Index

1848 Revolution (i), (ii), (iii), (iv)

Abdication of Death, The see Der Kaiser von Atlantis

Abdul the Damned (film) (i)

Aber, Adolf (i), (ii)

Abravanel, Maurice (i)

Academic Festival Overture (Brahms) (i), (ii)

Achron, Josef (i)

Action League for German Culture (i), (ii), (iii)

Adler, Guido

Anbruch (i), (ii)

anti-Romantics (i), (ii), (iii)

Austria's Liberalism (i)

Denkmäler der Tonkunst in Österreich (i), (ii), (iii), (iv)

Jugendstil school (i), (ii)

musical legacy of World War I (i)

restitution after Hitler (i), (ii), (iii), (iv)

Umfang, Methode und Ziel der Musikwissenschaft (i)

Wagner (i), (ii), (iii)

Adler, Melanie (i), (ii), (iii), (iv)

ADMV see Allgemeiner Deutscher Musikverein

Adorno, Theodor

Anbruch (i)

CIA (i), (ii)

Composing for Films (i), (ii), (iii)

ethics (i)

film music (i)

Der lange Blick (i)

Mahler (i), (ii)

on past composers (i)

Quasi una fantasia (i)

What National Socialism Has Done to the Arts (i)

The Adventures of Robin Hood (film) (i), (ii)

Aestheticism (i), (ii), (iii)

The African Queen (film) (i)

agitprop (i), (ii), (iii)

AKM (Autoren, Komponisten, Musikverleger) (i)

Albert, Eugen d’ (i), (ii), (iii), (iv), (v), (vi)

Albertis, Viktor (i)

Alexander Nevsky (film) (i)

Alkan, Charles-Valentin (i)

Alkestis (Wellesz) (i), (ii), (iii)

Allgemeiner Deutscher Musikverein (ADMV) (i), (ii), (iii)

All Quiet on the Western Front (film) (i)

Altenberg, Peter (i), (ii), (iii), (iv)

Altmann, Walter (i), (ii)

Alwyn, William (i), (ii)

American Society of Composers, Authors and Publishers (ASCAP) (i)

Anbruch (Musikblätter des Anbruch)

anti-Romantics (i), (ii), (iii)

British music (i)

Expressionism (i)

launch of (i)

Michael Kohlhaas (i)

as musical chronicle of change (i)

‘New Objectivity’ (i)

political science of music (i)

‘The Secret Terror’ (i)

Ančerl, Karel (i)

Andersen, Hans Christian (i), (ii), (iii), (iv)

An die Freude (Schiller) (i)

Andreasfest (Gramman) (i)

Andromache (Windt) (i)

Ansermet, Ernest (i), (ii)

Antheil, George (i)

Anthony Adverse (film) (i)

Anthroposophy movement (i)

anti-Romantics (i)

anti-Romanticism (i)

Jewish response to neo-Romanticism (i)

overview (i)

Schott & Sons (i)

Wellesz (i)

anti-Semitism

anti-Romantics (i), (ii), (iii)

Berlin cabaret (i), (ii)

Catholicism (i), (ii)

exile and worse (i), (ii), (iii), (iv)

German and Jewish identity (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)

Krenek (i), (ii)

liberalism, Brahms and Hanslick (i), (ii), (iii), (iv), (v)

Mahler and Korngold (i), (ii), (iii)

musical migration (i), (ii), (iii)

music for the masses (i)

Nazi regime (i), (ii), (iii), (iv), (v), (vi), (vii)

Nordau (i), (ii)

resolute Romantics (i), (ii), (iii), (iv)

restitution after Hitler (i)

Schreker (i), (ii), (iii)

Wagner and German Jewish composers (i), (ii), (iii), (iv), (v)

Weininger (i), (ii)

Arandora Star, SS (i)

Arendt, Hannah (i), (ii), (iii)

Arlecchino (Busoni) (i)

Arma, Paul (Imre Weisshaus) (i)

Der arme Heinrich (Pfitzner) (i), (ii)

Arnold, Malcolm (i)

art

Altenberg on (i)

assimilation of Jews (i)

Eisler on (i), (ii)

ethics (i)

Expressionism (i), (ii)

Furtwängler and Goebbels (i)

liberalism (i)

modernism (i)

‘New Objectivity’ (i)

Reichskulturkammer (RKK) (i)

Arts Council (i), (ii), (iii)

The Art-work of the Future (Wagner) (i)

Der Arzt der Sobeide (Sobeide's Doctor) (Gál) (i)

Asquith, Margot (Lady Oxford) (i), (ii)

atonal music (i), (ii), (iii), (iv), (v), (vi), (vii)

Auernheimer, Raoul (i), (ii), (iii)

Aufstieg und Fall der Stadt Mahagonny (Weill) (i), (ii), (iii), (iv), (v)

Auschwitz (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)

Austria

annexation (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)

Austrian Leagues (i)

Catholicism (i)

dictatorship (i), (ii)

exile and worse (i), (ii), (iii), (iv)

fin de siècle (i)

German and Jewish identity (i), (ii), (iii), (iv), (v)

liberalism, Brahms and Hanslick (i), (ii)

musical migration (i), (ii), (iii), (iv), (v)

Republic declared (i), (ii)

restitution after Hitler (i), (ii), (iii), (iv)

World War I (i), (ii), (iii), (iv), (v)

Austria-Hungary (i), (ii), (iii), (iv), (v), (vi)

The Austrian Mind (Johnston) (i)

‘The Austrian Studio’ series (i)

Autobiographical Sketches (Wagner) (i)

Bab, Julius (i)

Babbitt, Milton (i)

Baby an der Bar (Grosz) (i)

Bach, Johann Sebastian (i), (ii)

Bacher, Eduard (i), (ii)

Baden-Baden festival (i), (ii), (iii), (iv)

Bahr, Hermann (i)

Die Bakchantinnen (Wellesz) (i), (ii), (iii), (iv)

Bakunin, Mikhail (i)

Balázs, Béla (i), (ii)

Ball, Hugo (i)

Ballin, Albert (i)

Bambi – a Life in the Woods (Salten) (i), (ii), (iii)

Bartók, Béla (i), (ii), (iii), (iv), (v)

Battleship Potemkin (film) (i), (ii), (iii)

Bauer-Lechner, Natalie (i)

Bauhaus (i), (ii), (iii)

Baumann, Kurt (i), (ii)

BBC (British Broadcasting Corporation) (i), (ii)

Becher, Johannes R. (i)

Beecham, Sir Thomas (i)

Beer, Joseph (i)

Beethoven, Ludwig van (i), (ii), (iii), (iv), (v), (vi)

Beethoven und die Moderne (Pfitzner) (i)

Die beiden Klaas (Gál) (i), (ii), (iii)

Bekenntnisoper (operas of avowal) (i)

Bekker, Paul (i), (ii), (iii), (iv), (v), (vi), (vii)

Benatzky, Ralph (i), (ii), (iii)

Benedikt, Ernst (i), (ii)

Benedikt, Moritz (i), (ii)

Ben-Haim, Paul (i)

Beninger, Eduard (i)

Benjamin, Arthur (i), (ii)

Benjamin, Walter (i)

Benn, Gottfried (i)

Berg, Alban

anti-Romantics (i), (ii), (iii)

Jewish response to neo-Romanticism (i)

Lulu (i), (ii), (iii), (iv)

Piano Sonata Op. 1 (i)

Schreker (i)

Three Orchestral Pieces (i)

Wozzeck (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)

Bergman, Ingrid (i)

Berkeley, Lennox (i)

Berlau, Ruth (i)

Berlin

cabaret (i), (ii)

Eisler (i), (ii), (iii)

Jugendstil/Vereinigung (i)

migration to (i), (ii), (iii), (iv)

‘New Objectivity’ (i)

Berlin Alexanderplatz (film) (i)

Berlin Cabaret (Jelavich) (i)

Berlin: die Sinfonie der Großstadt (film) (i), (ii)

Berlioz, Hector (i), (ii), (iii), (iv)

Berman, Karel (i), (ii)

Bethge, Hans (i)

Bettauer, Hugo (i)

‘Between Hell and Purgatory’ (anon) (i)

Beveridge, William (i)

Bianca (Brüll) (i)

‘Biedermeier Age’ (i)

Bierbaum, Otto Julius (i), (ii)

Bilke, Rudolf (i)

Billroth, Theodor (i)

Billy Budd (Britten) (i)

Bing, Rudolf (i), (ii), (iii), (iv), (v)

The Birds (Braunfels) (i)

Bismarck, Otto von (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)

Bittner, Julius (i), (ii), (iii), (iv), (v), (vi)

Blacher, Boris (i)

Der Blaue Reiter (i), (ii)

Blau, Jenő (Eugene Ormandy) (i)

Blech, Leo (i), (ii), (iii)

Blei, Franz (i)

Blessinger, Karl (i)

Bloch, Ernst (i)

Blücher, Heinrich (i)

The Blue Angel (film) (i), (ii), (iii)

Blum, Robert (i)

Bock, Gustav (i)

Boehmer, Konrad (i)

Bogart, Humphrey (i)

Bohemia (i), (ii), (iii), (iv), (v)

Des Bohémiens et de leur musique en Hongrie (Liszt) (i)

Böhm, Karl (i)

Bois, Curt (i)

Bolshevism (i), (ii), (iii), (iv), (v)

Bonno, Giuseppe (i)

Book of the Hanging Gardens (Schoenberg) (i), (ii)

Boris III, Tsar (i)

Borngräber, Otto (i)

Born, Max (i)

Bote & Bock (i), (ii)

Botstein, Leon (i), (ii), (iii)

Boulez, Pierre (i), (ii), (iii)

Boult, Adrian (i), (ii), (iii), (iv)

Brachvogel, Albert Emil (i)

Brahms, Johannes

Academic Festival Overture (i), (ii)

Aryanisation of music business (i)

death of (i)

Gál (i), (ii)

Goldmark, Hanslick and Brahms (i), (ii)

Hanslick (i), (ii), (iii), (iv), (v), (vi)

Hungarian Dances (i)

influence of (i)

Korngold (i)

liberalism (i), (ii), (iii)

musical world and Jews (i)

‘Old German School’ (i)

Triumphlied (i)

Wagner (i), (ii), (iii)

Zemlinsky and Schoenberg (i)

Brainin, Norbert (i)

Brand, Max (i), (ii), (iii), (iv), (v), (vi)

Brandts-Buys, Jan (i)

Braslavsky, Salomon (i)

Braunfels, Walter

The Birds (i)

Catholicism (i)

Don Gil von den grünen Hosen (i), (ii)

on emigration (i), (ii)

Jewish response to neo-Romanticism (i), (ii)

‘New Objectivity’ (i)

Prinzessin Brambilla (i)

Szenen aus den Leben der heiligen Johanna (i), (ii)

Der Traum ein Leben (i)

Die Verkundigung (i)

Die Vögel (i), (ii), (iii)

Brecher, Gustav (i)

Brecht, Bertolt

Eisler (i), (ii), (iii), (iv)

Expressionism (i)

films (i), (ii)

The Seven Deadly Sins (i)

Threepenny Opera (i), (ii), (iii)

Brendel, Franz (i)

Breuer, Josef (i)

Breuer, Robert (i)

Britain see Great Britain

Brith, B'nai (i)

British Petroleum (BP) (i)

British Union of Fascists (BUF) (i), (ii)

Britten, Benjamin (i), (ii), (iii)

Broch, Hermann (i)

Brod, Max (i), (ii)

Bruch, Max (i)

Die Brücke movement (i)

Bruckner, Anton (i), (ii), (iii), (iv), (v), (vi), (vii)

Brüll, Ignaz (i), (ii), (iii), (iv)

Buber, Martin (i), (ii)

Büchner, Georg (i), (ii), (iii)

Budai, Pál (i)

Bulgaria (i), (ii)

Bülow, Bernhard von (i)

Bundestag (i), (ii)

Bunge, Hans (i)

Burckhard, Max (i)

Die Bürgschaft (Weill) (i), (ii)

Burgstaller, Valeska (i)

Burschenschaften (academic fraternities) (i), (ii)

Busch, Ernst (i), (ii)

Busch, Fritz (i), (ii), (iii), (iv), (v)

Bush, Alan (i)

Busoni, Ferruccio (i), (ii), (iii), (iv)

Butting, Max (i), (ii)

Byrns, Harold (i)

cabaret, Berlin (i)

Café des Westens (i)

Café Griensteidl (i)

Café Größenwahn (‘Café Megalomania’) (i)

Cage, John (i), (ii), (iii)

Cagliostro in Wien (Strauss) (i)

Cagney, James (i)

Canetti, Elias (i)

Cantata of the Bitter Herbs (Toch) (i)

Caplet, André (i)

Cardillac (Hindemith) (i)

Cargaison Blanche (film) (i)

Casablanca (film) (i), (ii)

Casals, Pablo (i)

Catherine the Great (film) (i)

Catholicism

anti-Semitism (i), (ii)

German and Jewish identity (i), (ii), (iii)

liberalism (i)

Mahler (i)

musical migration (i), (ii)

Nazi regime (i)

Nordau (i)

restitution after Hitler (i), (ii)

Wellesz (i), (ii)

CCF see Congress for Cultural Freedom

Celan, Paul (i)

Celibidache, Sergiu (i)

The Cenci (Shelley) (i)

Chamberlain, Hilda (i)

Chamberlain, Houston Stewart

The Foundations of the Nineteenth Century (i), (ii), (iii)

Jewish response to neo-Romanticism (i), (ii)

Romantic renewal (i)

Wagner's political and cultural legacy (i)

Wilhelm II (i)

Chamberlain, Joseph (i)

Chamberlain, Neville (i), (ii)

Chamber Symphony (Schreker) (i)

Les chants du silence (Arma) (i)

Chaplin, Charlie (i)

Chopin, Frédéric (i)

Das Christelflein (Pfitzner) (i)

Christianity (i), (ii), (iii), (iv), (v)

Christian Social Party (i), (ii)

Christie, Sir John (i)

Christophorus, oder die Vision einer Oper (Schreker) (i)

Churchill, Winston (i), (ii), (iii), (iv)

CIA (Central Intelligence Agency) (i), (ii), (iii), (iv)

cinema see film music

The City without Jews (Die Stadt ohne Juden) (Bettauer) (i)

Clemenceau, George (i)

Closel, Amaury du (i)

Clossmann, Eleonore von (i), (ii)

Coates, Albert (i)

Cold War (i), (ii)

Communism (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)

Composing for Films (Eisler and Adorno) (i), (ii), (iii)

Concertante Musik (Blacher) (i)

Congress for Cultural Freedom (CCF) (i), (ii)

Congress of Vienna (i), (ii), (iii), (iv), (v), (vi)

Congreve, William (i)

Constitution of 21 December (i)

Contemporary German Music (Louis) (i)

Cooke, Deryck (i)

Cowell, Henry (i)

Cowen, Frederic Hymen (i)

Crimean War (i)

Le Crime de Monsieur Lange (film) (i)

La crise est finie (film) (i)

Csipák, Károly (i)

‘Cultural Federation for German Renewal’ (i)

Cultural League Orchestra and Chorus (i)

The Cunning Little Vixen (Janáček) (i), (ii)

Czechoslovakia (i), (ii), (iii), (iv), (v)

Dachau (i), (ii)

Dadaism (i)

DAF see Deutsche Arbeitsfront

Dammert, Udo (i)

Dantons Tod (Büchner) (i)

da Ponte, Lorenzo (i)

Darmstadt summer courses (i), (ii), (iii)

Dauber, Adolf ‘Dol’ (i)

Dauber, Robert (i)

David, Ferdinand (i)

David, Johann Nepomuk (i)

Davidov, Karl (i)

Debussy, Claude (i), (ii), (iii), (iv)

December Constitution of 1867 (i), (ii)

de Havilland, Olivia (i), (ii)

Dehmel, Richard (i)

Deirdre of the Sorrows (Rankl) (i), (ii)

Delius, Frederick (i)

denazification (i), (ii), (iii), (iv), (v), (vi), (vii)

Denison, John (i)

Denkmäler der Tonkunst in Österreich (Adler) (i), (ii), (iii), (iv)

Dent, Edward (i), (ii), (iii), (iv)

De Profundis (Gál) (i)

Descartes, René (i)

Dessau, Paul (i), (ii), (iii), (iv), (v)

Deutsch, Jenő (i)

Deutsch, Otto Erich (i)

Deutsche Arbeitsfront (DAF) (German Workers’ Front) (i)

Deutsche Chansons (Bierbaum) (i)

Deutsche Musikalien Verleger Verein (DMVV) (i)

Deutsche Sinfonie (Eisler) (i), (ii)

Dietrich, Marlene (i), (ii), (iii)

dodecaphonic (twelve-tone) composition (‘serialism’) (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)

Dohnányi, Ernst von (i)

Dohnányi, Hans von (i)

Doktor Faustus (Mann) (i), (ii), (iii)

Dollfuß, Engelbert (i), (ii), (iii), (iv), (v)

Donaueschingen festival (i), (ii), (iii)

Don Gil von den grünen Hosen (Braunfels) (i), (ii)

Don Juan's Last Adventure (Graener) (i)

Doráti, Antal (i)

Downfall of Western Civilisation (Spengler) (i)

Dreigroschenoper (Weill) (i)

Die Drei Pintos (Weber) (i)

Dreyfus Affair (i), (ii), (iii)

Dudow, Slatan (i)

Duke Bluebeard's Castle (Bartók) (i)

Dunera (ship) (i)

Dvořák, Antonin (i)

Dyson, Sir George (i)

Ebert, Carl (i), (ii)

Ebinger, Blandine (i)

Ebner, Ferdinand (i)

Eckermann, Johann Peter (i)

Edinburgh Festival (i), (ii)

Edschmid, Kasimir (i)

Eggebrecht, Hans Heinrich (i)

Eichendorff, Joseph Freiherr von (i)

Eichrodt, Ludwig (i)

Eine Nacht in Venedig (Strauss) (i)

Ein Lied geht um die Welt (film) (i)

Einsatzgruppe D (i)

Einstein, Albert (i)

Einstein, Alfred (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)

Eisenstein, Sergei (i), (ii), (iii)

Eisler, Charlotte (i)

Eisler, Elfriede (Ruth Fischer) (i), (ii), (iii), (iv)

Eisler, Gerhart (i), (ii), (iii), (iv)

Eisler, Hanns

agitprop (i), (ii), (iii)

Berlin (i), (ii), (iii), (iv)

Composing for Films (i), (ii), (iii)

Deutsche Sinfonie (i), (ii)

Eisler family (i)

emigration (i), (ii), (iii), (iv), (v), (vi)

Erich Korngold (i), (ii)

Expressionism (i)

film music (i), (ii), (iii), (iv), (v), (vi)

Gál (i)

Holländer (i)

Hollywood Songbook (i)

Jugendstil school (i), (ii)

Krenek (i)

‘New Objectivity’ (i), (ii), (iii)

overview (i)

Palmström (i)

restitution after Hitler (i), (ii), (iii), (iv)

Vierzehn Arten den Regen zu Beschreiben (Fourteen Ways of Describing the Rain) (i), (ii)

Zeitungsausschnitte (Newspaper Clippings) (i)

Eisler, Ida Maria (i)

Eisler, Louise (i), (ii), (iii)

Eisler, Rudolf (i), (ii), (iii)

Elektra (Strauss) (i)

Eleonore Maria Windisch-Graetz, Princess (i), (ii)

Elijah (Mendelssohn) (i)

Émigrés in the Classroom (Hailey) (i)

Emil and the Detectives (film) (i)

Enabling Act (i)

Endler, Franz (i)

Engel, Joel (i)

England (i), (ii), (iii), (iv)

Enlightenment (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)

Epstein, Julius (i)

Erdmann, Eduard (i)

Erkenne Dich selbst (Know yourself) (Wagner) (i)

Erlanger, Camille (i)

Eroica (Beethoven) (i)

Erwartung (Schoenberg) (i), (ii), (iii), (iv)

Essai sur l'inégalité des races humaines (Gobineau) (i)

Esslin, Martin (i)

Es war einmal (Zemlinsky) (i), (ii), (iii)

ethics (i), (ii), (iii), (iv)

Etienne, Michael (i)

Ettinger, Max (i)

Eulenburg, Kurt (i)

Évian Conference (i), (ii)

Expressionism (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)

Der Fächer (Toch) (i)

Die Fackel (i), (ii), (iii)

Falke, Gustav (i), (ii)

Falling in Love Again (Holländer) (i)

Fall, Leo (i), (ii), (iii), (iv), (v), (vi)

Fall, Richard (i)

Fanta, Robert (i)

fascism (i), (ii), (iii)

Fata Morgana (Hellmesberger) (i)

Fatherland Europe (Huberman) (i)

Fatherland Front (i)

Faust Symphonie (Liszt) (i)

Felber, Erwin (i)

Ferdinand I, Emperor (i)

Der ferne Klang (Schreker) (i), (ii), (iii), (iv), (v)

Festival of Britain (i), (ii)

Festliches Präludium (Wellesz) (i)

Feuchtwanger, Lion (i), (ii), (iii)

Feuerbach, Ludwig (i)

Feuermann, Emanuel (i), (ii)

feuilletons (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)

Ficker, Rudolf von (i), (ii), (iii)

Fidelio (Beethoven) (i)

film music

Eisenstein (i)

Eisler (i)

Erich Korngold (i), (ii), (iii), (iv)

France (i)

Great Britain (i)

The Jazz Singer (i)

Meisel (i)

United States (i), (ii), (iii)

fin de siècle (i), (ii), (iii), (iv)

Fireworks (Stravinsky) (i)

First World War see World War I

Fischer, Ernst (i)

Fischer, Ida Maria (i)

Fischer, Ruth (Elfriede Eisler) (i), (ii), (iii), (iv)

Fisher, Sir Warren (i), (ii)

Five Orchestral Pieces (Schoenberg) (i)

Flammen (Schulhoff) (i)

Die Fledermaus (Strauss/Korngold) (i)

Flesch, Carl (i), (ii), (iii)

Flexner, Abraham (i)

Eine florentinische Tragödie (Zemlinsky) (i), (ii)

Die Flucht ins Mittelmäßige (Graf) (i)

The Flying Dutchman (Wagner) (i), (ii)

Flynn, Errol (i), (ii)

Foch, General (i)

Foreman, Lewis (i), (ii)

Förster, Bernhard (i)

Fortner, Wolfgang (i), (ii)

Foss, Lukas (i)

The Foundations of the Nineteenth Century (Chamberlain) (i), (ii), (iii)

Fourteen Ways of Describing the Rain (Vierzehn Arten den Regen zu Beschreiben) (Eisler) (i), (ii)

France

and Britain (i), (ii)

emigration (i), (ii), (iii), (iv), (v)

German and Jewish identity (i), (ii), (iii), (iv)

Nordau (i)

restitution after Hitler (i), (ii)

Wagner's political and cultural legacy (i)

World War I (i), (ii), (iii), (iv)

France, Anatole (i)

Franco-Prussian War (i), (ii), (iii), (iv)

Frankel, Benjamin (i)

Frankenburg, Paul (i)

Frantz, Constantin (i)

Franz Ferdinand, Archduke (i), (ii), (iii)

Franz Joseph I (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x)

Franz II, Emperor (i)

Franz, Robert (i)

Frederick II (Frederick the Great) (i)

Frederick III (i)

Der Freischütz (Weber) (i)

Fremde Erde (Rathaus) (i), (ii), (iii)

Frenkel, Stefan (i)

Freud, Sigmund (i), (ii), (iii)

Friedell, Egon (i), (ii), (iii)

Friedemann Bach (Graener) (i), (ii)

Friedhofer, Hugo (i), (ii)

Friedländer, Elfriede (née Eisler; later Ruth Fischer) (i), (ii), (iii), (iv)

Friedländer, Max (i), (ii)

Friedländer, Paul (i)

Fried, Oskar (i)

Friedrich Wilhelm IV (i)

From the House of the Dead (Janáček) (i)

Frühlingsstimmen (Strauss) (i)

Fuchs, Josef (i)

Fuchs, Robert (i), (ii), (iii), (iv), (v)

Fuge aus der Geographie (Geographical Fugue) (Toch) (i)

Fürstenberg, Prince Max Egon zu (i)

Furtwängler, Wilhelm (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)

Futurism (i), (ii)

Gál, Hans

anti-Romantics (i), (ii), (iii), (iv), (v)

Der Arzt der Sobeide (Sobeide's Doctor) (i)

Die beiden Klaas (i), (ii), (iii)

De Profundis (i)

emigration (i), (ii), (iii), (iv)

Die heilige Ente (The Sacred Duck) (i), (ii), (iii), (iv)

internment (i)

music publishers (i), (ii), (iii), (iv)

Musik hinter Stacheldraht (Music behind Barbed Wire) (i)

pupil of Adler (i)

Nazi regime (i), (ii)

resolute Romantics (i), (ii)

restitution after Hitler (i), (ii), (iii)

Violin Concerto (i), (ii)

Gayda, Thomas (i)

Gebrauchsmusik (i), (ii), (iii)

Genesis Suite (Toch) (i)

A Genius (Moszkowski) (i)

George, Stefan (i)

Gerigk, Herbert (i), (ii), (iii)

German Democratic Republic (i), (ii), (iii)

Die Germanen sind Blond (The Teutons Are Blond) (Toch) (i)

German Federation (i), (ii), (iii), (iv)

German language (i), (ii), (iii), (iv)

German Theatre (i)

Germany

exile and worse (i), (ii), (iii), (iv), (v), (vi)

German and Jewish identity (i)

anti-Romantics (i)

assimilation (i), (ii)

Austria and Prussia (i)

Brahms (i), (ii)

Congress of Vienna (i)

constitutions (i)

German identity (i)

Jews on a journey (i)

Königgrätz (i)

neo-Romanticism (i), (ii)

overview (i), (ii), (iii)

Revolution of 1848 (i)

Rhine Federation (i)

Wagner (i)

German nationalism (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)

musical migration (i), (ii)

Nazi regime (i), (ii), (iii), (iv), (v)

restitution after Hitler (i), (ii), (iii), (iv), (v), (vi), (vii)

unification (i), (ii), (iii), (iv), (v)

World War I (i), (ii), (iii)

Germany: A Winter's Tale (Heine) (i), (ii), (iii)

Gernsheim, Friedrich (i), (ii)

Gerster, Ottmar (i)

Gerstl, Richard (i), (ii)

Geschichte des Concertwesens in Wien (Hanslick) (i)

Die geschiedene Frau (Fall/Korngold) (i), (ii)

Gesprochene Musik (Spoken Music) (Toch) (i)

Der gewaltige Hahnrei (Goldschmidt) (i), (ii), (iii), (iv), (v)

Geyer, Ludwig (i)

Die Gezeichneten (Schreker) (i), (ii), (iii), (iv), (v)

Gielen, Josef (i)

Gielen, Michael (i)

Gieseking, Walter (i)

Gilmore, Sir John (i)

Giuditta (Lehár) (i), (ii)

Glaubensbekenntnis eines Komponisten (Composer's Credo) (Toch) (i)

Gluck, Christoph Willibald Ritter von (i), (ii)

Glyndebourne (i), (ii), (iii)

Gmeindl, Walter (i)

Gnessin, Michael (i)

Gobineau, Joseph Arthur Comte de (i), (ii), (iii)

Goebbels, Joseph (i), (ii), (iii), (iv), (v), (vi), (vii)

Goehr, Alexander (i)

Goethe, Johann Wolfgang von (i), (ii), (iii)

Goethe und Ghetto (Ullmann) (i)

Goldman, Paul (i), (ii)

Goldmark, Karl

Hanslick and Brahms (i), (ii), (iii), (iv)

Das Heimchen am Herd (i)

Die Königin von Saba (i), (ii)

Die Kriegsgefangene (i)

Ländliche Hochzeit (i)

Louis (i)

Mahler (i)

Merlin (i), (ii)

Sakuntala (i), (ii)

Wagner (i), (ii)

Goldschmidt, Berthold

Beatrice Cenci (i), (ii), (iii)

emigration (i), (ii), (iii), (iv)

Der gewaltige Hahnrei (i), (ii), (iii), (iv), (v)

Passacaglia (i)

restitution after Hitler (i), (ii), (iii)

Toch (i)

Goltz, Count Robert von der (i)

Gone with the Wind (film) (i)

Göring, Hermann (i), (ii), (iii), (iv)

Götterdämmerung (Wagner) (i), (ii), (iii), (iv)

Gottschalk, Louis Moreau (i)

Graener, Paul (i), (ii), (iii), (iv), (v)

Graf, Max (i), (ii)

Graf, Oskar Maria (i)

Gramman, Karl (i)

La grande illusion (film) (i)

Grass, Günter (i)

Gray, Allan (Josef Zmigrod) (i)

Great Britain

Congress of Vienna (i)

Évian Conference (i)

exiled composers (i), (ii), (iii), (iv), (v)

internment (i)

interwar years (i)

monarchy (i), (ii), (iii)

Nordau (i)

refugee crisis (i), (ii)

restitution after Hitler (i), (ii), (iii), (iv)

World War I (i), (ii), (iii), (iv)

The Great Waltz (Walzer aus Wien) (Korngold) (i)

Greenberg, Louis (i)

Grey, Sir Edward (i)

Grillparzer, Franz (i), (ii), (iii)

Großes Schaupsielhaus (i)

Grossmann, Stephan (i)

Grosz, Wilhelm (i), (ii), (iii), (iv), (v), (vi)

Gründgens, Gustaf (i)

Grüning, Ilka (i)

Gubaidulina, Sofia (i)

Guinness, Alec (i)

Gurlitt, Manfred (i), (ii), (iii), (iv)

Gurrelieder (Schoenberg) (i), (ii), (iii)

Gut, Franz (i), (ii)

Gutman, Hanns (i)

Gutmann concert agency (i)

Haas, Bertha (i)

Haas, Joseph (i)

Haas, Pavel (i), (ii), (iii)

Haas, Robert (i), (ii), (iii), (iv)

Haase, Theodor (i)

Hába, Alois (i), (ii), (iii)

Haber, Michael (i), (ii)

Habsburg, Otto van (i)

Habsburgs (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x)

Häfner, Herbert (i)

Hager, Johannes (i)

Hailey, Christopher (i), (ii), (iii), (iv), (v)

Hakoah Orchestra (i), (ii), (iii)

Halévy, Jacques Fromental (i), (ii)

Halle, Hiram J. (i)

Hangmen also Die (film) (i)

Hansen, Jutta Raab (i)

Hanslick, Eduard

Aestheticism (i)

Brahms (i), (ii), (iii)

Geschichte des Concertwesens in Wien (i)

Korngold (i), (ii)

musical legacy of World War I (i)

musical world (i)

Neue Freie Presse (i), (ii)

Pfitzner (i), (ii)

Schreker (i)

Vienna (i), (ii)

Vom Musikalisch-Schönen (Of Musical Beauty) (i), (ii), (iii)

Wagner (i), (ii), (iii), (iv), (v), (vi)

Zemlinsky (i)

Happy End (Weill) (i)

Harmonielehre (Schoenberg) (i), (ii), (iii), (iv), (v)

Harrison, Lou (i), (ii)

Hartlaub, Gustav Friedrich (i)

Hartmann, Karl Amadeus (i), (ii)

Hartmann, Moritz (i)

Hase, Helmuth von (i)

Haskalah (i), (ii), (iii)

Haskil, Clara (i)

Hauer, Josef Matthias (i), (ii), (iii), (iv)

Hauptmann, Gerhart (i), (ii)

Hausegger, Siegmund von (i), (ii)

Hausmusik (i)

Havemann, Gustav (i), (ii), (iii)

Heartfield, John (i)

Hebrew (i), (ii)

Hegel, G. W. F. (i)

Heger, Robert (i)

Heidi (film) (i)

Heifetz, Jascha (i), (ii)

Die Heilige (Kaltneker) (i)

Die Heilige Cäcilie oder die Gewalt der Musik (Kleist) (i)

Die heilige Ente (The Sacred Duck) (Gál) (i), (ii), (iii), (iv)

Heilige Johanna (Braunfels) (i), (ii)

Das Heimchen am Herd (Goldmark) (i)

Heimweh (Homesickness) (Jung) (i)

Heine, Heinrich (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)

Heinsheimer, Hans (i), (ii), (iii)

Heinzen, Karl (i)

Heiss, Hermann (i)

Ein Heldenleben (Strauss) (i)

Heliane (Das Wunder der Heliane) (Korngold) (i), (ii), (iii)

Heller, Hugo (i)

Hellmesberger, Josef (i)

Henderson, Sir Neville (i)

Henreid, Paul (i)

Herrmann, Hugo (i), (ii)

Herschkowitz, Philipp (i)

Hertz, Friedrich Otto (i)

Hertzka, Emil (i), (ii)

Herzfeld, Ernst (i)

Herzl, Theodor (i), (ii), (iii), (iv)

Das Herz (Pfitzner) (i)

Hess, Myra (i), (ii)

Hesterberg, Trude (i)

Heuberger, Richard (i), (ii)

Heuß, Alfred (i), (ii), (iii), (iv)

The Heuß Case (Aber) (i)

Heymann, Werner Richard (i), (ii)

Hildebrand, Adolf von (i)

Hiller, Ferdinand (i), (ii), (iii), (iv)

Hindemith, Paul (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)

Hinkel, Hans (i), (ii), (iii), (iv)

Hinrichsen, Henri (i)

Hinrichsen, Max (i)

Hinrichsen, Walter (i)

Hirschfeld, Magnus (i)

Hirschfeld, Robert (i), (ii), (iii)

Hitchcock, Alfred (i)

Hitler, Adolf

appointed as Chancellor (i), (ii), (iii)

German and Jewish identity (i), (ii), (iii), (iv), (v)

Hindemith (i)

Jugendstil school (i), (ii)

Mein Kampf (i), (ii)

Nazi regime

dictatorship (i), (ii), (iii)

exile and worse (i), (ii), (iii), (iv), (v)

mechanics of the purge (i)

music policies (i)

Rosenberg in London (i)

Tiefland (i)

restitution after Hitler (i), (ii), (iii)

Schoenberg (i), (ii)

Wagner's legacy (i), (ii), (iii)

Winifred Wagner (i)

Hitler: The Last Ten Days (film) (i)

Hoare, Sir Samuel (i)

Hoffmann, E. T. A. (i), (ii)

Hoffmann, Josef (i), (ii), (iii)

Hoffmann, Rudolf Stephan (i), (ii)

Hofmannsthal, Hugo von (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)

Hohenzollern, House of (i), (ii)

Holländer, Friedrich (i), (ii), (iii), (iv), (v)

Das höllisch Gold (Bittner) (i)

Hollywood (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)

Hollywood Bowl (i)

Hollywood Songbook (Eisler) (i)

Hope, Bob (i)

Hoppla, Wir Leben! (Hey! We're Alive!) revue (i), (ii)

Horenstein, Jascha (i), (ii), (iii), (iv)

Horkheimer, Max (i)

Horovitz, Joseph (i)

Horowitz, Vladimir (i)

Horst Wessel Song (Nazi anthem) (i)

Horthy, Miklós (i)

Huberman, Bronisław (i), (ii)

Humperdinck, Engelbert (i), (ii)

Hungarian Dances (Brahms) (i)

Hungary (i), (ii), (iii), (iv), (v), (vi), (vii)

Hussa, Maria (i)

Huston, John (i)

Ibert, Jacques (i)

Ich and Du (Buber) (i)

Ich bin von Kopf bis Fuß (Holländer) (i)

Idyllen (Wellesz) (i)

IGC see Intergovernmental Committee on Refugees

Im Atem der Zeit (Krenek) (i), (ii)

Impressionism (i), (ii), (iii), (iv), (v), (vi), (vii)

Im Weißen Rößl (The White Horse Inn) (Benatzky) (i)

Incognito (Wellesz) (i), (ii)

Incorporated Society of Musicians (ISM) (i), (ii), (iii)

Innitzer, Cardinal Theodor (i)

Intergovernmental Committee on Refugees (IGC) (i), (ii), (iii), (iv)

International Society for Contemporary Music (ISCM) (i), (ii), (iii), (iv), (v), (vi), (vii)

internment (i), (ii)

Iphigenie auf Aulis (Gluck) (i)

Irrelohe (Schreker) (i), (ii)

Isaacs, Leonard (i), (ii)

ISCM see International Society for Contemporary Music

Isherwood, Christopher (i)

ISM see Incorporated Society of Musicians

Italian Futurism (i), (ii)

Italy (i), (ii), (iii), (iv), (v), (vi), (vii)

Ivens, Joris (i), (ii), (iii)

I wander through Theresienstadt (Weber) (i)

Jacob, Gordon (i)

Jadassohn, Salomon (i)

Janáček, Leoš (i), (ii), (iii), (iv), (v)

Japan (i), (ii)

Jarnach, Philipp (i)

Der Jasager (Weill) (i)

jazz (i), (ii), (iii), (iv)

The Jazz Singer (film) (i)

Jelavich, Peter (i)

Jenùfa (Janáček) (i)

Jephtha (Toch) (i)

Jerger, Alfred (i)

Jeritza, Maria (i), (ii), (iii)

Jewish composers

anti-Romantics (i), (ii), (iii), (iv), (v)

exile and worse (i)

Aryanisation of music business (i)

Austrian Leagues (i)

Évian Conference (i)

France (i)

Great Britain (i)

Hollywood (i)

internment (i)

Jewish Cultural Leagues (i)

no escape (i)

overview (i)

refugee crisis (i)

United States (i)

film music (i), (ii), (iii)

German and Jewish identity (i), (ii), (iii), (iv), (v), (vi), (vii)

Hanslick (i), (ii), (iii)

Jugendstil school (i), (ii)

Lexikon der Juden in der Musik (i), (ii), (iii), (iv)

liberalism, Brahms and Hanslick (i)

Mahler's influence (i)

musical migration (i), (ii), (iii)

music for the masses (i)

Nazi regime (i), (ii), (iii), (iv), (v)

political science of music (i)

resolute Romantics (i), (ii), (iii), (iv)

restitution after Hitler (i)

Wagner and German Jewish composers at time of Wagner (i)

Judenthum in der Musik (i)

Wagner on Mendelssohn (i)

Wagner's political and cultural legacy (i)

Jewish Cultural Leagues (i)

Jewish Refugee Committee (i), (ii)

Jewish Song Society (i), (ii)

Jews

Berlin cabaret (i), (ii)

emancipation (i), (ii), (iii), (iv), (v), (vi)

exile and worse (i)

Aryanisation of music business (i)

Évian Conference (i)

France (i)

Great Britain (i)

Hollywood (i)

internment (i)

no escape (i)

overview (i)

refugee crisis (i)

United States (i)

German and Jewish identity (i)

assimilation (i), (ii)

Austria and Prussia (i)

Congress of Vienna (i)

constitutions (i)

German identity (i)

Jews on a journey (i)

Königgrätz (i)

overview (i), (ii), (iii)

Revolution of 1848 (i)

Rhine Federation (i)

Lexikon der Juden in der Musik (i), (ii), (iii), (iv)

liberalism, Brahms and Hanslick (i), (ii)

Mahler and Korngold (i), (ii)

musical migration (i), (ii), (iii)

Nazi regime

Austro-fascism (i)

classification of Jews (i)

emigration (i)

Jewish Cultural Leagues (i)

music business (i)

music policies in Hitler's Germany (i), (ii), (iii)

Mussolini (i)

Rosenberg in London (i)

Pfitzner (i), (ii)

resolute Romantics (i), (ii), (iii), (iv), (v)

restitution after Hitler (i)

Wagner on (i), (ii)

JKB see Reichsverband Jüdischer Kulturbünde

Joachim, Joseph (i), (ii), (iii)

Jobim, Antonio Carlos (i)

Jöde, Fritz (i)

Joël, Karl (i)

John, Eckard (i)

Johnson, Alvin (i)

Johnston, William (i), (ii)

Jonasz, Grete (i)

Jonny spielt auf (Krenek) (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)

Jooss, Kurt (i)

Josef Lehmann School (i)

Josephine Munzenbacher (anon) (i)

Josselson, Michael (i)

Juarez (film) (i)

Judaism (i), (ii), (iii), (iv)

Juden auf Wanderschaft (Roth) (i), (ii)

Judenthum in der Musik (Judaism in Music) (Wagner) (i), (ii), (iii), (iv), (v), (vi)

Judentum und Modernität (Botstein) (i)

Judentum und Musik (Blessinger) (i)

Das Jüdische bei Gustav Mahler (Haber) (i)

Jugendstil (i), (ii)

Julietta (Martinů) (i)

Jung, Franz (i)

Justus, György (i)

Kafka, Franz (i), (ii), (iii)

Kagel, Mauricio (i)

Kahn, Erich Itor (i), (ii)

Der Kaiser von Atlantis (The Abdication of Death) (Ullmann) (i), (ii)

Kalbeck, Max (i)

Kaltneker, Hans (i)

Kandinsky, Vassily (i), (ii)

Kant, Immanuel (i), (ii)

Karajan, Herbert von (i)

Karas, Joža (i)

Karg-Elert, Sigfried (i)

Die Katakomben (Hiller) (i)

Kater, Michael (i)

Die Kathrin (Korngold) (i), (ii), (iii), (iv), (v), (vi), (vii)

Kauder, Hugo (i)

Kayser, Phillip Christoph (i)

Kempff, Wilhelm (i), (ii)

Kern, Adele (i)

Kestenberg, Leo (i), (ii), (iii), (iv)

Kien, Peter (Petr) (i), (ii)

Kienzl, Wilhelm (i), (ii), (iii)

Kiepura, Jan (i), (ii)

Kierkegaard, Søren (i)

‘Kindertransport’ (i)

Kingdom for a Cow (Weill) (i)

King Kong (film) (i), (ii), (iii)

King Solomon's Mines (film) (i)

Kings Row (film) (i)

Kisch, Karoline (i)

Klabund (poet) (i)

Das Klangproblem im Geigenspiel (Flesch) (i)

Kleiber, Erich (i), (ii), (iii), (iv), (v), (vi), (vii)

Kleider machen Leute (Zemlinsky) (i), (ii), (iii)

Das kleine Café (i)

Klein, Gideon (i), (ii)

Kleist, Heinrich von (i), (ii)

Klemperer, Otto (i), (ii), (iii)

Klemperer, Viktor (i), (ii)

Klenau, Paul von (i), (ii), (iii)

Klimt, Gustav (i), (ii), (iii), (iv)

Knappertsbusch, Hans (i)

Knepler, Georg (i)

Knepler, Hugo (i)

Knepler, Paul (i)

Knorr, Ernst Lothar von (i)

Koellreuter, Hans Joachim (i)

Koestler, Arthur (i)

Kokoschka, Oskar (i), (ii)

Kolisch, Gertrude (i)

Kolisch, Rudolf (i), (ii), (iii)

Kolisch Quartet (i), (ii)

Kol Nidrei (Sulzer) (i)

Königgrätz (i), (ii)

Die Königin von Saba (Goldmark) (i), (ii)

Die Königsbraut (Fuchs) (i)

Korda, Alexander (i), (ii)

Kornau, Edward (i)

Kornauth, Egon (i), (ii), (iii), (iv)

Korngold, Erich Wolfgang

as arranger (i), (ii)

death of (i)

exile (i), (ii), (iii), (iv), (v)

film music (i), (ii), (iii), (iv), (v), (vi)

Die Fledermaus (i)

Die geschiedene Frau (i), (ii)

The Great Waltz (Walzer aus Wien) (i)

Julius Korngold on (i), (ii), (iii), (iv)

Die Kathrin (i), (ii), (iii), (iv), (v), (vi), (vii)

Das Lied der Liebe (i)

Mahler and Julius Korngold (i), (ii), (iii), (iv), (v), (vi)

Nazi regime (i), (ii), (iii)

resolute Romantics (i), (ii)

restitution after Hitler (i), (ii)

Der Ring des Polykrates (i)

Die schöne Helene (i), (ii)

Schott & Sons (i)

Sinfonietta Op. 5 (i)

Die stumme Serenade (i), (ii)

symphonies (i), (ii)

Die tote Stadt (i), (ii), (iii), (iv), (v), (vi)

Violanta (i), (ii), (iii), (iv), (v)

Weigl (i)

Das Wunder der Heliane (i), (ii), (iii)

Korngold, Hanns (i)

Korngold, Julius

anti-Romantics (i), (ii), (iii), (iv)

on Erich Korngold (i), (ii), (iii), (iv)

exile (i)

German and Jewish identity (i), (ii)

Hanslick (i)

Jugendstil school (i), (ii)

Mahler (i), (ii), (iii), (iv)

musical migration (i), (ii)

political science of music (i)

resolute Romantics (i), (ii)

Schreker (i), (ii), (iii)

Weißmann (i)

Wellesz (i), (ii), (iii), (iv)

Korngold, Luise (i)

Kosma, Joseph (József Kozma) (i), (ii), (iii), (iv), (v)

Kraft durch Freude (i)

Krása, Hans (i), (ii), (iii), (iv)

Kraus, Clemens (i), (ii)

Kraus, Karl (i), (ii), (iii), (iv), (v), (vi), (vii)

Kraus, Lili (i), (ii)

Krauss, Clemens (i), (ii)

Der Kreidekreis (Zemlinsky) (i), (ii), (iii)

Krein, Alexander (i)

Kreisler, Fritz (i), (ii), (iii)

Krenek, Anna (i)

Krenek, Bertha (i)

Krenek, Ernst

anti-Romantics (i), (ii), (iii), (iv)

exile (i), (ii), (iii), (iv), (v), (vi)

German and Jewish identity (i), (ii), (iii)

Im Atem der Zeit (i), (ii)

Jonny spielt auf (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)

Karl V (i)

Das Leben des Orest (i)

musical migration (i), (ii), (iii)

Nazi regime (i)

resolute Romantics (i), (ii)

restitution after Hitler (i)

Schreker (i), (ii), (iii)

Die Kriegsgefangene (Goldmark) (i)

Kristallnacht (i), (ii)

Kuh, Anton (i)

Kuhle Wampe, oder wem gehört die Welt? (film) (i)

Kulenkampff, Georg (i), (ii)

Kulturbund (i), (ii), (iii)

‘Kulturbund’ festival (i)

Kun, Béla (i)

Das Kunstwerk der Zukunft (The Art-work of the Future) (Wagner) (i)

Kurella, Alfred (i)

Kurz, Selma (i)

Kurzweil, Max (i)

Kuti, Sándor (i)

Lach, Robert (i)

Lajthai-Lazarus, Walter (i)

Laks, Szymon (i)

Ländliche Hochzeit (Goldmark) (i)

Land of Smiles (Lehár) (i)

Der lange Blick (Adorno) (i)

Lang, Fritz (i), (ii)

language (i), (ii), (iii), (iv), (v), (vi), (vii)

The Lavender Song (Spoliansky) (i)

‘Law Preventing Inherited Diseases’ (i)

League of Jewish Austrian Front Soldiers (i), (ii)

League of Nations (i), (ii)

Das Leben des Orest (Krenek) (i)

Lebensraum (i), (ii)

Lechthaler, Josef (i), (ii)

Lederer, Emil (i)

Lehár, Franz (i), (ii), (iii)

Lehmann, Lotte (i), (ii)

Lehrstücke (i), (ii), (iii)

Leibowitz, René (i)

Leichtentritt, Hugo (i)

Leinsdorf, Erich (i)

Lemberg pogrom (i)

Lendvai, Erwin (i)

Lenya, Lotte (i)

Lessing, G. E. (i)

Die Letzten Tage der Menschheit (Kraus) (i)

Leveztkow, Karl (i)

Levi, Erik (i)

Levi, Hermann (i), (ii)

Lexikon der Juden in der Musik (Stengel and Gerigk) (i), (ii), (iii), (iv)

Ley, Robert (i)

liberalism (i), (ii), (iii), (iv), (v)

Liberal Party (i), (ii), (iii)

Das Lied von der Erde (Mahler) (i)

The Life and Death of Colonel Blimp (film) (i)

Lion, Margo (i), (ii)

Lipiner, Siegfried von (i), (ii)

Lippay, Alexander (i)

Lissauer, Ernst (i)

Liszt, Franz

Aryanisation of music business (i)

Des Bohémiens et de leur musique en Hongrie (i)

Faust Symphonie (i)

Hanslick on (i)

Jewish response to neo-Romanticism (i)

‘New German School’ (i)

and Offenbach (i)

Les Préludes (i)

and Wagner (i), (ii), (iii)

Little Friend (film) (i)

The Little Mermaid (Andersen) (i), (ii)

Lloyd George, David (i), (ii)

Lobgesang (Mendelssohn) (i)

Locke, John (i)

Lohengrin (Wagner) (i)

Löhner-Beda, Fritz (i), (ii)

Loos, Adolf (i)

Lopatnikoff, Nikolai (i), (ii)

Lord Spleen (Lothar) (i)

Die Lorelei (Schubert) (i)

Lorre, Peter (i)

Lortzing, Albert (i), (ii)

Lothar, Mark (i)

Lothar, Rudolf (i)

Lott, Walter (i)

Louis, Rudolf (i), (ii), (iii)

Lovett, Martin (i)

Lubitsch, Ernst (i)

Lueger, Karl (i), (ii), (iii), (iv)

Lukás, Georg (i)

Lulu (Berg) (i), (ii), (iii), (iv)

Lustgarten, Egon (i)

Lustige Witwe (Lehár) (i)

Lutetia (Heine) (i)

Luther, Martin (i), (ii)

Luxemburg, Rosa (i)

Lyons and Co. (i)

Mack, Dietrich (i)

Maeterlinck, Maurice (i), (ii)

Mahler, Abraham (i)

Mahler, Alma (i), (ii), (iii), (iv)

Mahler, Anna (i)

Mahler, Bernard (Baruch) (i)

Mahler, Gustav (i)

anti-Romantics (i), (ii)

German and Jewish identity (i), (ii)

influence of (i)

Jewish response to neo-Romanticism (i)

Jewish Vienna (i)

Jugendstil school (i), (ii)

Korngold (i), (ii), (iii)

liberalism, Brahms and Hanslick (i), (ii)

Das Lied von der Erde (i)

metropolis Vienna (i)

Nazi regime (i)

restitution after Hitler (i), (ii)

Resurrection Symphony (i)

Der Schildwache Nachtlied (i)

Schoenberg (i), (ii), (iii)

Society of Creative Musicians (i), (ii), (iii)

Steiner (i)

symphonies (i), (ii), (iii), (iv), (v)

Wagner's legacy (i)

Mahler, Justine (i)

Mahler(-Werfel), Alma (i), (ii), (iii), (iv)

Malte Fischer, Jens (i), (ii)

Mandyczewski, Eusebius (i), (ii), (iii)

Mann, Heinrich (i), (ii)

Mann, Klaus (i), (ii), (iii)

Mann, Thomas (i), (ii), (iii), (iv), (v)

The Man Who Could Work Miracles (film) (i)

Marffa (Hager) (i)

Marietta di Monaco (i)

Marischka, Ernst (i)

Marischka, Hubert (i), (ii)

Martinů, Bohuslav (i)

Marx, Joseph (i), (ii), (iii), (iv), (v), (vi)

Marx, Karl (i), (ii), (iii), (iv)

Marxism (i), (ii), (iii)

Maschinist Hopkins (Brand) (i), (ii), (iii)

Masculinum-Femininum (Spoliansky) (i)

Maslow, Arkadi (i)

Massine, Léonide (i)

Mathis der Maler (Hindemith) (i), (ii)

Matka (The Mother) (Hába) (i)

Mauvaise graine (film) (i)

May, Hans (i)

Mayer, Dorothy (i)

Mayer, Robert (i)

McCarthy, Joseph (i)

Mehring, Walter (i), (ii)

Mein Kampf (Hitler) (i), (ii)

Mein Weg zur jüdischen Musik (Stutschewsky) (i)

Meisel, Edmund (i), (ii), (iii), (iv)

Die Meistersinger von Nürnberg (Wagner) (i), (ii)

Melichar, Alois (i)

Melodielehre (Toch) (i), (ii)

Melos (i), (ii), (iii), (iv), (v), (vi)

Mendelssohn, Fanny (i)

Mendelssohn, Felix

Austrian Leagues (i), (ii)

Bach's St Matthew Passion (i)

death of (i)

Elijah (i)

German and Jewish identity (i)

Jewish Cultural Leagues (i)

liberalism, Brahms and Hanslick (i), (ii), (iii)

Lobgesang (i)

A Midsummer Night's Dream (i), (ii)

‘Old German School’ (i), (ii)

Paulus (i), (ii)

restitution after Hitler (i)

Wagner and German Jewish composers (i), (ii), (iii), (iv)

Wagner's legacy (i)

Mendelssohn, Moses (i)

Mephisto (Mann) (i)

Merlin (Goldmark) (i), (ii)

Metternich, Prince von (i), (ii)

Meyerbeer, Giacomo (Jacob Liebermann Beer) (i), (ii), (iii), (iv), (v), (vi)

Meyer, Ernst Hermann (i)

Michael Kohlhaas (Klenau) (i), (ii), (iii)

A Midsummer Night's Dream (film) (i), (ii), (iii)

The Mighty Wurlitzer (Wilford) (i)

Miller zu Aichholz, Viktor von (i), (ii)

Mills, Irmgard (‘Spoli’) (i)

Milstein, Nathan (i)

Minne, George (i)

Mirabile Mysterium (Wellesz) (i)

Mitropoulos, Dimitri (i)

modernism

anti-Romantics (i), (ii)

Jewish response to neo-Romanticism (i)

Jugendstil school (i), (ii), (iii)

Mahler (i)

musical migration (i), (ii)

music policies in Hitler's Germany (i)

restitution after Hitler (i), (ii), (iii)

Modern Racial Theory (Hertz) (i)

Mohaupt, Richard (i)

Moll, Carl (i), (ii)

Mona Lisa (Schillings) (i), (ii)

Moody, Alma (i)

Moravia (i), (ii), (iii)

Mörder, Hoffnung der Frauen (Hindemith) (i)

Morgenstern, Soma (i), (ii)

Moritz Bethmann, Simon (i)

Moscheles, Ignas (i), (ii), (iii), (iv)

Moscow Declaration (i)

Moseley, Oswald (i)

Moser, Koloman (i)

Moszkowski, Alexander (i)

Moszkowski, Moritz (i)

Mozart, Wolfgang Amadeus (i), (ii), (iii), (iv), (v)

Muchanoff, Frau (née Countess Nesselrode) (i)

Müller, Hans (i), (ii), (iii)

Müller, Willy (i)

Munch, Charles (i)

Münchhausen (Holländer) (i)

Munich Agreement (i), (ii)

Münzenberg, Willi (i)

Music after Hitler (Thacker) (i), (ii)

Musica Viva series (i)

music festivals (i), (ii), (iii), (iv), (v), (vi), (vii)

Music in Terezín (Karas) (i)

musicology (i), (ii), (iii), (iv), (v), (vi)

music publishers (i), (ii)

Die Musik (magazine) (i)

Musikblätter des Anbruch see Anbruch

Musik-Bolschewismus (John) (i)

Musik hinter Stacheldraht (Music behind Barbed Wire) (Gál) (i)

Die Musik in der Weltkrise (Weißmann) (i), (ii)

Musil, Robert (i)

Mussolini, Benito (i), (ii), (iii), (iv)

My Path as a Pan-European (Huberman) (i)

My Song goes Round the World (film) (i)

Nabokov, Nicolas (i)

‘Nachtwandler’ (‘The Somnambulist’) (Falke) (i)

Nana (Gurlitt) (i)

Napoleon III (i), (ii), (iii), (iv), (v)

National Socialism see Nazism

Nationalversammlung (National Assembly) (i), (ii)

Naturalism (i), (ii), (iii)

Nazism (National Socialism)

anti-Romantics (i), (ii), (iii), (iv), (v), (vi), (vii)

Berlin cabaret (i)

‘Entartung’ (degeneration) (i), (ii)

exile and worse

camps (i), (ii), (iii), (iv)

Évian Conference (i)

France (i), (ii)

MS St Louis (i)

refugee crisis (i)

German and Jewish identity (i), (ii), (iii)

Hanslick on Liszt (i)

Hitler appointed as Chancellor (i), (ii), (iii)

Jugendstil school (i), (ii)

Lexikon der Juden in der Musik (i), (ii), (iii), (iv)

Mahler and Korngold (i), (ii), (iii)

musical migration (i), (ii), (iii), (iv), (v)

Nazi regime (i)

Aryanisation of music business (i)

Austrian Leagues (i)

Austro-fascism (i)

Braunfels (i)

classification of Jews (i)

confused beginning (i)

dictatorship (i)

Furtwängler (i)

German tragedy (i)

Graener (i)

Havemann (i)

Jewish Cultural Leagues (i)

mechanics of the purge (i)

music business (i)

music policies in Hitler's Germany (i), (ii), (iii)

overview (i)

Rosenberg in London (i)

political science of music (i)

resolute Romantics (i), (ii), (iii), (iv)

restitution after Hitler

Cold War (i), (ii)

music in the Austria zones (i)

Nazi resistance (i)

overview (i)

war criminals (i), (ii)

Wagner's legacy (i), (ii)

Nelson (Berkeley) (i)

Nelson, Rudolph (i), (ii)

neo-Romanticism (i)

Nessler, Victor Ernst (i)

Nettl, Paul (i)

Die neue Aesthetik der musikalischen Impotenz (The New Aesthetic of Musical Impotence) (Pfitzner) (i), (ii), (iii)

Neue Freie Presse (i), (ii), (iii), (iv), (v), (vi)

anti-Semitism (i)

anti-Wagnerian (i)

Expressionism (i)

fin de siècle Austria (i)

German and Jewish identity (i), (ii), (iii)

Hanslick's musical world (i), (ii), (iii), (iv), (v), (vi)

Krenek (i)

Mahler and Korngold (i), (ii), (iii), (iv), (v), (vi)

musical migration (i), (ii), (iii)

Nazi regime (i), (ii), (iii), (iv)

Nordau (i)

Schreker (i)

sex education (i)

Wellesz (i), (ii)

Neue Sachlichkeit see ‘New Objectivity’

Neues vom Tage (Hindemith) (i), (ii)

Neue Zeitschrift für Musik (Uhlig) (i)

Neumann, Angelo (i)

Neuwirth, Gösta (i)

The New Aesthetic of Musical Impotence (Pfitzner) (i), (ii), (iii)

‘New German School’ (i), (ii)

Newman, Alfred (i)

Newman, Ernest (i), (ii)

‘New Objectivity’ (Neue Sachlichkeit)

anti-Romantics (i), (ii), (iii)

Berlin cabaret (i)

Expressionism (i), (ii)

Jewish response to neo-Romanticism (i)

musical consequences of change (i)

music for the masses (i)

Nazi regime (i), (ii)

political science of music (i)

restitution after Hitler (i), (ii)

Toch (i), (ii)

‘The New Opera’ (Weill) (i)

New School of Social Research, New York (i)

Nicolai, Carl Otto Ehrenfried (i), (ii)

Niemann, Walter (i)

Nietzsche, Friedrich (i), (ii), (iii), (iv)

Nikisch, Arthur (i)

Nissel, Siegmund (i)

No Monkey Business (film) (i)

Nordau, Max (i), (ii)

Nordenstrom, Gladys (i)

‘November Group’ (‘Die Novembergruppe’) (i), (ii), (iii), (iv)

Nowak, Leopold (i), (ii), (iii)

Now Voyager (film) (i)

Nuit et brouillard (film) (i)

Nuremberg laws (i), (ii)

Das Nusch-Nuschi (Hindemith) (i)

Ocean symphony (Rubinstein) (i)

‘October Diploma’ of 1860 (i)

Oedipus Rex (Stravinsky) (i)

Offenbach, Jacob (Jacques) (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)

Of Musical Beauty (Vom Musikalisch-Schönen) (Hanslick) (i), (ii), (iii)

Ohlendorf, Otto (i)

Olbrich, Joseph Maria (i)

‘Old German School’ (i), (ii), (iii), (iv), (v)

‘Old Reich’ refugees (i)

The Oppermanns (Feuchtwanger) (i)

L'or dans la rue (film) (i)

Orff, Carl (i), (ii)

Ormandy, Eugene (Jenő Blau) (i)

Ornament and Crime (Loos) (i)

Orphée aux enfers (Offenbach) (i)

Der Österreichische Kulturbund (i)

Ottoman Empire (i), (ii), (iii), (iv)

Over the Moon (film) (i)

Pabst, Georg (i)

A Paean on Hate For England (Lissauer) (i)

Paganini, Niccolò (i)

Pahlen, Kurt (i)

Palestine (i)

Palestrina (Pfitzner) (i)

Palmström (Eisler) (i)

Panofsky, Erwin (i)

Parsifal (Wagner) (i), (ii), (iii), (iv), (v)

Passacaglia (Goldschmidt) (i)

Pataky, Koloman von (i)

Paul VI, Pope (i)

Paulskirche (St Paul's Church), Frankfurt (i), (ii)

Paulus (Mendelssohn) (i), (ii)

Paumgartner, Bernhard (i)

Pelléas et Mélisande (Debussy) (i)

Pelleas und Melisande (Schoenberg) (i), (ii), (iii), (iv)

Peter Grimes (Britten) (i)

Peter Ibbetson (film) (i)

Peters (publisher) (i), (ii), (iii)

La petite de Parnasse (film) (i)

Petschull, Johannes (i)

Petyrek, Felix (i), (ii), (iii)

Un peu d'amour (film) (i)

Pfitzner, Hans

anti-Romantics (i), (ii), (iii)

Der arme Heinrich (i), (ii)

Beethoven und die Moderne (i)

Das Christelflein (i)

Das Herz (i)

Jewish response to neo-Romanticism (i)

Musical Impotence (i), (ii), (iii)

Palestrina (i)

Von deutscher Seele (i)

Phantastisches Intermezzo (Weigl) (i)

Pierrot Lunaire (Schoenberg) (i), (ii), (iii)

A Pilgrim's Progress (Vaughan Williams) (i)

Piscator, Erwin (i), (ii), (iii), (iv), (v)

Pisk, Paul (i), (ii), (iii), (iv)

Piston, Walter (i)

Pleasants, Henry (i)

pogroms (i), (ii), (iii), (iv)

Poland (i), (ii), (iii), (iv)

Pollak, Egon (i)

Pollock, Jackson (i)

Popper, David (i)

Portugal (i), (ii)

Posa, Oskar Karl (i)

Pötzl, Otto (i)

Prague (i), (ii)

Prélude à l'après-midi d'un faune (Debussy) (i)

Les Préludes (Liszt) (i)

Die Presse (i) see also Neue Freie Presse

Prévert, Jacques (i), (ii)

Previn, André (i)

Priberg, Fred (i)

The Prince and the Pauper (film) (i)

Pringsheim, Katya (i)

Pringsheim, Klaus (i), (ii)

Prinzessin Brambilla (Braunfels) (i)

Prinzessin Brambilla (Rubin) (i)

The Private Lives of Don Juan (film) (i)

‘Das Problem der Form’ (‘The Problem of Form’) (Wellesz) (i)

Prokofiev, Sergei (i)

Prosperos Beschwörungen (The Spells of Prospero) (Wellesz) (i), (ii), (iii)

Protestantism (i), (ii), (iii), (iv)

Protocols of the Elders of Zion (i)

Prussia (i), (ii), (iii), (iv), (v)

Prussian Academy of Arts (i), (ii), (iii)

Psalm 111 (Sulzer) (i)

Publikum und Popularität (The Public and Popularity) (Wagner) (i)

Puccini, Giacomo (i), (ii), (iii), (iv)

Quasi una fantasia (Adorno) (i)

Quasi una fantasia exhibition (i)

Raabe, Peter (i)

Rabinovitch, Freda (i)

Race and Culture (Hertz) (i)

racism (i), (ii), (iii), (iv), (v), (vi), (vii)

Radetzky March (Roth) (i)

Radetzky March (Strauss) (i)

radio (i)

Rain (film) (i)

Ramin, Günther (i), (ii)

Rankl, Karl (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)

Raphael, Günter (i)

Rathaus, Karol (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)

Raus mit den Männern! (Chuck out the Men!) (Holländer) (i)

Rauter, Ferdinand (i), (ii)

RAVAG (i), (ii)

Reagan, Ronald (i)

Redlich, Hans Ferdinand (i)

‘The Re-establishment of the Professional Civil Service’ law (i)

Refugee Children Movement (RCM) (i)

Reger, Max (i), (ii), (iii)

La Règle du jeu (film) (i)

Reichert, Heinz (i)

Reichskristallnacht (i), (ii)

Reichskulturkammer (RKK) (Reich's Chamber of Culture) (i)

Reichsmusikkammer (RMK) (Reich Chamber of Musical Affairs) (i), (ii), (iii)

Reichsverband Jüdischer Kulturbünde (JKB) (i), (ii)

Reiner, Fritz (i), (ii), (iii)

Reinhardt, Max

Berlin cabaret (i), (ii), (iii)

Erich Korngold (i), (ii), (iii), (iv)

ISCM (i)

A Midsummer Night's Dream (i), (ii), (iii)

move to Berlin (i)

return to Austria (i)

Weill (i)

Zuckerkandl circle (i)

Reitler, Josef (i), (ii)

Reizenstein, Franz (i)

Renner, Karl (i), (ii)

Renoir, Jean (i)

Resnais, Alain (i)

Réti, Rudolf (i), (ii), (iii), (iv)

Rettich, Wilhelm (i)

Revolution of 1848 (i), (ii), (iii), (iv)

Reznicek, Emil von (i)

Rhine Federation (i), (ii)

Rhineland (i), (ii), (iii)

Richter, Alfred (i)

Richter, Ernst (i)

Riefenstahl, Leni (i)

Rilke, Rainer Maria (i)

Ringelnatz, Joachim (i), (ii)

Ring (Wagner) (i)

RKK see Reichskulturkammer

RMK see Reichsmusikkammer

Robert der Teufel (Robert le Diable) (Meyerbeer) (i)

Robert, Richard (i), (ii)

Rode, Wilhelm (i)

Roger, Kurt (i)

Roller, Alfred (i)

Romanticism

anti-Romantics (i)

anti-Romanticism (i)

overview (i)

Schott & Sons (i)

Wellesz (i)

art and ethics (i), (ii)

Expressionism (i), (ii)

liberalism, Brahms and Hanslick (i), (ii), (iii)

music for the masses (i)

‘New Objectivity’ (i), (ii), (iii), (iv)

resolute Romantics

Chamberlain (i)

Erich Korngold (i)

Hollywood (i)

Jewish response to neo-Romanticism (i)

Romantic renewal (i)

unexpected developments (i)

Wagner and German Jewish composers (i), (ii), (iii)

Romantik in der Musik (Weill) (i)

Rooney, Mickey (i)

Roosevelt, Franklin D. (i), (ii), (iii)

Rosé, Alma (i)

Rosé, Arnold (i)

Rosé Quartet (i), (ii)

Rosen aus Florida (Fall) (i)

Rosenberg, Alfred (i), (ii), (iii), (iv), (v)

Der Rosenkavalier (Strauss) (i), (ii), (iii)

Rosenstock, Joseph (i), (ii), (iii), (iv)

Rossini, Gioachino (i), (ii), (iii)

Rostal, Max (i)

Die Rote Fahne (The Red Flag) (i), (ii)

Rothermere, Lord (i), (ii)

Roth, Joseph (i), (ii), (iii), (iv)

Royal College of Music (i)

Rubenstein, Joseph (i)

Rubin, Marcel (i), (ii)

Rubinstein, Anton (i), (ii), (iii), (iv)

Rubinstein, Arthur (i)

Rudolf, Crown Prince (i), (ii)

Rund um die Gedächniskirche (Ring-Round the Memorial Church) (Holländer) (i)

Russia (i), (ii), (iii), (iv), (v), (vi), (vii)

Ruttmann, Walter (i)

Saar, Ferdinand von (i)

The Sacred Duck (Die heilige Ente) (Gál) (i), (ii), (iii), (iv)

Sadler's Wells (i)

Saint-Germain, Treaty of (i), (ii)

St Louis, MS (i)

St Matthew Passion (Bach) (i)

Sakuntala (Goldmark) (i), (ii)

Salieri, Antonio (i)

Salis, Rodolphe (i)

salons (i), (ii)

Salten, Felix (i), (ii), (iii), (iv), (v), (vi)

Sancta Susanna (Hindemith) (i)

Sander, August (i)

Sander, Horst (i)

Sanderling, Kurt (i)

Šarlatán (Haas) (i)

Sassmann, Hanns (i)

Saunders, Frances Stonor (i)

Sawabe, Yukiko (i)

Saxe-Coburg-Gothas (i), (ii)

Scandinavian Symphony (Cowen) (i)

Schacht, Peter (i)

Schalk, Franz (i)

Schall und Rauch (‘Sound and Smoke’) cabaret (i), (ii), (iii)

Der Schatzgräber (Schreker) (i), (ii), (iii), (iv), (v)

Schenk, Erich (i), (ii), (iii), (iv), (v)

Schenker, Heinrich (i)

Scherchen, Hermann (i), (ii)

Schidlof, Peter (i)

Schiffer, Marcellus (i), (ii)

Schiller, Friedrich (i), (ii), (iii)

Schillings, Max von (i), (ii), (iii), (iv)

Schindler, Alma (i)

Schirach, Baldur von (i)

Schlee, Alfred (i)

Schlesinger, Lotte (i)

Schmidt, Franz (i), (ii), (iii), (iv)

Schmidt, Joseph (i), (ii)

Der Schmied von Gent (Schreker) (i), (ii), (iii), (iv)

Schmitt, Florent (i), (ii)

Schnabel, Artur (i), (ii), (iii), (iv), (v), (vi)

Schnittke, Alfred (i)

Schnitzler, Arthur (i), (ii), (iii), (iv), (v), (vi)

Schnitzler, Heini (i)

Schoenberg, Arnold

anti-Romantics (i), (ii), (iii), (iv), (v)

as arranger (i)

Berlin cabaret (i), (ii), (iii), (iv)

Book of the Hanging Gardens (i), (ii)

Eisler (i), (ii), (iii)

emigration (i), (ii), (iii)

Erwartung (i), (ii), (iii), (iv)

ethics (i), (ii), (iii), (iv)

Expressionism (i), (ii), (iii)

Five Orchestral Pieces (i)

German and Jewish identity (i)

Gurrelieder (i), (ii), (iii)

Harmonielehre (i), (ii), (iii), (iv), (v)

Jewish response to neo-Romanticism (i), (ii)

Kandinsky (i)

Mahler and Korngold (i), (ii)

modernism (i)

Nazi music policy (i), (ii)

Pelleas und Melisande (i), (ii), (iii), (iv)

Pierrot Lunaire (i), (ii), (iii)

purity of art (i)

reconversion (i)

restitution after Hitler (i), (ii)

Schreker (i), (ii), (iii), (iv), (v)

serialism (i), (ii), (iii)

Society of Creative Musicians (i), (ii), (iii)

symphonies (i)

Verklärte Nacht (i), (ii)

Wagner's legacy (i)

Weill (i)

Zemlinsky (i)

Schoenberg, Mathilde (i)

Scholz, Roman Karl (i)

Die schöne Helene (Offenbach/Korngold) (i), (ii)

Schönerer, Ritter von (i)

Schopenhauer, Arthur (i), (ii), (iii), (iv)

Schott (publisher) (i), (ii), (iii), (iv), (v), (vi), (vii)

Schrattenholz, Leo (i)

Schrecker, Ignácz Ferenz (i)

Schrečker, Isak (i), (ii)

Schreker, Franz

Anbruch (i)

anti-Romantics (i), (ii), (iii)

Chamber Symphony (i)

Christophorus, oder die Vision einer Oper (i)

death of (i), (ii), (iii)

Expressionism and composition pupils (i), (ii)

Der ferne Klang (i), (ii), (iii), (iv), (v)

German and Jewish identity (i), (ii)

Die Gezeichneten (i), (ii), (iii), (iv), (v)

Havemann (i), (ii)

Irrelohe (i), (ii)

Jugendstil school (i), (ii), (iii)

Korngold (i), (ii)

resolute Romantics (i), (ii), (iii), (iv), (v)

Der Schatzgräber (i), (ii), (iii), (iv), (v)

Der Schmied von Gent (i), (ii), (iii), (iv)

Der Singende Teufel (i), (ii)

Das Spielwerk und die Prinzessin (i), (ii), (iii)

spirituality of music (i)

Vorspiel zu einer großen Oper (i)

Schreker, Maria (i), (ii), (iii)

Schröder, Gustav (i)

Schubert, Franz (i), (ii), (iii), (iv), (v)

Schulhoff, Erwin (i), (ii), (iii), (iv), (v)

Schul, Zikmund (Siegmund) (i)

Schumann, Clara (i)

Schumann, Robert (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)

Schuricht, Carl (i)

Schusschnigg, Kurt (i), (ii), (iii)

Schütz, Max (i)

Schwanda der Dudelsackpfeifer (Weinberger) (i), (ii)

Schwarzkopf, Elisabeth (i)

Die schweigsame Frau (Strauss/Zweig) (i), (ii)

Schwitters, Kurt (i)

science (i), (ii), (iii), (iv), (v)

Scott, Cyril (i), (ii)

Scott, William (i)

The Sea Wolf (film) (i)

Secessionist movement (i), (ii), (iii), (iv), (v)

‘The Secret Terror’ (Heinsheimer) (i)

Die Seejungfrau (Zemlinsky) (i), (ii), (iii)

Seiber, Mátyás (i), (ii)

Semigotha (Witkenberg) (i), (ii)

Serbia (i), (ii), (iii), (iv)

Serenade (Dauber) (i)

serialism (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)

Serkin, Rudolf (i), (ii)

The Seven Deadly Sins (Weill/Brecht) (i)

sex (i), (ii), (iii), (iv), (v)

Sex and Character (Weininger) (i), (ii)

Sgarnarelle (Grosz) (i)

Shakespeare, William (i), (ii), (iii), (iv)

Shelley, Percy Bysshe (i)

Shir Zion (Sulzer) (i)

Short, Hassard (i)

Shostakovich, Dmitri (i), (ii), (iii)

shtetls (i), (ii)

Der Silbersee (Weill) (i), (ii)

Silone, Ignazio (i)

Simon, James (i), (ii), (iii)

Simon, Sir John (i)

Simplicissimus (‘Simpl’),Munich (i)

Simpson, Sir John Hope (i)

Simrock (publisher) (i), (ii)

Der Singende Teufel (Schreker) (i), (ii)

Singer, Kurt (i), (ii), (iii), (iv)

Sketch of a New Aesthetic of Music (Busoni) (i), (ii)

Smith, Jack (i)

Smyth, Ethel (i)

Socialist Realism (i), (ii)

Society for the Promotion of Jewish Music (i), (ii)

Society of Creative Musicians (Vereinigung schaffender Tonkünstler) (i), (ii), (iii), (iv), (v)

Sonnenthal, Adolf Ritter von (i), (ii)

Sonnenthal, Luise von (i)

Sontag, Susan (i), (ii)

Soviet Union (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)

Spartacus League (i)

Spengler, Oswald (i)

Sperber, Manès (i)

Spiel, Hilde (i)

Spieloper (comic opera) (i)

Das Spielwerk und die Prinzessin (Schreker) (i), (ii), (iii)

Spinner, Leopold (i), (ii)

Spinoza, Baruch (i), (ii), (iii)

Spitzer, Daniel (i)

Spoliansky, Mischa (i), (ii), (iii), (iv), (v), (vi)

Sprechgesang (i)

Springer, Max (i)

Stabat Mater (Rossini) (i)

Stadlen, Peter (i)

Die Stadt ohne Juden (The City without Jews) (Bettauer) (i)

STAGMA (i)

Stalin, Joseph (i), (ii), (iii), (iv), (v), (vi), (vii)

Stanford, Charles (i)

A Star fell from Heaven (film) (i)

Stefan, Paul (i), (ii)

Steinberg, Wilhelm (William) (i), (ii), (iii), (iv)

Stein, Edwin (i)

Steiner, Max (i), (ii), (iii), (iv), (v)

Steiner, Rudolf (i)

Stein, Fritz (i)

Stein, Ludwig (i), (ii), (iii), (iv)

Stengel, Theo (i), (ii)

Stephan, Rudi (i)

Sternberg, Josef von (i), (ii)

Steuermann, Eduard (i)

Stevens, Bernard (i)

Stiedry, Fritz (i), (ii), (iii)

Stockhausen, Karlheinz (i), (ii)

Stolz, Robert (i), (ii)

Stössel, Ludwig (i)

Stramm, August (i)

Straube, Karl (i), (ii)

Straus, Oscar (i), (ii)

Strauss, Adele (i), (ii)

Strauss, Johann (i), (ii), (iii), (iv), (v), (vi)

Strauss, Leo (i)

Strauss, Richard

American embargo (i)

anti-Romantics (i), (ii), (iii)

Elektra (i)

Die Frau ohne Schatten (i)

Ein Heldenleben (i)

Jewish response to neo-Romanticism (i), (ii)

Mahler and Korngold (i), (ii), (iii), (iv)

Reichsmusikkammer (i), (ii)

Der Rosenkavalier (i), (ii), (iii)

Die schweigsame Frau (i), (ii)

Society of Creative Musicians (i)

Stravinsky, Igor (i), (ii), (iii), (iv), (v), (vi), (vii)

Strecker, Ludwig (i), (ii), (iii)

Strecker, Willi (i), (ii)

Stresemann, Gustav (i)

Stroheim, Erich von (i)

Stucken, Eduard (i)

Stuckenschmidt, H. H. (i), (ii), (iii), (iv)

Die stumme Serenade (The Silent Serenade) (Korngold) (i), (ii)

Der Stürmer (i)

Stürmer, Bruno (i)

Der Sturz des Antichrist (Ullmann) (i)

Stutschewsky, Joachim (i)

Sudetenland (i), (ii), (iii), (iv)

Sullivan, Arthur (i)

Sulzer, Joseph (i), (ii)

Sulzer, Salomon (i), (ii)

Switzerland (i), (ii), (iii)

Symphonic Fantasy (Weigl) (i)

Szell, Georg(e)

Gál (i), (ii)

German Theatre (i)

Great Britain (i), (ii)

Jewish response to neo-Romanticism (i)

Nazi resistance (i)

United States (i), (ii)

Weigl (i), (ii)

Szenen aus den Leben der heiligen Johanna (Braunfels) (i), (ii)

Szeps, Moritz (i)

Talich, Václav (i)

Taras Bulba (film) (i)

Taruskin, Richard (i)

Taube, Carlo (i)

Taube, Erika (i)

Taube, Michael (i), (ii), (iii)

Tauber, Richard (i), (ii), (iii), (iv)

Tausig, Carl (i), (ii)

Tchaikovsky, Pyotr Ilyich (i)

The Tempest (Shakespeare) (i), (ii)

Temple, Shirley (i)

Terezín Symphony (Taube) (i)

Terezín (Theresienstadt) (i)

Teutonic races (i), (ii), (iii), (iv)

Thacker, Toby (i), (ii)

‘therapeutic nihilism’ (i), (ii), (iii)

Theresienstadt (Terezín) (i)

Thimonnier, René (i)

Third Reich (i), (ii), (iii), (iv), (v)

Three Orchestral Pieces (Berg) (i)

Threepenny Opera (Brecht and Weill) (i), (ii), (iii)

Thyl Claes (Vogel) (i)

Ticharich, Zdenka von (i)

Tiefland (d'Albert) (i), (ii), (iii), (iv), (v)

Tiessen, Heinz (i), (ii)

Tietjen, Heinz (i), (ii), (iii), (iv)

Tillich, Paul (i)

Tillyard, H. J. W. (i)

Tingel-Tangel (i)

Tirpitz, Admiral (i)

Tirso de Molina (i)

Toch, Ernst (i)

anti-Romantics (i), (ii)

Berlin (i)

Cantata of the Bitter Herbs (i)

Cello Concerto (i)

Chinese Flute songs (i)

devotional life (i)

environment and creativity (i)

Erich Korngold (i)

Der Fächer (i)

film music (i), (ii)

France (i), (ii)

Fuge aus der Geographie (Geographical Fugue) (i)

Genesis Suite (i)

Die Germanen sind Blond (The Teutons Are Blond) (i)

Gesprochene Musik (Spoken Music) (i)

Glaubensbekenntnis eines Komponisten (Composer's Credo) (i)

Jephtha (i)

Jewish response to neo-Romanticism (i)

Melodielehre (i), (ii)

‘New Objectivity’ (i), (ii), (iii)

piano concertos (i), (ii)

restitution after Hitler (i)

Schreker's pupils (i)

symphonies (i), (ii), (iii)

United States (i), (ii), (iii), (iv), (v), (vi), (vii)

Toch, Lili (née Zwack) (i)

Toller, Ernst (i), (ii), (iii)

Toscanini, Arturo (i)

Die tote Stadt (Korngold) (i), (ii), (iii), (iv), (v), (vi)

Tractatus Logico-Philosophicus (Wittgenstein) (i)

Trapp, Max (i), (ii), (iii), (iv)

Der Traum ein Leben (Braunfels) (i)

Träumerei (Schumann) (i)

Treaty of Saint-Germain (i), (ii)

Treaty of Versailles (i), (ii), (iii)

Der treue Eckart (newspaper) (i)

Tristan and Isolde (Wagner) (i), (ii)

Triumphlied (Brahms) (i)

Der Trompeter von Säkkingen (Nessler) (i)

Tucholsky, Kurt (i), (ii)

Turkey (i)

twelve-tone composition see dodecaphonic composition

Überbrettl cabaret (i), (ii), (iii), (iv)

Uhlig, Theodor (i)

Ulbricht, Walter (i)

Ulbrich Group (i), (ii)

Ullmann, Viktor (i), (ii), (iii), (iv)

Und Pippa Tanzt! (Hauptmann) (i)

Unger, Hermann (i)

Union of Austrian Artists (i)

United States

emigration to (i), (ii), (iii), (iv), (v), (vi)

Évian Conference (i), (ii)

internment (i)

restitution after Hitler (i), (ii), (iii), (iv)

World War I (i), (ii)

Universal Edition (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x)

University in Exile (i)

Utah Symphony Orchestra (i)

Valdštejn (Weinberger) (i)

Valentin, Karl (i)

Vándor, Sándor (i)

Vaughan Williams, Ralph (i), (ii), (iii)

Veidt, Conrad (i)

Verdi, Giuseppe (i)

Vereinigung schaffender Tonkünstler (Society of Creative Musicians) (i), (ii), (iii), (iv), (v)

verismo (i), (ii), (iii)

Verklärte Nacht (Schoenberg) (i), (ii)

Die Verkündigung (Braunfels) (i)

Verlobung im Traum (Krása) (i), (ii)

Vernon, Timothy (i)

Versailles Treaty (i), (ii), (iii)

La vie est à nous (film) (i)

Vienna

Congress of Vienna (i)

ethics (i), (ii)

fin de siècle Austria (i), (ii), (iii), (iv)

German and Jewish identity (i), (ii), (iii)

Jewish Vienna at time of Mahler (i)

Jugendstil school (i), (ii), (iii)

liberalism (i), (ii)

mass migration (i), (ii)

metropolis Vienna (i)

La vie parisienne (Offenbach) (i)

Viereck, Peter (i), (ii)

Viertel, Berthold (i)

Vierzehn Arten den Regen zu Beschreiben (Fourteen Ways of Describing the Rain) (Eisler) (i), (ii)

Vogel, Wladimir (i), (ii)

Die Vögel (Braunfels) (i), (ii), (iii)

Vogelweide, Walter von der (i)

Vom Musikalisch-Schönen (Of Musical Beauty) (Hanslick) (i), (ii), (iii)

Von deutscher Seele (Pfitzner) (i)

Vorfrühling (Wellesz) (i)

Vorspiel zu einer großen Oper (Schreker) (i)

Wachsmann (Waxman), Franz (i), (ii), (iii), (iv)

Wagadus Untergang durch die Eitelkeit (Vogel) (i)

Waghalter, Ignaz (i), (ii), (iii)

Wagner, Cosima (i), (ii), (iii), (iv), (v)

Wagner, Friedelind (i)

Wagner, Gottfried (i)

Wagner, Otto (i)

Wagner, Richard

anti-Romantics (i), (ii)

Autobiographical Sketches (i)

death of (i)

Erkenne Dich selbst (Know yourself) (i)

The Flying Dutchman (i), (ii)

German and Jewish identity (i), (ii), (iii)

and German Jewish composers (i)

Jewish composers at time of Wagner (i)

Judaism in Music (i)

Mendelssohn's shadow (i), (ii)

Wagner and the Jews (i), (ii), (iii)

Wagner's political and cultural legacy (i)

Götterdämmerung (i), (ii), (iii), (iv)

Judenthum in der Musik (Judaism in Music) (i), (ii), (iii), (iv), (v), (vi)

Das Kunstwerk der Zukunft (The Art-work of the Future) (i)

liberalism, Brahms and Hanslick

Brahms's musical world (i), (ii), (iii)

Hanslick on Wagner (i), (ii), (iii), (iv)

Hanslick's musical world (i)

Wagner on Hanslick (i), (ii), (iii), (iv)

Lohengrin (i)

Die Meistersinger von Nürnberg (i), (ii)

music policies in Hitler's Germany (i)

Parsifal (i), (ii), (iii), (iv), (v)

Publikum und Popularität (The Public and Popularity) (i)

resolute Romantics (i), (ii), (iii), (iv), (v)

Ring (i)

Tristan and Isolde (i), (ii)

Wagner, Siegfried (i), (ii), (iii), (iv)

Wagner, Winifred (née Williams) (i), (ii), (iii), (iv), (v)

Waldorf, Claire (i)

Wallace, Hal (i)

Wallenstein (Schiller) (i)

The Wall of China (Kraus) (i)

Walter, Bruno

emigration (i), (ii)

Erich Korngold (i), (ii), (iii)

Jugendstil school (i), (ii)

Mahler and Julius Korngold (i), (ii), (iii)

music policies in Hitler's Germany (i)

Waltershausen, Hermann Wolfgang von (i), (ii)

Walzer aus Wien (The Great Waltz) (Korngold) (i)

Warner, Jack (i)

Warner Brothers (i), (ii), (iii)

Warr, Eric (i)

Wassermann, Jacob (i)

Wat Tyler (Bush) (i)

Waxman (Wachsmann), Franz (i), (ii), (iii), (iv)

Weber, Carl Maria von (i)

Weber, Ilse (i)

Webern, Anton (i), (ii), (iii), (iv)

Wedekind, Frank (i), (ii)

Der Weg ins Freie (Schnitzler) (i)

Weigl, Karl (i), (ii), (iii), (iv), (v), (vi)

Weill, Kurt

Aufstieg und Fall der Stadt Mahagonny (i), (ii), (iii), (iv), (v)

Berlin cabaret (i), (ii)

Broadway style (i), (ii), (iii)

Die Bürgschaft (i), (ii)

devotional life (i)

Dreigroschenoper (i)

film music (i)

Happy End (i)

Der Jasager (i)

Kingdom for a Cow (i)

music policies in Hitler's Germany (i), (ii), (iii)

‘New Objectivity’ (i), (ii)

‘The New Opera’ (i)

Der Protagonist (i)

Romantik in der Musik (i)

The Seven Deadly Sins (i)

Der Silbersee (i), (ii)

Threepenny Opera (i), (ii), (iii)

Weimarer historisch-genealogen Taschenbuch des gesamten Adels jehudäischen Ursprungs (Semigotha) (Witkenberg) (i), (ii)

Weinberger, Jaromir (i), (ii)

Weinberger (publisher) (i), (ii)

Weiner, László (i)

Weingartner, Felix (i)

Weininger, Otto (i), (ii)

Weintraub Syncopators (i)

Weiss, Arnošt (i)

Weisshaus, Imre (Paul Arma) (i)

Weißmann, Adolf (i), (ii), (iii), (iv), (v)

Weissmann, Julius (i)

Weisz, Ferenc (i)

Wellesz, Egon

Achilles auf Skyros (Achilles on Skyros) (i)

Alkestis (i), (ii), (iii)

Anbruch (i)

anti-Romanticism (i)

art and ethics (i), (ii)

Die Bakchantinnen (i), (ii), (iii), (iv)

Brahms and Mahler (i), (ii)

Catholicism (i), (ii)

emigration (i), (ii), (iii), (iv), (v), (vi)

Festliches Präludium (i)

Idyllen (i)

Incognito (i), (ii)

Jewish response to neo-Romanticism (i)

Mirabile Mysterium (i)

Die Nächtlichen (Those of the Night) (i)

Opferung des Gefangenen (Sacrifice of the Prisoner) (i)

Persisches Ballet (Persian Ballet) (i)

‘Das Problem der Form’ (‘The Problem of Form’) (i)

Prosperos Beschwörungen (The Spells of Prospero) (i), (ii), (iii)

restitution after Hitler (i), (ii), (iii)

Scherz, List und Rache (i)

on Schreker (i), (ii), (iii)

serialism (i)

Symphonic Epilogue (i)

symphonies (i), (ii), (iii)

Vorfrühling (i)

Das Wunder der Diana (i)

Wellesz, Emmy (née Stross) (i), (ii), (iii), (iv)

Die Welt von Gestern (The World of Yesterday) (Zweig) (i), (ii), (iii)

Werfel, Franz (i)

Wertheimer, Max (i)

Werthner, Adolf (i)

What a Life! (internment-camp revue) (i)

What National Socialism Has Done to the Arts (Adorno) (i)

White, Eric Walter (i)

Who Paid the Piper (Saunders) (i)

Wieniawski, Henryk (i)

Wieniawski, Józef (i)

Wiesenthal, Bertha (i)

Wiesenthal, Else (i)

Wiesenthal, Grete (i)

Wikarski, Romuald (i)

Wilde Bühne (Savage Stage) cabaret (i)

Wilder, Billy (i)

Wilford, Hugh (i), (ii)

Wilhelm I (i), (ii), (iii)

Wilhelm II (i), (ii), (iii), (iv), (v)

William Tell Overture (Rossini) (i)

Willner, Arthur (i), (ii)

Wilson, Stewart (i)

Wilson, Woodrow (i)

Die Windsbraut (Zillig) (i)

Windt, Herbert (i)

A Winter's Tale (Heine) (i), (ii), (iii)

Die Wirtin von Pinsk (Mohaupt) (i)

‘Wissenschaft’ (science) (i)

Witkenberg, Wilhelm Pickl von (i), (ii)

Witrowsky, Otto (i)

Wittgenstein, Ludwig (i), (ii)

Wittgenstein, Paul (i), (ii), (iii)

Wlassack, Eduard (i)

Wohlzogen, Ernst von (i)

Wolf-Ferrari, Ermanno (i)

Wolfsthal, Josef (i)

Wolpe, Stefan (i)

Wolzogen, Ernst von (i), (ii), (iii), (iv)

The Wooden Prince (Bartók) (i)

Wood, Sir Henry (i)

The Word and Spiritual Realities (Das Wort und die geistigen Realitäten) (Ebner) (i)

The World of Yesterday (Zweig) (i), (ii), (iii)

World War I (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x)

Das Wort (i)

Wöss, Josef von (i)

Wozzeck (Berg) (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)

Das Wunder der Diana (Wellesz) (i)

Das Wunder der Heliane (Korngold) (i), (ii), (iii)

Yiddish language (i), (ii), (iii)

Zeisl, Erich (i), (ii), (iii), (iv)

Zeisl, Gertrude (i)

Zeitopern (i), (ii), (iii), (iv), (v), (vi), (vii)

Zeitschrift für Musik (i), (ii), (iii)

Zeitungsausschnitte (Newspaper Clippings) (Eisler) (i)

Zemlinsky, Alexander

anti-Romantics (i), (ii), (iii)

as arranger (i)

Austrian nationality (i)

Es war einmal (i), (ii)

Eine florentinische Tragödie (i), (ii)

Jewish emancipation (i)

Jewish response to neo-Romanticism (i)

Kleider machen Leute (i), (ii), (iii)

Der Kreidekreis (i), (ii), (iii)

Mahler and Korngold (i)

migration (i), (ii)

Schoenberg (i)

Die Seejungfrau (i), (ii), (iii)

Society of Creative Musicians (i), (ii), (iii)

Der Zwerg (i), (ii)

Zillig, Winfried (i), (ii)

Zimmermann, Bernd Alois (i)

Zimmermann, Wilhelm (i)

Zionism (i), (ii), (iii), (iv), (v)

Zipper, Herbert (i)

Zmigrod, Josef (Allan Gray) (i)

Zola, Émile (i), (ii)

Zuckerkandl, Berta (i), (ii), (iii), (iv)

Zuckerkandl, Viktor (i), (ii), (iii), (iv)

Zweig, Stefan (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)

Zwei Kravatten (Two Neckties) (Spoliansky) (i)

Der Zwerg (Zemlinsky) (i), (ii)