OTHER SELECT TITLES IN THE SHORT CUTS SERIES
THE HORROR GENRE: FROM BEELZEBUB TO BLAIR WITCH Paul Wells
THE STAR SYSTEM: HOLLYWOOD’S PRODUCTION OF POPULAR IDENTITIES Paul McDonald
SCIENCE FICTION CINEMA: FROM OUTERSPACE TO CYBERSPACE Geoff King and Tanya Krzywinska
EARLY SOVIET CINEMA: INNOVATION, IDEOLOGY AND PROPAGANDA David Gillespie
READING HOLLYWOOD: SPACES AND MEANINGS IN AMERICAN FILM Deborah Thomas
DISASTER MOVIES: THE CINEMA OF CATASTROPHE Stephen Keane
THE WESTERN GENRE: FROM LORDSBURG TO BIG WHISKEY John Saunders
PSYCHOANALYSIS AND CINEMA: THE PLAY OF SHADOWS Vicky Lebeau
COSTUME AND CINEMA: DRESS CODES IN POPULAR FILM Sarah Street
MISE-EN-SCÈNE: FILM STYLE AND INTERPRETATION John Gibbs
NEW CHINESE CINEMA: CHALLENGING REPRESENTATIONS Sheila Cornelius with Ian Haydn Smith
ANIMATION: GENRE AND AUTHORSHIP Paul Wells
WOMEN’S CINEMA: THE CONTESTED SCREEN Alison Butler
BRITISH SOCIAL REALISM: FROM DOCUMENTARY TO BRIT GRIT Samantha Lay
FILM EDITING: THE ART OF THE EXPRESSIVE Valerie Orpen
AVANT-GARDE FILM: FORMS, THEMES AND PASSIONS Michael O’Pray
PRODUCTION DESIGN: ARCHITECTS OF THE SCREEN Jane Barnwell
NEW GERMAN CINEMA: IMAGES OF A GENERATION Julia Knight
EARLY CINEMA: FROM FACTORY GATE TO DREAM FACTORY Simon Popple and Joe Kember
MUSIC IN FILM: SOUNDTRACKS AND SYNERGY Pauline Reay
MELODRAMA: GENRE, STYLE, SENSIBILITY John Mercer and Martin Shingler
FEMINIST FILM STUDIES: WRITING THE WOMAN INTO CINEMA Janet McCabe
FILM PERFORMANCE: FROM ACHIEVEMENT TO APPRECIATION Andrew Klevan
NEW DIGITAL CINEMA: REINVENTING THE MOVING IMAGE Holly Willis
THE MUSICAL: RACE, GENDER AND PERFORMANCE Susan Smith
TEEN MOVIES: AMERICAN YOUTH ON SCREEN Timothy Shary
FILM NOIR: FROM BERLIN TO SIN CITY Mark Bould
DOCUMENTARY: THE MARGINS OF REALITY Paul Ward
THE NEW HOLLYWOOD: FROM BONNIE AND CLYDE TO STAR WARS Peter Krämer
ITALIAN NEO-REALISM: REBUILDING THE CINEMATIC CITY Mark Shiel
WAR CINEMA: HOLLYWOOD ON THE FRONT LINE Guy Westwell
FILM GENRE: FROM ICONOGRAPHY TO IDEOLOGY Barry Keith Grant
ROMANTIC COMEDY: BOY MEETS GIRL MEETS GENRE Tamar Jeffers McDonald
SPECTATORSHIP: THE POWER OF LOOKING ON Michele Aaron
SHAKESPEARE ON FILM: SUCH THINGS THAT DREAMS ARE MADE OF Carolyn Jess-Cooke
CRIME FILMS: INVESTIGATING THE SCENE Kirsten Moana Thompson
THE FRENCH NEW WAVE: A NEW LOOK Naomi Greene
CINEMA AND HISTORY: THE TELLING OF STORIES Mike Chopra-Gant
GERMAN EXPRESSIONIST CINEMA: THE WORLD OF LIGHT AND SHADOW Ian Roberts
FILM AND PHILOSOPHY: TAKING MOVIES SERIOUSLY Daniel Shaw
CONTEMPORARY BRITISH CINEMA: FROM HERITAGE TO HORROR James Leggott
RELIGION AND FILM: CINEMA AND THE RE-CREATION OF THE WORLD S. Brent Plate
FANTASY CINEMA: IMPOSSIBLE WORLDS ON SCREEN David Butler
FILM VIOLENCE: HISTORY, IDEOLOGY, GENRE James Kendrick
NEW KOREAN CINEMA: BREAKING THE WAVES Darcy Paquet
FILM AUTHORSHIP: AUTEURS AND OTHER MYTHS C. Paul Sellors
THE VAMPIRE FILM: UNDEAD CINEMA Jeffrey Weinstock
HERITAGE FILM: NATION, GENRE AND REPRESENTATION Belén Vidal
QUEER CINEMA: SCHOOLGIRLS, VAMPIRES AND GAY COWBOYS Barbara Mennel
ACTION MOVIES: THE CINEMA OF STRIKING BACK Harvey O’Brien
BOLLYWOOD: GODS, GLAMOUR AND GOSSIP Kush Varia
THE SPORTS FILM: GAMES PEOPLE PLAY Bruce Babington
THE HEIST FILM: STEALING WITH STYLE Daryl Lee
INTERNATIONAL POLITICS AND FILM: SPACE, VISON, POWER Sean Carter & Klaus Dodds
FILM THEORY: CREATING A FILM GRAMMAR Felicity Colman