IN 1985 I found myself out of work, which was very unusual for me. However, around that time I began once again to have a burning desire to write my story of growing up in Artane Industrial School. But the big problem for me was I had no idea how to write a book even though I had great faith in myself that I would be able to do it.
I remember unloading the car and saying to myself, ‘I’ll have the script written by Christmas if I get stuck into it, and write at least ten pages per day, five days a week,’ as on Saturdays and Sundays I was involved in soccer as a referee. Things were going along so well at last I could see the wood for the trees. The story was really taking shape and it was ringing true. The characters were really touchable and human, unlike in all my previous scripts. I began to enjoy the whole experience of writing for myself; to tell a story that I believed had to be told.
One day, when I was busy working on my story, my daughter Paula came in with a letter addressed to me that had just arrived in the post. I opened it immediately, Pauline reading it over my shoulder. It was an invitation to attend an interview at the Beaumont Hospital, which had just opened. It was a temporary position as a ward attendant; it wasn’t something that I had any experience in, but still, it was a job.
Paula asked me if I would take it if it were offered to me. Pauline drew closer to me to encourage me. ‘Go for it, Pat. It could be a great help to you, you know.’
I looked up at her: she was smiling. The late August sun was strong that afternoon and Paula’s long red hair glowed. She was only fourteen, but wiser than her years and very studious. ‘You’re not going for another temporary job again are you? You will never finish that story if you keep taking on Mickey Mouse jobs. Someone out there might beat you to it, then your story will be useless.’
My heart sank, but Paula was right. Thoughts of someone else getting a book published on Artane before my own was finished drove me to get on with it.
However, Pauline was keen I went for the position, and I decided that August day to go for the interview. The fact was, I needed to work, as much for my own sense of self-worth as for the money, but I knew I could and would write my story even if I had to remain up until the early hours every morning.
That Friday I went to the Beaumont Hospital for an interview. I was shown to a small, drab office where I was asked to fill in a form while I waited for my interview. Name, address, phone number – that was easy. I paused when it asked my date of birth and where I was born. Was it the city centre, Dominick Street or perhaps in Westland Row? I smiled as I put down ‘City Centre’. I had to pause again as I came to the next question. Father’s name? Mother’s maiden name? Even though it had been almost forty years since I went to Artane, still the facts of my birth came back to haunt me. I was sure that it was all a cod, and I would not be employed, not even temporarily.
I was interviewed by a well-rounded Matron who wore a nice smile. She spoke awfully grand, ‘How do you do, I’m the sister in charge of Adams O’Connell,’ and after that I became lost in a world which was far removed from that from which I had just come.
I was not at all sure where I stood. Suddenly she got down to brass tacks, and I was relieved, but mostly surprised. ‘Are you available to start work on Monday, Patrick? I hope you are not the squeamish type, as you will be required to help the nurses on the wards with bathing, dressing and lifting the patients.’
She reminded me of Bridget Doyle in Barnacullia.
As I drove home I was in two minds. My daughter’s words came hammering at me: ‘You’ll never ever complete the script, Dad, if you take a Mickey Mouse job.’ I felt like turning the car around and telling them to find someone else. But the other side of me would not let me do that. The work ethic that the Christian Brothers beat into me became my strength that made me determined to work hard and to aim for success.
I believe that the time that I worked in the neurosurgical ward of the new Beaumont Hospital certainly helped me a great deal. Each evening as I sat down to write, often writing until two in the morning, the flow began to come and I began to write not fully knowing where to stop. I began to believe in myself at last. I felt inspired by working with the sick; I was glad to be able to help them.
Many patients I worked with had undergone brain surgery, and it was part of my duties to help the nurses feed these patients, to wash, shave and shower them. There was many an occasion when I very much had to take a deep breath and grin and bear it. It was often very difficult to see these pour souls suffering, but I tried my hardest to help the nurses make them comfortable. It was a whole new experience for me.
Nevertheless it was a huge relief to get home from the hospital and sit down to write. The will to succeed was extremely strong within me, and in fact the hospital work was very therapeutic. Soon I was beginning to see my story taking shape.
As I was writing by hand it was slow progress and after many drafts decided it was time to look for a typist and make a start in getting the first few chapters typed up. Yet I couldn’t come up with the right name. ‘Artane – the True Story’ didn’t quite get across what my story was about. My search for a more powerful and imaginative title began as there is so much in a name.
One late October evening, tired from writing, I decided to meander out by the sea, determined to return with the new exciting title. My mind went to work as I strolled by the railway line. As I came towards the bridge I could see the tall trees silhouetted against the late autumn sky and, nestling behind them, the grey stone beauty of Saint George’s church close to the railway line. Its tall spire has become a famous landmark pointing to the heavens.
Arriving home that night I still hadn’t come up with the right title. I wrote down a list of all the titles I had thought up. All of them began with the word ‘Fear’. And as I went through the list with my family after tea that night, ‘Fear of the Collar’ was the only one that everyone liked.
But even though I finally had the right title, I suddenly realised that evening how behind I was with my education. I had given my children everything that I lacked. They were so far ahead of me in modern life and learning. They studied Shakespeare and Arthur Miller at school; my days were filled with hard labour, prayer and punishment. I was proud of them, but daunted with the writing process ahead of me.
While I was writing Fear of the Collar my nightmares came back and I was talking in my sleep. This was clearly linked to the writing process, and reliving memories that I had tried to suppress for years. I found it was a most difficult task, to sit down until two or three in the morning, tearing up much of what I’d written on previous occasions, to replace it with better material. The shadow of Artane School, and its harsh military-style system, took over my whole mind, body and soul. I’d go to bed exhausted and within moments I’d enter my dark childhood back in Artane.
I was having some awful dreams of the Apeman beating dozens of us boys, all naked and lined up with our hands joined as though we were praying for mercy. For some unknown reason I’d wake up when my turn came to be flogged by the Christian Brothers. I was often writing about Driller the Killer on duty in the shower rooms. Once I dreamt that I was Driller the Killer. I marched the seventh and eighth division, all naked, from the snow-covered parade ground. I was standing on a wooden platform shouting, ‘Left, left, lift them up, left right left.’ As I marched the two naked divisions into the showers, we met up with the Artane band marching out, playing the ‘Bold Fenian Men’. The boys got so excited I began to flog each one of them while the band kept on playing. I woke drenched in perspiration.
‘You’ve been at it again, Pat,’ said a smiling Pauline.
I felt embarrassed. ‘What do you mean?’
‘Shouting orders in your sleep. I was one of your dirty pups and you actually ordered me to bend over and touch me toes. And I had to take off my night-shirt. Imagine that now.’
‘What did you do?’ I was in fits laughing.
‘It’s a good job it was for boys only.’ Her smile was so radiant, and always tempting . . .
Writing Fear of the Collar was in a real sense having to relive my eight years all over again. The fact that I was dreaming and talking in my sleep simply confirmed to me that I was telling the real facts. But I made the decision not to reveal the full horrors of the systematic sexual and physical abuse I suffered inside. I wanted to save my wife and our three young children the embarrassment I believed it would cause them.
That decision I made back then turned out to be the correct one for all of us in the family, particularly the children. Furthermore, whenever I made an effort to describe in detail the form or methods employed by the Christian Brothers who performed such acts of sexual and physical abuse on us, it was indeed way beyond my station back then. As it was, I was finding it a very difficult task to write down the basics and to get my story told. As I write this at the end of 2007 I find it is less stressful.
It took me four years to write Fear of the Collar, and while I was worried about another ex-Artaner telling his story before me, I was anxious to get the facts straight. When I felt that my story was ready to go into the world, I started to approach Irish publishers. I anxiously awaited the postman, fearful of rejection, though at the same time realising that many successful authors had been rejected more than once before they had their work accepted.
I will never forget that evening in November 1990 when I contacted O’Brien Press. I was amazed to hear that the editor had been meaning to contact me about it, and although there were a few other publishers interested, I thought I had found the right one in O’Brien Press.
When I set out to write my story I did so for a few particular reasons. One was that I believed I had a good story to tell, which I knew had to be told. I had prayed to God that I would be the one to tell it. I was of the opinion that it needed to be told and in a balanced way, and that I was the one to tell it. I’m so glad I’m still writing to this very day. ’Tis hard to believe it really, particularly with my lack of education. As I look back to the beginning, in 1985 to 1989, Pauline was always there to give me encouragement and help. I was blessed I had such a beautiful and devoted wife, as Pauline was, to be there for me. As it was such a very difficult story for me to explain in great detail I doubt I’d have made it without her. She was my light and she gave me hope, and the will to succeed in revealing the dark secret of my stolen childhood. Pauline was as surprised as anyone on hearing of my secret past.