Hot

CRAIG ARNOLD

I’m cooking Thai—you bring the beer.

The same order, although it’s been a year

—friendships based on food are rarely stable.

        We should have left ours at the table

where it began, and went to seed,

that appetite we shared, based less in need

than boredom—always the cheapest restaurants,

      Thai, Szechwan, taking our chance

with gangs and salmonella—what was hot?

       The five-starred curries? The penciled-out

entrees?—the first to break a sweat

would leave the tip. I raise the knocker, let

it fall, once, twice, and when the door is opened

        I can’t absorb, at first, what’s happened

—face loosened a notch, eyes with a gloss

        of a fever left to run its course

too long, letting the unpropped skin collapse

        in a wrinkled heap. Only the lips

I recognize—dry, cracked, chapped

from licking. He looks as though he’s slept

a week in the same clothes. Come in, kick back,

        he says, putting my warm six-pack

of Pale & Bitter into the fridge to chill.

        There’s no music. I had to sell

the stereo to support my jones, he jokes,

        meaning the glut of good cookbooks

that cover one whole wall, in stacked milk crates

        six high, nine wide, two deep. He grates

unripe papaya into a bowl,

fires off questions—When did you finish school?

Why not? Still single? Why? That dive

that served the ginger eels, did it survive?

I don’t get out much. Shall we go sometime?

        He squeezes the quarters of a lime

into the salad, adds a liberal squirt

        of chili sauce. I won’t be hurt

if you don’t want seconds. It’s not as hot

        as I would like to make it, but

you always were a bit of a lightweight.

        Here, it’s finished, try a bite.

He holds a forkful of the crisp

green shreds for me to take. I swallow, gasp,

choke—pins and needles shoot

through mouth and throat, a heat so absolute

as to seem freezing. I know better

not to wash it down with ice water

—it seems to cool, but only spreads the fire—

        I can only bite my lip and swear

quietly to myself, so caught

up in our old routine—What? This is hot?

You’re sweating. Care for another beer?

—it doesn’t occur to me that he’s sincere

until, my eyes watering, half in rage,

       I open the door and find the fridge

stacked full with little jars of curry paste,

       arranged by color, labels faced

carefully outward, some pushed back

to make room for the beer—no milk, no take—

out cartons of gelatinous chow mein,

       no pickles rotting in green brine,

not even a jar of moldy mayonnaise.

        —I see you’re eating well these days,

I snap, pressing the beaded glass

of a beer bottle against my neck, face,

temples, anywhere it will hurt

enough to draw the fire out, and divert

attention from the fear that follows

close behind.… He stares at me, the hollows

under his eyes more prominent than ever.

       —I don’t eat much these days. The flavor

has gone out of everything, almost.

        For the first time it’s not a boast.

You know those small bird chili pods—the type

        you wear surgical gloves to chop,

then soak your knife and cutting board

in vinegar? A month ago I scored

a fresh bag—they were so ripe

I couldn’t cut them warm, I had to keep

them frozen. I forget what I had meant

        to make, that night—I’d just cleaned

the kitchen, wanted to fool around

with some old recipe I’d lost, and found

jammed up behind a drawer—I had

maybe too much to drink. “Can’t be that bad,”

I remember thinking. “What’s the fuss

about? It’s not as if they’re poisonous …”

Those peppers, I ate them, raw—a big fistful

        shoved in my mouth, swallowed whole,

and more, and more. It wasn’t hard.

You hear of people getting their eyes charred

to cinders, staring into an eclipse

        He speaks so quickly, one of his lips

has cracked, leaks a trickle of blood

along his chin.… I never understood.

I try to speak, to offer some

small shocked rejoinder, but my mouth is numb

tingling, hurts to move—I called in sick

        next morning, said I’d like to take

time off. She thinks I’ve hit the bottle.

The high those peppers give me is more subtle—

I’m lucid, I remember my full name,

my parents’ birthdays, how to win a game

of chess in seven moves, why which and that

        mean different things. But what we eat,

why, what it means, it’s all been explained

        —Take this curry, this fine-tuned

balance of humors, coconut liquor thinned

        by broth, sour pulp of tamarind

cut through by salt, set off by fragrant

galangal, ginger, basil, cilantro, mint,

the warp and woof of texture, aubergines

        that barely hold their shape, snap beans

heaped on jasmine, basmati rice

it’s a lie, all of it—pretext—artifice

ornament—sugar-coating—for

He stops, expressing heat from every pore

of his full face, unable to give vent

        to any more, and sits, silent,

a whole minute. You understand?

Of course, I tell him. As he takes my hand

I can’t help but notice the strength his grip

      has lost, as he lifts it to his lip,

presses it for a second, the torn flesh

        as soft, as tenuous, as ash,

not in the least harsh or rough,

wreck of a mouth, that couldn’t say enough.