PARADISE: PART TWO

  1.     ‘He bent a firm, gentle look’: Intimate Memoirs, p. 245

  2.     ‘everlasting loneliness’: Suppressed Memoirs, p. 129

  3.     ‘protested strongly’: Lorenzo in Taos, p. 251

  4.     ‘a memory rushed back … destructive’: Suppressed Memoirs, pp. 157–8

  5.     ‘For the first time’: Suppressed Memoirs, p. 161

  6.     ‘That damn bitch of Dr Sherman’s’: Suppressed Memoirs, p. 198

  7.     ‘I could never overcome’: Suppressed Memoirs, p. 131

  8.     ‘some strong solution’: Intimate Memories, p. 301

  9.     ‘ghastly secret things’: Suppressed Memoirs, p. 131

  10.   ‘often wished one of those old men’: Suppressed Memoirs, p. 138

  11.   ‘I have a very bad Oedipus complex’: Corresponding Lives, p. 51

  12.   ‘family secret’: Suppressed Memoirs, p. 26

  13.    ‘My father’: Suppressed Memoirs, p. 30

  14.    ‘had to have’: Suppressed Memoirs, p. 52

  15.    ‘If you ever so much’: Suppressed Memoirs, p. 105 and endnote p. 211

  16.    ‘We have injured one another’: Suppressed Memoirs, p. 128

  17.    Consumption shaped New Mexico: see Nancy Owen Lewis, Chasing the Cure in New Mexico: Tuberculosis and the Quest for Health (University of New Mexico Press, 2016)

  18.    ‘Mabel marched in and packed her up’: Mabel, p. 190

  19.   And Frieda asked Mabel: Lorenzo in Taos, p. 105

  20.   ‘to the very worst climates’: Lorenzo in Taos, p. 129

  21.   ‘It was like the end of the world’: Kangaroo, p. 349

  22.   ‘a dynamo’: Carl Van Vechten, Peter Whiffle (Alfred A. Knopf, 1922), p. 163

  23.   ‘You don’t know your floor’: Lorenzo in Taos, p. 73

  24.   ‘half-distressed and half-amused’: Lorenzo in Taos, pp. 73–4

  25.   ‘our fingers touched in the soap-suds’: Lorenzo in Taos, p. 71

  26.   ‘A woman is a woman’: Lorenzo in Taos, p. 74

  27.   ‘the first reaction on me of America itself’: Letters, 28 November 1922

  28.   ‘nightmares’: Studies in Classic American Literature, p. lii

  29.   ‘The Perfectibility Of Man’: ‘Benjamin Franklin’, p. 20

  30.   ‘Americanising’: Letters, 11 November 1922

  31.   ‘sharper, quicker’: Letters, 19 November 1922

  32.   ‘I AM HE … CHUFFFF!’: ‘Whitman’ (1921–2), in Studies in Classic American Literature, pp. 421–2

  33.   ‘You may think them too violent now’: Letters, 28 November 1922

  34.   ‘Paolo and Francesca’: Letters, 14 November 1922

  35.   ‘put down exactly’: Ezra Pound, ‘Patria Mia: V’, New Age, vol. 11, no. 23 (3 October 1912), pp. 539–40

  36.   ‘a sort of double meaning’: ‘The Spirit of Place’ (final version), in Studies in Classic American Literature, pp. 14–15

  37.   ‘nice-as-pie’: D. H. Lawrence, ‘Nathaniel Hawthorne and The Scarlet Letter’, in Studies in Classic American Literature, p. 81

  38.   ‘Never trust the artist’: ‘The Spirit of Place’ (final version), p. 14

  39.   ‘It is love that causes’: D. H. Lawrence, ‘Edgar Allan Poe’, p. 69

  40.   ‘He died wanting more love’: ‘Edgar Allan Poe’, p. 80

  41.   ‘from her head’: Knut Merrild, A Poet and Two Painters: A Memoir of D. H. Lawrence (Routledge, 1938), p. 36

  42.   ‘not physically attractive to women … – like that!’: Lorenzo in Taos, pp. 90–1

  43.   ‘was hopelessly empty’: A Poet and Two Painters, p. 99

  44.   ‘We have to go on, on, on’: ‘Herman Melville’s Moby Dick’, p. 146

  45.   ‘The greatest seer’: ‘Herman Melville’, p. 288

  46.   ‘The greatest seer and poet of the sea for me’: ‘Herman Melville’s Typee and Omoo’, in Studies in Classic American Literature, p. 122

  47.   ‘This is thy body’: ‘Herman Melville’s Typee and Omoo’, p. 125

  48.   ‘At first you are put off by the style’: ‘Herman Melville’s Typee and Omoo’, p. 133

  49.   ‘hunted, hunted’: ‘Herman Melville’s Moby Dick’, p. 146

  50.   ‘white as lard’: Lorenzo in Taos, p. 183

  51.   ‘found Paradise’: Raymond Weaver, Herman Melville: Mariner and Mystic (G. H. Doran, 1921), p. 250

  52.   ‘the inmost leaf … a crabbed and darkly’: Mariner and Mystic, pp. 323–4

  53.   ‘volcanic in energy’: Mariner and Mystic, p. 28

  54.   ‘was so much greater than the man’: ‘Herman Melville’s Typee and Omoo’, p. 134

  55.   ‘hated the world’: ‘Herman Melville’s Typee and Omoo’, p. 126

  56.   ‘But I should not have been happy’: ‘Herman Melville’s Typee and Omoo’, p. 126

  57.   ‘No more Typees’: ‘Herman Melville’s Typee and Omoo’, p. 131

  58.   ‘Poor Melville!’: ‘Herman Melville’s Typee and Omoo’, p. 128

  59.   ‘pin ourselves … That is life’: ‘Herman Melville’s Typee and Omoo’, pp. 128–9

  60.   ‘a snake and poison and a sick man’: Lorenzo in Taos, p. 113

  61.   ‘will had been defeated’: Lorenzo in Taos, p. 113

  62.   ‘She wants to bully me’: A Poet and Two Painters, p. 30

  63.   ‘To quote Lawrence’: A Poet and Two Painters, p. 89

  64.   ‘enjoying the deep forceful’: A Poet and Two Painters, pp. 99–100

  65.   ‘When I think of it now’: A Poet and Two Painters, pp. 101–2

  66.   ‘going off the stage’: A Poet and Two Painters, p. 143

  67.   ‘So there you are’: A Poet and Two Painters, p. 173,

  68.   ‘the most disinterested’: A Poet and Two Painters, p. xvii

  69.   ‘underdeveloped, athletically speaking’: A Poet and Two Painters, p. 208

  70.   ‘hermaphrodite’: A Poet and Two Painters, p. 208

  71.   ‘a rotten, false, self-conscious’: Lorenzo in Taos, p. 134

  72.   ‘I wish now to break the connection’: Letters, 3 February 1923

  73.   ‘Mountsier didn’t believe’: Letters, 7 February 1923

  74.   ‘Feel as if old moorings’: Letters, 2 February 1923

  75.   ‘I don’t feel angry’: Lorenzo in Taos, p. 112

  76.   ‘Lawrence was theatre’: Journey with Genius, p. 63

  77.   ‘bony, pinched, pigeon-breasted’: A Poet and Two Painters, p. 206

  78.   ‘a lake-city, like Mexico’: Aaron’s Rod, p. 288

  79.    ‘strain on the nerves’: D. H. Lawrence, ‘Au Revoir, USA’, in Mornings in Mexico and Other Essays, p. 131

  80.    ‘some written “history”’: Lorenzo in Taos, p. 253

  81.    ‘grovelled’: Journey with Genius, p. 46

  82. ‘gruesome’: Letters, 28 March 1923

  83.    ‘same old dragon’s blood’: ‘Au Revoir, USA’, p. 132

  84.    ‘vibrations in the ether’: ‘The Spirit of Place’ (first version), p. 173

  85.    ‘I hear Mabel married Tony’: Lorenzo in Taos, p. 114

  86.   ‘I would never venture seriously to judge’: Lorenzo in Taos, p. 273

  87.   ‘“Really!” Mr. May seemed smitten’: The Lost Girl, p. 250

  88.   ‘Your world must have come tumbling … In my head ’: Letters, 30 May 1923

  89.   ‘The Indians will save’: New Woman, New Worlds, p. 183

  90.   ‘Did I feel a twinge’: D. H. Lawrence, ‘Surgery for the Novel – or a Bomb’, in Phoenix I, p. 520

  91.   ‘I should never be able to write’: Letters, 21 April 1921

  92.   ‘full dazzling gold … life withheld ’: D. H. Lawrence, The Plumed Serpent, ed. L. D. Clark (Cambridge University Press, 1987), p. 87

  93.   ‘Chapala paradise’: Letters, 1 May 1923

  94.   ‘began to slant downward’: Journey with Genius, p. 31

  95.   ‘With the tongue of a singing serpent’: Journey with Genius, p. 135

  96.   ‘catch the spirit’: D. H. Lawrence, ‘America, Listen to Your Own’, New Republic, 15 December 1920, p. 69

  97.   ‘real novel of America’: Letters, 15 June 1923

  98.   ‘establish a system’: D. H. Lawrence, Quetzalcoatl, ed. N. H. Reeve (Cambridge University Press, 2011), p. 218

  99.   ‘skipping, butting’: Quetzalcoatl, pp. 319, 320, 324

  100.   ‘No … my new novel has nothing’: Letters, 19 August 1923

  101.   ‘red’: Quetzalcoatl, p. 312

  102.   ‘When I feel sick I want to go back’: Letters, 3 May 1923

  103.   ‘He can go to blazes’: Dying Game, p. 124

  104.   ‘It drove me crazy’: F. A. Lea, The Life of John Middleton Murry (Oxford University Press, 1960), pp. 177–8

  105.   ‘Fantasia was more than a book’: John Middleton Murry, Reminiscences of D. H. Lawrence (Henry Holt, 1933), p. 163

  106.   ‘I would prepare the place for him’: John Middleton Murry, Son of Woman: The Story of D. H. Lawrence (Jonathan Cape, 1931), p. 328

  107.   ‘I should like to stay a night’: Letters, 20 August 1923

  108.   ‘sixty years ago’: Letters, 24 August 1923

  109.   ‘knew it out of the air … saw your mother’: Lorenzo in Taos, p. 117

  110.   ‘Peccavi, peccavi’: Letters, 19 November 1923

  111.   ‘may even yet be the rounding’: Lorenzo in Taos, p. 119

  112.   ‘I submitted my will to him’: Lorenzo in Taos, p. 134

  113.   ‘take your submission’: Lorenzo in Taos, p. 120

  114.   ‘Don’t trouble about the Indians’: Lorenzo in Taos, p. 120

  115.   ‘to keep an invisible thread’: Lorenzo in Taos, p. 122

  116.   ‘the whole strange episode’: Reminiscences of D. H. Lawrence, p. 165

  117.   ‘the death-grey coast … Not a man left: D. H. Lawrence, ‘On Coming Home’, in Phoenix II, pp. 250–6

  118.   ‘chumminess’: Savage Pilgrimage, p. 192

  119.   ‘I can’t bear it … attack everything’: Son of Woman, p. 331

  120.   ‘As if that weren’t what I want’: Dying Game, p. 145

  121.   ‘dull, heavy, mortified half-light’: D. H. Lawrence, ‘Dear Old Horse: A London Letter’, no. 10, Laughing Horse (May 1924), pp. 3–6

  122.   ‘deaf, forty, very nice’: Lorenzo in Taos, p. 130

  123.   ‘intelligent, witty and brilliant’: Sean Hignett, Brett: From Bloomsbury to New Mexico (Franklin Watts, 1983), p. 29

  124.   ‘If it were not for my painting’: Brett, p. 32

  125.   ‘On or about December 1910’: Virginia Woolf, Mr Bennett and Mrs Brown (The Hogarth Press, 1924), p. 4

  126.   ‘was not quick enough’: Brett, pp. 30–1. The section of My Long and Beautiful Journey relating to Brett’s time with Lawrence in New Mexico was published in the South Dakota Review, June 1967, pp. 11–71. The manuscript is otherwise in private hands

  127.   ‘ambidextrous … found out’: Brett, p. 32

  128.   ‘I love you so much’: Brett, p. 82

  129.   ‘a mild attack of malaria’: Savage Pilgrimage, p. 200

  130.   ‘gloom – yellow air’: Letters, 17 December 1923

  131.   ‘I don’t belong over here’: Lorenzo in Taos, p. 128

  132.   The host arrived late: Dorothy Brett, Lawrence and Brett: A Friendship (Lippincott, 1933), p. 21

  133.   “You’ll see I’m quite up to this”: Savage Pilgrimage, p. 206

  134.   ‘I am not a man’: Lawrence and Brett, p. 21

  135.   ‘murderous dislike’: Savage Pilgrimage, p. 208

  136.   ‘Did the search, the adventure’: Savage Pilgrimage, p. 210

  137.   ‘I like you, Lawrence’: Savage Pilgrimage, pp. 211

  138.   ‘Lawrence is a great man’: Savage Pilgrimage, p. 209

  139.   ‘suddenly you put your arm’: Son of Woman, p. 388

  140.   ‘I love you Lorenzo’: Reminiscences of D. H. Lawrence, p. 175

  141.   ‘I have betrayed you’: Savage Pilgrimage, p. 212

  142.   ‘an affair between men … detached’: Savage Pilgrimage, p. 212

  143.   ‘I made a fool of myself’: Savage Pilgrimage, p. 213

  144.   ‘in a moment of vision’: Reminiscences of D. H. Lawrence, p. 171

  145.   ‘started attacking you’: Lawrence and Brett, p. 32

  146.   ‘an outpouring stream’: Lorenzo in Taos, p. 131

  147.   ‘One’s got to put a new ripple’: Lorenzo in Taos, p. 135

  148.   ‘The great god Pan is dead!’: Plutarch, Moralia, vol. v, trans. F. C. Babbitt (Loeb Classical Library, 1936), p. 402

  149.   ‘no seriousness’: Lorenzo in Taos, p. 135

  150.   ‘We’ll laugh last’: Lorenzo in Taos, p. 128

  151.   ‘the ever-ready amused jeer’: Lawrence and Brett, p. 30

  152.   ‘pleasant devil’s voice’: Journey with Genius, p. 4

  153.   ‘thin man with a red beard … lightning’: D. H. Lawrence, ‘The Last Laugh’, in The Woman Who Rode Away and Other Stories (Penguin, 1950), pp. 131–47

  154.   ‘a man who sees Pan by daylight’: D. H. Lawrence, ‘Pan in America’, in Mornings in Mexico and Other Essays, p. 160

  155.   ‘The return of Lawrence is great news’: Brett, p. 135

  156.   ‘Thirty years ago in literary circles’: W. Somerset Maugham, Cakes and Ale; Or, the Skeleton in the Cupboard (Doubleday, 1930), pp. 331–2

  157.   ‘Dear Old Horse’: ‘Dear Old Horse: A London Letter’, pp. 3–6