BIBLIOGRAPHY
SELECTED ARTICLES AND TRANSCRIPTS
Aston, Paul. “Artist Hypnotized by ‘Conman.’” The Birmingham Post, Oct. 7, 1998.
Athineos, Doris. “The Book in Fakes.” Forbes, Mar. 24, 1997.
Atkinson, Steve. “Artful Forger: Mad Genius Who Plotted the Biggest Art Fraud of the Century.” The Mirror, Feb. 13, 1999.
Bailey, Martin. “The Biggest Contemporary Art Fraud of the Century.” Art Newspaper 10, no. 90 (March 1999).
Bale, Joanna. “Mystery Man Made Fraud an Art” and “Art World Corrupted by Pounds 250 Fakes.” The Times (London), Feb. 13, 1999.
Booth, Jennifer. “Dr. Drewe—A Cautionary Tale.” Art Libraries Journal 28, no. 2 (2003).
Bradley, Theresa. “Painting Fakes: Art Forger John Myatt Became a Cult Hero—After Doing His Time in Prison.” ABC News, Mar. 2003.
Buncombe, Andrew. “Art Fraud Suspect Dismisses Lawyers.” The Independent (London), Sep. 25, 1998.
——. “Art Fraud of the Century Fooled Tate.” The Independent (London), Feb. 13, 1999.
Cebik, L. B. “On the Suspicion of an Art Forgery.” Journal of Aesthetics and Art Criticism 47, no. 2 (Spring 1989).
Cheston, Paul. “Art Fraudster Sold £1M Forgeries by Fixing Tate Records.” The Evening Standard (London), Feb. 12, 1999.
Craven, Nick. “Faker’s Picture Scam Undermined Art World.” The Daily Mail (London), Sep. 24, 1998.
Davis, Douglas. “The Billion-Dollar Picture?” Art in America 76 (July 1988).
De Paulo, Bella et al. “Cues to Deception.” Psychological Bulletin 129, no. 1 (2003).
Ede, Charisse. “Painter Jailed for Fraud of Century.” The Birmingham Post, Feb. 16, 1999.
Ede, Charisse, and Martin Stote. “Portrait of the Artist as an Impressionable Conman.” The Birmingham Post, Feb. 13, 1999.
Esterow, Milton. “Fakes, Frauds, and Fake Fakers.” ARTNews 104, no. 6 (June 2005).
Frey, Bruno. “Art Fakes? What Fakes: An Economic View.” Institute for Empirical Economic Research, University of Zurich, July 12, 1999.
Friedlander, Max. “On Forgeries.” Burlington 78 (May 1941).
Gentleman, Amelia. “Fakes Leave Art World in Chaos.” The Guardian (London), Feb. 13, 1999.
Gizmet, Richard. “Up Close: John Myatt.” ABC News Transcripts, Jan. 17, 2003.
Glaister, Dan. “Which Is the Fake?” The Guardian (London), June 15, 1996.
Gleadell, Colin. “Artful Forger Convicted.” Art & Auction 21, no. 13 (March 15-31, 1999).
——. “The Fake’s Progress.” Art Monthly no. 225 (April 1999).
——. “The Art Detective.”Daily Telegraph, July 8, 2002.
Gray, Paul. “Fakes That Have Skewed History.” Time, May 16, 1983.
Grubin, Don. “Commentary: Getting at the Truth About Pathological Lying.” Journal of American Academy of Psychiatry and Law 33, no. 3 (2005).
Harman, Alan. “Art Crime Linked to Drugs and Arms.” Law & Order (May 1995).
Heartney, Eleanor. “Artists vs. the Market.” Art in America 76, no. 5 (May 1988).
Hirschberg, Lynn. “The Four Brushmen of the Apocalypse.” Esquire, March 1987.
Honigsbaum, Mark. “The Master Forger.” The Guardian (London), Dec. 8, 2005.
Howe, Melvyn. “Puppet Master.” The Journal (Newcastle), Feb. 13, 1999.
Hughes, Robert. “Sold!” Time, Nov. 27, 1989.
——. “Brilliant, But Not for Real.” Time, May 7, 1990.
James, Marianne. “Art Crime.” Australian Institute of Criminology no. 170 (October 2000).
Januszczak, Waldemar. “All Nash and No Bite—The ICA Has Become a Playground for a Declining Civilization.” The Guardian (London), Sept. 19, 1987.
Karpman, Ben. “From the Autobiography of a Liar.” Psychiatric Quarterly 23, no. 3 (1949).
Katz, Donald. “Art Goes to Wall Street.” Esquire, July 1989.
Kennick, W. E. “Art and Inauthenticity.” Journal of Aesthetics and Art Criticism 44, no. 1 (Autumn 1985).
Koenigsberg, Lisa. “Art as a Commodity? Aspects of a Current Issue.” Archives of American Art Journal 29, no. 3/4 (1989).
Landsman, Peter. “A 20th-Century Master Scam.” New York Times Magazine, July 18, 1999.
Lyall, Sarah. “After Stint of Crime, Art Forger Sells Genuine Fakes.” New York Times, Mar. 4, 2006.
Moss, Stephen. “What’s Wrong with This Picture?” The Guardian (London), Feb. 20, 1999.
Murphy, Marina. “The Art of Deception.” Chemistry & Industry no. 19 (October 4, 2004).
O’Neil, Eamonn. “The Art of Deception.” The Scotsman, July 6, 2002.
O’Sullivan, Eckman. “A Few Can Catch a Liar.” Psychological Science 10, no. 3 (1999).
Patton, Lucy. “Hundreds of Forgeries Made a Million: Mastermind Who Fooled Art World.” The Herald (Glasgow), Feb. 13, 1999.
Phillips, Deborah. “Bright Lights Big City.” ARTNews 84 (September 1985).
Polk, Kenneth. “Unveiling Secrets and Lies: Examining Threats to Collections of Art.” Keynote Address, University of Melbourne, Oct. 9, 2001, presented at the Australian Registrars Committee Conference.
Poltz, Kim, and Maggie Malone. “Golden Paintbrushes.” Newsweek, Oct. 15, 1984.
Riding, Alan. “Art Fraud’s New Trick: Add Fakes to Archive.” New York Times, June 19, 1996.
Rubin, Gareth. “I Could Still Dupe the Art World with My Forgeries But I’d Never Risk Going Back to the Hell of Jail.” The Express on Sunday (London), Mar. 30, 2003.
Selling, Lowell. “The Psychiatric Aspects of the Pathological Liar.” The Nervous Child 1, (1942).
Serafin, Amy. “Believe It or Not.” Art & Auction 30 (2007).
Shaw, Adrian. “Conman Gets 6 Years for Pounds 1 Million Art Racket.” The Mirror, Feb. 16, 1999.
Smith, Roberta. “Rituals of Consumption.” Art in America 76, no. 5 (May 1988).
Spiegler, Marc. “The Giacometti Legacy: A Struggle for Control.” ARTNews 103, no. 9 (October 2004).
Tooze, Steve. “How I Forged My Career as a Con Artist.” The Mirror, Oct. 7, 2000.
Walker, Richard. “The New Grand Acquisitors.” ARTNews 84 (September 1985).
Wallis, Stephen. “Dubuffet Fakes Make Foundation Target.” Art & Auction 21, no. 18 (June 1-15, 1999).
Wood, Joe. “Pounds 1 M of Art Made With Mud, Salt and a Hoover Bag.” Daily Record (Glasgow), Feb. 13, 1999.
Zemel, Carol. “What Becomes a Legend.” Art in America 76, no. 7 (1988).
BOOKS
Burnham, Sophy. The Art Crowd. New York: D. McKay, 1973.
Checkland, Sarah Jane. Ben Nicholson: The Vicious Circles of His Life & Art. London: John Murray, 2000.
Clifford, Irving. Fake! The Story of Elmyr de Hory—The Greatest Art Forger of Our Time. New York: McGraw-Hill, 1969.
Cole, Lyn. Contemporary Legacies: An Incomplete History of the ICA 1947-1990, unpublished.
Dolnick, Edward. The Rescue Artist: A True Story of Art, Thieves, and the Hunt for a Missing Masterpiece. New York: HarperCollins, 2005.
Dutton, Denis, ed. The Forger’s Art: Forgery and the Philosophy of Art. Berkeley: University of California Press, 1983.
Dutton, Denis. “Authenticity in Art.” In
The Oxford Handbook of Aesthetics, edited by Jerrold Levinson. New York: Oxford University Press, 2003; found at
denisdutton.com/essays.htm.
——. “Art Hoaxes” and “Han van Meegeren.”
Encyclopedia of Hoaxes, edited by Gordon Stein. Detroit: Gale Research, 1993; found at
denisdutton.com/essays.htm.
Ford, Charles. Lies!, Lies!!, Lies!!!: The Psychology of Deceit. Arlington, VA: American Psychiatric Publishing, 1999.
Gibson, Ian. The Shameful Life of Salvador Dalí. New York: W.W. Norton, 1998.
Godley, John. Master Art Forger: The Story of Han van Meegeren. New York: Wilfred Funk, 1951.
Goodrich, David. Art Fakes in America. New York: Viking, 1973.
Hayden-Guest, Anthony. True Colors: The Real Life of the Art World. New York: Atlantic Monthly Press, 1998.
Haywood, Ian. Faking It: Art and the Politics of Forgery. New York: St. Martin’s Press, 1987.
Hebborn, Eric. The Art Forgery’s Handbook. New York: Overlook Press, 1997.
——. Drawn to Trouble: Confessions of a Master Forger. New York: Random House, 1993.
Hoving, Thomas. False Impressions: The Hunt for Big-Time Art Fakes. New York: Simon and Schuster, 1997.
Jones, Mark, ed. Why Fakes Matter: Essays on Problems of Authenticity. Published for the Trustees of the British Museum. London: British Museum Press, 1992.
Jones, Mark, ed., with Paul Craddock and Nicolas Barker. Fake? The Art of Deception. Berkeley: University of California Press, 1990.
Keating, Tom, Frank Norman, and Geraldine Norman. The Fake’s Progress: Tom Keating’s Story. London: Hutchinson, 1977.
Lacey, Robert. Sotheby’s: Bidding for Class. London: Little Brown, 1998.
Lord, James. Mythic Giacometti. New York: Farrar Straus Giroux, 2004.
——. Giacometti: A Biography. New York: Farrar Straus Giroux, 1983.
Magnusson, Magnus. Fakers, Forgers & Phoneys: Famous Scams and Scamps. Edinburgh: Mainstream Publishing, 2006.
Mason, Christopher. The Art of the Steal: Inside the Sotheby’s-Christie’s Auction House Scandal. New York: Berkley Books, 2005.
Mellor, David, ed. Fifty Years of the Future: A Chronicle of the Institute of Contemporary Arts. London: Institute of Contemporary Arts, 1998.
Moss, Norman. The Pleasures of Deception. London: Chatto & Wirdus, 1977.
Polsky, Richard. I Bought Andy Warhol. New York: Bloomsbury, 2005.
Radnoti, Sandor. The Fake: Forgery and Its Place in Art. Translated by Ervin Dunai. Lanham, MD: Rowman & Littlefield, 1999.
Savage, George. Forgeries, Fakes, and Reproductions: A Handbook for the Collector. London: Barrie and Rockliff, 1963.
Schuller, Sepp. Forgers, Dealers, Experts: Strange Chapters in the History of Art. Translated by James Cleugh. New York: Putnam, 1960.
Sotheby’s. The Collection of Jean-Yves Mock. London: Sotheby’s, 2005.
Spencer, Ronald, ed. The Expert Versus the Object: Judging Fakes and False Attributions in the Visual Arts. New York: Oxford University Press, 2004.
Sylvester, David. Looking at Giacometti. New York: Henry Holt, 1994.
Watson, Peter. From Manet to Manhattan: The Rise of the Modern Art Market. New York: Random House, 1992.
——. Sotheby’s: The Insider Story. New York: Random House, 1997.
Wright, Christopher. The Art of the Forger. New York: Dodd, Mead, 1984.