INTRODUCTION
“We’re basically Americans”: Eisenhart 1987.
“Nobody’s making any real”: Garcia et al. 1972, xix.
“The Grateful Dead is not for”: Garcia et al. 1972, 100.
“Those flowers”: Cutler 2010, 220–21.
PART 1: ECSTASY
“I had always wanted to do psychedelics”: Greenfield 1996, 55.
Yeats reported that: Dunaway 1989, 286.
As his daily concerns evaporated: Dunaway 1989, 289.
“All I am suggesting”: Huxley 1954, 73.
“I think it had a dirt floor”: Jackson 1999, 55.
“The clarinet had that lovely”: Jackson 1999, 8.
“I’ve always wanted to be able”: McNally 2002, 14.
By the time Garcia’s opened: Issel and Cherny 1986, 59.
“We were aware that the bulk of the people”: Issel and Cherny 1986, 109.
“Like the drifters who rode west”: Thompson 1966, 58.
“We knew about the beatniks”: Greenfield 1996, 10–11.
Poet Kenneth Rexroth: Davidson 1989, 11.
The earlier San Francisco literature: Foley 2001, 8.
“Local and itinerant poets”: Caples et al. 2013, xix.
“West Coast of those days”: Davidson 1989, 29.
“You sensed that everybody”: Jarnot 2012, 125.
“My view of the Dionysian”: Davidson 1989, 49.
Responding to a heckler: Jarnot 2012, 135.
“Only by chancing the ridiculous”: Green and Levy 2003, ix.
“We had been trying for a whole decade”: Meltzer 2001, 41–42.
The Beat poets were “wild-ass carpetbaggers”: Caples et al. 2013, xix.
“I was a young writer and I wanted to take off”: Kerouac 1957, 8.
Moriarty was “a sideburned hero of the snowy West”: Kerouac 1957, 7–8.
But for all their high spirits: Kerouac 1957, 117.
Later Sal admits: Kerouac 1957, 126.
“This madness would lead nowhere”: Kerouac 1957, 128.
“We were all delighted”: Kerouac 1957, 134.
“My mother remarried”: Garcia et al. 1972, 2.
“We’d hang out in front of the Anxious Asp”: Jackson 1999, 23.
“This was when they were coming”: Wally Hedrick, Smithsonian interview, 1974.
Reviewing his work of that period: Solnit 2004.
“There is, no doubt”: Hedrick file, SFAI archive.
Years later, Garcia gave the same advice: Greenfield 1996, 99.
Garcia learned from Hedrick: McNally 2002, 24.
“Wally and Jay’s house”: Hedrick file, SFAI archive.
“I like to hear every note”: Jackson 1999, 75.
“This big limo pulled up”: Greenfield 1996, 13–14.
McClure ingested: Smith 1995, 247.
Influenced by their example: Ellingham and Killian 1998, 50.
“There was no market for art”: Bruce Conner, Smithsonian interview, 1974.
“Then in the next couple of years”: Jack Kerouac Collection audiotape booklet.
“I wanted to do something”: DeCurtis 1993.
“I wanted so badly”: Jackson 1999, 25.
“That’s where my life began”: Troy 1994, 27.
But there was nothing: Hajdu 2001, 10.
“It not was merely”: Hajdu 2001, 12.
When Dylan arrived in New York: Smith 2011.
Paul Kantner and David Freiberg: Parrish 2014.
“When Joan Baez’s first record came out”: Gleason 1969, 309.
“When I got into folk music”: Gleason 1969, 327.
“It could have been at some longshoremen’s hall”: Cohen 1968, in Perchuk and Singh 2010.
He also explored avant-garde film: Igliori 1996, 25–26.
In his view, anything that “changed consciousness”: Cohen 1968, in Perchuk and Singh 2010.
Smith later noted its: Cohen 1968, in Igliori 1996.
“We would visit her apartment”: Jackson 1999, 39.
“For me it was the Harry Smith anthology”: Jackson 1992, 210–11.
For a young Bob Dylan: Marcus 2011, 30.
“I have never had better acid”: Brown et al. 2009, 19.
“I couldn’t figure out why they were paying me”: Mikkelsen 2013.
“I do not contend that driving people crazy”: Lee and Shlain 1985, 37.
“God,” Garcia said: McNally 2002, 43.
A Berkeley native and jazz trumpeter: Lesh 2005, 14.
Precisely because music didn’t endure: Berio 2006, 63.
The purpose of City Scale: Bernstein 2008, 64.
“He would walk around the Chateau”: Lesh 2005, 30.
“I’d go over there and see these charts”: Greenfield 1996, 64.
“Ken was a competitive writer”: McMurtry 2009, 22.
A popular teacher whose work and outlook: Fradkin 2009, 131.
“Eight o’clock every Tuesday morning”: Kesey 2002, vii.
“Everybody I knew had read On the Road”: Gibney and Ellwood 2011.
Vic Lovell, the psychologist to whom: Stone 2007, 94–95.
It was just as well, Kesey said: Brightman 1998, 21–22.
“Many of the bands came around”: Stone, in George-Warren 1995.
The alcoholic Kerouac: Gibney and Ellwood 2011.
“I thought this was as American as you could get”: Gibney and Ellwood 2011.
“Everybody looks like animals”: Greenfield 1996, 57.
“Everything was okay”: Greenfield 1996, 57.
Monroe’s band, the Blue Grass Boys: Smith 2000, x–xi.
Garcia cut his hair: Jackson 1999, 62; McNally 2002, 71.
Bruce kept those lawyers busy: Krassner 1993, 67.
The accompanying note: Krassner 1993, 77.
“I learned so much, it was incredible”: McNally 2002, 73.
Weir taped Kaukonen’s coffeehouse performances: Gleason 1969, 312.
“The Beatles were why we turned from a jug band”: Jackson 1999, 67.
It hit him like “a big soft pillow”: Lesh 2005, 40.
“I was twenty-four years old”: Lesh 2005, 34.
Lesh recalled, “Things started”: Lesh 2005, 36.
Much to the disappointment: Greenfield 1996, 67.
“Listen, man,” Garcia said: Lesh 2005, 46–47.
“Jerry took a real leap there”: Greenfield 1996, 65.
“Pigpen was the only guy in the band”: Jackson 1992, 29.
“That’s the first time I had the experience of being high”: McNally 2002, 21.
As the band’s front man: Scully and Dalton 1996, 29.
“When LSD hit the streets”: McNally 2002, 104.
“When I first saw the Warlocks”: Private correspondence, Grateful Dead Archive.
By the fifth set: McNally 2002, 88.
“That’s what’s wrong with the Cow Palace shows”: Gleason 1969, 3.
“George was the first hippie I ever saw”: Grushkin 1999, 68.
“We completely decorated the place”: Sculatti and Seay 1985, 33.
“About four hundred or five hundred people showed up”: Weller 2012.
According to Ralph Gleason: Gleason 1969, 6.
“They entered into the occasion”: Gleason 1969, 8.
“Lady, what this little séance”: McNally 2002, 96.
“You guys will never make it”: Lesh 2005, 61.
The San Jose Mercury: Lesh 2005, 66.
“Actually, Jerry didn’t love that scene”: Greenfield 1996, 71.
“The idea of dealing with motorcycle gang members”: Greenfield 1996, 71.
“We were younger than the Pranksters”: Greenfield 1996, 73.
“They were our first and best audience”: Saffra and Talbot 1987.
“When it was moving right”: Lydon 1969.
As one insider noted later: Scully and Dalton 1996, 45.
“Everything else on the page went blank”: McNally 2002, 100.
But when they arrived: Graham and Greenfield 1992, 124.
“The band went on”: Greenfield 1996, 77.
“We’d never seen anyone play like that before”: Greenfield 1996, 74.
“We’ll have to wipe the mikes”: Selvin 1999, 45.
“Garcia sort of put down his guitar”: Greenfield 1996, 77.
“Kesey was the kind of guy”: Gans 1993, 299.
“I was standing in the hall”: Greenfield 1996, 74.
Lesh said they also lacked a sound engineer: Gans 1993, 307.
Festooned with movie screens: Scully and Dalton 1996, 14.
“Close up, the bizarre nature”: Scully and Dalton 1996, 19.
It was, according to one music scholar: Bernstein 2008, 5
“It was the beginning of the Grateful Dead”: Bernstein 2008, 243–44.
“Nothing. A bust, a bore”: Gleason 1969, 18.
“The truth about the Trips Festival”: Gleason 1969, 21–22.
“And so the Grateful Dead was blasting away”: Bernstein 2008, 248.
“I remember the Merry Pranksters were there”: Graham and Greenfield 1992, 136.
“There was a guy standing there in a space suit”: Graham and Greenfield 1992, 139.
Wandering around the venue: Graham and Greenfield 1992, 139.
“I had some sense”: Graham and Greenfield 1992, 139–40.
“I just thought it was the most touching thing”: Graham and Greenfield 1992, 140–41.
“Thousands of people, man”: Lydon 1969.
Recounting a twenty-minute version: Gleason, September 1966.
In Gleason’s view: Gleason 1969, 26.
“Considering that I personally”: Jackson 1999, 109.
“I went to shows every night”: Jackson 1999, 109.
“The best thing about it”: Jackson 1999, 110.
“I was thinking, ‘This is hell’”: Brown et al. 2009, 18.
“Hey, you’re messing with ancient stuff”: Gans 1993, 307.
“It was patronage in the finest sense”: Gans 1993, 292.
He hadn’t had any “plant food”: Gans 1993, 291.
“We were mostly just bullshitting each other”: Greenfield 1996, 84–85.
First, it would be intangible: McNally 2002, 132.
“This isn’t strictly recreational”: McNally 2002, 132.
Rock Scully noticed: Greenfield 1996, 87.
“I want to make enough money”: Greenfield 1996, 129.
“For any reader of science fiction”: Kaler, in Meriwether 2012.
Boucher was also Dick’s mentor: Sutin 1989, 70.
Frank Herbert, Jack Vance: Kim Stanley Robinson, private correspondence.
“We both loved science fiction”: Blair Jackson, personal correspondence.
“It’s one of the few Vonnegut books”: Eisenhart 1987.
Later, he returned to Austin: Eisenhart 1987.
Although they were often required: Selz 2006, 107.
In effect, local San Francisco artists: Cushing 2012.
Rock posters also exerted: Selz 2006, 106.
“You can throw anything at it”: Jackson 1999, 104.
“I was just thumbing through some books”: Jackson 1984.
“We didn’t really know what it was going to look like”: Jackson 1984.
Initially unaware of the illustration’s provenance: McNally 2002, 157.
“It was sheer panic”: AMC 1995.
“Some of the scarier [trips] were the most memorable”: Alderson 2008.
One anthropologist noted that: Silverman, in Tuedio and Spector 2010.
“It was a really fun place”: Greenfield 1996, 88.
“It was the height of our folly”: Greenfield 1996, 88.
“Two or three hundred people would come”: Jackson 1999, 104–5.
Olompali was “completely comfortable”: Jackson 1999, 105.
The experience “effectively opened out”: Gans 1993, 76–77.
“Psychedelics were probably the single most significant”: Jackson 1999, 106.
“Jerry freaked out”: Greenfield 1996, 89–90.
During one of Lesh’s trips that summer: McNally 2002, 147.
“Every time we’d make another batch”: Lee and Shlain 1985, 147.
“Everywhere they turn”: Scully and Dalton 1996, 56–59.
Behind the scenes: Rosenfeld 2013.
Responding to the dog whistle: McWilliams 1966.
In the spring of 1966: Lee and Shlain 1985, 150.
“Their signs say”: Cannon 2003, 285.
“Neal, man!”: Goodwin 1971.
“I think Cassady just went where the juice was”: Greenfield 1996, 100.
“The reason they lived at 710”: Greenfield 1996, 101.
“Suddenly they were the stars”: Jackson 1999, 113.
“Jerry was a leader”: Greenfield 1996, 99.
When Joe Smith traveled to San Francisco: Sculatti and Seay 1985, 150–51.
“You’ve got to sign them”: Sculatti and Seay 1985, 151.
“I was talking to all of them”: Sculatti and Seay 1985, 151.
Smith refused, and the band signed anyway: Jackson 1999, 117; McNally 2002, 173.
“I just want to say what an honor”: Goodman 1997, 43.
“So we went down there”: Jackson 1999, 122.
Although the songs reflected: Lesh 2005, 99.
According to Joe Smith: Sculatti and Seay 1985, 121.
“I find the San Francisco groups”: Meriwether 2011, 78–79.
“I am not now, and never have been”: Gleason tape recording, Grateful Dead Archive.
The other strain, Hinckle argued: Hinckle 1967.
In the middle of that scene: Rorabaugh 1989, 97–98.
Their work, Digger Peter Coyote later said: Coyote interview.
“The danger in the hippie movement”: Hinckle 1967.
As Garcia would later say: Garcia et al. 1972, 100–101.
Garcia cast his last vote: McNally 2002, 75, 442.
“I remember once being at a be-in”: Carroll 1982.
“For me, the lame part of the sixties”: Goodman 1989.
In 1972, for example: Garcia et al. 1972, 93.
“We inherited the evil and wars”: McNally 2002, 192.
“You know, we’re not going to stop this war”: Wolfe 1968, 223–24.
There were tensions galore: Gitlin 1987, 213.
Gleason was a man of the left: Hoffman collection, September 2, 1963, Bancroft Library.
“I don’t think there is any possibility whatsoever”: Meriwether 2011, 76.
“What we’re thinking about is a peaceful planet”: Lydon 1969.
“To get really high is to forget yourself”: Garcia et al. 1972, 100.
“I’m not talking about unconscious”: Garcia et al. 1972, 100.
In his 1966 bestseller, Hunter Thompson wrote: Thompson 1966, 245.
“Tiny hurts people”: Thompson 1966, 179.
Those songs urged young people: Jackson 1992, 216.
“We thought culture was much more important”: Dolgin and Franco 2007.
“There’s a kid in Iowa, Kansas, in the summer of ’67”: Christensen 2007.
“And before that, rock-and-roll songs were three minutes”: Dolgin and Franco 2007.
“And the audience wants to be transformed”: Henke 1991.
Joan Didion described Morrison as a twenty-four-year-old UCLA graduate: Didion 1979, 22.
“We live entirely, especially if we are writers”: Didion, 1979, 11.
“The only problem was that my entire education”: Didion 1979, 12–13.
As historian David Farber noted, the counterculture posed: Farber 1994, 168.
“When it has to deal with uptight New York or plastic Los Angeles”: Christgau 1968.
“For the millions of people down there”: Gleason 1969, 324–25.
“The Dead’s shorter arrangements”: Hansen 1967.
“If the Who had not done”: Hansen 1967.
“Very, very appealing”: Silberman 1992.
“Joyce was my primary influence”: Jackson 1999, 134.
“I can still recite the first page”: Silberman 1992.
“It opened up everything”: Jackson 1999, 134.
Although that song became Dylan’s most popular: Marqusee 2005, 208.
The Basement Tape sessions were: Marcus 2011, 86–87.
“In 1959 and 1960”: Marcus 2011, 88.
“The trip took six weeks”: Hunter 1993, v.
“They were rehearsing in the hall”: Jackson 1999, 135.
“The reason the music is the way it is”: Jackson 1999, 136.
He composed them: Jackson 1992, 214.
“I had a cat sitting on my belly”: Gans 1993, 24.
He later joked: Hunter 1993, 35.
“Some songs are trying to make sense”: Gans 1993, 25.
Because of his background in folk music: Tamarkin 1980.
When those lyrics worked: Jackson 1992, 209.
The car broke down: Hunter 1993, 7.
Those opportunities were scarce: Trist and Dodd 2005, xiv.
“My own improbable dream”: Trist and Dodd 2005, xi.
He realized that his: Trist and Dodd 2005, xiv.
The result was “an ever-changing”: Fauth, in Dodd 1995–2002.
“I like a diamond here, a ruby there”: Gans 1993, 26.
His entire project: Trist and Dodd 2005, xiv.
His method was to channel: Trist and Dodd 2005, xvii.
“He loves the mournful, death-connected ballad”: Jackson 1992, 117–18.
“I keep doing them”: Jackson 1992, 121.
“Most songs are basically love songs”: Henke 1991.
Brent Wood estimates that nearly three-quarters: Wood 2013, 50.
“Even before the summer of ’67”: Rolling Stone, July 12–26, 2007.
“By the end of ’66”: Thompson 1979, 155.
“It was too many people”: Jackson 2012.
When asked whether the youth influx: Peacock 1972.
One of those women: Talbot 2012, 132–33.
“We’re getting rid of all these possessions”: Taylor 1996.
Rock Scully noted that their home: Scully and Dalton 1996, 74.
Some nights he slept on her sofa: Talbot 2012, 29.
“The sun was shining”: Talbot 2012, 25.
The marijuana laws, Rifkin claimed: San Francisco Chronicle, October 6, 1967.
The three women: “The Very Grateful Dead,” San Francisco Chronicle, June 25, 1968.
“I feel this incredible hot rush”: Scully and Dalton 1996, 132.
“After about an hour”: Press file, 1973, Grateful Dead Archive.
“I get in a group”: McNally 1979, 333.
“Twenty years of fast living”: Wills 2012, 28.
Back in San Francisco, Ron Rakow: McNally 2002, 247.
“He’d been in the world where I came from”: Graham and Greenfield 1992, 239.
“I had a little problem in December”: Gans 1993, 321.
That much was foreseen by Janis Joplin: Scully and Dalton 1996, 142.
“Ron Rakow was a wheeler-dealer”: Graham and Greenfield 1992, 238.
“The band had so many guests?”: Graham and Greenfield 1992, 239.
Graham’s lease on the Fillmore Auditorium: Rolling Stone, April 27, 1968.
The chairman of that august body: Gleason 1969, 61.
His book, which found its way to 710 Ashbury: McNally 2002, 274.
Lesh later noted that Anthem: Lesh 2005, 128.
“I’ve always felt that as an artistic statement”: Lesh 2005, 130.
“Both of us were seekers”: Lesh 2005, 130.
Anthem of the Sun was: Blumenberg 1968.
Likewise, Rolling Stone called the album: Miller 1968.
Both of his parents were drummers: McNally 2002, 223.
“The din was incredible”: Hart and Stevens 1990, 96.
That trend gave rise: McNally 2002, 275.
The police brutality: Gibney and Ellwood 2008.
“I went from a state of Cold Shock”: Thompson 2003, 78.
“I went to the Democratic convention”: McKeen 2008, 125.
“A motion?”: McNally 2002, 277.
Capitalizing on a wave: Walker 2007, 94.
“He urges hippies to move out of the cities”: Thompson 1967.
He was promptly evicted: Gravy 1993, xx.
Two members who escaped arrest: Schou 2010, 170.
“To get back to something”: Turner 2006, 147.
“Stephen Gaskin gets people high”: Fairfield 2010, 43.
According to one founding member: Miller 1999, 73.
When they arrived at the property: Coyote 1998, 150.
Sponsored by the San Francisco Oracle: Conners 2010, 281–82.
“Having a baby, having a family”: Fairfield 2010, 78.
“We looked down our noses at them”: Boal et al. 2012, 131.
“Then the horses escaped”: Boal et al. 2012, 131.
One scholar described the catalog’s: Kirk 2007, 5.
In his view: PlentyMag.com 2009.
“Ready or not, computers are coming to the people”: Brand 1972.
One Green Acres actor recalled 1971: Farber 1994, 54–55.
“The only thing you’d notice”: McNally 2002, 308.
“Maybe half of Mill Valley”: Rolling Stone, September 17, 1970.
“Sure, we argue, just like any blood family”: O’Haire 1970.
Lesh added that they weren’t making top scale: Robinson 1970.
“I want to thank you for your special gift”: McNally 2002, 286.
Weir was essentially electrocuted: McNally 2002, 332.
“Consciously or subconsciously, by their free concerts”: Gleason, June 29, 1969.
The strike was called off: Selvin 1999.
That beauty was enhanced by the Dead: Gleason, July 12, 1969.
“The forces of ‘law and order’”: Truscott 1969.
“But if rock is music that makes you dance”: Christgau 1969.
His article began with a suggestive passage: Lydon 1969.
“The Grateful Dead are the Grateful Dead”: Gleason, March 3, 1969
Journalist Lenny Kaye: Kaye 1970.
“Finally, a great album from the Dead”: Marsh 1970.
There they visited the Hog Farm commune: Krassner 1993, 194.
He then dropped to his knees: Bugliosi 1974, 335.
Manson’s orders were to kill everyone on-site: Bugliosi 1974, 346.
When Tate begged for her and her unborn baby’s lives: Bugliosi 1974, 125.
Later, she told a fellow inmate: Bugliosi 1974, 126.
“There doesn’t really seem to be time”: Gleason, November 28, 1969.
“If you’re going to Sears Point Raceway”: Gleason, December 5, 1969.
“Behind it all was a long torturous tale”: Gleason, December 5, 1969, “Bad Vibes for Rolling Stones.”
As organizers frantically prepared for the event: McNally 2002, 345.
“Dawn broke at Altamont on December 6, 1969”: Cutler 2010, 165.
“I remember filling up a bottle of cheap wine”: Schou 2010, 176.
“Before me was the ugly truth”: Cutler 2010, 170.
“I had my eyes closed”: Tamarkin 2003, 214.
Animal immediately knocked him out again: Cutler 2010, 172–73.
“It wasn’t just the Angels”: Goodwin 1971.
“Woodstock, held in high summer”: Lesh 2005, 165–66.
“It seemed entirely appropriate”: Talbot 2012, 140–41.
“This is a wonderful, fervent loss of self”: Jackson 1986.
“The reality was that when we beat a hasty retreat”: Stern, in Editors of Ramparts 1971.
“I think we have to remember”: Gleason, December 19, 1969.
“If the name ‘Woodstock’ has come to denote”: Gleason 1970.
“Clearly, nobody is in control”: McMillian 2011, 1–2.
PART 2: MOBILITY
“We were into a much more relaxed thing”: Jackson 1999, 181.
“He had the full beard”: Greenfield 1996, 123.
Weir began contributing country-western cover songs: Trist and Dodd 2005, xxiii.
Lesh favored experimental, open-ended jams: McNally 2002, 319.
“The electric side was so fun and so stimulating”: McNally 2002, 319.
“I was very much impressed with the area [Robbie] Robertson”: Jackson 2013.
“That’s really the way to do a recording”: Wenner 1969.
Rolling Stone later maintained that Dylan’s effort: Gilmore 2013.
“He took [rock music] out of the realm”: Jackson 1992, 220.
“Hearing those guys sing”: Jackson 1992, 224.
“Crosby, Stills and Nash came along and changed us”: Jackson 1983, 106.
“There wasn’t any money involved”: Greenfield 1996, 120.
“We gave them an opening act for cheap”: Greenfield 1996, 123.
“Jerry would be onstage all night long”: Greenfield 1996, 124.
“In the first days,” Dawson said: Greenfield 1996, 125.
Assuming that the San Francisco hippies: McNally 2002, 351.
“Every night I was coming home from the studio”: Krassner 1985.
“Janis Joplin came in while I was starting to rush”: Jackson 1992, 115.
When Hunter recognized Stanley: Stanley 2012, 193.
“It really did flatten me”: Jackson 1992, 115.
The song captured the drug culture’s dark appeal: Williams 2012.
“I don’t think you need to be stoned”: Gans 1993, 284.
“It’s got a split-second little delay”: Garcia et al. 1972, 69–70.
“First of all, there’s a whole tradition of cocaine songs”: Goodwin 1971.
That prohibition came from the Federal Communications Commission: Gans 1993, 280.
The band members in the cover photograph: Reitman 1970.
“Heavens to Lyserge momma”: Lynn 1970.
“No, no, man, you don’t understand”: McClanahan 1972.
“Some blues freaks walked out”: Christgau 1969.
It demonstrated the Dead’s willingness to go out on a limb: Lambert interview.
Over time, the audience and politics of country-western music: Backstrom 2014.
Rolling Stone concurred with Smith: Zwerling 1970.
“Manager Jon McIntire shook his head”: Fong-Torres 1971.
In San Diego, he had become an ordained minister: Press file, 1972, Grateful Dead Archive.
“Everything turned black for me”: McNally 2002, 361.
“The band didn’t blame me for Lenny’s thievery”: Hart and Stevens 1990, 145.
“I didn’t live in San Francisco”: McNally 2002, 423.
“And just imagine putting a bunch of crazy musicians together”: Smeaton 2004.
“It was a train full of insane people”: Smeaton 2004.
Some audience members mounted the stage: Dalton and Cott 1970.
“You don’t have to go for it”: Smeaton 2004.
“The train trip wasn’t a dream”: Jackson 1999, 193.
Hunter also relished his week on the locomotive: Hunter 1993, 149.
“It was great”: Jackson 1999, 193.
“It was, I believe, two and half days from Toronto to Winnipeg”: Smeaton 2004.
“It seemed that time was sort of suspended”: Smeaton 2004.
“We could have the whole goddamn city”: Dalton and Cott 1970.
“Jerry woke up one morning”: Jackson 1992, 220.
“We thought it would be nice for us”: CREEM, December 1970.
“The big thing now is, ‘Danger, danger, poison earth’”: Harris 1970.
“I think we’re beginning to develop new capacities”: Watts 1972.
“It’s time somebody considered other ways of storing music”: Lake 1974.
“The San Francisco energy of a few years back”: Lydon 1970.
“Today there is no place without its hippies”: Lydon 1970.
“It’s already gone, it’s already past”: Hard Road, July 20, 1970.
“We have some loose semi-association with the Black Panthers”: Robinson 1970.
“That was another fiasco, I’m afraid”: Jackson 1992, 73.
“Yeah, I think they’re pure elementals”: Robinson 1970.
“A venerable tradition”: Alioto 1972.
“Money is only a symbol for energy exchange”: Goodwin 1971.
“And any responsibility to anyone else is just journalistic fiction”: Robinson 1970.
Hunter’s goal, he said, was to provide Garcia: Trist and Dodd 2005, xxiii.
The words, he recalled, “seemed to flow”: Trist and Dodd 2005, xviii–xix.
“I am definitely a Westerner”: Jackson 1992, 119.
In England, he said, he began to define himself that way: Brightman 1998, 65–66.
Garcia’s identification with the West was more cinematic: Jackson 1992, 223.
On a walk through Madrone Canyon in 1969: Hunter 1996.
The bridge for “Ripple,” Garcia noted: Garcia et al. 1972, 54.
The song was eventually recognized as a national treasure: Trist and Dodd 2005, xxiii.
During the same period, Mickey Hart’s girlfriend lost: Lesh 2005, 189.
Lesh described the scene as “jammer heaven”: Lesh 2005, 190.
Always loath to dissect symbols: Gans 1993, 26.
Among the half dozen songs Hunter named as his favorites: Brown et al. 2009, 20.
“They were getting into guns at the time”: Gilmore 1987.
“Our albums went from the bottom”: Trist and Dodd 2005, xxiii.
As Hunter noted later, “Friend of the Devil”: Brown et al. 2009, 20.
“Unlike many of their contemporaries in rock music”: Beckett 1971.
“To a young person at that time”: Lesh 2005, 192.
In his view, the Dead concerts offered: Lesh 2005, 192.
The long, open-ended jams were designed: Jackson 1999, 318.
Passing through their third state: Selvin 2006.
“Jerry Garcia stood in the center of the action”: Parish 2003, 33.
For the nineteen-year-old New Yorker: Parish 2003, 47.
Even at that point, however, Parish sensed: Parish 2003, 49.
Their work was “truly a communal thing”: Parish 2003, 63.
When asked about the crew’s status in the organization: Gans 1993, 57.
“We had more equipment than other bands”: Parish 2003, 123–24.
“He’d put up with all these hippies”: Greenfield 1996, 163.
“I did all that shit—drive for hundreds of miles”: Gans 1993, 236.
“There’s been times in my life when I burned myself”: Gans 1991, 236.
He frequently instructed Parish to bring him “somebody weird”: McNally 2002, 399.
The iguana was part of the entourage: Parish 2003, 96–97.
“No, Graham is guilty as charged”: Wasserman 1971.
“I just don’t want to fight anymore”: Wasserman 1971.
“Young people have changed”: Webb 1971.
“I’ll do only those things”: Eichelbaum 1971.
In 1969, only one out of five: Baum 1996, 20.
Among college students: Baum 1996, 39.
As a public health matter, alcohol was by far: Baum 1996, 20.
In fact, the estimated value of all stolen property: Baum 1996, 58.
The drug crackdown targeted what White House aides: Baum 1996, 20.
Between 1969 and 1974, the federal drug enforcement: Baum 1996, 75.
Marijuana became a Schedule One drug: Baum 1996, 110.
“I have done an in-depth study: Baum 1996, 46.
When the drug-dependant Presley died in 1977: Baum 1996, 47.
Weir described his message as: Tilley 1973.
Another Dead Head said: Fluhrer 1973.
“It was an incredible find”: Jackson 1999, 212.
“It had eucalyptus trees and cypresses”: Jackson 1999, 212.
“Their house is surrounded by sea-swept eucalyptus trees”: Garcia et al. 1972, ix.
“Our Barbie-doll president, with his Barbie-doll wife”: Thompson 1972.
Consciousness expansion “went out with LBJ”: Thompson 1971, 202.
A lifelong Easterner, Reich spent the summer: Citron 2007/8.
“Its ultimate creation will be a new and enduring wholeness”: Reich 1970, 4.
For Wenner, that interview was: Garcia et al. 1972, vii.
But given his book’s thesis, Reich was especially eager: Garcia et al. 1972, xi.
During his visits there, Reich had discovered LSD: Reich 1970, 259–60.
Later, Reich compared himself to a nervous groupie: Garcia et al. 1972, ix.
In the introduction, Reich claimed that: Garcia et al. 1972, xvii.
Reich was a legal expert, not a musical one: Garcia et al. 1972, ix.
“Grass teaches us disrespect for the law”: Rubin 1971.
Marijuana laws, Hart claimed: Hart 1972.
“No wonder Dead fanatics will travel hundreds of miles”: Takiff 1972.
“Aside from the individual virtues of the group”: Gleason, September 28, 1972.
“He just doesn’t boogie”: Christgau, April 14, 1974.
Godchaux was a gifted pianist: McNally 2002, 411.
“Garcia’s mighty tired of it, I’ll tell you”: McKaie 1972.
“I do enjoy working with Weir once in a while”: Gans 1993, 27.
“There were about a hundred of them”: Sculatti and Seay 1985, 173.
“We can share the women”: Trist and Dodd 2005, 167.
One scholar identified a subgenre: Wallach 2011.
“Actually, I relate better to Dylan songs”: Jackson 1999, 234.
“Delilah Jones was the mother of twins”: Trist and Dodd 2005, 162.
“For a year we were a light acoustic band: Jackson 1999, 218.
Because the Dead had proven they could also play: Bangs 1971.
“I’m gonna nail it on a tree”: Van Matre 1972.
“At home, there’s always been a certain group”: Jackson 1999, 218.
“Every musician that gets a lot of bread”: Smeaton 2004.
“We haven’t been playing enough”: Hopkins 1972.
“Well, we don’t always”: Peacock 1972.
“As all the tie-dye and denim and hair gathered”: Hopkins 1972.
Smacking himself on the forehead with an ice-cream cone: Perry 1973.
“We played great”: Jackson 1999, 229–30.
The move to Marin County, he told Rock magazine: Peacock 1972.
“Pig would call the office”: Jackson 1999, 232.
“I had to be careful not to squeeze too hard”: Lesh 2005, 213.
“So we went with our strong suit”: Jackson 1999, 240.
Shortly after Altamont, Garcia quizzed: Cutler 2010, 193.
Kreutzmann added, “The stuff we planned”: Leung 2003.
“If there ever was a Grateful Dead ‘business plan’”: Lesh 2005, 211.
“What we’ve been trying to do is liberate the music”: Peacock 1972.
“I’m not really that far down on Warner Bros.”: McNally 2002, 495.
The health-food industry, Garcia said: Peacock 1972.
While treating the Dead “with respect”: McNally 2002, 496.
“I’ve estimated income conservatively”: Perry 1973.
“The Grateful Dead exists comfortably”: Wasserman 1973.
The Dead’s new venture was also covered: Kates 1974.
“The returns are built into our cost factor”: Music Retailer, May 1974.
“The nice thing would be not to sell out”: McNally 2002, 452.
“Jerry was receiving a lot of money from all sorts”: Jackson 1999, 241.
“They were having a good time”: Greenfield 1996, 186.
“The new paradigm we were all talking about”: Greenfield 1996, 171.
“We weren’t just doing a business”: Jackson 1999, 246.
“The Grateful Dead always had a huge overhead”: Greenfield 1996, 181.
“The day-to-day requirements”: Scully and Dalton 1996, 229.
“The Dead dropped out of Warner”: Freedland 1975.
“One bad record could wipe out all their profit”: Kates 1974.
“I enjoy playing to fifty people”: Lake 1974.
“See, there’s only two theaters, man”: Itkowitz 1970.
The stages were ten to twelve feet high: Lesh 2005, 218.
“The amount of security and backstage space”: Lesh 2005, 218.
“Our classic situation for the last six months”: Fedele 1971.
“First of all, a 56,000-seat football stadium”: Grateful Dead Archive.
“I think people are beginning to realize”: Hamilton 1974.
“This seems to be the summer of the big kill”: Pousner 1974.
“Getting off on the music is a truly high thing”: Cowan 1973.
“It’s a bummer having to work so much”: Van Matre 1972.
“The Dead are not a ‘rock band’ anymore”: Elwood 1972.
“One remarkable characteristic of a Grateful Dead audience”: Christgau 1973.
“It worked out phenomenally”: Liberatore 1973.
“The Dead embody an ideal of community”: Carr 1973.
“Time capsules should have a beginning and an end”: Carr 1973.
“Even more important, perhaps”: Hilburn 1973.
“To say the least, it is a tribute to the group”: Sharpe 1973.
“The lead guitar needs practice”: Press file, 1973, Grateful Dead Archive.
“To older ears,” the critic concluded: Zito 1973.
She credited some aspects of the show: Werner 1974.
The 1960s, a Los Angeles Times reporter: Martinez 1973.
“McGovern’s aim is to stimulate envy”: Buckley 1973.
“So many people have had reservations”: Perry 1973.
“Everything started off real good”: Greenfield 1996, 176.
Cutler often compared his work: McNally 2002, 363.
McIntire—whom Dennis McNally described as: McNally 2002, 363.
“I thought it was a dumb move, a Rakow scam”: McNally 2002, 468.
Composed of 640 speakers at its peak: McNally 2002, 470.
When Guitar Player magazine asked why: Aiken 1973.
“No other band would have put”: Liberatore 2007.
“Robert Hunter and John Barlow”: Meriwether 2014, 84.
For Christgau, it was: Christgau August 2, 1974.
“I’m not having any fun anymore”: McNally 2002, 475.
According to Hal Kant, the Dead: Greenfield 1996, 181.
“We had a crew that was being paid”: McNally 2002, 475.
“Our crew was twice as large”: Lesh 2005, 218.
“I hate music when I’m under its influence”: Childs 1974.
“The company represents a very intense sociological statement”: Johnson 1974.
“They’re breaking up”: Ward 1974.
Another story noted that the band: Elwood 1974.
“And we’ve been getting away with murder”: Selvin 1974.
“Say this for the Dead”: Stokes 1974.
“Jerry was very involved with it”: Greenfield 1996, 174.
The rest of the band called the film: McNally 2002, 499.
His personal code of ethics: Lake 1974.
“This may sound camp”: Correspondence file, 1974, Grateful Dead Archive.
“Let me read you something”: Felton 1975.
As Norman Mailer put it: Mailer 2008, 162.
Scully described Haldeman: Scully and Dalton 1996, 260.
“With the exception of the obvious genius”: Snyder-Scumpy 1975.
“I drink until I realize I’m getting dumb”: George 1974.
Recording concerts remained an underground activity: Getz and Dwork 1998, xv.
As a result, the Dead put more music: Paumgarten 2012.
In addition to serving as a currency for fellow Dead fans: McNally 2002, 386.
“Jerry said many times”: Greenfield 1996, 43.
“Without a tape,” one Grateful Dead taper wrote: McNally 2002, 385.
“I’m not that taken with my own ideas”: McNally 2002, 489.
“We tour, therefore we are”: Lesh 2005, 252.
When Lesh and Stanley told Rakow: McNally 2002, 490.
Released against Lesh’s better judgment: Lesh 2005, 222.
He attempted to justify the payments: Lesh 2005, 227.
“We agreed to do so”: Lesh 2005, 228.
“The sixties model of the Grateful Dead”: Adamson 1976.
Toward this end, Governor Brown: Kirk 2007, 187.
“At a certain point, if your audience grows”: Arrington 1977.
Garcia also told Jann Wenner: Wenner interview.
“How can we apply”: People, July 12, 1976.
“Rock from a drug culture”: Rockwell 1976.
“A band does not get rich”: Van Matre 1976.
“It was kind of absurd”: Wiseman 1976.
“I can’t stand the premise of going out”: Baruma 2013.
“Now the appeal has to be extramusical”: Takiff 1973.
Tommy Ramone maintained that musicians: Ramone 2007.
“That was the Dead”: Bauer 1979.
“You couldn’t give any of my fans Grateful Dead banners”: BAM, February 2, 1979.
Despite the anti-Dead hostility: Jambands.com 2013; Eisen 2013.
“No other city has anything like it”: Gleason 1969, 68.
He found the long jams “too abstract”: Wenner interview.
“The fun factor had gone out of Rolling Stone”: McKeen 1991, 105–9.
“We were a totally primitive tribe”: Greenfield 1996, 173.
“The thing about the Grateful Dead was”: Greenfield 1996, 173.
“Jerry was still under a black cloud”: Lesh 2005, 230.
“I don’t think he understood the depth”: Greenfield 1996, 184.
“When I found out that he was doing it”: Greenfield 1996, 185.
“If one guy is on heroin”: McGee interview.
“Basically, I just told him that it was over”: Greenfield 1996, 190.
“We were kind of his surrogate family”: Greenfield 1996, 195.
“Doing any kind of opiate”: Greenfield 1996, 202.
“As these things have a habit of doing”: Lesh 2005, 230.
“He called that his vacation”: Greenfield 1996, 205.
“Thus began my descent into alcoholism”: Lesh 2005, 225–26.
“We were wasted”: Greenfield 1996, 193.
“The irony was undeniable”: Lesh 2005, 251.
Interviews with Donna and Keith Godchaux: Golden Road, Spring 1985.
“Whether or not anyone else”: “Ready When You Are, J.G.,” Playboy, September 1977.
One critic compared the movie: Rohter 1977.
The Los Angeles Times called the movie: Hunt 1977.
“The Grateful Dead will cease to exist”: Wasserman 1977.
Even those who preferred other shows: Meriwether 2012, “Revisiting Cornell ’77.”
“I can actually remember when these guys”: Duffy 1977.
Detroit had never been a strong market for the Dead: McNally 2002, 505.
When asked how he would respond: Block 1977.
“That song is very meaningful to me”: Gans 1993, 270.
The moniker didn’t reflect: Berkow 1977.
“I wouldn’t get bad press”: Diaz 1978.
With his foot in a cast: Krassner interview.
“In the beginning it was a laugh”: Watts 1978.
“When we were in Egypt”: Adamson 1979.
One by one, the Dead joined the Egyptian musicians: Krassner interview.
He imagined “the Sphinx’s jaw”: Private correspondence, Grateful Dead Archive.
The Dead couldn’t find a replacement for him: Greenfield 1996, 189.
“Phil had his Lotus sports car”: McNally 2002, 524.
“I’ve had about a dozen totally life-altering experiences”: Vaughan 1987.
“On live TV, the technology simply didn’t exist”: Lesh 2005, 246.
“It wasn’t open for business yet”: Lesh 2005, 247.
“With few exceptions,” Rolling Stone concluded: Von Tersch 1979.
He had subleased the building for eight years: Rolling Stone, November 16, 1978.
“Make sure you’re always nice to the Peoples Temple”: Talbot 2012, 282.
As author David Talbot noted, Dan White: Talbot 2012, 333.
Many residents agreed with the Reverend Cecil Williams: Talbot 2012, 334.
PART 3: COMMUNITY
“The seventies are depressing all right”: Darling 1978.
“San Francisco’s Haight-Ashbury district”: Reddicliffe 1977.
“In a way, the Dead are an anachronism”: Van Matre 1979.
“Apparently, falling in love with the Grateful Dead”: Wald 1978.
Jackson conceded that many Dead Heads fit: Shenk and Silberman 1994, 61.
It was “an adventure you can still have in America”: Goodman 1989.
In a later interview, Garcia also called the tours: DeCurtis 1993.
When he brought the show to Chicago: Warren 2005, 420.
“They’re the Wild Bill Hickoks, the Billy the Kids”: Thompson 1966, 51.
Much like Buffalo Bill: Warren 2005, 546.
“The desire on our fans’ part”: Watrous 1989.
“I don’t mean to get mystical on you”: Snyder-Scumpy 1975.
Garcia described the 1960s as: Darling 1978.
“We went on a head-hunting mission for twenty-five years”: Brightman 1998, 3.
“We’re in the transportation business”: McNally 2002, 538.
It surfaced again in 1977: Rockwell 1977.
A few days after the Jonestown massacre: Lloyd 1978.
“The Grateful Dead, for some reason or other”: Rockwell 1979.
Rolling Stone used the same language in 1980: Skow 1985.
“For the capacity crowd, the Dead’s performance”: Goldberg 1980.
He later called the Dead “the worst band in creation”: Marsh 1989.
The key to the Dead’s success: McGee interview.
“I go see other groups sometimes”: Jackson 1980.
As one reviewer noted, “The Grateful Dead”: Spitzer 1980.
“God, if I could play my music”: Greenfield 1996, 250–51.
The year before the Jonestown massacre: Block 1977.
Later scholars described the Dead not as a cult: Sylvan 2002, 83.
“We used to say that every place we played was church”: Platt 1993.
But when asked about his religious views: Lake 1974.
That aspect of their project: Henke 1991.
In primitive cultures, he told Rolling Stone: Goodman 1989.
Like most forms of shamanism: Reist, in Weiner 1999.
“Out of these simple ingredients”: Gans 1995, 42–43.
“I wanted to find out more about the ecstatic states”: Jackson 1992, 198.
“No, no, it’s already in a dark place, dude”: Barlow 2012.
“A lot of what we are selling is community”: McNally 2002, 386.
Those included the warm sharing of family: McNally 1980.
When those values were on display: Cohen, in Meriwether 2012.
“It would be nice if rock shows”: Cowan 1973.
He was almost in a vegetative state: Lesh 2005, 248.
Lesh was even less charitable: McNally 2002, 531.
“Well, have a nice rest!”: Morley 1981.
The magazine’s review of the Dead’s performance: Bohn 1981.
“The highest compliment one could make”: Ercolano 1982.
The Dead had fired the troublesome Heard: Parish 2003, 215–16.
Barlow later said it was “one of the most enlightened”: McNally 2002, 386.
Garcia recommended McNally for the job: McNally 2009.
The tone of their stories, McNally recalled: McNally interview.
“The Dead look like the aging hippies they are”: Steigerwald 1987.
“This is nothing compared to the half dozen phone complaints”: Press file, 1986, Grateful Dead Archive.
Noting the well-researched articles: Gehr 1987.
He attended Dead shows with Eisenhart: Falk interview.
Returning to the peninsula, he attended Dead shows: McCracken 2013.
Baum dragged Steve Wozniak, cofounder of Apple Computer: Wozniak 2006, 150.
According to Baum, Steve Jobs also attended: Baum interview.
The founding editor of Wired magazine noted: Turner 2006, 143.
“I felt the energies on the WELL”: Turner 2006, 146.
He concluded that the self-proclaimed birthplace: Markoff 1989.
“DeadBase makes perfect sense”: Bazinet 1989.
Although he recorded steadily: Wilentz 2010, 210.
“The mind is so incredibly weird”: Jackson 1999, 348.
“Have I gone insane?”: Hunter 1996.
“I’m not a believer in the invisible”: Gilmore 1987.
“It came back very slowly”: Jackson 1999, 351.
“We should declare war on Vietnam”: Cannon 1991, 197.
In the immediate aftermath of that divisive conflict: Cannon 1991, 335.
It was a popular applause line: Cannon and Cannon 2008, 122.
He was the man, one author noted: Bunch 2009, 8.
“Defined as a ‘president’ or even as ‘governor,’”: Didion 2001, 109.
They would “exchange the ritual totems of bonding”: Didion 2001, 110.
“I didn’t like his movies, and I don’t like his politics”: McNally 2002, 545.
“Oh! Give me a break!”: Sutherland 1989.
The fan hoped that the Dead would: Correspondence file, 1980, Grateful Dead Archive.
But the NAS president on Reagan’s watch disavowed the report: Baum 1996, 162.
“The Latin American drug war is the only war we’ve got”: Baum 1996, 167.
Starting in 1984, Congress also passed a series of laws: Angell 2004.
“I still think Gary Webb had it mostly right”: Wycliff 2005.
“The war is not on drugs, the war is on consciousness”: Krassner 1993, 213.
“That might seem like a vain, sissy thing to do”: Kelley 1991, 238.
According to Nancy Reagan’s unofficial biographer: Kelley 1991, 292.
“He never dyed his hair”: Bedard 2010.
“I know the rent is in arrears”: Trist and Dodd 2005, 313–15.
As Garcia swung into the final chorus: Selvin 1986.
According to Gutierrez, Garcia “couldn’t get over the idea”: Greenfield 1996, 235.
“They were really tickled”: Greenfield 1996, 236.
“I am appalled”: Q, February 1988.
We’re sort of like the town whore”: Jackson 1999, 368.
Unfortunately, Garcia added, “they’re creating a second wave”: Eisenhart 1987.
“They were young kids who saw this incredible party scene”: Greenfield 1996, 250.
When the magazine asked Garcia whether Reagan’s America: Q, February 1988.
“The way I affiliated with the Dead”: Cohn, private correspondence.
Following the band, Conners said, resembled: Conners interview.
“Man, I live in the twilight zone”: McNally 2002, 552.
“So hang out with us as long as you’re having a good time”: Bralove interview.
“After 1987”: Greenfield 1996, 249.
“Then Garcia would say”: Greenfield 1996, 250.
“What happened was that the Dead were making”: Greenfield 1996, 249.
By 1987, he wrote later, he felt like “an empty burned-out wreck”: Dylan 2004, 147.
“We’ve always had the utmost respect”: Sutherland 1989.
“I played these shows with the Dead”: Dylan 2004, 151.
“Ninety thousand people”: Greenfield 1996, 239.
“The irony of Bob Dylan needing the Grateful Dead”: Selvin 1987.
“The Dead and Dylan will continue on their independent paths”: Hilburn 1987.
“It was an incredible dream”: Greenfield 1996, 244.
“By going on Broadway, he put this stamp”: Greenfield 1996, 245.
“Without changing musical styles”: People, December 28, 1987.
“‘Who are these people?’”: Lyall 1988.
If their next album was a hit, Weir said: Rense 1989.
“This is so different from what happened the last time they were here”: Levine 1989.
For those and other reasons: Meriwether 2014.
“Never did a musician prove his brilliance faster”: McNally 2002, 581–82.
“Those guys can play music”: Pooley 1990.
“It’s a joke”: Goodman 1989.
“He had a very hard time”: Goodman 1990.
“So you’re not scared?”: Press file, 1990, Grateful Dead Archive.
In “The Economy of Ideas,” Barlow compared the electronic frontier: Barlow 1994.
“Most libertarians are worried about government”: Dougherty 2004.
“I’ll be playing huge arenas”: Morse 1992.
“Tipper and Al came to a show”: Boston Globe, December 12, 1992.
Nineteen days after the concert: Hall 1992.
“You better believe there are doctors”: Gannett News Service, July 7, 1992.
At a press conference, Garcia described Graham: McNally 2002, 590.
“There’s still hope for a miracle in America”: McNally 2002, 607.
“Even back when I dropped acid”: Corliss 1995.
“The numbers were off the charts for days”: Liberatore interview.
“In a popular culture that sacrifices every value”: San Francisco Chronicle, August 11, 1995.
Departing Garcia’s funeral, Dylan reportedly told John Scher: Junod 2014.
In the national media, Senator Patrick Leahy said the news: Kuklenski 1995.
Only protests from veterans groups: Connolly 1995.
“Some of the things the hippies got right”: Markoff 1995.
The Globe reported sloppily: Globe, August 23, 1995.
“Yes,” Silberman replied: Gans 1995, 41.
Instead, 85 percent blockage in two of the arteries: Mead 1995.
“The band has prospered as the emblem of an era”: Will 1995.
He asserted that Garcia had “killed, if that’s the right word”: Buckley 1995.
“Jerry Garcia’s abuse of his bear-like body”: Murdock 1995.
“Poor Jerry. Boy, could he play the guitar”: Barnicle 1995.
“There has never really been a war on drugs”: Golden 1995.
The Dead scene, David Gans noted: Gans 1993, 4.
“[T]here isn’t a band in this book”: Conners, 2013, xvi–xvii.
“There are all kinds of corners of the musical world”: Greenhaus 2013.
“I’ve been listening to the Grateful Dead nonstop”: Doyle 2013.
In 2000, The New York Times reported that Burning Man: Ellin 2000.
That search, Roszak noted in 1968, distracted many young people: Roszak 1969, 155.
The Grateful Dead, the former Digger felt: Coyote interview.
Likewise, Jann Wenner said the Dead’s achievement: Wenner interview.
“I will remember him as an excellent musician”: 1995, Grateful Dead Archive.
They reveled in each other’s eccentricities: Jackson interview.
“The members of the Grateful Dead really have”: Goodman 1989.
EPILOGUE
In the Grateful Dead world, David Gans wrote in 1995: Gans 1995, 17.
It was a strange transition, Lambert said: Lambert interview.
“In the last couple of years, it became apparent”: Light 2006.
“I think it was a common thought”: Liberatore 2006.
“A lot of guys when they have a little success in life”: Selvin 2011.
“Last year I managed to have a nice hospitalization”: Browne 2013.
That announcement gave the event extra piquancy: Jackson interview.