Sources and Acknowledgments
Introduction
I POEMS
Dreams (1827, 1828)
Spirits of the Dead (1827, 1839)
Evening Star (1827)
A Dream Within a Dream (1827-1849)
Stanzas: “In Youth Have I Known” (1827)
A Dream (1827)
“The Happiest Day—The Happiest Hour” (1827)
The Lake—To—(1827, 1845)
Sonnet—To Science (1829, 1845)
To—: “The Bowers Whereat, In Dreams I See” (1829, 1845)
Fairy-Land (1829, 1845)
Introduction (1829-1831)
Alone (1829)
To Helen (1831, 1845)
Israfel (1831-1845)
The City in the Sea (1831-1845)
The Sleeper (1831, 1849)
The Valley of Unrest (1831-1845)
Lenore (1831-1843)
To One in Paradise (1833-1849)
The Coliseum (1833, 1850)
The Haunted Palace (1838-1848)
Sonnet—Silence (1839-1845)
The Conqueror Worm (1842-1849)
Dream-Land (1844-1849)
The Raven (1845-1849)
Ulalume—A Ballad (1847-1849)
The Bells (1849)
Eldorado (1849)
For Annie (1849)
Annabel Lee (1849)
II TALES
Metzengerstein. A Tale in Imitation of the German (1832, 1836)
Loss of Breath. A Tale A La Blackwood (1832, 1835)
MS. Found in a Bottle (1833, 1845)
The Assignation [The Visionary] (1834, 1845)
Berenice (1835, 1845)
Some Passages from the Life of a Lion [Lionizing] (1832, 1845)
Shadow—A Parable (1835, 1845)
Silence—A Fable (1837, 1845)
Ligeia (1838, 1845)
How to Write a Blackwood Article. A Predicament (1838, 1845)
The Fall of the House of Usher (1839, 1845)
William Wilson (1839, 1845)
The Man of the Crowd (1840, 1845)
The Murders in the Rue Morgue (1841, 1845)
A Descent Into the Maelström (1841, 1845)
The Colloquy of Monos and Una (1841, 1845)
Never Bet the Devil Your Head. A Tale with a Moral (1841, 1845)
The Oval Portrait (1842, 1845)
The Masque of the Red Death (1842, 1845)
The Pit and the Pendulum (1842, 1845)
The Tell-Tale Heart (1843, 1845)
The Black Cat (1843, 1845)
A Tale of the Ragged Mountains (1844, 1845)
The Premature Burial (1844, 1845)
The Purloined Letter (1844, 1845)
Some Words with a Mummy (1845)
The Imp of the Perverse (1845, 1846)
The Facts in the Case of M. Valdemar (1845)
The Sphinx (1846)
The Cask of Amontillado (1846)
Hop-Frog: or, The Eight Chained Ourang-Outangs (1849)
III CRITICISM
Review of “Twice-Told Tales. By Nathaniel Hawthorne” (1842)
The Philosophy of Composition (1846)
Excerpts from The Poetic Principle (1848-1850)
Bibliography
Chronology
About the Author
Other Books in the Series
Copyright
About the Publisher