Brief Meditations on a Woodcut by Leonard Baskin

The one who never looks up, whose eyes are lidded
And balled, like Blake's . . .                                       

from Sylvia Plath's “Death & Co.”

I

We must be careful whom we choose

for inspiration or the muse

may turn upon us like an alien

that eats its victims from within

II

. . . eyes rolling inward see

round curve of skull the egg

the blank dome screen

with the nerves in pattern

like razorcuts over the bones

of those who yearned to be good

but never understood

their mothers husbands wives

whose lives boiling in loneliness

burned and sputtered against the wall

where the innocent and cruel line up

before the state's wrath the dogs of love

the invisible worm the mad

blind muse of Sylvia Plath . . .

III

Happy poems are hardest because

you come off like a dog wagging its tail

instead of a worried soul who reads

the papers and inhales the flaws:

the brutalization of the frail

starvation and pustulant disease

nature still red in tooth and claw

whipping us daily How weary, stale,

flat and unprofitable are these

hours days and years we stare across

And yet should we therefore fail

to see the young so very pleased

to be themselves? I say Praise without pause

a damaged world deserving our applause