INDEX

Allman, Duane, 87, 116, 119–20

Allman, Gregg, 119–20

Allman Brothers Band, 80, 119–20

American music, 63, 87, 88, 98

Americana genre, 145

Andrew, Sam, 110, 116

Appice, Carmine, 132–33

Arnold, Jerome, 43, 73, 79

authenticity, 51–52, 62

 

Band Kept Playing, The (Electric Flag), 127–28

bar mitzvah, 9

Bar-Keys, 110–11

Barkan, Todd, 118

Barley, Simon, 84

Beck, Jeff, 119

Berg, John, 108

Berry, Chuck, 52

Berton, Ralph, 73

Betts, Dicky, 87

Beuhler, Bonner, 121, 122, 134

Big Brother and the Holding Company, 110

Big John’s, 39–40, 43, 75

Bishop, Elvin

background, 24, 49–50

discontent with band, 75

at Keystone Korner, 118

Paul Butterfield Blues Band, 43

rivalry with MB, 86–87

at University of Chicago, 24, 26

black culture, 24

black musicians, 72–73, 117

Blind Pig, 39

Blood, Sweat & Tears, 105

Bloomfield, Allen (brother)

as band assistant, 107

childhood, 7–8

family background, 5–6

manic depression, 138

on MB’s life, 153

on MB’s nervousness, 124

Bloomfield, Charles (cousin), 9

Bloomfield, Daniel (uncle), 5, 6

Bloomfield, Harold (father)

and Bloomfield Industries, 5, 6

and death of MB, 143

personality, 6, 13–14

relationship with MB, 6, 12–13, 123, 138

Bloomfield, Michael, background

asthma issues, 8

bar mitzvah, 9

childhood, 7–9

death, 143–44

early influences, 10–11, 16

education, 8–9, 16, 17, 18

family background, 6–7, 12–13

health issues, 107, 138, 139

learning guitar, 9, 12–14, 15, 16

teenage hangouts, 19–20

Bloomfield, Michael, career

on Butterfield, 64

college years, 27–28

dislike of music business, 124, 129, 135, 138

dislike of touring, 76

on Dylan, 53

Dylan sessions, 54–58

Epic signing, 42

at the Fickle Pickle, 30

final performance, 143

financial issues, 123, 139

fire-eating act, 78

first solo performances, 41

folk period, 27–28, 34–35

guitar innovations, 50, 66–67, 92, 119

Italy tour, 140

later work, 134–36, 145

Monterey Pop Festival, 95

music journalism, 47

Newport Folk Festival, 59, 62–63, 66–67

1964 demo sessions, 42

outside projects, 110–11

in Paul Butterfield Blues Band, 47, 69–70, 86–87

playing style, 58, 104, 120, 133–34

on Robert Johnson, 1–4

session work, 87

singing voice, 135

soundtracks, 115–16

talent, 28, 120, 147, 149, 152

teenage performances, 16–17

Warfield Theater show, 141–42

See also specific works and bands

Bloomfield, Michael, personal traits

behavior, 25, 124, 132–33, 137–38

dislike of show business, 130, 133, 134

drinking habits, 139, 140, 143

drug use, 76, 96, 99, 102, 121, 123–25, 138, 139, 144

identification with Johnson’s fear, 4

inconsistency, 101

lack of focus, 113

material possessions, 138

personality, 47–48, 136, 149

self image, 12, 20

storytelling habits, 26

Bloomfield, Nicole (niece), 146

Bloomfield, Samuel (grandfather), 5

Bloomfield/Harris album, 140

Bloomfield Industries, 5–6

Blues Fell This Morning (Oliver), 31

blues music

authenticity controversy, 51–52, 62, 64, 104

Chicago blues, 11, 19, 31–32, 34, 84, 129

electric blues controversy, 22, 52, 62, 68

MB on future of, 84

Memphis vs. Chicago styles, 111

white blues, 23–24, 43, 61, 72–73, 84

Blues Project, the, 80

Booth, Stanley, 110–11

“Born in Chicago” (Paul Butterfield Blues Band), 49, 71, 74

Boyd, Joe, 45–46, 46–47, 65–66, 83

Brighton Park, 21

Bringing It All Back Home (Dylan), 52

Brooks, Harvey

drug use, 96, 99

and the Electric Flag, 89, 90, 95, 96

on MB, 69

Buckins, Mickey, 112

Buehler, Susan. See Smith, Susan

“Bullet Rag” (Bloomfield), 35

Burning Bush, the, 89

Burton, Jimmy, 70

Butterfield, Gabriel, 146

Butterfield, Paul

background, 24–26

on MB, 150

personality, 48

Rothchild and, 40–41, 47

treatment of band members, 75, 86

See also Paul Butterfield Blues Band

Byron, Toby, 121, 125, 131, 152–53

 

Cafe au Go Go, 70

Calloway, Cab, 73

Candyland, 21

Carmen, Tony, 13, 15

Cash, Johnny, 62

Cathcart, Horace, 16

Central YMCA High School, 19, 21

Charles, Bobby, 12

Charters, Samuel, 31, 46

Chess, Marshall, 114

Chess Records, 11, 12, 41

Chicago blues, 11, 19, 31–32, 34, 84, 129

Clapton, Eric, 83, 85, 119

Club 47, 70

Cobra Records, 11, 12

Coltrane, John, 76

“Come On In” (Paul Butterfield Blues Band), 80

Cooder, Ry, 115

Cornwall Academy, 17, 19

Country Blues, The (Charter), 31

country music, 11

Cramer, Jon, 136

Crawdaddy articles, 74, 122

Creem magazine, 122

Crewe, Bob, 87

Cruisin’ for a Bruisin’ (Bloomfield), 136, 145

 

Davenport, Billy, 77

Davis, Clive, 93, 94

Davis, Miles, 117, 119

Dayron, Norman

background, 24

Bloomfield recordings, 134–35, 145

at Chess, 41, 113–14

on MB’s talent, 28

at Pride and Joy, 32

Delehant, Jim, 74, 102–3

DeMicheal, Don, 117

“Desolation Row” (Dylan), 58

DeWolf, Dean, 41

Dixon, Willie, 11

“Don’t Throw Your Love on Me So Strong” (Bloomfield & Kooper), 107

Doors, the, 79–80

Doubleday, Marcus, 95–96, 100

Dowd, Tom, 128

“Drinkin’ Wine, Spo-Dee-O-Dee” (Electric Flag), 98

“Droppin’ Out” (Paul Butterfield Blues Band), 84

drug use

Bloomfield on, 124–25

LSD trip, 76

by MB, 96, 99, 102, 121, 123–25, 138, 139, 144

prevalence, 95–96, 110

Dues to Pay (Talbert), 109

Dylan, Bob

Bringing It All Back Home, 52

Highway 61 Revisited, 57, 69

musical taste, 64

at Newport Folk Festival, 52, 59, 64–68

as a performer, 53

popularity, 55, 73–74

recording with MB, 54–58

Warfield Theater show, 141, 142

 

“East-West” (Paul Butterfield Blues Band), 76–77, 79

East-West (Paul Butterfield Blues Band), 76–77, 79

East-West Live (Paul Butterfield Blues Band), 78

“Easy Rider” (Electric Flag), 98

Edmondson, Maggie, 140–41

Electric Flag, the

anticipation for, 91

The Band Kept Playing, 127–28

band problems, 96–97, 100, 101–2

departure of MB from, 100

drug use, 95–96, 99–100

A Long Time Comin’, 92, 97–98

at Monterey Pop Festival, 93–95

reunion, 127–28, 131

signing with Columbia, 93–94

start up, 88–90

on tour, 99

Elektra Records, 45, 79–80

Elliot, Cass, 97

Epic Records, 42

 

FAME studios, 111–12

Fathers and Sons (Waters), 114

Festival (documentary), 61, 63, 67

Fickle Pickle, 30, 31, 33–35, 148

Fillmore Auditorium, 78, 85

Fillmore East: The Lost Concert Tapes (various artists), 112

fire-eating, 78

folk music, 22, 51–52, 62

Folklore Society, 22, 29

Folksinger’s Guide to the 12-String Guitar as Played by Leadbelly, The (Lester & Seeger), 72

Folksong ’65 (various artists), 48

Fonfara, Mike, 99–100

Frader’s Jukebox Lounge, 23

Frampton, Peter, 133

Fret Shop, 27–28

Friedman, Brian, 40

“Funky Ellis Farm” (Talbert), 109

 

Gaines, Ed, 22

Gancher, David, 117

Gate of Horn, 15–16

Gibson Les Paul Standard, 83, 128

Glaser, Fred, 8–9, 29

Gleason, Ralph J., 104

Glencoe, Illinois, 8

Goldberg, Barry

background, 19, 87–88

drug use, 95–96, 99

and the Electric Flag, 88–89, 95, 127–28

eulogy for MB, 145

KGB, 131–32

on MB, 150

at Newport Folk Festival, 65

Two Jews Blues, 116

Golden, Lotti, 122

Good, Jack, 70

“Good Old Guy” (Bloomfield), 115

Graham, Bill, 78, 85–86, 107, 145

Grape Jam (Moby Grape), 105

Grateful Dead, 80

Gravenites, Nick

background, 19, 21–22

on Butterfield, 48

contracts, 92

drug use, 99

and the Electric Flag, 88–89

Fillmore West shows, 114–15

on MB, 27–28, 149

on music and life, 146

at Newport Folk Festival, 61, 65

outside projects, 110–11

Rolling Stone response by, 105

South Side hangouts, 22–24

travels, 40

Grech, Ric, 132, 133

Griffin, Paul, 57

“Groovin’ Is Easy” (Electric Flag), 90, 97, 102

Grossman, Albert

as Butterfield Band manager, 50–51

contracts, 92

and the Electric Flag, 88

fight with Lomax, 60–61

and Gate of Horn, 16

at Newport Folk Festival, 65

Group, the, 40, 42–44, 47

Guitar Player magazine, 133

guitar players, focus on, 91–92, 119

 

Hammond, John, Jr., 54

Hammond, John, Sr., 41

Harlib, Joel, 41

Harris, Woody, 139–41

Havens, Richie, 62

Hawkins, Dale, 12

Hawks, 54

Hayes, Kate, 1, 143

headhunting, 25

Hendrix, Jimi, 80–81, 93, 104

heroin, 96, 110, 124–25

Herrera, Freddy, 117–18

Highway 61 Revisited (Dylan), 57–58, 69

Highway 61 sessions, 55–58

Hilburn, Robert, 133

“His Holy Modal Majesty” (Kooper & Bloomfield), 106

“Holy Moly” (Gravenites), 115

Holzman, Jac, 50

Hooker, Earl, 25

Hooker, John Lee, 62

Hootenanny (TV show), 51

Hootenanny magazine, 47

Hopkins, Lightnin’, 62, 63

House, Son, 63

Howlin’ Wolf, 25

Hunter, Stemzie, 100

“Hurricane” (the Hurricanes), 17

Hurricanes (band), 17

 

I Got Dem Ol’ Kozmic Blues Again, Mama! (Joplin), 116

“I Got My Mojo Working” (Paul Butterfield Blues Band), 71–72

If You Love These Blues, Play ’Em as You Please (Bloomfield), 131, 133, 134

Indian music, 76

International Submarine Band, 92–93

International Times articles, 84

It’s Not Killing Me (Bloomfield), 115, 116–17

 

Jagger, Mick, 103

James, Elmore, on Robert Johnson rumors, 3

Jazz Record Mart, 32, 148

Jewtown, 27

Johnson, Lonnie, 31, 45

Johnson, Luther “Guitar Junior,” 17

Johnson, Michael, 40

Johnson, Robert, 1–4

Johnston, Bob, 57, 141–42

Jones, Bob, 137, 138

Jones, Booker T., 105

Joplin, Janis, 93, 110, 111, 116

“J.P. Morgan” (Bloomfield), 35

 

Kamin, Ira, 86, 96, 109

Kennedy, Goldberg, and Bloomfield (KGB), 131–32, 134

Kennedy, Ray, 132

Kettle of Fish, 45

Keystone Korner, 117–18

KGB (KGB), 131–32

King, B. B., 86, 118, 152

Klein, Dorothy “Dottie” (mother)

background, 6

and death of MB, 143

and guitar lessons for MB, 13

on MB’s education, 8–9, 17

visit with B. B. King, 118

Klein, Max (grandfather), 12

Koester, Bob, 32–33, 148

Kooper, Al

background, 56–57

and Blood, Sweat & Tears, 105

and KGB, 132

at Newport Folk Festival, 65, 67–68

super groups, 132

Super Session concept, 105–7

Kozmic Blues Band, 110

 

Lay, Sam, 43, 65, 66, 73, 77

Lee, Albert, 83–84

Lerner, Murray, 61

Lester, Julius, 72–73

“Like a Rolling Stone” (Dylan), 56–58, 59

Like a Rolling Stone (Marcus), 141

Little Sandy Review, 52

Live Adventures of Mike Bloomfield and Al Kooper, The, 106–7, 108

Live at Bill Graham’s Fillmore West (Bloomfield & Gravenites), 114–15, 117

Live Dead (Grateful Dead), 80

Living with the Animals (Mother Earth), 109

Loder, Kurt, 145

Lomax, Alan, 60–61, 65

Long Time Comin’, A (Electric Flag), 97–98, 102

Love (band), 79

Lyons, Ronnie, 99

 

“Maggie’s Farm” (Dylan), 67

“Maggie’s Farm” (Havens), 62

Magic Sam, 25

Magoo’s, 43–44

Malo, Ron, 79, 113–14

Mandolin Blues (various artists), 33

Marcus, Greil, 141–42

Marquee Club, 83

“Mary, Mary” (Paul Butterfield Blues Band), 80

Mayell, Norman, 39–40

McCoy, Charlie, 58

McDonald, Country Joe, 79, 145

McGovern, John, 44

McGovern, Terry, 44

McGuinn, Jim, 55

Medium Cool (film), 115–16

Memphis blues, 111

Merriweather, Maceo, 31

Michael Bloomfield and Friends, 115

Michael Reese Hospital, 7

“Mike Bloomfield Puts Down” (Delehant), 74

Miles, Buddy, 89–90, 97, 100, 128, 131

Miller, Bobby, 114

Miller, Jerry, 104

Minsky, Ronnie, 96

Mississippi-to-Chicago blues style, 129

Mitchell, George, 34, 147–49

Moby Grape, 104

modal music, 76–77

Monkees, the, 80

Monterey Pop Festival, 93–95

Mother Blues, 41

Mother Earth (band), 103, 109

Mourning in the Morning (Rush), 111–13

Move, the (band), 83–84

Mr. Lonely and the Twisters, 16

Muldaur, Geoff, 61

Muldaur, Maria, 141

Mundi, Billy, 89

Muscle Shoals, Alabama, 111–13

“Music in the Fifth Dimension” shows, 89

Musselwhite, Charlie

at Big John’s, 39, 40

on the Fickle Pickle, 31

on MB, 26, 150–51

personality, 33

My Labors (Gravenites), 115, 117

Naftalin, Mark

background, 49

drug use, 76

duets with MB, 136

friendship with MB, 75

on MB, 137–38, 151–52

Mother Earth project, 109

The Paul Butterfield Blues Band sessions, 70–71

Nethercliffe, 64

New Trier High School, 8, 17

Newport Folk Festival (1965), 59–68

controversy over Dylan, 52, 68

Dylan’s performance, 64–68

Lomax-Grossman fight, 60–61, 63

Nethercliffe at, 64

Nico, 94

Nordstrand, Ray, 43

Nuese, John, 92

Nugent, Ted, 1

“Nut Popper #1,” 50

 

Old Town, 39

Oliver, Paul, 31

Original Lost Elektra Sessions, The (Paul Butterfield Blues Band), 50

“Over-Lovin’ You” (Electric Flag), 97

 

Page, Jimmy, 119

Parker, Junior, 23

Parsons, Gram, 94

Paul Butterfield Blues Band

at Big John’s, 43, 75

debut album, 48–50

electric sound, 63, 71–73

in England, 83–85

at the Fillmore, 85

liner notes, 73

in Los Angeles (1966), 77–78

MB as guitarist, 47–48, 86

musical expertise, 78

at Newport Folk Festival, 60, 63, 66

Original Lost Elektra Sessions, The, 50

The Paul Butterfield Blues Band, 69, 70–72

press, 73–74

in Rock and Roll Hall of Fame, 146

social dynamics, 75

touring schedule, 74

at Village Gate, 50

and white blues, 43, 72–73

Paul Butterfield Blues Band, The album, 69, 71–72

Pepper’s, 19, 25

Perkins, Luther, 62

Pickett, Wilson, 116

Place, the (club), 17–18

Placidyl, 139

Polley, Stanley, 107

Polte, Ron, 93

Prestige Records, 45

Pride and Joy, 32

Projections (the Blues Project), 80

 

Quicksilver Messenger Service, 89

Quincy Patriot Ledger article, 61

 

radio shows, 10–11

Ragovoy, Jerry, 97

Ray, Ted, 143

Ready, Steady, Go (TV show), 84

Rebennack, Mac, 109

Redding, Otis, 93

Rich, Herbie, 100

Richmond, Fritz, 45, 74

Roberts, Elliot, 131–32, 134

Robertson, Robbie, 54

Rock and Roll Hall of Fame, 146

rockabilly, 11–12

Rockwell, Norman, 108

Rolling Stone articles, 103–4, 116–17, 145

Rolling Stones, 114

Rooney, Jim, 70

Roosevelt University, 29

Rothchild, Paul, 40–41, 45, 46–47, 65–66

Ruby, Roy, 8–9, 15, 17, 18

Rush, Otis, 23, 111–12, 113

Ryder, Mitch, 87, 90, 152

San Francisco, California, 103

San Francisco State College show, 143

Santana, Carlos, 78–79, 107

Sebastian, John, 83

“See You Later, Alligator” (Charles), 12

Seeger, Pete, 51, 68, 72

Segal, Roy, 97

708 Club, 23

Shankar, Ravi, 76

Sherman, Craig, 17

Shindig! (TV show), 70

Shines, Johnny, 3, 31

Silvio’s, 25

Simon Wexler Psychiatric Research and Clinic Pavilion, 7

Sing Out! magazine, 52

Siskin, Edgar, 42

620 Club, 25

Slim, Sunnyland, 3, 131

Smith, Susan

Beuhler and, 121, 122, 134

and death of MB, 143, 147

on MB’s truthfulness, 26

on old bluesmen, 34–35

relationship with MB, 28–30, 100, 101–2

Sounds & Fury articles, 72–73

Soundstage tribute, 128

Southside Olympic Blues Team, 27

Spector, Phil, 56

Stax Records, 105, 110

Stepney, Charles, 114

Stewart, Jim, 97

“Stop This Shuck, Mike Bloomfield” (Gleason), 104

“Stop This Shuck, Ralph Gleason!” (Gravenites), 105

Strazza, Peter, 89, 94, 95–96, 100

super groups, 131–32

Super Session (Kooper, Bloomfield & Stills), 106–7

“Suzie Q” (Hawkins), 12

Svane, Christie

and death of MB, 143–44

Italy tour, 140

relationship with MB, 120–21, 134, 139, 140, 142

 

Talbert, Wayne, 109

Tashian, Barry, 64

Tenaglia, Tony, 13, 15

“Thank You Mr. Poobah” (Paul Butterfield Band), 71

Theresa’s Lounge, 25

“Tombstone Blues” (Dylan), 69

Trip, the (club), 77

Trip, The (film), 92–93, 95

Triumvirate (Bloomfield, Hammond, Dr. John), 127

Troy, Roger, 131

Try It Before You Buy It (Bloomfield), 127, 130

twist parties, 26

Two Jews Blues (Goldberg), 116

 

Uncle Max’s, 12, 28

University of Chicago, 26–27

University of Chicago Folk Festival, 29, 60

University of Chicago Folklore Society, 22, 29

 

Variety articles, 74

Village Gate, 49

Village Music, 122

Von Schmidt, Eric, 62–63, 67

 

Waltz Kings, 151

Warfield Theater show, 141

Warner, Sid, 40, 44

Warren, Billy, 77

Washboard Sam, 31

Waters, Muddy

on Butterfield, 25

electric blues style, 19, 52, 129

Fathers and Sons, 114

on MB, 147

at Pepper’s, 19, 25

on Robert Johnson rumors, 3

Weeds (Brewer & Shipley), 117

Wein, George, 68

Welding, Pete, 47, 71, 73

Wells, Junior, 25

Wenner, Jann, 103–4

Wexler, Haskell, 115–16

Wexler, Jerry, 93–94, 113, 128

Wexler, Simon (brother-in-law), 5, 7

“Whatever Happened to Mike Bloomfield?” (Golden), 122

What’s Shakin’ (various artists), 49

Whisky a Go Go, 77–78

White, Josh, 15–16

white blues, 23–24, 43, 61, 72–73, 84

Who, the, 93

Williams, Big Joe, 33, 34, 35–38

Williams, Mary, 15–16

Williamson, John Lee “Sonny Boy,” 32

Wilson, Tom, 57, 80

Winter, Johnny, 119

Wolf, Peter, 146

“woofin’,” 24

“Work Song” (Paul Butterfield Blues Band), 77, 79

 

Yarrow, Peter, 60, 68

Yates, Tom, 1, 143