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A Nun from Alcalá: Nun from Alcalá, from The Defiant Muse: Hispanic Feminist Poems from the Middle Ages to the Present, A Bilingual Anthology, ed. Angel Flores and Kate Flores, copyright © 1986 by Angel Flores and Kate Flores, reprinted with the permission of The Permissions Company, LLC on behalf of The Feminist Press at the City University of New York; ACT UP: permission granted by ACT UP NY; Adichie, Chimamanda Ngozi: excerpt(s) from We Should All Be Feminists by Chimamanda Ngozi Adichie, copyright © 2014 by Chimamanda Ngozi Adichie, used by permission in North America of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC, all rights reserved; and Adichie reprinted in the UK and Commonwealth by permission of HarperCollins Publishers Ltd © Chimamanda Ngozi Adichie 2014; Al-Zayyat, Latifa: reprinted courtesy of Fatima Sidiqi; Ambai: with permission from the author and Archipelago Books; Amin, Qasim: with permission from the American University in Cairo Press; Anneke, Mathilde Franziska: © eds. Patricia A. Herminghouse and Magda Mueller, 2001, German Feminist Writings, Continuum US, used by permission of Bloomsbury Publishing Inc.; Anonymous: Anonymous, “Why Should I Be With a Husband Bound?,” translated by Kate Flores, from The Defiant Muse: Hispanic Feminist Poems from the Middle Ages to the Present, A Bilingual Anthology, ed. Angel Flores and Kate Flores, copyright © 1986 by Angel Flores and Kate Flores, reprinted with permission of The Permissions Company, LLC on behalf of The Feminist Press at the City University of New York; Anonymous: excerpts from Anonymous, “Reasonings of a Woman Poet,” translated by Robert L. Smith and Judith Candullo, from The Defiant Muse: Hispanic Feminist Poems from the Middle Ages to the Present, A Bilingual Anthology, ed. Angel Flores and Kate Flores, copyright © 1986 by Angel Flores and Kate Flores, reprinted with permission of The Permissions Company, LLC on behalf of The Feminist Press at the City University of New York; Anonymous: with permission from the Western Folklore Society; Arruzza, Cinzia, Tithi Bhattacharya, Nancy Fraser: with permission from the authors; Asma’u, Nana: this work originally appeared in Jean Boyd and Beverly B. Mack, editors and translators, Collected Works of Nana Asma’u: Daughter of Usman ‘dan Fodiyo (1793–1864), 1997, published by Michigan State University Press; Atkinson, Ti-Grace: with permission from the author; Bâ, Mariama: reprinted by permission of Waveland Press, Inc. from Bâ (trans. Bodé-Thomas), So Long a Letter, Long Grove, IL: Waveland Press, Inc., © 1981, reissued 2012, all rights reserved; Bacon, Joséphine: with permission from Mawenzi House and Mémoire d’Encrier; Ban Zhao: Ban Zhao’s “Lessons for Women,” from Ann A. Pang-White, ed. and trans., The Confucian Four Books for Women: A New Translation of the Nu Sishu and the Commentary of Wang Xiang, © Ann A. 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Angel Flores and Kate Flores, copyright © 1986 by Angel Flores and Kate Flores, reprinted with permission of The Permissions Company, LLC on behalf of The Feminist Press at the City University of New York; de Jesús, Sebastiana: selections drawn from When Jesus Came, the Corn Mothers Went Away: Marriage, Sexuality, and Power in New Mexico, by Ramón A. Gutiérrez, © 1991 by the Board of Trustees of the Leland Stanford Jr. University, all rights reserved, used by permission of the publisher, Stanford University Press; de la Cruz, Sor Juana Inés: Sor Juana Inés de la Cruz, “Arguing That There Are Inconsistencies Between Men’s Tastes and Their Censure When They Accuse Women of What They Themselves Do Cause,” translated by Muriel Kittel, from The Defiant Muse: Hispanic Feminist Poems from the Middle Ages to the Present, A Bilingual Anthology, ed. Angel Flores and Kate Flores, copyright © 1986 by Angel Flores and Kate Flores, reprinted with permission of The Permissions Company, LLC on behalf of The Feminist Press at the City University of New York; de las Casas, Bartolomé: with permission of Bloomsbury/Continuum; de Méricourt, Théroigne: Elisabeth Roudinesco, Théroigne de Méricourt © Éditions du Seuil 1989 © Éditions Albin Michel 2010, reprinted courtesy of the author and publishers; de Orellana, Francisco: with permission from Teena Apeles; de Pizan, Christine: with permission from W.W. Norton; Delphy, Christine: with permission from the author; Devi, Sushila: with permission from Sage Publications, Ltd.; di Prima, Diane: Revolutionary Letters © 1971 Diane di Prima, published by City Lights, reprinted with permission of the author; Di//xao=Oma: with permission from Megan Biesele; Dickinson, Emily: The Poems of Emily Dickinson: Variorum Edition, ed. Ralph W. 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It first appeared as a mimeographed flyer, designed for distribution at women’s liberation events. To read the entire manifesto and see materials on how Redstockings and other women’s liberation groups are organizing today, visit www.redstockings.org or write to Redstockings of the Women’s Liberation Movement, PO Box 744 Stuyvesant Station, New York, NY, 10009, reprinted with permission from Redstockings; Fraser, Nancy: with permission from the author; French, Marilyn: appears courtesy of the Charlotte Sheedy Literary Agency; Friedan, Betty: The Feminine Mystique: copyright © 1963 by Betty Friedan, reprinted by permission of Curtis Brown, Ltd., all rights reserved; Fukuda Hideko: selections from Jan Bardsley, Bluestockings of Japan: New Woman Essays and Fiction from Seitō, 1911–16, Ann Arbor: University of Michigan Center for Japanese Studies, 2007, copyright © 2007, Jan Bardsley, reprinted with permission from the publisher; Ghosh, Shanti Sudha: with permission from Sage Publications, Ltd.; Gornick, Vivian: appears courtesy of the Charlotte Sheedy Literary Agency, and with permission of the author; Grant, Malaka: with permission from the author; Gu Erniang: Dorothy Ko, The Social Life of Inkstones: Artisans and Scholars in Early Qing China, Seattle: University of Washington Press, 2017, reprinted with permission of the University of Washington Press; Hall, Thomas: with permission of Kathleen M. 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Norton & Company, Inc.; Lozen: with permission of Teena Apeles; Lü Pin: with permission from China Change; Lutfi, Huda: Lutfi, Huda. “Women, History, Memory” [interview by Samia Mehrez and James Stone], Alif: Journal of Comparative Poetics 19 (1999): 223–44, reprinted with permission of Alif; Mabanglo, Ruth Elynia S.: with permission of the author; Mac, Juno, and Molly Smith: with permission of the authors; Makhanya, Thoko Remigia: © 1993, reprinted by permission of the publisher, from: Rule, Peter with Marilyn Aitken and Jenny van Dyk, 1993, Nokukhanya: Mother of Light, South Africa: The Grail; Marinella, Lucrezia: The Birth of Feminism: Women as Intellect in Renaissance Italy and England by Sarah Gwyneth Ross, Cambridge, MA: Harvard University Press, copyright © 2009 by the President and Fellows of Harvard College; Martinez, Elizabeth: with permission from the author and her family, copyright © Elizabeth Martinez 1972; Menebhi, Saida: La parole confisquée: textes, dessins, peintures de prisonniers politiques marocains, Collection écritures arabes, © Éditions L’Harmattan, 1982; Mernissi, Fatima: first published in France in Sultanes oubliées, copyright © 1990 by Éditions Albin Michel, English translation copyright © 1993 by Polity Press, excerpt from the University of Minnesota Press edition published in 1993, reprinted by permission; Mhlophe, Gcina: with permission from The Grail, Johannesburg, South Africa; Mitchell, Juliet: with permission of the author; Molla, Atukuri: with permisison from the editors; Moody, Anne: excerpt(s) from Coming of Age in Mississippi by Anne Moody, copyright © 1968 by Anne Moody, used by permission of Doubleday, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC, all rights reserved; Morejón, Nancy: with permission from the author and Agencia Literaria Latinoamericana; Moussa, Nabaweya: with permission from Fatima Sadiqi; N’Ayt Atiq, Mririda: with permission from Brill; Na Hyesŏk: extracts reproduced from New Women in Colonial Korea: A Sourcebook—Choi RPD, 1st Edition by Hyaeweol Choi, published by Routledge, © 2013 Hyaeweol Choi, reproduced by arrangement with Taylor & Francis Books UK; Nin, Anaïs: excerpts from Fire by Anais Nin, copyright © 1995, 1994, 1987 by Rupert Pole, as Trustee under the Last Will and Testament of Anaïs Nin, copyright © 1995 by Gunther Stuhlmann, copyright © 1995 by Rupert Pole, used by permission of Houghton Mifflin Harcourt Publishing Company, all rights reserved; Pappenheim, Bertha: © eds. Patricia A. Herminghouse and Magda Mueller, 2001, German Feminist Writings, Continuum US, used by permission of Bloomsbury Publishing Inc; Perpetua, Vibia: Women Writers of the Middle Ages: A Critical Study of Texts from Perpetua to Marguerite Porete by Peter Dronke, © Cambridge University Press 1984, reproduced with permission of Cambridge University Press through PLSclear; Plath, Sylvia: Three lines of “Lady Lazarus” from The Collected Poems by Sylvia Plath, copyright © 1960, 1965, 1971, 1981 by the Estate of Sylvia Plath, used by permission of HarperCollins Publishers; Popp, Adelheid: © eds. Patricia A. Herminghouse and Magda Mueller, 2001, German Feminist Writings, Continuum US, used by permission of Bloomsbury Publishing Inc.; Pusch, Luise F.: with permission from Berghahn Books; Qiu Jin: from Writing Women in Modern China: An Anthology of Women’s Literature from the Early Twentieth Century, ed. and trans. Amy D. Dooling and Kristina M. 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Shaheen Akhtar and Moushumi Bhowmik, © 2008 Stree, Calcutta, by courtesy; Réage, Pauline: excerpt(s) from Story of O: A Novel by Pauline Réage, translated by Sabine d’Estrée, copyright © 1965 by Grove Press, Inc., used by permission of Bantam Books, an imprint of Random House, a division of Penguin Random House LLC, all rights reserved; Reid, Elizabeth: with permission from Allen and Unwin; “Resolution of the Third Conference of Women’s Movements in India”: with permission from the Economic and Political Weekly; Riaz, Fahmida: with permission of the publisher; Rich, Adrienne: the lines from “Diving into the Wreck:, copyright © 2016 by the Adrienne Rich Literary Trust. Copyright © 1973 by W. W. Norton & Company, Inc., from COLLECTED POEMS: 1950–2012 by Adrienne Rich, used by permission of W. W. 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Ivan Morris, copyright © 1991 Oxford Publishing Limited, reproduced with permission of Oxford Publishing Limited through PLSclear; Seitō / Hiratsuka Raichō: Selections from Jan Bardsley, Bluestockings of Japan: New Woman Essays and Fiction from Seitō, 1911–16, Ann Arbor: University of Michigan Center for Japanese Studies, 2007, © Copyright 2007, Jan Bardsley, reprinted with permission from the publisher; Sen, Ela: reprinted by permission of HarperCollins Publishers Ltd © Ela Sen (1939); Shafik, Doria: with permission from Fatima Sadiqi; Shakur, Assata: “Women in Prison: How We Are,” Assata Shakur, The Black Scholar, copyright © 1978 The Black World Foundation, reprinted by permission of Taylor & Francis Ltd., on behalf of The Black World Foundation; Shamena, Nehambo Magdalena: with permission from Heike Becker; Sin Yoja: extracts reproduced from New Women in Colonial Korea: A Sourcebook—Choi RPD, 1st Edition by Hyaeweol Choi, published by Routledge, © 2013 Hyaeweol Choi, reproduced by arrangement with Taylor & Francis Books UK; Snitow, Ann: appears courtesy of the Charlotte Sheedy Literary Agency; Som, Indigo Chih-Lien: with permission from the author; Sonduk: reprinted by permission from Springer Nature: Springer, The Unforgotten Sisters: Female Astronomers and Scientists before Caroline Herschel by Gabriella Bernardi, © 2016; Starr, Vicky: “Back of the Yards” by Vicky Starr, reprinted by permission of the Monthly Review Foundation; Steyerl, Hito: with permission from the author; Sukirtharani: with permission from Sangam House and Kalachuvadu; Summers, Anne: with permission of University of New South Wales Press; Syncletica of Alexandria: used by permission of Wipf and Stock Publishers; Taj Al-Saltana: with permission of Mage Publishers, Inc.; The Independent (Tongnip sinmun): extracts reproduced from New Women in Colonial Korea: Sourcebook— Choi RPD, 1st Edition by Hyaeweol Choi, published by Routledge, © 2013 Hyaeweol Choi, reproduced by arrangement with Taylor & Francis Books UK; Thornton, Merle: with permission from Allen & Unwin; Tomoe Gozen: with permission of the University of Tokyo Press; Toshiko Kishida: from The Modern Murasaki: Writing by Women of Meiji Japan, ed. 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Robin Morgan, Random House and Vintage Books, 1970; Wang Zhenyi: reprinted by permission from Springer Nature: Springer, The Unforgotten Sisters: Female Astronomers and Scientists before Caroline Herschel by Gabriella Bernardi, © 2016; Willis, Ellen: with permission from Nona Willis Aronowitz; “Women in the Struggle”: with permission from the Sophia Smith Archives, Smith College; Woolf, Virginia: permission granted by The Society of Authors as the Literary Representative of the Estate of Virginia Woolf; Wormsley, Alisha B.: with permission from the artist; Yasuda Satsuki: selections from Jan Bardsley, Bluestockings of Japan: New Woman Essays and Fiction from Seitō, 1911–16, Ann Arbor: University of Michigan Center for Japanese Studies, 2007, © copyright 2007, Jan Bardsley, reprinted with permission from the publisher; Yosano Akiko: selections from Jan Bardsley, Bluestockings of Japan: New Woman Essays and Fiction from Seitō, 1911–16, Ann Arbor: University of Michigan Center for Japanese Studies, 2007, © copyright 2007, Jan Bardsley, reprinted with permission from the publisher; Yousry, Helmeya: with permission from Fatima Sadiqi; Zäunemann, Sidonie Hedwig: Sidonie Hedwig Zäunemann, “A Maid’s Fortune,” trans. 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