At the close of the nineteenth century, the revolution in industrial processes met with humanity’s reluctance to distance itself from nature. These two opposing forces gave birth to the artistic form that became known as Art Nouveau, which combined graphic, linear designs with subjects that included all forms of flora and fauna and the most ideal elements that nature could offer. The Art Nouveau style has become highly representative of the period, and its application to all branches of art survives more than a century later—not solely historically, but in appreciation as well. Its influence is still seen in typography, architecture, and print design of all kinds, and it remains a source of beauty to a wide audience.
During the first decade of the twentieth century, the Art Nouveau movement was at its peak, and its influence could be seen in all the applied arts. Perhaps nowhere did it shine more than in stained glass design. It was well suited to adaptation there, relying on flat color and strong organic line. When window designs were sought, prospective clients would turn to the strongest studios of the day to find expression that would relate to the contemporary world.
Two outstanding sources of German design are represented in this collection, which features work drawn directly from the heyday of the period. Many of the components from the original plates have been separated and enlarged to allow for better observation of details, as well as to provide the best possible reference and inspiration for designers and craftspeople today.
Jeff Menges
January 2018