Contents

Cover

Title Page

Dedication

Acknowledgments

Preface: Novel Possibilities, or All Animals Aren’t Pigs?

Introduction: Once Upon a Time: A Short, Chaotic, and Entirely Idiosyncratic History of the Novel

1 Pickup Lines and Open(ing) Seductions, or Why Novels Have First Pages

2 You Can’t Breathe Where the Air Is Clear

3 Who’s in Charge Here?

4 Never Trust a Narrator with a Speaking Part

5 A Still, Small Voice (or a Great, Galumphing One)

6 Men (and Women) Made out of Words, or My Pip Ain’t Like Your Pip

7 When Very Bad People Happen to Good Novels

8 Wrinkles in Time, or Chapters Just Might Matter

9 Everywhere Is Just One Place

10 Clarissa’s Flowers

11 Met-him-pike-hoses

12 Life Sentences

13 Drowning in the Stream of Consciousness

14 The Light on Daisy’s Dock

15 Fiction About Fiction

16 Source Codes and Recycle Bins

Interlude: Read with Your Ears

17 Improbabilities: Foundlings and Magi, Colonels and Boy Wizards

18 What’s the Big Idea—or Even the Small One?

19 Who Broke My Novel?

20 Untidy Endings

21 History in the Novel/The Novel in History

22 Conspiracy Theory

Conclusion: The Never-Ending Journey

Reading List: Criticism of the Novel

Imprint