Even Funnier Looking Now

If someone had asked me then,

Do you suffer from the umbrage of dawn’s

dark racehorses, is your heart a prisoner

of raindrops? Hell yes! I would have said

or No way! Never would I have said,

What could you possibly be talking about?

I had just gotten to the twentieth century

like a leftover girder from the Eiffel Tower.

My Indian name was Pressure-Per-Square-Inch.

I knew I was made of glass but I didn’t

yet know what glass was made of: hot sand

inside me like pee going all the wrong

directions, probably into my heart

which I knew was made of gold foil

glued to dust. It was you I loved,

only you but you kept changing

into different people which made

kissing your mouth very exciting.

Of the birds, I loved the crows best,

sitting in their lawn chairs, ranting

about their past campaigns, the broken

supply lines, the traitors. Some had bodies

completely covered with feathers like me,

some were almost invisible like you.

And of the rivers, I loved the Susquehanna,

how each spring it would bring home a boy

who didn’t listen disguised as a sack of mud.

Everyone knew if you were strong enough

and swam fast and deep enough, you’d reach

another city but no one was ever strong enough.

Along the banks: the visceral honeysuckle.

That was the summer we tanned on the roof

reading the Russians. You told me

you broke up with your boyfriend I lost count.

Dusky, pellucid and grave.

In the Chekhov story, nothing happened but

a new form of misery was nonetheless delineated.

Accidentally, I first touched your breast.

Rowboat, I tried to think of rhymes for rowboat.

And sequins and yellow and two-by-fours.

In one of your parents’ bathrooms,

the handles were silver dolphins.

My ears were purple.

The crayons melted in the sun,

that was one way. Another was to tear things up

and tape them together wrong.

That was the summer I lived in the attic

and the punk band never practiced below.

Your breasts were meteors, never meteorites.

There was something wrong with my tongue.

There was my famous use of humor

that Jordan said was the avoidance of emotion.

I couldn’t hold on to a nickel.

There was that pitcher on the mound,

older, facing his former team. He had lost

some of his stuff but made up for it with

cerebrum. Your breasts were never rusty.

Your breasts reflected the seeming-so.

Your mouth I wanted my mouth over,

your eyes my eyes into,

into your Monday afternoons I would try to cram

my Sunday nights, into your anthropology paper

I wanted to put my theories,

your apartment I would put my records in

and never get them back.

Here, you said: another baby avocado tree.

You threw your shoe. I broke

the refrigerator and the fossil fish.

I broke my shoulder blade.

I tried to make jambalaya.

To relax the organism, the cookbook said,

pound with a mallet on the head or shell.

Your friends all thought you were crazy.

My friends all thought I was crazy.

The names of Aztec gods were on one page,

serotonin uptake inhibitors on the other.

You fell in the street carrying a pumpkin.

I walked home alone in the snow.

I broke my hand.

Your light meter was in my glove box.