True Love Leaves No Traces

As the mist leaves no scar

On the dark green hill

So my body leaves no scar

On you and never will

Through windows in the dark

The children come, the children go

Like arrows with no targets

Like shackles made of snow

True love leaves no traces

If you and I are one

It’s lost in our embraces

Like stars against the sun

As a falling leaf may rest

A moment on the air

So your head upon my breast

So my hand upon your hair

And many nights endure

Without a moon or star

So we will endure

When one is gone and far

True love leaves no traces

If you and I are one

It’s lost in our embraces

Like stars against the sun

Reusing two stanzas from a 1961 poem ‘As Mist Leaves No Scar’, this song from Death Of A Ladies’ Man (1977) reads on the page like a typical Cohen lyric of his early period. The musical treatment given it by Phil Spector, in one of his more manic phases, shows the distance Cohen had travelled musically at that time, but also suggests that he had travelled involuntarily. As such, historically if not lyrically, it represents a nadir in Cohen’s career.