BIBLIOGRAPHY
Anon. (2003) ‘The Top 50 Cult Movies’, Entertainment Weekly 711 (23 May): 26–38.
Ansen, David (1975) ‘Russ Meyer: Auteur of Sleaze’, The Real Paper 4 (30): 18–19.
Baumgarten, Marjorie (1995) ‘Faster, Pussycat! Kill! Kill!’, Austin Chronicle 9 June: 42–3.
Burn, Gordon (1996) ‘Rising Below Vulgarity’, Sight and Sound 6 (12): 14–16.
Clowes, Dan (1998) Like a Velvet Glove Cast in Iron. Seattle, WA: Fantagraphics.
Crane, Jonathan (2000) ‘A Lust for Life: The Cult Films of Russ Meyer’, in Graeme Harper and Xavier Mendik (eds) Unruly Pleasures: The Cult Film and its Critics. Guildford: FAB Press: 89–101.
Ebert, Roger (1973) ‘Russ Meyer: King of the Nudies,’ Film Comment 9 (1): 34–45.
____ (1985) ‘Russ Meyer Busts Sleazy Stereotypes,’ Chicago Sun-Times (15 November): 39–40.
____ (1995) ‘Faster Pussycat! Kill! Kill!’ Chicago Sun-Times (24 March), available at <http://www.rogerebert.com/reviews/faster-pussycat-kill-kill-1995> (accessed 30 September 2013).
Fiedler, Leslie (1961) ‘A Night with Mr. Teas’, Show 1 (1): 118–19.
Frasier, David K. (1990) Russ Meyer—The Life and Films. Jefferson, NC: McFarland.
Fromm, Erich (1955) The Sane Society. New York: Rinehart.
____ (1956) The Art of Loving. New York: Harper & Brothers.
Greene, Doyle (2004) Lips Hips Tits Power: The Films of Russ Meyer. London: Creation Books.
Hall, Edith (2004) ‘Why Greek Tragedy in the Late Twentieth Century?’, in Dionysus Since 69: Greek Tragedy at the Dawn of the Third Millenium. Oxford: Oxford University Press.
Harper, Graeme and Xavier Mendik (2000) ‘Several Theorists Ask “How Was it For You Honey?”; Or, Why the Academy Needs Cult Cinema and Its Fans’, Unruly Pleasures: The Cult Film and its Critics. Guildford: FAB Press.
Hoberman, J. (1987) ‘Offbeat Genre Flicks,’ Premiere 1 (1): 99.
Hoberman, J. and Jonathan Rosenbaum (1983) Midnight Movies. New York: Harper and Row.
Holden, Stephen (1995) ‘None of Them Shy, 3 Women on a Roll,’ New York Times C10 (13 January).
Hollows, Joanne (2003) ‘The Masculinity of Cult’, in Mark Jancovich, Antonio Lazaro-Reboll, Julian Stringer and Andrew Willis (eds) Defining Cult Movies: The Cultural Politics of Oppositional Taste. Manchester: Manchester University Press.
Isted, Marc (1992) ‘Go-Go Tura!!! Satana!!! The Pscyhotronic Interview!!!’, Psychotronic Video 12:36–42
Keeler, M. H. (1960) ‘An Unusual Perversion: The Desire to Be Injured By an Automobile Operated By a Woman’, American Journal of Psychiatry 116:1032.
Kerouac, Jack (1957) On the Road. New York: Viking.
Knickerbocker, Paine (1961) ‘He Scorns Nudity Bare of Humor’, San Francisco Chronicle (7 July): 32.
Luckett, Moya (2003) ‘Sexploitation as Feminine Territory: The Films of Doris Wishman’, in Mark Jancovich, Antonio Lazaro-Reboll, Julian Stringer and Andrew Willis (eds) Defining Cult Movies: The Cultural Politics of Oppositional Taste. Manchester: Manchester University Press.
McDonough, Jimmy (2005) Big Bosoms and Square Jaws: The Biography of Russ Meyer, King of the Sex Film. New York: Crown.
Medved, Michael and Harry Medved (1980) The Golden Turkey Award. New York: Putnam.
Meyer, Russ (1979) ‘The Low-Budget Producer’, in A. William Bluem and Jason E. Squire (eds) The Movie Business: American Film Industry Practice. New York: Hastings House: 179–82.
____ (2000) A Clean Breast: The Lives and Loves of Russ Meyer. Hollywood, CA: Hauck.
Morris, Gary (1996) ‘Faster Pussycat, Kill! Kill!’ Bright Lights Film Journal 16, available at http://brightlightsfilm.com/16/pcat.php#.UlTNWyjpZUQ> (accessed 30 September 2013).
Morton, Jim (1986) ‘Russ Meyer’, Incredibly Strange Films 10:76–88.
Murphy, Arthur D. (1966) ‘Faster, Pussycat, Kill! Kill!’ (review), Variety 241 (12): 6.
Nietzche, Friedrich (1994 [1872]) The Birth of Tragedy: Out of the Spirit of Music. New York: Penguin.
Patterson, Troy (1998) ‘Further Sexploits’, Entertainment Weekly 450 (19 September): 90–91.
Peary, Danny (1981) Cult Movies. New York: Delta.
____ (1986) Guide of the Film Fanatic. New York: Simon and Schuster.
____ (1988) Cult Movies 3. New York: Simon and Schuster.
Rich, B. Ruby (1995), ‘What’s New, Pussycat?’, Village Voice 40 (3): 56.
Schaeffer, Eric (2007) ‘Pandering to the “Goon Trade”: Framing the Sexploitation Audience through Advertising’, in Jeffrey Sconce (ed.) Sleaze Artists. Durham, NC: Duke University Press: 19–46.
Savastakis, Michael (2006) Narrative Voices in Russ Meyer’s Films: A Cacophony of Carnality. Lewiston, NY: Edwin Mellen Press.
Schechner, Richard and the Performance Group (1969) Dionysus in ‘69. New York: Farrar, Strauss and Giroux.
Teicholz, Tom (1986) ‘Movies: Tit for Tat: Russ Meyer’, Interview 16 (1): 70–3.
Thomas, Kevin (1966) ‘Sadism Rampant in Double Bill’, Los Angeles Times IV: 11.
Warshow, Robert (1962) The Immediate Experience: Movies, Comics, Theatre and Other Aspects of Popular Culture. Garden City, NY: Doubleday.
Wasserman, John L. (1966) ‘Meyer’s Amateurs: Two Films But One Thought’, San Francisco Chronicle: 41.
Waters, John (1981) Shock Value. New York: Dell.
Weldon, Michael J. (1983) Psychotronic Encyclopedia of Film. New York: Ballantine.
____ (1996) Psychotronic Video Guide. New York: St. Martin’s Press.
____ (1989) ‘Welcome to the First Issue of Psychotronic Video’, Psychotronic Video 1:2.
Witcombe, Rick Trader (1975) Savage Cinema. New York: Bounty Books.
Woods, Paul A. (2004) The Very Breast of Russ Meyer. London: Plexus.