1. Richard Just, “Why Phil Ochs Is the Obscure ‘60s Folk Singer America Needs Today,” Washington Post, Jan 24, 2017.
2. Ibid.
3. Ibid.
4. Thomas Fuller, and Christopher Mele, “Berkeley Cancels Milo Yiannmopoulis, and Donald Trump Tweets Outrage,” New York Times, Feb 1 2017.
5. Ibid.
6. Robie Gray, “How Milo Yiannopoulis’s Berkeley ‘Free Speech Week’ Fell Apart,” The Atlantic, Sept. 22, 2017.
7. Alexandra Rosenmann, “Robert Reich Has a Chilling Theory About Those Berkeley Protestors,” www.alternet.com, 2017.
8. Peter Stone Brown, “Where Is Phil Ochs When We Need Him?” Counterpunch.org. 2017.
9. David Hinkey, “Forty Years Later, We Still Need Phil Ochs,” Huffington Post, 2017.
10. Rob Young, “Folk—The Music of the People—Is Hip Again,” theguardian.com, 2010.
1. “Freedom Struggle,” americanhistory.si.edu.
2. Colin Wilson, Lingard: A Novel by Colin Wilson (New York: Crown, 1970), endnotes.
3. A.E. Van Vogt, The Violent Man (Pocket Books, 1962), p. 96.
4. Ibid., p. 9.
5. Colin Wilson, The Essential Colin Wilson (Berkeley, CA: Celestial Arts, 1986), p. 9.
6. Ibid.
7. Van Vogt, The Violent Man, p. 9.
8. Kirkpatrick Sale, SDS: Students for a Democratic Society (New York: Vintage, 1974), p. 7.
9. Will Kaufman, Woody Guthrie’s Modern World Blues (Norman: University of Oklahoma Press, 2017), p. 32.
10. Ibid., p. 31.
11. Ibid.
12. Ibid., 32.
1. Todd Gitlin, The Sixties (New York: Bantam Books, 1996), p. 13–15.
2. Rick Crawford, “What Lincoln Foresaw: Corporations Being ‘Enthroned’ After the Civil War and Re-Writing the Laws Defining Their Existence,” radicalorg.com, 2016.
3. Peter Ustinov Quotes, BrainyQuote.com, https://www.brainyquote.com/quotes/peter_ustinov_103982, BrainyMedia Inc., 2019.
4. “The Fifties,” schmoop.com.
5. Richard H. Rovere, Senator Joe McCarthy (New York: Harcourt, Brace,1959), p. 79.
6. “Joseph R. McCarthy,” history.com.
7. Joyce Oh, and Amanda Latham, “Senator Joseph McCarthy: McCarthyism and the Witch Hunts,” The Cold War Museum, 2008, coldwar.org.
8. Ibid.
9. Jack Mirklinson, “60 Years Ago, Edward R. Murrow Took Down Joseph McCarthy,” Huffington Post, 2014.
10. Michael Newton, “The Invisible Empire: The Ku Klux Klan in Florida,” The Journal of Southern Religion. Review, 2010, jsr.fsu.edu.
11. “HUAC,” history.com.
12. David L. Dunbar, “The Hollywood Ten: The Men Who Refused to Name Names,” The Hollywood Reporter, 2015. hollywoodreporter.com.
13. Paul Goodman, Growing Up Absurd (New York: Random House, 1962), p.19.
1. David A. DeTurk, and A. Poulin, eds. The American Folk Scene (New York: Dell Books, 1967), p. 110–117.
2. Ibid., p105.
3. Tony Russell, Country Music Records: A Discography, 1921–1942 (Oxford: Oxford University Press, 2008), p. 826.
4. DeTurk, and Poulin, p. 107.
5. Ibid.
6. Denisoff, R. Serge, Great Day Coming: Folk Music and the American Left (Urbana: University of Illinois Press, 1971), p. 89.
7. Ibid., p. 183.
8. DeTurk, and Poulin, American, p. 126–27.
9. Donald Brown, Bob Dylan: American Troubadour (Lanham, MD: Rowman & Littlefield, 2014).
10. Martin Luther King, Why We Can't Wait (New York: New American Library, 2006).
11. www.learning.blogs.nytimes.com.
12. Marc Eliot, Death of a Rebel (New York: F. Watts, 1989), p. 23.
13. Robert Christgau, “Phil Ochs: 1940–1976,” www.robertchristgau.com
14. Eliot, Death of a Rebel, p. 52.
15. Ibid., p. 277.
16. www.songsandhymns.org.
1. Michael Schumacher, There but for Fortune: The Life of Phil Ochs (New York: Hyperion, 1996) p., 226.
2. voicesofthecivilrightsmovement.com.
3. “Peter Paul and Mary Talk About the March on Washington,” Youtube.
1. https://en.wikipedia.org/wiki/Bob_Moses_(activist.)
2. Ibid.
3. Bruce Watson, Freedom Summer: The Savage Season That Made Mississippi Burn and Made America a Democracy (New York: Viking, 2010), p. 6–7.
4. Ibid., p. 26.
5. Ibid., p. 226.
6. https://en.wikipedia.org/wiki/Bob_Moses_(activist.)
7. “Plessy v. Ferguson,” https://www.oyez.org/cases/1850–1900/163us537.
8. “Morgan v. Virginia,” https://www.loc.gov/item/usrep328373/
9. John Lewis, and Michael D’Orso, Walking with the Wind: A Memoir of the Movement (New York: Simon & Schuster, 1996), p. 7.
10. William A. Nunnelley, Bull Connor (Tuscaloosa: Univ. of Alabama Press, 1991), p. 93.
11. Watson, Freedom Summer, p. 128.
12. http://archivesspace.lib.miamioh.edu/repositories/2/resources/624.
13. www.jfklibrary.org.
14. Watson, Freedom Summer, p. 53.
1. Watson, Freedom Summer, p.63–65.
2. Gitlin, The Sixties, p. 135.
3. Watson, Freedom Summer, p. 6–7.
4. “Phil Ochs Biography,” SonnyOchs.com. Retrieved April 17, 2009.
5. Eliot, Death of a Rebel, p.20.
6. Robert Shelton. “64 Folk Festival Ends in Newport; Weekend Event Presented Music and Workshops,” New York Times, 1964.
7. Watson, Freedom Summer, p. 24.
8. Ibid.
9. Gitlin, The Sixties, p. 137.
10. Watson, Freedom Summer, p. 37.
11. Ibid., p. 94.
12. Ibid., p. 26–27.
13. Ibid.
14. Eliot, Death of a Rebel, p. 301–08.
15. Les Bayless, “Three Who Gave Their Lives: Remembering the Martyrs of Mississippi Freedom Summer, 1964,” People's Weekly World, 25 May 1996.
16. Eliot, Death of a Rebel, p. 82–83.
17. Ibid. p. 83.
1. “Village History,” The Greenwich Village Society for Historic Preservation.
2. Watson, Freedom Summer, p. 231.
1. Joan Baez. And a Voice to Sing With (New York: Simon and Schuster, 1987), p. 104.
2. Ibid., 105.
3. Watson, Freedom Summer, p. 218.
4. Ibid.
5. Ibid., p. 219.
6. Baez, and a Voice to Sing With, p. 105.
7. Ibid., p. 103.
8. Ibid., p. 104.
9. Ibid.
10. Ibid.
11. Ibid. p. 57–58.
12. Bob Gibson, and Carole Bender, Bob Gibson: I Come for to Sing: The Stops Along the Way of a Folk Music Legend (Naperville, IL: Kingston Korner, 1999), p. 143.
13. Baez, And a Voice to Sing With, p. 67–68.
14. Ibid. p. 68.
15. Ibid. p. 120.
16. Ibid. p.
17. David Hajdu, Positively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Farina and Richard Farina (New York: Picador, 2001), p. 201.
1. Folklib Index: A Library of Folk Music Links: http://www.folklib.net/
2. rankly.com/item/mary-travers.
3. William Ruhlman. “A Song to Sing All Over This Land.” peterpaulandmary.com.
4. Ibid.
5. Ibid.
6. Ibid.
7. Coretta King. “Remembering the Twentieth Anniversary March in 1983” irehr.org.
8. Ruhlman, “A Song to Sing All Over This Land.”
1. Donald Brown, Bob Dylan: American Troubadour (Lanham, MD: Rowman & Littlefield, 2014).
2. Marc Hogan, “Bob Dylan’s ‘Da Vinci Code’ Cracked in New Book,” Spin.com., May, 19, 2014.
3. John Pareles, “Critic’s Notebook: Plagiarism in Dylan, or a Cultural Collage?” New York Times, 2003.
4. Hogan, “Bob Dylan’s ‘Da Vinci Code’ Cracked in New Book.”
5. Eliot, Death of a Rebel, p. 66.
6. Claudia Driefus, “Bob Dylan in the Alley: The Alan J. Weberman Story,” Rolling Stone, 1971.
7. Kevin Gosztola, “Fifty Years Ago: The Music of the March on Washington Rally.” Shadowproof.com. 2013.
8. Ibid.
9. Brown, Bob Dylan: American Troubadour, p. xx.
10. “Bobby Vee and Bob Dylan: 5 Fast Facts You Need to Know,” Heavy.com.
11. Ibid.
12. Brown, Bob Dylan: American Troubadour, p. 4.
13. Ibid. p. 2.
14. Ibid. p. 4.
15. Bob Dylan, Chronicles, Volume 1 (New York: Simon and Schuster, 2005), p. 247.
16. Hank Reineke, Arlo Guthrie: The Warner/Reprise Years (Lanham, MD: Rowman & Littlefield, 2012).
17. Liam Clancy, Liam Clancy: The Mountain of the Women: Memoirs of an Irish Troubadour (New York: Doubleday, 2002).
18. Robert Shelton, “Bob Dylan: A Distinctive Stylist,” New York Times, 1961.
19. Brown, Bob Dylan: American Troubadour, p. 10.
20. Dylan, Chronicles, Volume 1., p. 46.
21. Baez, And a Voice to Sing With, p. 83–84.
22. Brown, Bob Dylan: American Troubadour, p. 11.
23. Ibid., p. 12.
24. “Bob Dylan and the Civil Rights Movement,” www.aboutentertainment.com.
1. “Freedom Summer,” History.com.
2. Watson, Freedom Summer, pp. 296–97.
3. Gitlin, The Sixties, pp. 149–150.
4. Ibid., p. 151.
5. Ibid., pp. 149–150.
1. Tom Hayden, The Long Sixties (Boulder: Paradigm Publishers, 2009), p. 9.
2. Ibid., p. 22.
3. Ibid., p. 25.
4. Students for a Democratic Society (U.S.), The Port Huron Statement (New York, N.Y.: Students for a Democratic Society, 1962).
5. Watson, Freedom Summer, p. 126.
6. Ibid.
7. “Platform of the States Rights Democratic Party, August 14, 1948,” Political Party Platforms, Parties Receiving Electoral Votes, 1840–2004. The American Presidency Project.
8. “Port Huron Statement Draft,” sds.1960s.org.
9. Nina Baym, and Robert S. Levine, eds. Norton Anthology of American Literature (New York: Norton, 1962).
10. Students for a Democratic Society (U.S.), The Port Huron Statement.
11. Gitlin, The Sixties, p. 116.
1. Gitlin, The Sixties, p. 164.
2. Ibid.
3. “Police Crack Down on Free Speech Movement Protest,”www.americanrhetoric.com.
4. Ibid.
5. Online Archive of California, Vietnam Day Committee, retrieved on April 5, 2007.
6. Ibid.
7. Ed Denson, “1968 Country Joe and the Fish: How the Band Got Started,” people.well.com.
8. Bruce H. Franklin, “The Anti-War Movement We’re Supposed to Forget,” Chronicle of Higher Education, 10–20–2000.
9. Peter Brush, “Rise and Fall of the Dragon Lady,” Vietnam 22, no. 3, 2009.
10. Fendell W. Yerxa, “Goldwater Says Generals Have a Nuclear Authority,” New York Times, 1964.
11. Woody Guthrie, “Letter to Alan Lomax,” in Roy Pratt, Rhythm and Resistance: Explorations in the Political Uses of Popular Music (New York: Praeger, 1990), p. 115.
12. Anthony Scaduto, Bob Dylan: A Biography (New York: Helter Skelter, 2001), p. 161.
13. Pratt, Rhythm and Resistance: Explorations in the Political Uses of Popular Music, p. 208.
14. Eliot, Death of a Rebel, p. 24.
15. Allen Guttmann, “Protest Against the War in Vietnam,” Annals of the American Academy of Political and Social Science, 382, 1969, pp. 56–63.
16. Wikileaks.com.
17. Paul Nelson, The Little Sandy Review, 1964.
18. Ibid.
1. Elijah Wald, Dylan Goes Electric: Newport, Seeger and the Night That Split the Sixties (New York: Day Street Books, 2015).
2. Marshall McLuhan, and Lewis Henry Lapham, Understanding Media the Extensions of Man (Cambridge (Mass.): The MIT Press, 1994).
3. Marshall McLuhan, The Medium and the Message: Understanding the Information World (CG Books, 2016).
4. “Eisenhower Gives Famous ‘Domino Theory’ Speech,” History.com.
5. Michael Novak, The Experience of Nothingness (New York, Harper and Row, 1970), p. 10–11.
6. Friedrich Nietzsche, The Will to Power (New York: Random House,1967), p. 11.
7. Novak, the Experience of Nothingness, p. 10.
1. Margaret Mead, Culture and Commitment (New York: Doubleday, 1970), p. 1.
2. See John Holt, Instead of Education; George Dennison, The Lives of Children; Paul Goodman, Compulsory Miseducation; and James Herndon, How to Survive in Your Native Land.
3. Paul Simon, “Kodachrome,” Paul Simon’s Greatest Hits, Etc. New York: Charing Cross Music, 1977.
4. Watson, Freedom, P. 281.
5. Jeannie C. Riley, “Generation Gap,” 1970.
6. Gitlin, The Sixties, p. 102.
1. Carl Boggs, “Marxism, Prefigurative Communism, and the Problem of Worker’s Control,” Radical America, November, 11, 1977., p. 100.
2. Baez, And a Voice to Sing With, p. 124.
3. www.metrolyrics.com.
1. “U.S. Orders 50,000 Troops to Vietnam,” 1965, news.bbc.co.uk,
2. “1968 United States vs. O’Brien, 391 U.S. 367,” supreme.justia.com.
3. Hank Reineke, Arlo Guthrie: the Warner/Reprise Years (Lanham, MD: Rowman & Littlefield, 2012),p. 48.
4. Mary Travers, azquotes.com.
5. See Michael Scott Cain, The Americana Revolution (Lanham, MD: Rowman & Littlefield, 2017).
6. ACLU, Southern California Branch, Day of Protest, Night of Violence: The Century City Peace March (Los Angeles: Sawyer Press, 1967).
7. Baez, And a Voice to Sing With, p. 124.
8. Herman Graham III., The Brothers’ Vietnam War: Black Power, Manhood and the Military Experience (Gainesville: University of Florida Press, 2003), p. 16–17.
9. David Anderson, and Ernst, John, eds. The War That Never Ends: Student Opposition to the Vietnam War (Lexington: University of Kentucky, 2014), p. 228.
1. Peter Gessner, and Yom, Hurwitz, directors, Last Summer Won’t Happen, 1968.
2. Don McNeil, Moving Through Here (New York: Knopf, 1967), p. 225.
3. Eliot, Death of a Rebel, p. 127.
4. Ibid., p. 129–130.
5. Ibid., p. 160.
6. McNeil, Moving Through Here, p. 225.
7. Ibid., p. 227.
8. Ibid., p. 227.
9. Ibid., p. 228.
10. Anderson, and Ernst, p. 230.
11. McNeil, Moving Through Here, p. 225.
12. Eliot, Death of a Rebel, p. 128.
13. Ibid., 128.
14. McNeil, Moving Through Here, p. 226.
15. Ibid., p. 224.
16. Ibid., p. 226.
17. Eliot, Death of a Rebel, p.141.
18. Ibid., p. 181.
1. “The Chicago Eight Trial: In Their Own Words,” https://famous-trials.com/chicago8/1374-ownwords.
2. J Anthony Lucas, “Judge Hoffman Is Taunted at Trial of the Chicago 7 After Silencing Defense Council,” New York Times, 2/6/1970.
3. Douglas O. Linder, “The Chicago Eight Conspiracy Trial,” www.law2.unkc.edu.
4. Eliot, Death of a Rebel, p.177.
5. Ibid., p. 168–175.
6. Ibid., p. 168–177.
7. Linder, “The Chicago Eight Conspiracy Trial.”
1. Joe Allen, “1968: The Democrats and the Antiwar Movement,” International Socialist Review, isreview.com, 2015.
2. Kenneth T. Walsh, “How Robert Kennedy’s Death Shattered the /Nation,” U.S. News and World Report, usnews.com, 2015.
3. Gore Vidal, “The Best Man, 1968,” Esquire, 2008.
4. Frank Kusch, Battleground Chicago: The Police and the 1968 Democratic National Convention (University of Chicago Press, 2008).
5. Stephen Smith, and Kate Ellis, Campaign ’68: Hubert H. Humphrey, American Radio Works Documentary.
6. Eliot, Death of a Rebel, p. 187–88.
7. Smith and Ellis, Campaign ’68.
8. Ibid.
9. “Lyndon Johnson and Hubert Humphrey on 30 September 1968,” Presidential Recordings Digital Edition: prde.upress.virginia,edu.
10. “Silent Majority,” nixonlibrary.gov.
11. www.SFMSEUM.ORG.
12. www.metrolyrics.com.
13. M. Hicks, Sixties Rock: Garage, Psychedelic and Other Satisfactions (Urbana: University of Illinois Press, 2000), p. 59–60.
14. Alan Travis, and Sally James Gregory, “How Rock’n’roll Fell Out of Love with Drugs,” The Guardian, 2003.
15. “In Depth: Universal Soldier,” buffysaintemarie.com.
1. “Black Power Movement,” law.jrank.org.
2. Amari D. Jackson, “Examining the Movements for Civil Rights and Black Power,” Atlanta Black Star, 2017.
3. Gitlin, The Sixties, pp. 244–245.
4. Tom Hayden, The Long Sixties (Boulder, CO: Paradigm Press, 2009), p. 63.
5. Jeff Smith, “This Day in Resistance History: 1968 Columbia Student Uprising, ” Grand Rapids Institute for Information Democracy, 2012.
6. Ibid.
7. Stefan Bradley, “Gym Crow Must Go!” Black Student Activism at Columbia University, 1967–1968,” The Journal of African American History. Vol. 88, No. 2 (Spring, 2003), pp. 163–181.
8. Frank Da Cruz, “Columbia University 1968,” columbia.edu., 1998.
9. “Henry S. Coleman, Popular Dean Held Captive During 1968 Protests, Dies at 79,” Columbia Magazine, 2017.
10. “1968: Columbia in Crisis,” exhibitions.cul.columbia.edu.
11. James Herndon, How to Survive in Your Native Land (New York: Simon and Schuster, 1971), p. 47.
1. DeTurk and A. Poulin, eds. The American Folk Scene, p. 153–54.
2. David Cohen, “Phil Ochs: Pleasures of the Puzzle,” Columbus Free Press, 12–4–97.
3. Altrockchick, “Phil Ochs—Pleasures of the Harbor—Classic Music Review,” www.altrockchick.com, 2013.
4. Brian Burroughs, Days of Rage (London: Penguin Books, 2015).
5. Tom LoBianco, “Report: Aide Says Nixon’s War on Drugs Targeted Blacks and Hippies,” cnn.com, 2016.
6. Gitlin, The Sixties, pp. 335–336.
7. Ibid., p. 393.
8. Carol Taylor, “History: Student for a Democratic Society Was Top 1968 Story in Boulder,” Daily Camera, dailycamera.com, 2011.
9. Gitlin, The Sixties, p. 415.
10. “Black Panther Greatest Threat to U.S. Security,” July 16, 1969, California Digital Newspaper Collection, cdnc.eur.edu.
11. Burroughs, Days of Rage.
12. Harold Jacobs, “Weatherman,” www.sds-1960s.org.
13. Ibid.
14. Burroughs, Days of Rage.
15. Jacobs, “Weatherman.”
16. “Che Guevara,” New Left Review,1967, newleftreview.org,
17. ”Rennie Davis—Spokesman for the Lord of the Universe.” prem-rawat-bio.org.
18. Margot Adler, “After 40 Years, the Bed-In Reawakens,” National Public Radio, npr.org, 2009.
19. Burroughs, Days of Rage.
20. Dan Berger, Outlaws of America: The Weather Underground and the Politics of Solidarity (Oakland, CA: AK Press, 2005), p. 95.
21. Burroughs, Days of Rage.
22. Gitlin, The Sixties, p. 428.
23. Herbert Saal, “The Girls—Letting Go,” Newsweek, 1969.
24. Bob Dylan interview, Playboy, March 1978, reprinted in Jonathan Cott, Dylan on Dylan: The Essential Interviews (Hodder and Stoughton, 2006), p. 204.
25. Neil Postman, Teaching as a Conservative Activity (New York: Delacorte Press, 1979), pp. 13–14.
26. Jon Landau, “James Taylor: James Taylor Album Review,” Rolling Stone, 31.
27. Joe Levy, and Stephen Van Zandt, “Tapestry: Carole King,” in Rolling Stone’s 500 Greatest Albums of All Time (New York: Wenner, 2006), p. 36.
1. Don McLeese, MC5's Kick Out the Jams (London: Continuum International Pub, 2005).
2. Mathew J. Bartkowiak, The MC5 and Social Change: A Study in Rock and Revolution. (Jefferson, NC: McFarland, 2009).
3. “The MC5 Performs at the 1968 Chicago Democratic National Convention Just Before All Hell Breaks Loose,” openculture.com.
4. Raul Rossel, “The MC5 Kick Out the Jams Album & ‘F*#K Hudson’s’ Ad Controversy,” feelnumb.com, 2011.
5. “MC5 Bio,” rollingstone.com.
6. “Chart History: Eagles,” Billboard.com.
7. Steve Kroft, “Eagles: Dark Days,” Sixty Minutes, 11/25/07.
8. Mark Taurnicht, “History,” fleetwoodmac.net.
9. Tshepo Mokoena, “Fleetwood Mac’s Stevie Nicks: ‘Lindsey Buckingham and I Will Always Be Antagonizing Each Other,’” the guardian.com, 2015.
10. “1970s Timeline,” goyourownway.com.
11. Ibid.
12. “Top Ten Best Selling Albums Worldwide (All Time.)” rankings.com.
1. Tom Rush, Got a Mind to Ramble, Liner Notes: Prestige Records, 1961.
2. Jesse Walker, “The Acid Guru’s Long Strange Trip,” Theamericanconservative.com, 2006.
3. Ibid.
4. Bill Minutaglio, Most Dangerous Man in America: Timothy Leary, Richard Nixon and the Hunt for the Fugitive … King of LSD (New York: Grand Central Pub, 2018).
5. “Dr. Timothy Leary Archives,” tekgnostics.com.
6. Walker, “The Acid Guru’s Long Strange Trip.”
7. Mark Walston, “The Brotherhood of Eternal Love, Timothy Leary and the Rise of LSD,” markwalston.com, 2012.
8. Senate Judiciary Committee (1975). Report of the Subcommittee to Investigate the Administration of the Security Act and Other Internal Security Laws of the Committee of the Judiciary. Government Printing Office. pp. 5, 8–9, 13, 18, 137–147.
9. Kevin Gillies, Vancouver Magazine, November, 1968.
10. Burroughs, Days of Rage.
11. Ibid.
12. Weather Underground Organization. Prairie Fire: The Politics of Revolutionary Anti-Imperialism: Political Statement of the Weather Underground. [San Francisco]: Communications Co, 1976, p. 76.
13. Nefant 12, “The Weather Underground: Communication and Social Change in American History,” blogs.evergreen.edu.
14. “Weather Underground,” revolvy.com.
15. Nefant 12, “The Weather Underground: Brink’s Robbery: The End of the Underground,” blogs.evergreen.edu.
16. Alan Jones, and Jussi Kantonen, Saturday Night Forever: The Story of Disco (Chicago, Illinois: A Cappella Books, 1999).
17. Tom Bentkowski, “Ludwig on the Charts,” New York Magazine, Vol. 10 no. 13, March 28, 1977, p. 65.
18. Peter Shapiro, “Turn the Beat Around: The Rise and Fall of Disco,” Macmillan, 2006.
19. “Disco Music,” shsu.edu.
1. “Korzibski’s Non-Aristotellian Systems,” Korzibwski Institute for the Study of General Semantics, kortzibskiinstitute.blogspot.com.
2. Two-valued orientation is discussed more thoroughly in S.I. Hayakwa and Alan R. Hayakawa’s Language in Thought and Action (San Diego, CA: Harcourt Brace Jovanovich, 1990).
3. “Here’s to the State of Mississippi,” Shadows That Shine, philochsthing.com, 2014.
4. Hayakawa and Hayakawa, Language in Thought and Action.
5. Robert V. Thompson, A Voluptuous God (Kelona, BC: Copper House, 2007), pp. 21–22.
6. Ibid., p. 23.
7. www.elyrics.net.
8. “Here’s to the State of Mississippi,” Shadows that Shine, philochsthing.com, 2014.
9. Bruce Eder, “Ed Mccurdy: Artist Biography,” allmusic.com.
10. Ibid.
11. “The Lyrics Connection.” Arlo.Net, 2010.
12. Ibid.
13. Burroughs, Days of Rage.
14. Norman Mailer, The Armies of the Night: The Novel as History, History as a Novel (New York: Plume, 2017).
15. Eliot, Death of a Rebel, pp. 260–275.