FILM AND CULTURE A SERIES OF COLUMBIA UNIVERSITY PRESS Edited by John Belton
What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic
Showstoppers: Busby Berkeley and the Tradition of Spectacle
Projections of War: Hollywood, American Culture, and World War II
Laughing Screaming: Modern Hollywood Horror and Comedy
Laughing Hysterically: American Screen Comedy of the 1950s
Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema
The Cinema of Max Ophuls: Magisterial Vision and the Figure of Woman
Black Women as Cultural Readers
Picturing Japaneseness: Monumental Style, National Identity, Japanese Film
Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema
This Mad Masquerade: Stardom and Masculinity in the Jazz Age
Sexual Politics and Narrative Film: Hollywood and Beyond
The Sounds of Commerce: Marketing Popular Film Music
Orson Welles, Shakespeare, and Popular Culture
Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, 1930–1934
Sound Technology and the American Cinema: Perception, Representation, Modernity
Melodrama and Modernity: Early Sensational Cinema and Its Contexts
Wondrous Difference: Cinema, Anthropology, and Turn-of-the-Century Visual Culture
Hearst Over Hollywood: Power, Passion, and Propaganda in the Movies
Masculine Interests: Homoerotics in Hollywood Film
Special Effects: Still in Search of Wonder
Designing Women: Cinema, Art Deco, and the Female Form
Cold War, Cool Medium: Television, McCarthyism, and American Culture
Katharine Hepburn: Star as Feminist
Silent Film Sound
Home in Hollywood: The Imaginary Geography of Hollywood
Hollywood and the Culture Elite: How the Movies Became American
Taiwan Film Directors: A Treasure Island
Shocking Representation: Historical Trauma, National Cinema, and the Modern Horror Film
ADAM LOWENSTEIN
China on Screen: Cinema and Nation
The New European Cinema: Redrawing the Map
ROSALIND GALT
George Gallup in Hollywood
Electric Sounds: Technological Change and the Rise of Corporate Mass Media
The Impossible David Lynch
Sentimental Fabulations, Contemporary Chinese Films: Attachment in the Age of Global Visibility
Hitchcock’s Romantic Irony
Intelligence Work: The Politics of American Documentary
Eye of the Century: Film, Experience, Modernity
Shivers Down Your Spine: Cinema, Museums, and the Immersive View
Weimar Cinema: An Essential Guide to Classic Films of the Era
African Film and Literature: Adapting Violence to the Screen
Film, A Sound Art
Film Studies: An Introduction
Hollywood Lighting from the Silent Era to Film Noir
Levinas and the Cinema of Redemption: Time, Ethics, and the Feminine
Counter-Archive: Film, the Everyday, and Albert Kahn’s Archives de la Planète
Indie: An American Film Culture
Pretty: Film and the Decorative Image
Film and Stereotype: A Challenge for Cinema and Theory
Chinese Women’s Cinema: Transnational Contexts
Hideous Progeny: Disability, Eugenics, and Classic Horror Cinema