bibliography

Works by Valerie Solanas

“A Young Girl’s Primer on How to Attain the Leisure Class” [“For 2c: Pain, the Survival Game Gets Pretty Ugly”]. Cavalier, July 1966, 38–40, 76–77.

Manifest der Gesellschaft zur Vernichtung der Männer S.C.U.M. Darmstadt: März Verlag, 1969.

Manifest der Gesellschaft zur Vernichtung der Männer (SCUM). Frankfurt am Main: März Verlag, 1970.

Manifest der Gesellschaft zur Vernichtung der Männer (SCUM). Berlin: Schlechtenwegen Marz-Verlag, 1982.

Manifest der Gesellschaft zur Vernichtung der Männer. Reinbek, Germany: Rowohlt Taschenbuch, 1983.

Manifest der Gesellschaft zur Vernichtung der Männer S.C.U.M. Augsburg, Germany: Maro-Verlag, 1996.

Manifesto per l‘eliminazione dei maschi. Milan: Sperling, 1996.

S.C.U.M.: Manifesto per l’eliminazione dei maschi. Translated by Adriana Apa. Milan: ES, 1994.

“SCUM Book.” Mimeograph. Washington, DC, Library of Congress, 1967.

S.C.U.M. Manifesto. Wellington, New Zealand: Herstory Press, 1977.

S.C.U.M. Manifesto. With commentary by Paul Krassner. New York: Olympia Press, 1968.

SCUM [Society for Cutting Up Men]. Translated by Emmanuelle de Lesseps. Paris: Editions Mille et une nuits, 1998.

“SCUM Manifesto.” Mimeograph. Andy Warhol Museum Archives, Pittsburgh, PA, 1967.

“SCUM Manifesto.” Mimeograph. University of Missouri–St. Louis Archives, St. Louis, MO, 1967.

SCUM Manifesto. London: Matriarchy Study Group, 1983.

SCUM Manifesto. London: Verso, 2004.

SCUM Manifesto. New York: Self-Published, 1977.

SCUM Manifesto. San Francisco: A. K. Press, 1996.

SCUM Manifesto: Society for Cutting Up Men. London: Phoenix Press, 1991.

SCUM Manifesto: Society for Cutting Up Men. With an introduction by Vivian Gornick. New York, Olympia Press, 1971.

SCUM Manifesto (cili, Slem manifest). Olomouc, Czechoslovakia: Votobia, 1998.

SCUM, manifiesto de la Organización para el Extermino del Hombre. Translated by Ana Becciu. Barcelona: Ediciones de Feminismo, 1977.

SCUM Manifiesto de la Organización para el Extermino del Hombre. Translated by Ana Becciu. Madrid: Kira Edit, 2002.

“Up Your Ass.” Unpublished manuscript. Andy Warhol Museum Archives, Pittsburgh, PA, 1965.

“Up Your Ass.” Unpublished manuscript. Library of Congress, Washington, DC, 1973.

General Published Sources

“About the Church.” St. Mary of Sorrows. http://www.stmaryofsorrows.org/Permanent/about_the_church.htm.

Adams, Elsie, and Mary Louise Briscoe. Up Against the Wall, Mother . . . on Women’s Liberation. Beverly Hills, CA: Glencoe Press, 1971.

Albert, Judith Clavir, and Stewart Edward Albert. “The Women’s Rebellion.” In The Sixties Papers: Documents of a Rebellious Decade, ed. Judith Clavir Albert and Stewart Edward Albert, 47–51. New York: Praeger, 1984.

“Alive and Well.” Village Voice, September 12, 1968.

“Andy, FAQ.” The Warhol. http://www.warhol.org/collection/aboutandy/andyfaq/.

“Andy and a Girl Who Hates Men.” Women’s Wear Daily, June 5, 1968.

Andy Warhol. Directed by Ric Burns. 2006.

“Andy Warhol Chronology: June 3, 1968; The Shooting of Andy Warhol.” Warholstars.org. http://www.warholstars.org/chron/andydies68n33.html.

“Andy Warhol Fighting for Life.” New York Post, June 4, 1968.

Angell, Callie. The Films of Andy Warhol. Part 2. New York: Whitney Museum of Art, 1994.

Archibald, Sasha. “Inventory/How to Join the Men’s Auxiliary.” Cabinet, Summer 2005. http://cabinetmagazine.org/issues/18/archibald.php.

Atkinson, Ti-Grace. Amazon Odyssey: The First Collection of Writings by the Political Pioneer of the Women’s Movement. New York: Links Books, 1974.

—. “Ti-Grace Atkinson to Charlotte: Open Letter Pavane (for a Dead Infanta).” Unpublished manuscript, 1974. Ti-Grace Atkinson personal collection, Cambridge, MA.

Babcox, Peter. “Meet the Women of the Revolution.” New York Times, February 9, 1969.

Baer, Freddy. “About Valerie Solanas.” In SCUM Manifesto, by Valerie Solanas, 51–60. San Francisco: A. K. Press, 1996.

Barron, James. “A Manuscript, a Confrontation, a Shooting.” New York Times, June 23, 2009. http://cityroom.blogs.nytimes.com/2009/06/23/a-manuscript-a-confrontation-a-shooting/.

Baumgardner, Jennifer. “Who Shot Andy Warhol?” Ms., May–June 1996, 73–74.

Baxandall, Rosalyn. Dear Sisters: Dispatches from the Women’s Liberation Movement. New York: Basic Books, 2000.

—. “Historical Life Stories.” Feminist Studies 34, no. 3 (2008): 412–24.

—. “Re-visioning the Women’s Liberation Movement’s Narrative: Early Second Wave African American Feminists.” Feminist Studies 27, no. 1 (2001): 225–46.

Baxandall, Rosalyn, and Linda Gordon. “Second-Wave Soundings.” Nation, July 3, 2000, 28–32.

“Before Casey Anthony, There Was Alice Crimmins . . .” Huffington Post, July 14, 2011. http://www.huffingtonpost.com/paul-larosa/before-casey-anthony-ther_b_898417.html.

Behrens, David, and Jack Mann. “Andy Warhol Is Shot by Actress.” Newsday Long Island, June 4, 1968, 3.

Bender, Marylin [sic]. “Valeria Solanis [sic]: A Heroine to Feminists.” New York Times, June 14, 1968, 52–53.

Black, Bob. Rants and Incendiary Tracts: Voices of Desperate Illuminations, 1558–Present. Los Angeles: Amok Press, 1989.

Bloom, Alexander, and Wini Breines. “Takin’ It to the Streets”: A Sixties Reader. New York: Oxford University Press, 1995.

Bockris, Victor. The Life and Death of Andy Warhol. London: Fourth Estate, 1998.

—. The Life and Death of Andy Warhol. New York: Bantam, 1989.

—. The Life and Death of Andy Warhol. New York: Da Capo Press, 2003.

—. Warhol. London: F. Muller, 1989.

Boone, Bruce. “‘Look on My Works, Ye Mighty, and Despair!,’ or Valerie Solanas in Silver Lamé.” DWAN 22 (October 1997).

Boorstin, Robert O. “Hospital Asserts It Gave Warhol Adequate Care.” New York Times, April 13, 1987.

Brush, F. Robert. “The Effects of Shock Intensity on the Acquisition and Extinction of an Avoidance Response in Dogs.” Journal of Comparative and Physiological Psychology 50 (1957): 547–52.

—. “On the Differences Between Animals That Learn and Do Not Learn to Avoid Electric Shock.” Psychonomic Science (1966): 123–24.

Butler, Judith. “Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory.” Theater Journal 40, no. 4 (1988): 519–31.

Carr, C. “SCUM Goddess: Who’s the Villain? Who’s the Saint?” Village Voice, June 22, 2003. http://www.villagevoice.com/2003-07-22/theater/scum-goddess/.

Castro, Ginette. American Feminism: A Contemporary History. New York: New York University Press, 1990.

Chase, Wilda. “The Twig Benders.” Unpublished manuscript, undated. Ti-Grace Atkinson personal collection, Cambridge, MA.

Church, R. M., F. Robert Brush, and R. L. Solomon. “Traumatic Avoidance Learning: the Effects of CS-US Interval with a Delayed-Conditioning Procedure in a Free-Responding Situation.” Journal of Comparative and Physiological Psychology 49, no. 3 (1956): 301–8.

Coburn, Judith. “Solanas Lost and Found.” Village Voice, January 11, 2000. http://www.villagevoice.com/2000-01-11/news/solanas-lost-and-found/.

—. “Valerie’s Gang.” East Bay Express (Oakland, CA), November 19, 1999.

Cohen, Joshua. “Hung Like an Obelisk, Hard as an Olympian.” New Haven Review, January 2008. http://newhavenreview.com/wp-content/uploads/2008/01/cohen.pdf.

Coutros, Peter. “Offbeat Artist/Producer Used Girls as Film Props.” East Village Other, June 28, 1968.

“Creating Digital History: Women’s House of Detention.” http://creatingdigitalhistory.wikidot.com/womenshouseofdetention.

Cronan, Sheila. “Marriage.” Unpublished manuscript, undated. Ti-Grace Atkinson personal collection, Cambridge, MA.

Crow, Barbara. Radical Feminism: A Documentary Reader. New York: New York University Press, 2000.

Darnovsky, Marcy, Barbara Epstein, and Richard Flacks. Cultural Politics and Social Movements. Philadelphia: Temple University Press, 1995.

Davis, Angela. “Prison Memoirs.” Village Voice, October 10, 1974, 8.

De St. Jorre, John. Venus Bound: The Erotic Voyage of the Olympia Press and Its Writers. New York: Random House, 1996.

“Death Ends Woman’s Bid to Right ‘Moral Wrong.’” New York Times, June 21, 1973.

Dederer, Claire. “Cutting Remarks.” Nation, June 14, 2004. http://www.thenation.com/article/cutting-remarks.

Deem, Melissa D. “From Bobbitt to SCUM: Re-memberment, Scatological Rhetorics, and Feminist Strategies in the Contemporary United States.” Public Culture 8, no. 3 (1996): 511–37.

Densmore, Dana. “On Celibacy.” No More Fun and Games: A Journal of Female Liberation 1 (1968).

Diaman, N. A. “The Baltic Street Collective.” In Smash the Church, Smash the State! The Early Years of Gay Liberation, edited by Tommi Avicolli Mecca, 234–41. San Francisco: City Lights Books, 2009.

Diamondback (University of Maryland, Baltimore), 1956–57. Newspaper.

Dominic, Magie. The Queen of Peace Room. Waterloo, ON: Wilfrid Laurier University Press, 2002.

Dorr-Dorynek, Diane. “Lonesome Cowboy—Reel 606.” East Village Other 3, (June 14, 1968).

Doyle, Jennifer. Sex Objects: Art and the Dialectics of Desire. Minneapolis: University of Minnesota Press, 2006.

Doyle, Jennifer, Jonathan Flatley, and José Esteban Muñoz. Pop Out: Queer Warhol. Durham: Duke University Press, 1996.

Dudar, Helen. “Women’s Lib: The War on ‘Sexism.’” Newsweek, March 23, 1970, 63–104.

Dunbar-Ortiz, Roxanne. Blood on the Border: A Memoir of the Contra War. Cambridge, MA: South End Press, 2005.

—. “From the Cradle to the Boat: A Feminist Historian Remembers Valerie Solanas.” San Francisco Bay Guardian, January 5, 2000. 

—. Outlaw Woman: A Memoir of the War Years, 1960–1975. San Francisco: City Lights, 2001.

Dunn, Gregory. “Valerie Charges Back.” New York Daily Planet, June 28–July 4, 1977.

Echols, Alice. Daring to Be Bad: Radical Feminism in America, 1967–1975. Minneapolis: University of Minnesota Press, 1989.

Egerton, Jayne. “For Thrill-Seeking Females Only.” Trouble and Strife 2 (1984): 21–23.

Endres, Kathleen L., and Therese L. Lueck. Women’s Periodicals in the United States: Social and Political Issues. New York: Greenwood, 1996.

Enriquez, Micheline. “Paranoiac Fantasies: Sexual Difference, Homosexuality, Law of the Father.” In Psychosis and Sexual Identity: Toward a Post-analytic View of the Schreber Case, edited by David B. Allison, Prado De Oliveira, Mark S. Roberts, and Allen S. Weiss, 102–29. Albany: State University of New York Press, 1988.

Evarels, “Spooky Times at the Bristol Hotel.” The Tender . . . Your Daily Cut of the Loin (blog), September 2, 2010. http://thetender.us/2010/09/02/spooky-times-in-the-bristol-hotel/.

“Ex-Matteawan Patient Dies; Had Planned to Sue State.” Evening News, June 21, 1973.

“Faded Ad: The Infamous Village Plaza Hotel.” Ephemeral New York (blog), February 19, 2010. http://ephemeralnewyork.wordpress.com/2010/02/19/sixth-avenue-faded-ad-the-village-plaza-hotel/.

Fahs, Breanne. “The Radical Possibilities of Valerie Solanas.” Feminist Studies 34, no. 3 (2008): 591–617.

—. “Reading Between the Lines: Ben Morea on Anarchy, Radicalism, and Resistance.” Left History 16, no. 1 (2012): 37–53.

—. “Ti-Grace Atkinson and the Legacy of Radical Feminism.” Feminist Studies 37, no. 3 (2012): 561–90.

Faso, Frank, Martin McLaughlin, and Richard Henry. “Andy Warhol Wounded by Actress.” Daily News, June 4,, 1968.

Faso, Frank, and Henry Lee. “Actress Defiant: I’m Not Sorry.’” New York Daily News, June 5, 1968.

The Field Boss. “Sad Truth: 15 Minutes Later . . . (or The Short Sad Life of Valerie Solanas).” Geocities. http://www.geocities.com/SoHo/2904/reviews.html.

Finkelstein, Nat. Andy Warhol: The Factory Years. New York: Power House Books, 2000.

Firestone, Shulamith. “I Remember Valerie.” In Airless Spaces, 130-31. New York: Semiotext(e), 1998.

Foucault, Michel. Madness and Civilization. Translated by Richard Howard. New York: Vintage Books, 1965.

Freeman, Jo. Social Movements of the Sixties and Seventies. New York: Longman, 1983.

Gaither, Rowan. “Andy Warhol’s Feminist Nightmare.” New York Magazine, January 1991, 35.

Gaviola, Ruel. “Donny Didn’t Shoot Andy Warhol.” Amusing Yourself to Death: A Monthly Guide to Surfing the Papernet 7 (September 1997): 22.

Genzlinger, Neil. “Theater Review; A Writer One Day, a Would-Be Killer the Next: Reliving the Warhol Shooting.” New York Times, March 1, 2001. http://www.nytimes.com/2001/03/01/theater/theater-review-writer-one-day-would-be-killer-next-reliving-warhol-shooting.html.

Girodias, Maurice. The Frog Prince: An Autobiography. New York: Crown, 1980.

—. Introduction to S.C.U.M. Manifesto, by Valerie Solanas, vii-viii. New York: Olympia Press, 1968.

—. “Notice to Unknown Writers.” Publisher’s Weekly, August 24, 1967.

—. The New Olympia Reader. Lanoka Harbor, NJ: Blue Moon Books, 1993.

Gitlin, Todd. The Sixties: Years of Hope, Days of Rage. New York: Bantam, 1993.

Glacer, Alice. “Making It: Gossip of the Literary Marketplace.” Washington Post, September 9, 1968.

Goldsmith, Kenneth, ed. I’ll Be Your Mirror: The Selected Andy Warhol Interviews, 1962–1987. Introduction by Reva Wolf. Afterword by Wayne Koestenbaum. New York: Carroll & Graf, 2004.

Gornick, Vivian. Introduction to S.C.U.M. Manifesto: Society for Cutting Up Men, by Valerie Solanas, xv-xxxvi. New York, Olympia Press, 1971.

—. “Manifesto Destiny: Remembering Valerie Solanas.” Village Voice, May 14, 1996.

—. “Who Says We Haven’t Made a Revolution?” New York Magazine, April 15 1990.

Green, Sue, and H. Wasserman, “High Society,” High Times, June 1977, 18–19.

Grunwald, Lisa, and Stephen J. Adler. Letters of the Century: America, 1900–1999. New York: Dial Press, 1999.

Guiles, Fred Lawrence. Loner at the Ball: The Life of Andy Warhol. New York: Bantam, 1989.

Hahne, Ron, and Ben Morea. Black Mask and Up Against the Wall Motherfucker: The Incomplete Works of Ron Hahne, Ben Morea, and the Black Mask Group. Oakland, CA: PM Press, 2011.

Hamrah, A. S. “A Grrrl and Her Gun.” Los Angeles Times, June 3, 2008.

Harding, James. Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde. Ann Arbor: University of Michigan Press, 2010.

—. “The Simplest Surrealist Act: Valerie Solanas and the (Re) Assertion of Avant-garde Priorities.” Drama Review 45, no. 4 (2001): 142–62.

Harrison, Katherine. “Sometimes the Meaning of the Text Is Unclear: Making ‘Sense’ of the SCUM Manifesto in a Contemporary Swedish Context.” Unpublished manuscript, undated.

Harron, Mary. “Pop Art/Art Pop: The Warhol Connection.” Melody Maker, February 16, 1980. http://warholstars.org/warhol/warhol1/andy/warhol/articles/harron.html.

Harron, Mary, and Daniel Minahan. I Shot Andy Warhol. New York: Grove Press, 1996.

—. Introduction to I Shot Andy Warhol, vii–xxxi. New York: Grove Press, 1996.

Haut, Mavis. “A Salty Tongue: At the Margins of Satire, Comedy, and the Polemic in the Writing of Valerie Solanas.” Feminist Theory 8, no. 1 (2007): 27–41.

Heller, Dana. “Shooting Solanas: Radical Feminist History and the Technology of Failure.” Feminist Studies 27 (2001): 167–89.

“Holly Tomolly.” Playboy, August 1, 1993. http://business.highbeam.com/137462/article-1G1-14585417/holly-tomolly.

Howe, Florence, and Mari Jo Buhle. The Politics of Women’s Studies: Testimony from Thirty Founding Mothers. New York: Feminist Press, 2000.

Huisman, Mark. “She Shot Andy Warhol.” Advocate, April 16, 1996, 49–52.

I, a Man. Directed by Andy Warhol. 1967–68. Andy Warhol Museum Archives, Pittsburgh, PA. Clips are available on YouTube: http://www.youtube.com/watch?v=sPQVtIk3g7s.

“I Saw Her Walk into the Office.” New York Times, June 4, 1968.

Jay, Karla. Tales of a Lavender Menace: A Memoir of Liberation. New York: Basic Books, 2000.

Jeffrey, Simon. “Feminist Icon Andrea Dworkin Dies.” Guardian, April 11, 2005. http://www.guardian.co.uk/world/2005/apr/11/books.booksnews.

Jobey, Liz. “Solanas and Son.” Guardian, August 24, 1996, T10.

Jones, Ann. Women Who Kill. New York: Holt, Rinehart, and Winston, 1980.

“June 3, 1968—The Shooting of Andy Warhol.” Warholstars.org. http://www.warholstars.org/chron/andydies68n33.html.

Juno, Andrea, and V. Vale. Angry Women (Re/Search). New York: Juno Books, 1992.

Joyner, Marsha. “Florynce Kennedy.” Civil Rights Movement Veterans. www.crmvet.org/mem/kennedyf.htm.

Kaufman, Alan, and S. A. Griffin. The Outlaw Bible of American Literature. New York: Thunder’s Mouth Press, 1999.

Kelly, Christine A. “Whatever Happened to Women’s Liberation? Feminist Legacies of ’68.” New Political Science 22, no. 2 (2000): 161–75.

Kennedy, Florynce. Color Me Flo: My Hard Life and Good Times. Englewood Cliff, NJ: Prentice-Hall, 1976.

Kent, Leticia. “Andy Warhol: I Thought Everyone Was Kidding.” Village Voice, September 12, 1968.

Klein, Shelley. The Most Evil Women in History. New York: Sterling, 2003.

Koch, Stephen. Stargazer: The Life, World, and Films of Andy Warhol. New York: Rizzoli International, 1991.

Koedt, Anne, Ellen Levine, and Anita Rapone. Radical Feminism. New York: Quadrangle Books, 1973.

Kohrs Campbell, Karlyn. Man Cannot Speak for Her: A Critical Study of Early Feminist Rhetoric. New York: Greenwood Press, 1989.

Krassner, Paul. Confessions of a Raving Unconfined Nut: Misadventures in the Counter-culture. New York: Simon and Schuster, 1993.

—. “Wonder Waif Meets Super Neuter.” In S.C.U.M. Manifesto, by Valerie Solanas, 85–105. New York: Olympia Press, 1968.

Kritchman, Sheila, and Elaine Smith. “Valerie Lives!” Lilith (Fall 1968): 3–6.

Kross, Anna M. “Program for Women.” In Progress Through Crisis, 115. New York Correction History Society. http://www.correctionhistory.org/html/chronicl/amk&whofd/amkwhofd3.html.

Kundera, Milan. The Book of Laughter and Forgetting. Translated by Aaron Asher. New York: Harper Perennial, 1996.

Laux, Dorianne. “Late-Night TV.” In The Book of Men, 22. New York: W. W. Norton, 2011.

Leonard, John. “The Return of Andy Warhol.” New York Times Magazine, November 10, 1968, 32.

Lord, Catherine. “Wonder Waif Meets Super Neuter.” October 132 (2010): 135–63.

Lorde, Audre. “Who Said It Was Simple.” In The Collected Poems of Audre Lorde, 92. New York: Norton, 1997.

Loschiavo, LindAnn. “From Activists and Authors to Madams and Madwomen: The Prisoners of Sixth Avenue.” Villager (New York), October 2005.

Lusty, Natalya. “Valerie Solanas and the Limits of Speech.” Australian Literary Studies 24, no. 3 (2009): 144.

Lyon, Janet. Manifestoes: Provocations of the Modern. Ithaca: Cornell University Press, 1999. 

MacDonald, Eileen. Shoot the Women First. London: Fourth Estate, 1991.

Malanga, Gerard, Andy Warhol, Patrick Remy, Marc Parent, Peter K. Wehrli, Debra Miller, Ben Maddow, A. D. Coleman, and Asako Kitaori. Gerard Malanga: Screen Tests, Portraits, Nudes, 1964–1996. Göttingen, Germany: Steidle, 2000.

“Margo Feiden Sets Guinness Book of World Records.” Al Hirschfeld Galleries. http://www.alhirschfeld.com/bios/guinness.html.

Marmorstein, Robert. “SCUM Goddess: A Winter Memory of Valerie Solanis [sic].” Village Voice, June 13, 1968.

Martinez, Eligio, Jr., “The Black Past: Remembered and Reclaimed: University of Maryland, Eastern Shore (1886–).” Black Past.org: Remembered and Reclaimed. http://www.blackpast.org/?q=aah/university-maryland-eastern-shore-1887.

Martinez, Judith Solanas. “Valerie: Child of Rage.” Unpublished manuscript, undated.

McCauley, Clark, and Sophia Moskalenko. Friction: How Radicalization Happens to Them and Us. Oxford: Oxford University Press, 2011.

McLemee, Scott. “Dark Superstar.” July 2, 2004. http://www.mclemee.com/id72.html.

McMillian, John. “Ben Morea, Garbage Guerrilla.” Interactivist, June 5, 2005. http://interactivist.autonomedia.org/node/4354.

McMillian, John, and Paul Buhle. The New Left Revisited. Philadelphia: Temple University Press, 2003.

McNeil, Legs, and Gillian McCain. Please Kill Me: The Uncensored Oral History of Punk. New York: Grove Press, 1996.

Mead, Rebecca. “The Movement Changes.” New Yorker, March 3, 2004. http://www.newyorker.com/archive/2004/05/03/040503ta_talk_mead.

—. “Setting It Straight.” New Yorker, November 29, 2010.

Michaelson, Judy. “Valerie: The Trouble Was Men.” New York Post, June 5, 1968, 57.

Millett, Kate. Sexual Politics. Garden City, NY: Doubleday, 1970.

—. “Sexual Politics: A Manifesto for the Revolution.” Time Magazine, March 1972, 111–12.

Moore, Honor. Poems from the Women’s Movement. New York: Library of America, 2009.

Moore, Suzanne. “The Bag Lady of Feminism.” New Statesman, June 2004, 48–49.

Morgan, Robin. “Do You Remember La Pasionaria? Meet the Women of the Revolution.” Time Magazine, February 9, 1969, SM34.

—. Saturday’s Child: A Memoir. New York: Norton, 2001.

—, ed. Sisterhood Is Powerful: An Anthology of Writings from the Women’s Liberation Movement. New York: Vintage Books, 1970.

Morrissey, Paul. “Pop Shots: A New Film Glamorizes Andy Warhol’s Factory, but One Participant Remembers the Real Craziness—and the Real Gunshots.” Vogue, May 1996, 150–52.

Name, Billy. All Tomorrow’s Parties: Billy Name’s Photographs of Andy Warhol’s Factory. London: Frieze, 1997.

Neumann, Osha. Up Against the Wall Motherfucker: A Memoir of the ’60s, with Notes for Next Time. New York: Seven Stories Press, 2008.

“New York: Felled by Scum.” Time Magazine, June 1968, 25.

“Newborn Baby Girl Is Found in a Welfare Hotel’s Garbage.” New York Times, February 19, 1990, B4.

O’Brien, Glenn. “History Rewire.” Interview, n.d. http://www.Interviewmagazine.com/culture/history-rewrite/#.

Ogar, Richard. “She Slept Here.” Berkeley (CA) Barb, June 7–13, 1968.

“Petitions on Matteawan Going to Albany.” Evening News, August 7, 1973.

Pinsky, Rachel. “I’m Glad I’m Pissed Off: The Revolution of Angry Women.” Off Our Backs 25, no. 4 (1995): 10, 22.

Porges, Robert. “Vaginal Hysterectomy at Bellevue.” Obstetrics and Gynecology 35, no. 2 (1970): 300–313.

“Pornographers Are Picketing Olympia Press for Better Royalties.” New York Times, June 25, 1971.

Police Report on Valerie Solanas, New York City police records, June 3, 1968.

Powell, Allison. “Crazy About Andy: Interview by Mary Harron.” Interview, April 1996, 120–21.

Puchner, Martin. Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes. Princeton, NJ: Princeton University Press, 2006.

“Pussycat Power (Ad for Men’s Auxiliary of SCUM).” Colorado Springs Gazette Telegraph, February 18, 1970, 4B.

Rhodes, Jacqueline. Radical Feminism, Writing, and Critical Agency: From Manifesto to Modem. Albany: State University of New York Press, 2005.

Rich, B. Ruby. “Manifesto Destiny: Drawing a Bead on Valerie Solanas.” Village Voice Literary Supplement, October 1993, 16–17.

Robbins, Trina. Tender Murderers: Women Who Kill. Newburyport, MA: Conari Press, 2003.

“Robin Morgan, Activist as Ever.” Off Our Backs 31 (February 2001): 4.

Ronell, Avital. “The Deviant Payback: The Aims of Valerie Solanas.” Introduction to SCUM Manifesto, by Valerie Solanas, 1–34. New York: Verso, 2004.

Rosenberg, Tina. “Still Angry After All These Years, or Valerie Solanas Under Your Skin.” Theatre Journal 62, no. 4 (2010): 529–34.

Roszak, Betty, and Theodore Roszak. Masculine/Feminine: Readings in the Sexual Mythology and the Liberation of Women. New York: Harper and Row, 1969.

Rowe, Desireé. “‘I Should’ve Done Target Practice’: Why Valerie Solanas Missed.” Qualitative Inquiry 17, no. 2 (2011): 130–33.

—. “‘Just Read My Manifesto’: Valerie Solanas and Radical Feminism.” PhD diss., Arizona State University, 2009.

—. “Valerie Solanas and the Queer Performativity of Madness.” Cultural Studies, Critical Methodologies 11, no. 3 (2011): 274–84.

Sanders, Ed. Fug You: An Informal History of the Peace Eye Bookstore, the Fuck You Press, the Fugs, and Counterculture in the Lower East Side. Boston: De Capo Press, 2011.

Sartre, Jean-Paul. Preface to Frantz Fanon, Wretched of the Earth. Translated by Constance Farmington. London: MacGibbon, 1963.

Scherman, Tony, and David Dalton. Pop: The Genius of Andy Warhol. New York: HarperCollins, 2009.

Shepard, Richard F. “Warhol Gravely Wounded. Actress is Held. Woman Says She Shot Artist, Who is Given 50-50 Chance to Live” New York Times, June 4, 1968, 36.

Shirley, David. “Slum Gods of the Lower East Side.” Brooklyn Rail: Critical Perspectives on Arts, Politics, and Culture, November 2011. http://www.brooklynrail.org/2011/11/music/slum-gods-of-the-lower-east-side.

Sleep. Directed by Andy Warhol. 1963. Andy Warhol Museum Archive, Pittsburgh, PA. http://www.warholstars.org/filmch/sleep.html.

Smilion, Marvin, and Nancy Seely. “Andy Warhol Fights for Life.” New York Post, June 4, 1968.

Smith, Donny. “The History of Zines: Valerie Solanas.” Xerography Debt 12. Leeking Inc. http://www.leekinginc.com/xeroxdebt/xd12.htm.

—. “Proving You’re Not Crazy (Interview with Louis Zwiren and Friends).” Supplement to DWAN 22 (January 2003): 23–32.

—. “To Live with a Man Is to Hate a Man (or Vice Versa).” Holy Titclamps 16, January 16, 1998.

—. Solanas Supplement to DWAN no. 1, March 1994.

—. Solanas Supplement to DWAN no. 2, May 1997.

—. Solanas Supplement to DWAN no. 3. Undated.

—. “Valerie.” Virago 4 (August 1997): 31–33.

—. “Valerie Is Good and Bad . . . Crazy and Sane: An Interview by Mary Harron.” Solanas Supplement to DWAN no. 2 (May 1997).

Smith, Howard. “Scenes.” Village Voice, May 31, 1983.

—. “The Shot That Shattered the Velvet Underground.” Village Voice, June 6, 1968.

Smith, Howard, and Brian Van der Horst. “Valerie Solanas Interview.” Village Voice, July 25, 1977, 32.

Smith, Juliana Patricia. The Queer Sixties. New York: Routledge, 1999.

Solomon, Alisa. “Whose Soiree Now?” Village Voice, February 20, 2001. http://www.villagevoice.com/2001-02-20/theater/whose-soiree-now/.

Stein, Jean, and George Plimpton. Edie: American Girl. New York: Grove Press, 1994. 

Stridsberg, Sarah. Drömfakulteten [The dream faculty]. Stockholm: Albert Bonniers förlag, 2006.

Sullivan, Ronald. “Care Faulted in Death of Warhol.” New York Times, December 5, 1991.

“The Sweet Assassin.” Newsweek, June 1968, 86–87.

Tallmer, Jerry. “Behind the Flashy Vinyl Façade.” New York Post, June 4, 1968.

Taubin, Amy. “Shooting Andy Warhol: Valerie Lives.” Village Voice, May 9, 1995.

Third, Amanda. “Shooting from the Hip: Valerie Solanas, SCUM, and Apocalyptic Politics of Radical Feminism.” Hecate 32, no. 2 (2006): 104–32.

Tolchin, Martin. “Lawmakers Irate over Matteawan,” New York Times, August 15, 1967, 1.

Tomasson, Robert E. “Ex-Mental Patient Given $300,000.” New York Times, May 21, 1968, 49.

“2 Hospital Guards at Matteawan Held in Death of Patient.” New York Times, n.d.

Ultra Violet. Famous for 15 Minutes: My Years with Andy Warhol. San Diego: Harcourt Brace Jovanovich, 1988.

“The Ultra Violet Interview.” Planet Group Entertainment. http://planetgroupentertainment.squarespace.com/the-uultra-violet-interview/.

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Vachon, Christine, and David Edelstein. Shooting to Kill. New York: William Morrow, 1998.

“Valerie Solanas Replies.” Village Voice, August 1, 1977, 28.

Von Gunden, Heidi. The Music of Pauline Oliveros. Metuchen, NJ: Scarecrow Press, 1983.

Warhol, Andy. Interview by Fiona Russell. Face Magazine, 1985. http://www.fionarussellpowell.com/interviews/andywarhol.htm.

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“Warhol’s Assailant Gets up to 3 Years.” New York Times, June 10, 1969.

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Wyatt, Sally. “Feminism Technology and the Information Society: Learning from the Past, Imagining the Future.” Information, Communication and Society 11, no. 1 (2008): 111–30.

Zeisler, Andi. “Up Your Ass.” Bitch Magazine, Winter 2008, 72.

Interviews

Atkinson, Ti-Grace. By Breanne Fahs. Cambridge, MA, February 1–2, 2008.

—. By Mary Harron. Phone, circa 1992.

Baxandall, Rosalyn. By Breanne Fahs. New York, April 8, 2011.

—. By Mary Harron. Phone, circa 1992.

Blackwell, David. By Breanne Fahs. Phone, November 6, 2011.

Borman, Nancy. By Mary Harron. Phone, circa 1992.

Bristol Hotel manager. By Breanne Fahs. San Francisco, December 12, 2008.

Brown, Christopher. By Breanne Fahs. Phone, October 31, 2011.

Caputi, Jane. By Breanne Fahs. Atlanta, GA, November 15, 2009.

Ceballos, Jacqueline. By Breanne Fahs. Phoenix, AZ, September 27, 2009.

Chance, Michael. By Mary Harron. New York, circa 1992.

Cisler, Cindy. By Mary Harron. Phone, circa 1992.

Densmore, Dana. By Breanne Fahs. Santa Fe, NM, October 24, 2009.

Dunbar-Ortiz, Roxanne. By Breanne Fahs. San Francisco, December 11, 2008.

Engel, Don. By Mary Harron. New York, circa 1992.

Erikson, Nancy. By Mary Harron. Phone, circa 1992.

Feiden, Margo. By Breanne Fahs. New York, March 15, 2010.

Freeman, Jo (aka Joreen). By Breanne Fahs. Phone, October 14, 2010.

Friedman, Mr. By Mary Harron. New York, circa 1992.

Fustero, Robert. By Breanne Fahs. Phone, September 20, 2008.

—. By Breanne Fahs. Silver Spring, MD, May 25, 2012.

Girodias, Maurice. By Mary Harron. New York, circa 1992.

Gornick, Vivian. By Breanne Fahs. New York, April 9, 2011.

—. By Mary Harron. New York, circa 1992.

Hanisch, Carol. By Mary Harron. New York, circa 1992.

Harron, Mary. By Breanne Fahs. Brooklyn, NY, September 14, 2008.

Jordan, Fred. By Mary Harron. New York, circa 1992.

Koedt, Anne. By Mary Harron. New York, circa 1992.

Lanker, Roderick. By Mary Harron. New York, circa 1992.

Laura X. By Mary Harron. New York, circa 1992.

LeMond, Allen. By Mary Harron, New York, circa 1992.

Mauldin, Julia. By Mary Harron. New York, circa 1992.

Miles, Sylvia. By Breanne Fahs. New York, April 9, 2011.

Miller, Lorraine. By Breanne Fahs. Phone, May 23, 2013.

—. By Mary Harron, New York, circa 1992.

Millett, Kate. By Mary Harron. Phone, circa 1992.

Morea, Ben. By Breanne Fahs. Phone, March 10, 2011.

—. By Breanne Fahs. Brooklyn, NY, March 18, 2012.

Morrissey, Paul. By Breanne Fahs. Phone, April 7, 2011.

Newton, Jeremiah. By Breanne Fahs. New York, April 8, 2011.

—. By Breanne Fahs. New York, March 14, 2010.

—. By Mary Harron. New York, circa 1994.

Owens, Iris. By Mary Harron. New York, circa 1992.

Rosset, Barney. By Mary Harron. New York, circa 1992.

Scheiner, CJ. By Breanne Fahs. Phone, February 7, 2011.

Spoor, Robert. By Mary Harron. New York, circa 1992.

Spottiswood, Dick. By Mary Harron. New York, circa 1992.

Steele, Joanne. By Mary Harron. New York, circa 1992.

Thompson, Louise. By Mary Harron. New York, circa 1992.

Tobias, Sheila. By Breanne Fahs. Tucson, AZ, October 24, 2010.

Ultra Violet (Isabelle Dufresne). By Breanne Fahs. New York, April 17, 2012.

Vasconcellos, Bud Maxwell. By Breanne Fahs. Phone, October 12, 2012.

Zwiren, Louis. By Breanne Fahs. Phone, October 23, 2012.