire Writes Back: Theory and Practice in Post-Colonial Literatures. New York: Routledge, 1989.
Babb, Valerie M. “William Melvin Kelley.” Afro-American Fiction Writers after 1955. Ed. Thadious M. Davis and Trudier Harris. Detroit: Gale, 1984. 135–143.
Bailey, Guy. “Speech, Black.” Encyclopedia of Southern Culture. Ed. Charles Reagan Witson and William Ferris. Chapel Hill: University of North Carolina Press, 1989. 194–195.
Baker, Houston Jr. Blues, Ideology, and Afro-American Literature. Chicago: University of Chicago Press, 1984.
Baker, Houston Jr. Modernism and the Harlem Renaissance. Chicago: University of Chicago Press, 1987.
Bakhtin, Mikhail M. The Dialogic Imagination: Four Essays by M. M. Bakhtin. Ed. Michael Holquist Austin, TX: The University of Texas Press, 1981.
Bakhtin, Mikhail M. Speech Genres and Other Late Essays. Ed. Caryl Emerson and Michael Holquist. Austin: University of Texas Press, 1986. 10–59.
Bancaud-Maënen, Florence. Le Roman de formation au XVIIIème siècle en Europe. Paris: Nathan, 1998.
Barlow, William. Looking Up at Down: The Emergence of Blues Culture. Philadelphia: Temple University Press, 1989.
Barrett, Leonard E. Sr. The Rastafarians: Sounds of Cultural Dissonance. Boston: Beacon Press, 1988.
Barthes, Roland. La Chambre claire: Note sur la photographie. Paris: Seuil, Gallimard Cahiers du Cinéma, 1980.
Baym, Nina. Woman’s Fiction: A Guide to Novels by and about Women in America, 1820–1870. Ithaca: Cornell University Press, 1978.
Bell, Bernard W. The Afro-American Novel and Its Tradition. Amherst: University of Massachusetts Press, 1987.
Bennett, Tony, ed. Popular Fiction: Technology, Ideology, Production, Reading. London and New York: Routledge, 1990.
Benston, Kimberly W.
“Architectural Imagery and Unity in Paule Marshall’s Brown Girl, Brownstones
.” Negro American Literature Forum. 9:3 (Fall 1975): 67–70.
Bergman, Peter M. The Chronological History of the Negro in America. New York: Harper & Row, 1969.
Bernard, Emily
. “What He Did for the Race.” Soundings
80 (1997): 531–542.
Blair, Sara. “Modernism and the Politics of Culture.” The Cambridge Companion to Modernism. Ed. Michael Levinson. Cambridge: Cambridge University Press, 1999.
Blassingame, John W. The Slave Community: Plantation Life in the Ante-Bellum South. New York: Oxford University Press, 1979.
Bloom, Harold. Toni Morrison: Modern Views. New York: Chelsea House Publishers, 1990.
Bone, Robert A. The Negro Novel in America. New Haven: Yale University Press, 1965.
Bontemps, Arna
. Review of The Outsider. Saturday Review
36 (March 28, 1953): 15–16.
Boyer, Jay. Ishmael Reed. Boise: Boise State University Press, 1993.
Braxton, Joanne M. and Andrée Nicola McLaughlin, eds. Wild Women in the Whirlwind: Afra-American Culture and the Contemporary Literary Renaissance. New Brunswick: Rutgers University Press, 1990.
Brignano, Russell C. Richard Wright: An Introduction to the Man and His Works. Pittsburgh: University of Pittsburgh Press, 1970.
Bröck, Sabine
. “Transcending the ‘Loophole of Retreat’: Paule Marshall’s Placing of Female Generations.” Callaloo. 10:1 (Winter 1987): 79–90.
Brooker, Peter. “Modernism Deferred: Langston Hughes, Harlem and Jazz Montage.” Locations of Literary Modernism: Region and Nation in British and American Modernist Poetry. Ed. Alex Davis and Lee M. Jenkins. Cambridge: Cambridge University Press, 2000.
Brown, Sterling A. “Review of God Sends Sunday
.” Opportunity
9 (1931): 181
.
Brown, Sterling A. The Negro in American Fiction. 1937; Port Washington, NY: Kennikat Press, 1968.
Brown, William Wells. “A True Story of Slave Life.” London Anti-Slavery Advocate 1.3. 1852: 23.
Bruce, D. D. Black American Writing from the Nadir: The Evolution of a Literary Tradition, 1877–1915. Baton Rouge: Louisiana State University Press, 1989.
Bryant, Jacqueline K. The Foremother Figure in Early Black Women’s Literature: Clothed in My Right Mind. New York: Garland Publishing, 1999.
Bryant, J. H. Victims and Heroes: Racial Violence in the African American Novel. Amherst: University of Massachusetts Press, 1997.
Buff, Rachel. Immigration and the Political Economy of Home: West Indian Brooklyn and American Indian Minneapolis, 1945–1992. Berkeley: University of California Press, 2001.
Burt, Nancy V. and Fred L. Standley. Critical Essays on James Baldwin. Boston: G. K. Hall, 1988.
Byerman, Keith. Fingering the Jagged Grain. Tradition and Form in Recent Black Fiction. Athens: University of Georgia Press, 1985.
Byerman, Keith. “Angularity: An Interview with Leon Forrest.” African American Review
33.3 (1999). 440–442.
Campbell, Jane. Mythic Black Fiction: The Transformation of History. Knoxville: University of Tennessee Press, 1986.
Canaday, Nicholas. “The Antislavery Novel prior to 1852 and Hildreth’s The Slave (1836).” CLA Journal
17 (1973): 175–191.
Cannon, Katie Geneva. Katie’s Canon: Womanism and the Soul of the Black Community. New York: Continuum, 1995.
Cannon, Steve, et al. “A Gathering of the Tribe: A Conversation with Ishmael Reed.” Conversations with Ishmael Reed. Ed. Bruce Dick and Amritjit Singh. Jackson: University Press of Mississippi, 1995. 361–381.
Carby, Hazel. Reconstructing Black Womanhood: The Emergence of the Afro-American Woman Novelist. New York: Oxford University Press, 1987.
Carroll, Rebecca. Sugar in the Raw: Voices of Young Black Girls in America. New York: Three Rivers Press, 1997.
Carson, Warren. “Manhood, Masculinity, and Male Bonding in Just Above My Head.” Re-viewing James Baldwin: Things Not Seen. Ed. Quentin D. Miller. Philadelphia: Temple University Press, 2000, p. 215–232.
Chernow, Barbara A., ed. Columbia Encyclopedia. New York: Columbia University Press, 1993.
Christian, Barbara. Black Feminist Criticism: Perspectives on African American Women Writers. New York: Pergamon Press, 1985.
Christian, Barbara. “Alice Walker: The Black Woman Artist as Wayward.” Black Women Novelists (1950–1980). Ed. Mari Evans. New York: Anchor Books, 1982. 457–477.
Christian, Barbara. “But What Do We Think We’re Doing Anyway: The State of Black Feminist Criticism(s) or My Version of a Little Bit of History.” 1989. Within the Circle: An Anthology of African American Literary Criticism from the Harlem Renaissance to the Present. Ed. Angelyn Mitchell. Durham: Duke University Press, 1994. 499–514.
Christian, Barbara. “The Race for Theory.” 1987. Within the Circle: An Anthology of African American Literary Criticism from the Harlem Renaissance to the Present. Ed. Angelyn Mitchell. Durham: Duke University Press, 1994. 348–359.
Cohn, David L. “Review of Native Son.” Atlantic Monthly 165 (May 1940): 659–661.
Coleman, James W. Blackness and Modernism: The Literary Career of John Edgar Wideman. Jackson: University Press of Mississippi, 1989.
Conner, Marc. The Asethetics of Toni Morrison: Speaking the Unspeakable. Jackson: University Press of Mississippi, 2000.
Cooper, Wayne F. Claude McKay: Rebel Sojouner in the Harlem Renaissance. Baton Rouge: Louisiana State University Press, 1987.
Crouch, Stanley. “Kinships and Aginships.” The Critical Response to Ishmael Reed. Ed. Bruce Dick. Westport: Greenwood Press, 1999. 152–155.
Cruse, Harold. The Crisis of the Negro Intellectual. New York: William Morrow, 1967.
Crystal, David. The Cambridge Encyclopedia of the English Language. New York: Cambridge University Press, 1995.
Davies, Carole Boyce. Black Women, Writing, and Identity: Migrations of the Subject. New York: Routledge, 1994.
Davies, Carole Boyce and Elaine Savory Fido., eds., Out of the Kumbla: Caribbean Women and Literature. Trenton: Africa World Press, 1994.
Davis, Allison. Leadership, Love & Aggression. New York: Harcourt Brace Javanovich, 1983.
Davis, Thadious. “Foreword to the 1989 Edition.” There is Confusion by Jessie Fauset. Boston: Northeastern University Press, 1989. V–XXVI.
Davison, Carol Margaret. “‘Love’em and Lynch ’em’: The Castration Motif in Gayl Jones’s Eva’s Man
.” African American Review
29.3 (Fall 1995): 393–410.
De Lancey, Frenzella E. “Squaring the Afrocentric Circle: Womanism and Humanism in Alice Walker’s Meridian
.” The Literary Griot
5:1 (Spring 1993): 1–16.
Dick, Bruce. The Critical Response to Ishmael Reed. New York: St. Martin’s Press, 1997.
Dick, Bruce and Amritjit Singh. Conversations with Ishmael Reed. Jackson: University Press of Mississippi, 1995.
Diedrich, Maria, Henry Louis Gates Jr., and Carl Pedersen, eds. Black Imagination and the Middle Passage. New York: Oxford University Press, 1999.
Diedrich, Maria, Carl Pedersen, and Justine Tally, eds. Mapping African America. History, Narrative Formation, and the Production of Knowledge. Hamburg: LIT Verlag, 1999.
Diedrich, Maria, and Werner Sollors. eds. The Black Columbiad. Defining Moments in African American Literature and Culture. Cambridge: Harvard University Press: 1994.
Dieke, Ikenna, ed. Critical Essays on Alice Walker. Westport: Greenwood Press, 1999.
Dixon, Chris. African America and Haiti: Emigration and Black Nationalism in the Nineteenth Century. Westport: Greenwood Press, 2000.
Dodson, Jualynne E. “Jarena Lee.” African American Women in America: An Historical Encyclopedia. Vol. I. Ed. Darlene Clark Hine. Brooklyn: Carlson Publishing, Inc., 1993. 707.
Dominguez, Virginia R. From Neighbor to Stranger: The Dilemma of Caribbean Peoples in the United States. New Haven: Yale University Antilles Research Program, 1975.
Dubey, Madhu. Black Women Novelists and the Nationalist Aesthetic. Bloomington: Indiana University Press, 1994.
Dubey, Madhu. “‘To Survive Whole’: The Integrative Aims of Womanism in the Third Life of Grange Copeland.” African American Women Novelists and the Nationalist Aesthetic. Bloomington: Indiana University Press, 1994. 106–125.
Du Bois, W. E. B. “Criteria of Negro Art.” Crisis
32 (1926): 292
.
Du Bois, W. E. B. “The Negro in Literature and Art.” Annals of the American Academy of Political and Social Science (September 1913). Rpt. in Writings, ed. Nathan Huggins. New York: The Library of America, 1986. 862–867.
DuCille, Ann. The Coupling Convention: Sex, Text, and Tradition in Black Women’s Fiction. New York: Oxford University Press, 1993.
Dunlea, William. “Wright’s Continuing Protest.” Commonweal
69 (October 31, 1958): 131
.
Eckley, Grace. “The Awakening of Mr. Afrinnegan: Kelley’s Dunfords Travels Everywheres and Joyce’s Finnegan’s Wake
.” Obsidian
12 (Summer 1975): 27–41.
Edwards, Brent Hayes. “Three Ways to Translate the Harlem Renaissance.” Temples for Tomorrow: Looking Back at the Harlem Renaissance. Ed. Genevieve Fabre and Michel Feith. Bloomington: Indiana University Press, 2001. 288–313.
Fabi, M. G. Passing and the Rise of the African American Novel. Urbana: University of Illinois Press, 2001.
Fabre, Geneviève, and Michel Feith, eds. Temples for Tomorrow: Looking Back at the Harlem Renaissance. Bloomington: Indiana University Press, 2001.
Fabre, Geneviève, and Robert O’Meally, eds. History and Memory in African American Culture. New York: Oxford University Press, 1994.
Fabre, Michel. “Ishmael Reed’s Free-Lance Pallbearers or the Dialectics of Shit.” Obsidian
3.3 (Winter 1977): 5–19.
Fabre, Michel “Postmodernist Rhetoric in Ishmael Reed’s Yellow Back Radio Broke-Down.” The Afro-American Novel Since 1960. Ed. Peter Bruck and Wolfgang Karrer. Amsterdam: Grüner, 1982. 167–189.
Fabre, Michel Richard Wright: Books and Writers. Jackson: University Press of Mississippi, 1990.
Fabre, Michel The Unfinished Quest of Richard Wright. New York: William Morrow, 1973; Urbana: University of Illinois Press, 1993.
Fabre, Michel The World of Richard Wright. Jackson: University Press of Mississippi, 1985.
Farrison, William Edward. William Wells Brown: Author and Reformer. Chicago: University of Chicago Press, 1969.
Farrison, William Edward. “If Baldwin’s Train Has Not Gone.” James Baldwin: A Critical Evaluation. 69–81.
Favor, J. Martin. Authentic Blackness: The Folk in the New Negro Renaissance. Durham: Duke University Press, 1999.
Fisher, Dexter and Robert Stepto, eds. Afro-American Literature: The Reconstruction of Instruction. 1979; New York: PMLA, 1990.
Fleming, Cynthia Griggs. “Ruby Doris Robinson-Smith.” African American Women in America: An Historical Encyclopedia. Vol. I. Ed. Darlene Clark Hine. Brooklyn: Carlson Publishing, Inc., 1993. 1,085–1,086.
Foster, F. S. Written by Herself: Literary Production by African American Women, 1746–1892. Bloomington: Indiana University Press, 1993.
Fox, Robert Elliot. Conscientious Sorcerers: The Black Postmodernist Fiction of LeRoi Jones/Amiri Baraka, Ishmael Reed, and Samuel R. Delany. Westport: Greenwood Press, 1987.
Fox, Robert Elliot. “Blacking the Zero: Toward a Semiotic of Neo-HooDoo.” Masters of the Drum: Black Lit/oratures across the Continuum. Westport: Greenwood Press, 1995. 49–62.
Fraile-Marcos, Ana Maria. “‘As Purple to Lavender’: Alice Walker’s Womanist Representation of Lesbianism.” Literature and Homosexuality. Ed. Michael J. Meyer, Amsterdam: Rodolpi, 2000. 111–134.
Gaines, Ernest. “Miss Jane and I.” Callaloo
1.3 (May 1978): 37–38.
Gates, Henry Louis Jr. Figures in Black: Words, Signs and the “Racial” Self. New York: Oxford University Press, 1987.
Gates, Henry Louis Jr. The Signifying Monkey: A Theory of Afro-American Literary Criticism. New York: Oxford University Press, 1988.
Gates, Henry Louis Jr. Introduction and Notes. Hannah Crafts, The Bondwoman’s Narrative. 1850s. Unpublished Manuscript. Ed. Henry Louis Gates Jr. New York: Warner Books, 2002.
Gates, Henry Louis Jr. Introduction. Our Nig: or, sketches from the life of a free black, in a two-story white house, North. By Harriet E. Wilson. New York: Random House, 1983. IX–LIX.
Gates, Henry Louis Jr., and K. Anthony Appiah, eds. Toni Morrison: Critical Perspectives Past and Present. New York: Amistad, 1993.
Gates, Henry Louis Jr., and K. Anthony Appiah, eds. Richard Wright: Critical Perspectives Past and Present. New York: Amistad, 1993.
Gates, Henry Louis Jr., and K. Anthony Appiah, eds. Alice Walker: Critical Perspectives Past and Present. Amistad Literary Series. New York: Amistad, 1993.
Gayle, Addison Jr. Richard Wright: Ordeal of a Native Son. New York: Doubleday, 1990.
Gayle, Addison Jr. The Way of the New World: The Black Novel in America. Garden City: Anchor Press/Doubleday, 1975.
Gayle, Addison Jr., ed. The Black Aesthetic. Garden City: Doubleday, 1971.
Geismar, Maxwell. “Growing Up in Fear’s Grip.” New York Herald Tribune Book Review (November 16, 1958): 10.
Gibson, Donald B. The Politics of Literary Expression. Westport, CT: Greenwood Press, 1981.
Gibson, Donald. “The Political Anatomy of Space.” James Baldwin: A Critical Evaluation. Ed. Therman B. O’Daniel. Washington: Howard University Press, 1977. 3–18.
Gilroy, Paul. The Black Atlantic: Modernity and Double Consciousness. Cambridge: Harvard University Press, 1994.
Glasrud, Bruce A., and
Laurie Champion
. “‘The Fishes and the Poet’s Hands’: Frank Yerby, A Black Author in White America.” Journal of American and Comparative Cultures
23 (Winter 2000): 15–21.
Glissant, Edouard. Caribbean Discourse: Selected Essays. Trans. J. Michael Dash. Charlottesville: University Press of Virginia, 1989.
Gloster, Hugh M. Negro Voices in American Fiction. Chapel Hill: University of North Carolina Press, 1948.
Gold, Ivan. “The Spirit of Christmas Future.” The New York Times Book Review (July 18, 1982): 9 & 21.
Goldberg, David Theo. Racist Culture: Philosophy and the Politics of Meaning. Cambridge: Blackwell, 1993.
Goode, Greg. “Donald Goines.” Dictionary of Literary Biography, vol. XXXIII: Afro-American Fiction Writers after 1955. Detroit: Gale Research, 1984.
Govan, Sandra Y. “Speculative Fiction.” The Oxford Companion to African American Literature. Ed. William L. Andrews, Frances Smith Foster, and Trudier Harris. New York: Oxford University Press, 1997.
Gover, Robert. “Interview with Ishamael Reed.” Black Literature Forum
12.1 (Spring 1978): 12–19.
Graham, Maryemma. “Bearing Witness in Black Chicago: A View of Selected Fiction by Richard Wright, Frank London Brown, and Ronald Fair.” CLA Journal
33.3 (March 1990): 291–292.
Green, Charles, and Basil Wilson. The Struggle for Black Empowerment in New York City: Beyond the Politics of Pigmentation. New York: Praeger, 1989.
Greene, J. Lee. Blacks in Eden: The African American Novel’s First Century. Charlottesville: University Press of Virginia, 1996.
Grewal, Gurleen. Circles of Sorrow, Lines of Struggle: The Novels of Toni Morrison. Baton Rouge: Louisiana State University Press, 1998.
Griffin, Farah Jasmine. “Who Set You Flowin’?” The African-American Migration Narrative. New York: Oxford University Press, 1995.
Grimes, Dorothy. “Mariama Bâ’s So Long a Letter and Alice Walker’s In Search of Our Mothers’ Gardens: A Senegalese and an African American Perspective on ‘Womanism.’” Global Perspectives on Teaching Literature: Shared Visions and Distinctive Visions. Ed. Sandra Ward Lott, et al. Urbana: National Council of Teachers, 1993. 65–76.
Gysin, Fritz. “Centralizing the Marginal. Prologomena to a Study of Boundaries in Contemporary African American Fiction.”
Race and the Modern Artist. Ed. Heather Hathaway, Josef Ja

ab, and Jeffery Melnick. New York: Oxford University Press, 2003. 209–239.
Gysin, Fritz. “‘Do Not Fall Asleep in Your Enemy’s Dream.’ John Edgar Wideman and the Predicaments of Prophecy.” Callaloo
22.3 (Summer 1999): 623–628.
Gysin, Fritz. “From ‘Liberating Voices’ to ‘Metathetic Ventriloquism.’ Boundaries in Recent African American Jazz Fiction.” Callaloo
25.1 (Winter 2002): 274–287.
Gysin, Fritz “Predicaments of Skin: Boundaries in Recent African American Fiction.” The Black Columbiad. Defining Moments in African American Literature and Culture. Ed. Maria Diedrich and Werner Sollors. Cambridge: Harvard University Press, 1994. 286–297.
Gysin, Fritz, and Christopher Mulvey, eds. Black Liberation in the Americas. Hamburg: LIT Verlag, 2001.
Hakutani, Yoshinobu. Richard Wright and Racial Discourse. Columbia: University of Missouri Press, 1996.
Haley, Alex. “Black History, Oral History, and Genealogy.” Oral History: An Interdisciplinary Anthology. Ed. David K. Dunaway and Willa K. Baum. Nashville: American Association for State and Local History, 1984.
Hall, Stuart, “Notes on Deconstructing ‘the Popular.’” People’s History and Socialist Theory. Ed. Raphael Samuel. London: Routledge, 1981.
Hamilton, Thomas. “Apology,” Anglo-African Magazine. Volume 1 – 1859. New York: Arno Press and the New York Times, 1968.
Hansberry, Lorraine. “Review of The Outsider
.” Freedom
14 (April 1953): 7
.
Harper, Philip Brian. Framing the Margins. The Social Logic of Postmodern Culture. New York: Oxford University Press, 1994.
Harris, Trudier. Black Women in the Fiction of James Baldwin. Knoxville: University of Tennessee Press, 1985.
Harris, Trudier. Fiction and Folklore: The Novels of Toni Morrison. Knoxville: The University of Tennessee Press, 1994.
Harris, Trudier. “From Victimization to Free Enterprise: Alice Walker’s The Color Purple
.” Studies in American Fiction
14 Spring 1986: 1–17.
Harris, Trudier. “On The Color Purple, Stereotypes and Silence.” Black American Literature Forum
18 (Winter 1984): 155–61.
Hassan, Ihab. The Dismemberment of Orpheus: Toward a Postmodern Literature. Madison: University of Wisconsin Press, 1971.
Hassan, Ihab. Paracriticisms: Seven Speculations on the Times. Urbana: Indiana University Press, 1975.
Hassan, Ihab. The Postmodern Turn: Essays in Postmodern Theory and Culture. Columbus: Ohio State University Press, 1987.
Henke, Holger. The New Americans: The West Indian Americans. Westport, CT: Greenwood Press, 2001.
Henry, Joseph. “A MELUS Interview: Ishmael Reed.” Conversations with Ishmael Reed. Ed. Bruce Dick and Amritjit Singh. Jackson: University Press of Mississippi, 1995: 205–218.
Hernton, Calvin C. The Sexual Mountain and Black Women Writers: Adventures in Sex, Literature and Real Life. New York: Anchor Press, 1987.
Herzog, Kristin. Women, Ethnics, and Exotics. Knoxville: University of Tennessee Press, 1983.
Hicks, Granville. “The Portrait of a Man Searching.” New York Times Book Review (March 22, 1953): 1, 35
.
Hicks, Granville. “The Power of Richard Wright.” Saturday Review
41 (October 18, 1958): 13, 65
.
Hite, Molly. “Romance, Marginality, Matrilineage: The Color Purple.” The Color Purple. Model Critical Interpretations Series. Ed. Harold Bloom. Philadelphia: Chelsea House Publishers, 2000. 89–105.
hooks, bell. Black Looks: Race and Representation. Boston: South End Press, c. 1992.
hooks, bell. Yearning: Race, Gender, and Cultural Politics. Boston: South End Press, 1990.
hooks, bell. “Writing the Subject: Reading The Color Purple.” The Color Purple. Model Critical Interpretations Series. Ed. Harold Bloom. Philadelphia: Chelsea House Publishers, 2000. 53–66.
Hoover, Paul. “Pair of Figure for Eshu: Doubling of Consciousness in the Work of Kerry James Marshall and Nathaniel Mackey.” Callaloo
23.2 (Spring 2000): 728–748.
Howard, Lillie P., ed. Alice Walker and Zora Neale Hurston: The Common Bond. Westport, CN: Greenwood Press, 1993.
Howe, Irving. “Realities and Fictions.” Partisan Review
26 (Winter 1959): 133–134.
Huggins, Nathan Irvin. Harlem Renaissance. New York: Oxford University Press, 1971.
Hughes, Langston. Review of Blues: An Anthology. By W. C. Handy. Opportunity (August 1926)
Hull, Akasha Gloria. Soul Talk: The New Spirituality of African American Women. Rochester, VT: Inner Traditions, 2001.
Humez, Jean. Gifts of Power: The Writings of Rebecca Cox Jackson, Black Visionary, Shaker Eldress. Amherst: University of Massachusetts Press, 1981.
Humez, Jean. “Rebecca Cox Jackson.” African American Women in America: A Historical Encyclopedia. Vol. I. Ed. Darlene Clark Hine. Brooklyn: Carlson Publishing, Inc., 1993. 626–627.
Hutcheon, Linda. A Poetics of Postmodernism. New York: Routledge, 1988.
Hutchinson, George. The Harlem Renaissance in Black and White. Cambridge: Harvard University Press, 1995.
Hutchinson, George. “Subject to Disappearance: Interracial Identity in Nella Larsen’s Quicksand.” Temples for Tomorrow: Looking Back at the Harlem Renaissance. Ed. Genevieve Fabre and Michel Feith. Bloomington: Indiana University Press, 2001. 177–192.
Jablon, Madelyn. Black Metafiction. Self-Consciousness in African American Literature. Iowa City: University of Iowa Press, 1997.
Jahn, Janheinz. A History of Neo-African Literature. New York: Grove, 1968.
James, Rotimi. “In the Market for Romance.” Black Enterprise (Dec 1996): 62
.
James, Rotimi. “Womanism and Feminism in African Letters: A Theoretic Perspective.” The Literary Criterion
25:2 (1990): 25–35.
James, Stanlie M., and Abena P. A. Busia, eds. Theorizing Black Feminisms: The Visionary Pragmatism of African American Women. New York: Routledge, 1993.
James, Winston. Holding Aloft the Banner of Ethiopia: Caribbean Radicalism in Early Twentieth-Century America. New York: Verso, 1998.
Jameson, Fredric R. Postmodernism, or, the Cultural Logic of Late Capitalism. Durham: Duke University Press, 1991.
Jones, Gayl. Liberating Voices. Oral Tradition in African American Literature. Cambridge: Harvard University Press, 1991.
Joyce, Joyce Ann. Richard Wright’s Art of Tragedy. Iowa City: University of Iowa Press, 1986.
Juncker, Clara. “Womanizing Theory.” American Studies in Scandinavia
30.2 (1998: 43–49.
Katz, William Loren, ed. Flight From the Devil: Six Slave Narratives. Trenton: Africa World Press, 1996.
Kent, George. Blackness and the Adventure of Western Culture. Chicago: Third World Press, 1972.
King, Deborah K. “Multiple Jeopardy, Multiple Consciousness: The Context of a Black Feminist Ideology.”
Words of Fire: An Anthology of African American
Feminist Thought. Ed. Beverly Guy-Sheftall. New York: The New Press, 1995. 294–317.
Kinnamon, Keneth. The Emergence of Richard Wright: A Study in Literature and Society. Urbana: University of Illinois Press, 1973.
Kinnamon, Keneth. “James Baldwin.” American Writers. Ed. Leonard Unger. New York: Scribner, 1974. 47–71.
Klevan, Miriam. The West Indian Americans. New York: Chelsea House Publishers, 1990.
Köhler, Michael. “Postmodernismus’: Ein begriffsgeschichtlicher Überblick.” Postmodernism in American Literature: A Critical Anthology. Ed. Manfred Pütz and Peter Freese. Darmstadt: Thesen Verlag, 1984. 3–5.
Korda, Michael. Making the List: A Cultural History of the American Bestseller. New York: Barnes & Noble, 2001.
Krasny, Michael. “Pyrotechnic Amulets: ‘The Terrible Twos.’” San Franciso Review of Books (January–February, 1983): 10 & 14
.
Kubitschek, Missy Dehn. Claiming the Heritage: African-American Women Novelists and History. Jackson and London: University Press of Mississippi, 1991.
Kuenz, Jane. “The Face of America: Performing Race and Nation in Jessie Fauset’s There Is Confusion
.” Yale Journal of Criticism
12 (1999): 89–111.
Labbe, Theola. “Black Books in the House.” Publishers Weekly. Dec. 11, 2000.
Lange, Art, and Nathaniel Mackey, eds. Moment’s Notice: Jazz in Poetry and Prose. Minneapolis: Coffee House Press, 1993.
Lauret, Maria. Alice Walker. New York: St. Martin’s Press, 2000.
Lee, A. Robert. Designs of Blackness. Mappings in the Literature and Culture of Afro-America. London: Pluto Press, 1998.
LeSeur, Geta. Ten is the Age of Darkness: The Black Bildungsroman. Columbia and London: University of Missouri Press, 1995.
Levinson, Michael, ed. The Cambridge Companion to Modernism. Cambridge: Cambridge University Press, 1999.
Lewis, David Levering. When Harlem Was in Vogue. New York: Vintage/Random House, 1982.
Lewis, Jan Ellen, and Peter S. Onuf, eds. Sally Hemings and Thomas Jefferson: History, Memory, and Civic Culture. Charlottesville: University Press of Virginia, 1999.
Lidell, Janice Lee, and Yakini Belinda Kemp, eds. Arms Akimbo: Africana Women in Contemporary Literature. Gainesville: University Press of Florida, 1999.
Lock, Helen. “‘A Man’s Story is his Gris-gris’: Ishmael Reed’s Neo-HooDoo Aesthetic and the African-American Tradition.” South Central Review
10.1 (Spring 1993): 67–77.
Lodge, David. The Modes of Modern Writing: Metaphor, Metonymy, and the Typology of Modern Literature. London: Edward Arnold, 1977.
Logan, R. W. The Negro in American Life and Thought: The Nadir, 1877–1901. New York: Dial, 1954.
Loggins, Vernon. The Negro Author: His Development In America. New York: Columbia University Press, 1931.
Lorde, Audre. “Uses of the Erotic: The Erotic as Power.” Sister Outsider: Essays & Speeches. Freedom, CA: Crossing Press, 1984. 53–59.
Lowe, John. Jump At the Sun: Zora Neale Hurston’s Cosmic Comedy. Urbana: University of Illinois Press, 1994.
Ludwig, Sämi. Concrete Language: Intercultural Communication in Maxine Hong Kingston’s The Woman Warrior and Ishmael Reed’s Mumbo Jumbo. New York: Peter Lang, 1996.
Lyotard, Jean-François. La Condition postmoderne. Paris: Minuit, 1979. The Postmodern Condition. Trans. Geoffrey Bennington and Brian Massumi. Minneapolis: University of Minnesota Press, 1984.
McCabe, Tracy. “The Multifaceted Politics of Primitivism in Harlem Renaissance Writing.” Soundings
80 (1997): 475–497.
McDowell, Deborah E. “Introduction: Regulating Midwives.” Plum Bun: A Novel Without a Moral. Ed. Jessie Redmon Fauset. Boston: Beacon Press, 1990. x–xxxiii
McDowell, Deborah E. “New Directions for Black Feminist Criticism.” Within the Circle: An Anthology of African American Literary Criticism from the Harlem Renaissance to the Present. Ed. Angelyn Mitchell. Durham: Duke University Press, 1994. 429–441.
McDowell, Deborah E. “A Novel with a Moral.” New York Age (September 4, 1926): 1.
McDowell, Deborah E., and Arnold Rampersad, eds. Slavery and the Literary Imagination. Baltimore: Johns Hopkins University Press, 1987.
McGee, Patrick. Ishmael Reed and the Ends of Race. New York: St. Martin’s Press, 1997.
McGee, Patrick. “From Legba to PaPa LaBas: New World Metaphysical Self/Re-Fashioning in Ishmael Reed’s Mumbo Jumbo.” The African Diaspora: African Origins and New World Identities. Ed. Isidore Okpewho, et al. Bloomington: Indiana University Press, 1999. 350–366.
McHale, Brian. Constructing Postmodernism. London: Routledge, 1992.
McHale, Brian. Postmodernist Fiction. London: Methuen, 1987.
McKay, Nellie. Critical Essays on Toni Morrison. Boston: G. K. Hall, 1989.
Mackey, Nathaniel. Discrepant Engagement. Dissonance, Cross-Culturality, and Experimental Writing. New York: Cambridge University Press, 1993.
Madden, David, ed. Proletarian Writers of the Thirties. Carbondale: Southern Illinois University Press, 1968.
Major, Clarance. Juba to Jive: A Dictionary of African-American Slang. New York: Penguin Books, 1994.
Maretti, Franco. The Way of the World: The Bildungsroman in European Culture. London: Verso, 1987.
Margolies, Edward. Native Sons: A Critical Study of Twentieth-Century Negro American Authors. New York: Lippincott, 1968.
Marshal, Brenda K. Teaching the Postmodern. Fiction and Theory. New York: Routledge, 1992.
Marshall, Paule. “From the Poets in the Kitchen.” Callaloo. 6:2 (Spring-Summer (1983): 22–30.
Martin, Reginald. Ishmael Reed and the New Black Aesthetic Critics. New York: St. Martin’s Press, 1988.
Matus, Jill. Toni Morrison: Contemporary World Writers. Manchester: Manchester University Press, 1998.
Maxwell, William. New Negro / Old Left: African-American Writing and Communism Between the Wars. New York: Columbia University Press, 1999.
Mayer, Henry. All on Fire: William Lloyd Garrison and the Abolition of Slavery. New York: St. Martin’s Press, 1998.
Middleton, Davis. Toni Morrison: Contemporary Criticism. New York: Garland, 1997.
Miller, Floyd J. Introduction. Blake; or the Huts of America. By Martin R. Delany. Boston: Beacon Press, 1970. XI–XXV.
Miller, Quentin D., ed. Reviewing James Baldwin: Things Not Seen. Philadelphia: Temple University Press, 2000.
Mills, Charles W. The Racial Contract. Ithaca: Cornell University Press, 1997.
Minzeheimer, Bob. “Slave’s Novel Sparks Historic Search for Its Author.” USA Today Mar. 26, 2002: 9B.
Morrison, Toni. “Rootedness: The Ancestor as Foundation.” Black Women Writers 1950–1980: A Critical Evaluation. Ed. Mari Evans. New York: Anchor Books, 1984.
Morrison, Toni. “Unspeakable Things Unspoken: The Afro-American Presence in American Literature.” Michigan Quarterly Review (Winter 1989): 1–34.
Mvuyekure, Pierre-Damien. “Ishmael Reed.” Contemporary African American Novelists: A Bio-Bibliographical Critical Sourcebook. Ed. Emanuel Nelson. Westport: Greenwood Press, 1999. 391–400.
Myrdal, Gunnar. An American Dilemma: The Negro Problem and Modern Democracy. New York: Harper & Row, 1944.
Naylor, Paul, ed. Nathaniel Mackey: A Special Issue. Callaloo. 23.2 (Spring 2000)
Nazareth, Peter. In the Trickster Tradition: The Novels of Andrew Salkey, Francis Ebejar, and Ishmael Reed. London: Bogle L’Ouverture Press, 1994.
Nazareth, Peter. “An Interview with Ishmael Reed.” Conversations with Ishmael Reed. Ed. Bruce Dick and Amritjit Singh. Jackson: University Press of Mississippi, 1995. 181–195.
Nelson, Anne. “Rock-A-Bye Niño: Confessions of a White Mother with a Brown Caregiver.” Mother Jones
16.3 (May/June 1991): 40–42, 72–74.
Nelson, Emanuel S., ed. Contemporary African American Novelists. A Bio-Bibliographical Sourcebook. Westport, CT: Greenwood Press, 1999.
Nielsen, Aldon Lynn. Black Chant: Languages of African-American Postmodernism. New York: Cambridge University Press, 1997.
Nicholls, David G. Conjuring the Folk: Forms of Modernity in African America. Ann Arbor: University of Michigan Press, 2000.
O’Brien, John. “Alice Walker: An Interview.” Alice Walker: Critical Perspectives Past and Present. Ed. Henry Louis Gates and Kwame Anthony Appiah. Amistad Literary Series. New York: Amistad, 1993. 326–346.
O’Brien Hokanson, Robert. “Jazzing It Up: The Be-Bop Modernism of Langston Hughes.” Mosaic
31.4 (1998): 61–82.
O’Daniel, Thurman. James Baldwin: A Critical Evaluation. Washington, DC: Howard University Press, 1977.
Oates, Joyce Carol. “A Quite Moving and Very Traditional Celebration of Love.” Critical Essays on James Baldwin. Ed. Fred L. Standley and Nancy V. Burt. Boston: G. K. Hall, 1988. 158–61.
Ogunyemi, Chikwenye Okonjo. “Womanism: The Dynamics of the Contemporary Black Female Novel in English.” Signs
11:1 (Autumn 1985): 63–80.
Olney, James. “‘I Was Born’: Slave Narratives, Their Status as Autobiography and as Literature.” The Slave’s Narrative. Ed. Charles Davis and Henry Louis Gates. New York: Oxford University Press, 1985.
Osborne, Gwendolyn. “The Legacy of Ghetto Pulp Fiction.” Black Issues Book Review, Sept. 2001
Osofsky, Gilbert. Puttin’ On Ole Massa: Slave Narratives of Henry Bibb, William Wells Brown, and Solomon Northup. New York: Harper and Row, 1969.
Otten, Terry. The Crime of Innocence in Toni Morrison’s Fiction. Columbia: University of Missouri Press, 1989.
Pack, Robert, and Jay Parini, eds. American Identities: Contemporary Multicultural Voices. Hanover, NH: Middlebury College Press, 1994.
Page, Philip. Dangerous Freedom: Fusion and Fragmentation in Toni Morrison’s Novels. Jackson: University Press of Mississippi, 1995.
Painter, Nell Irvin. “Martin R. Delany: Elitism and Black Nationalism.” Black Leaders of The Nineteenth Century. Ed. Leon Litwack and August Meier. Urbana: University of Illinois Press, 1988. 149–171.
Painter, Nell Irvin. “Sojourner Truth.” African American Women in America: An Historical Encyclopedia. Vol. I. Ed. Darlene Clark Hine. Brooklyn: Carlson Publishing, Inc., 1993. 1,172–1,176.
Palmer, Ransford W. Pilgrims from the Sun: West Indian Migration to America. New York: Twayne Publishers, 1995.
Patterson, Anita. “Jazz, Realism, and the Modernist Lyric: The Poetry of Langston Hughes.” Modern Language Quarterly
61.4 (2000): 651–682.
Patton, Venetria K. Women in Chains: The Legacy of Slavery in Black Women’s Fiction. Albany: State University of New York Press, 2000.
Payant, Katherine B., ed. Immigrant Experience in North American Literature: Carving Out a Niche. Westport, CT: Greenwood Press, 1999.
Peterson, Nancy. Toni Morrison: Critical and Theoretical Approaches. Baltimore: The John Hopkins University Press, 1997.
Petry, Ann. “The Novel as Social Criticism.” Call and Response: The Riverside Anthology of the African American Literary Tradition. Ed. Patricia Liggins Hill, et al. Boston: Houghton Mifflin Company, 1998. 1,114–1,119.
Pfeiffer, Kathleen. Introduction. Nigger Heaven. By Carl Van Vechten. Urbana: University of Illinois Press, 2000. ix–xxxix
Pinckney, Darryl. “Blues for Mr. Baldwin.” Critical Essays on James Baldwin. Ed. Fred L. Standley and Nancy V. Burt. Boston: G. K. Hall, 1988. 161–166.
Plasa, Carl, and Betty J. Ring, eds. The Discourse of Slavery: Aphra Behn to Toni Morrison. London and New York: Routledge, 1994.
Porter, Horace. Stealing the Fire: The Art and Protest of James Baldwin. Middletown, CT: Wesleyan University Press, 1990.
Potts, Howard E. A Comprehensive Name Index for the American Slave. Westport, CT: Greenwood Press, 1997.
Powell J., Richard “Art History and Black Memory: Toward a Blues Aesthetic.” The Jazz Cadence of American Culture. Ed. Robert G. O’Meally. New York: Columbia University Press, 1998. 182–195.
Powell J., Richard, ed. The Blues Aesthetic and Modernism. Washington, DC: Washington Project for the Arts, 1989.
Pratt, Louis. James Baldwin. Boston: Twayne Publishers, 1978.
Preminger, Alex, and T. V. F. Brogan, eds. The New Princeton Encyclopedia of Poetry and Poetics. Princeton: Princeton University Press, 1993.
Prescott, Orville. Review of The Outsider. New York Times (March 18, 1953): 29.
Rampasad, Arnold. “Langston Hughes and Approaches to Modernism in the Harlem Renaissance.” The Harlem Renaissance: Revaluations. Ed. Amritjit Singh, William S. Shiver, and Stanley Brodwin. New York: Garland, 1989. 49–71.
Rascoe, Burto. “Negro Novel and White Reviewers.” The American Mercury
50 (May 1940): 113–116.
Raynaud, Claudine. Toni Morrison: L’Esthétique de la survie. Paris: Belin, 1996.
Redding, Saunders. “The Way It Was.” New York Times Book Review (October 26, 1958): 4, 38
.
Redding, J. Saunders. To Make a Poet Black. Chapel Hill: University of North Carolina Press, 1939.
Reed, Linda. “Fannie Lou Hamer.” African American Women in America: An Historical Encyclopedia. Vol. I. Ed. Darlene Clark Hine. Brooklyn: Carlson Publishing, Inc., 1993. 518–520.
Rhodes, Jewell Parker. Free Within Ourselves: Fiction Lessons for Black Authors. New York: Main Street Books, 1999.
Richardson, Marilyn. “Preface.” Maria W. Stewart: America’s First Black Woman Political Writer, Essays and Speeches. Bloomington: Indiana University Press, 1987. xiii–xvii
Rigney, Barbara. The Voices of Toni Morrison. Columbus: Ohio State University Press, 1991.
Roberts, John W. “James Baldwin,” Dictionary of Literary Biography, Vol. 33, Detroit: Gale Group Publishing, 1989. 3–16.
Robinson, Cedric. Black Marxism: The Making of the Black Radical Tradition. London: Zed, 1983.
Rodgers, Lawrence R. Canaan Bound: The African-American Great Migration Novel. Urbana: University of Illinois Press, 1997.
Rowley, Hazel. Richard Wright: The Life and Times. New York: Henry Holt, 2001.
Rushdy, Ashraf H. A. Neo-Slave Narratives: Studies in the Social Logic of a Literary Form. New York: Oxford University Press, 1999.
Rushdy, Ashraf H. A. Remembering Generations: Race and Family in Contemporary African American Fiction. Chapel Hill and London: University of North Carolina Press, 2001.
Rushdy, Ashraf H. A. “Ishmael Reed’s Neo-HooDoo Slave Narrative.” Narrative
2.2 (May 1994): 112–139.
Rushdy, Ashraf H. A. “Neo-Slave Narratives.” The Oxford Companion to African American Literature. Ed. William L. Andrews, Trudier Harris, and Frances Smith Foster. New York: Oxford University Press, 1997.
Rushdy, Ashraf H. A. “Reading Black, White, and Gray in 1968: The Origins of the Contemporary Narrative of Slavery.” Criticism on the Color Line: Desegregating American Literary Studies. Ed. Henry B. Wonham. New Brunswick: Rutgers University Press, 1996.
Rushdy, Ashraf H. A. “‘Relate Sexual to Historical’: Race, Resistance, and Desire in Gayl Jones’s Corregidora
.” African American Review
34.2 (Summer 2000): 273–297.
Rutledge, Gregory E. “Futurist Fiction & Fantasy: The Racial Establishment.” Callaloo
24.1 (2001): 236–252.
Sallis, James. Ash of Stars: On the Writings of Samuel R. Delany. Jackson, MS: University Press of Mississippi, 1996.
Saunders, James Robert. “Womanism as the Key to Understanding Zora Neale Hurston’s Their Eyes Were Watching God and Alice Walker’s The Color Purple
.” The Hollins Critic
25:4 (Oct. 1988): 1–11.
Scanlon, Larry. “‘Death is a Drum’: Rhythm, Modernity, and the Negro Poet Laureate.” Music and the Racial Imagination. Ed. Ronald Radano and Philip V. Bohlman. Chicago: University of Chicago Press, 2000.
Schmitz, Neil. “Neo-HooDoo: The Experimental Fiction of Ishmael Reed.” Twentieth-Century Literature. (April 1974): 126–140.
Schöpp, Joseph C. “‘Riding Bareback, Backwards Through a Wood of Words’: Ishmael Reed’s Revision of the Slave Narrative.” Historiographic Metafiction in Modern American and Canadian Literature. Ed. Bernd Engler and Kurt Miller. Germany: Ferdinand Schöningh, 1994. 267–278.
Scruggs, Charles. Sweet Home: Invisible Cities in the Afro-American Novel. Baltimore: John Hopkins University Press, 1993.
Silet, Charles L. P. The Critical Response to Chester Himes. Westport, CT: Greenwood Press, 1999.
Simmons, Philip E. Deep Surfaces. Mass Culture and History in Postmodern American Fiction. Athens: University of Georgia Press, 1997.
Simson, Rennie. “Christianity: Hypocrisy and Honesty in the Afro-American Novel of the Mid-19th Century.” University of Dayton Review
15.3 (1982): 11–16.
Singh, Amritjit. The Novels of the Harlem Renaissance: Twelve Black Writers, 1923–33. University Park: Pennsylvania State University Press, 1976.
Smith, Barbara. “Toward a Black Feminist Criticism.” 1977. African American Literary Theory: A Reader. Ed. Winston Rapier. New York: New York University Press, 2000. 132–146.
Smith, V. Self-Discovery and Authority in Afro-American Narrative. Cambridge: Harvard University Press, 1987.
Smith, Valerie. “Gender and Afro-Americanist Literary Theory and Criticism.” 1988. Within the Circle: An Anthology of African American Literary Criticism from the Harlem Renaissance to the Present. Ed. Angelyn Mitchell. Durham: Duke University Press, 1994. 482–498.
Soitos, Stephen. The Blues Detective: A Study of African American Detective Fiction. Amherst: University of Massachusetts Press, 1996.
Sollors, Werner. Neither Black Nor White Yet Both: Thematic Explorations of Interracial Literature. New York: Oxford University Press, 1997.
Starling, Marion Wilson. The Slave Narrative: Its Place in American History. Washington, DC: Howard University Press, 1988.
Stepto, Robert B. From Behind the Veil: A Study of Afro-American Narrative. Urbana: University of Illinois Press, 1979.
Stone, Albert E. The Return of Nat Turner: History, Literature and Cultural Politics in Sixties America. Athens and London: University of Georgia Press, 1992.
Stowe, Harriet Beecher. Uncle Tom’s Cabin; or, Life among the Lowly. Boston: John P. Jewett and Company; Cleveland: Jewett, Proctor & Worthington, 1852.
Sundquist, Eric J. The Hammers of Creation: Folk Culture in Modern African-American Fiction. Athens: University of Georgia Press, 1992.
Sundquist, Eric J. “The Literature of the Literature of Slavery and African American Culture.”
The Cambridge History of American Literature. Vol. 2: 1820–1865. Ed. Sacvan
Bercovitch and Cyrus R. K. Patell. Cambridge: Cambridge University Press, 1995. 239–328.
Sy, Marieme. “Dream and Language in Dunfords Travels Everywheres
.” CLA Journal
25, 4 (June 1982): 458–467.
Sylvander, Carolyn Wedin. Jessie Redmon Fauset, Black American Writer. New York: Whitston, 1981.
Tate, Claudia. Black Women Writers at Work. New York: Continuum, 1983.
Tate, Claudia. Domestic Allegories of Political Desire: The Black Heroine’s Text at the Turn of the Century. New York: Oxford University Press, 1992.
Tate, Claudia. Psychoanalysis and Black Novels: Desire and the Protocols of Race. New York: Oxford University Press, 1998.
Tate, Claudia. “Reshuffling the Deck; Or, (Re)Reading Race and Gender in Black Women’s Writing.” Tulsa Studies in Women’s Literature
7:1 (Spring 1988): 128
.
Tate, Gayle T. “Zilpha Elaw.” African American Women in America: A Historical Encyclopedia. Vol. I. Ed. Darlene Clark Hine. Brooklyn: Carlson Publishing, Inc., 1993. 388–389.
Taylor, Yuval. An Anthology of Classic Slave Narratives. Volume One 1770–1849. Volume Two. 1849–1866. Edinburgh: Payback Press, 1999.
Taylor-Guthrie, Danielle. Conversations with Toni Morrison. Jackson: University Press of Mississippi, 1994.
Towers, Robert. “Good Men Are Hard to Find.” The New York Times Book Review
29.13 (August 12, 1982): 35–36.
Tracy, Steven C. Langston Hughes and the Blues. Urbana: University of Illinois Press, 1988.
Tracy, Steven C. “The Devil’s Son-In-Law and Invisible Man
.” MELUS
15.3 (Fall 1988): 47–64.
Tracy, Steven C., ed. Write Me a Few of Your Lines: A Blues Reader. Amherst: University of Massachusetts Press, 1999.
Trotter, David. “The Modernist Novel.” The Cambridge Companion to Modernism. Ed. M. Levinson. Cambridge: Cambridge University Press, 1999.
Trouillot, Michel-Rolph. Silencing the Past: Power and the Production of History. Boston: Beacon Press, 1995.
Van Deburg, Williams L. Slavery and Race in American Popular Culture. Madison: University of Wisconsin Press, 1984.
Van Deburg, Williams L. “No Mere Mortals: Black Slaves and Black Power in American Literature, 1967–80.” South Atlantic Quarterly
83 (1984): 297–311.
Viswanathan, Meera, and
Evangelina Mancikam
. “Is Black Woman to White as Female is to Male? Restoring Alice Walker’s Womanist Prose to the Heart of Feminist Literary Criticism.” Indian Journal of American Studies
28:1–2 (1998): 15–20.
Walker, Alice, ed. I Love Myself When I Am Laughing . . . and Then Again When I Am Looking Mean and Impressive: A Zora Neale Hurston Reader. New York: The Feminist Press, 1979.
Wall, Cheryl. Women of the Harlem Renaissance. Bloomington: Indiana University Press, 1995.
Wallace, Michele. “Female Troubles: Ishmael Reed’s Tunnel Vision.” The Critical Response to Ishmael Reed. Ed. Bruce Allen Dick. Westport, CT: Greenwood Press, 1999. 183–191.
Wallace, Michele. “Ishmael Reed’s Female Troubles.” Invisibility Blues: From Pop to Theory. New York: Verso, 1990. 146–154.
Washington, Mary Helen. “‘The Darkened Eye Restored:’ Notes Toward a Literary History of African American Women. 1987. Within the Circle: An Anthology of African American Literary Criticism from the Harlem Renaissance to the Present. Ed. Angelyn Mitchell. Durham: Duke University Press, 1994. 442–453.
Weems, Robert. Desegregating the Dollar: African American Consumerism in the Twentieth Century. New York: New York University Press, 1998.
Weisenburger, Steven. Fables of Subversions: Satire and the American Novel, 1030–1980. Athens: University of Georgia Press, 1995.
Werner, Craig Hansen. Playing the Changes: From Afro-Modernism to the Jazz Impulse. Urbana: University of Illinois Press, 1994.
West, Cornel. “Black Critics and the Pitfalls of Canon Formation,” in Cornel West, Keeping Faith: Philosophy and Race in America. New York and London: Routledge, 1993.
Williams, Kemp. “The Metaphorical Contruction of Sexuality in Giovanni’s Room.” Literature and Homosexuality. Ed. Michael J. Meyer. Amsterdam: Rodolpi: 2000.
Williams, Sherley Anne. “The Lion’s History: The Ghetto Writes B[I]ack.” Soundings
76.2–3 (1993): 248
.
Williams, Sherley Anne “Some Implications of Womanist Theory.” 1990. Within the Circle: An Anthology of African American Literary Criticism from the Harlem Renaissance to the Present. Ed. Angelyn Mitchell. Durham: Duke University Press, 1994. 515–521.
Wilson, Sharon. “A Conversation with Alice Walker.” Alice Walker: Critical Perspectives Past and Present. Ed. Henry Louis Gates and Kwame Anthony Appiah. Amistad Literary Series. New York: Amistad, 1993. 319–325.
Winchell, Donna Haisty. Alice Walker. New York: Twayne Publishers, 1992.
Winslow, Henry F. “Forces of Fear.” The Crisis
60 (June–July 1953): 381–383.
Yaffe, David. “Ellison Unbound.” The Nation. March 4, 2002.
Yarborough, Richard. “The First-Person in Afro-American Fiction.” Afro-American Literary Study in the 1990s. Ed. Houston A. Baker Jr. and Patricia Redmond. Chicago: University of Chicago Press, 1989. 105–121.
Yellin, Jean Fagan. “Written by Herself: Harriet Jacob’s Slave Narrative,” American Literature
53 (1981): 479–486.
Young, Mary E. Mules and Dragons: Popular Culture Images in the Selected Writings of African-American and Chinese-American Women Writers. Westport, CT: Greenwood Press, 1993.
Zamir, Shamoon. “The Artist as Prophet, Priest and Gunslinger: Ishmael Reed’s ‘Cowboy in the Boat of Ra.’” Callaloo
17.4 (1994). 1205–1235.
Zéphir, Flore. Trends in Ethnic Identification Among Second-Generation Haitian Immigrants in New York City. Westport, CT: Bergin & Garvey, 2001.
Internet sources