Historical Periods, Romanization,
Names, Titles, and Illustrations
Major Historical Periods
Ancient | Beginnings to 784 |
Nara | 710–784 |
Heian | 794–1185 (1192) |
MEDIEVAL
Kamakura | 1185 (1192)–1333 |
Northern and Southern Courts | 1336–1392 |
Muromachi | 1392–1573 |
Warring States | 1477–1573 |
EARLY MODERN AND MODERN
Edo (Early Modern) | 1600–1867 |
Meiji | 1868–1912 |
Romanization
The romanization of both modern and classical Japanese words is based on the Hepburn system, giving the modern pronunciation as found in the Kōjien, 5th ed. (Tokyo: Iwanami shoten, 1999). The only exception is the rendering of the case particle as wo instead of o. The romanization of Chinese words follows the pinyin system without giving the tones.
Names
Personal names are given in the Japanese order: surname first, followed by the given or artistic name. After their first mention, artists and poets are often referred to by their artistic name or pen name. Thus Matsuo Bashō is referred to by his haikai name (haigō), Bashō, and not by his family name, Matsuo. Through the mid-Edo period, names often appear with “no” between the surname and the given name, as in Ki no Tsurayuki; this indicates “of,” as in Tsurayuki of the Ki clan or family. This usage has been retained.
Poetry Anthologies
All titles of poetry collections are given by their commonly used titles—leaving out the middle term waka (classical poetry)—rather than by their official titles. Thus the title Kokinshū is used instead of Kokinwakashū; Gosenshū, instead of Gosenwakashū; Shūishū, instead of Shūiwakashū; Senzaishū, instead of Senzaiwakashū; Shinkokinshū, instead of Shinkokinwakashū; Kokin rokujō, instead of Kokin waka rokujō; and so forth.
All references to poems in the first eight imperial waka anthologies (chokusen wakashū), from the Kokinshū to the Shinkokinshū, are to the editions in the Shin Nihon koten bungaku taikei series, published by Iwanami shoten (1990–2005), and all references to the Man’yōshū are to the Nihon koten bungaku zenshū series, edited by Kojima Noriyuki, Kinoshita Masatoshi, and Satake Akihiro and published by Shōgakukan (1971–1975). For details, see the Selected Bibliography of Primary and Secondary Sources in Japanese.
Illustrations
The illustrations serve two basic functions. Those in the early chapters, which cover the poetic and visual arts before the twelfth century, are intended to provide an idea of the flora and fauna portrayed in those arts, particularly those that are not familiar to Western audiences, as they were later envisioned. Because there is a very limited visual record of representations of nature before the medieval period, many of the images in the early chapters are from ukiyo-e of the Edo period. By contrast, in the later chapters, which cover the medieval and Edo periods, the figures were chosen to illustrate historical points and are treated as such.