January 7, 1891 |
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Born in Eatonville, Florida, the fifth of eight children, to John Hurston, a carpenter and Baptist preacher, and Lucy Potts Hurston, a former schoolteacher. |
September 1917-June 1918 |
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Attends Morgan Academy in Baltimore, completing the high school requirements. |
Summer 1918 |
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Works as a waitress in a nightclub and a manicurist in a black-owned barbershop that serves only whites. |
1918-19 |
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Attends Howard Prep School, Washington, D.C. |
1919-24 |
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Attends Howard University; receives an associate degree in 1920. |
1921 |
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Publishes her first story, “John Redding Goes to Sea,” in the Stylus, the campus literary society’s magazine. |
December 1924 |
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Publishes “Drenched in Light,” a short story, in Opportunity. |
1925 |
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Submits a story, “Spunk,” and a play, Color Struck, to Opportunity’s literary contest. Both win second-place awards; publishes “Spunk” in the June number. |
1925-27 |
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Attends Barnard College, studying anthropology with Franz Boas. |
1926 |
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Begins field work for Boas in Harlem. |
January 1926 |
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Publishes “John Redding Goes to Sea” in Opportunity. |
Summer 1926 |
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Organizes Fire! with Langston Hughes and Wallace Thurman; they publish only one issue, in November 1926. The issue includes Hurston’s “Sweat.” |
August 1926 |
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Publishes “Muttsy” in Opportunity. |
September 1926 |
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Publishes “Possum or Pig” in the Forum. |
September-November 1926 |
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Publishes “The Eatonville Anthology” in the Messenger. |
1927 |
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Publishes The First One, a play, in Charles S. Johnson’s Ebony and Topaz. |
February 1927 |
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Goes to Florida to collect folklore. |
May 19, 1927 |
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Marries Herbert Sheen. |
September 1927 |
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First visits Mrs. Rufus Osgood Mason, seeking patronage. |
October 1927 |
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Publishes an account of the black settlement at St. Augustine, Florida, in the Journal of Negro History; also in this issue: “Cudjo’s Own Story of the Last African Slaver.” |
December 1927 |
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Signs a contract with Mason, enabling her to return to the South to collect folklore. |
1928 |
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Satirized as “Sweetie Mae Carr” in Wallace Thurman’s novel about the Harlem Renaissance Infants of the Spring; receives a bachelor of arts degree from Barnard. |
January 1928 |
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Relations with Sheen break off. |
May 1928 |
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Publishes “How It Feels to Be Colored Me” in the World Tomorrow. |
1930-32 |
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Organizes the field notes that become Mules and Men. |
May-June 1930 |
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Works on the play Mule Bone with Langston Hughes. |
1931 |
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Publishes “Hoodoo in America” in the Journal of American Folklore. |
February 1931 |
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Breaks with Langston Hughes over the authorship of Mule Bone. |
July 7, 1931 |
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Divorces Sheen. |
September 1931 |
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Writes for a theatrical revue called Fast and Furious. |
January 1932 |
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Writes and stages a theatrical revue called The Great Day, first performed on January 10 on Broadway at the John Golden Theatre; works with the creative literature department of Rollins College, Winter Park, Florida, to produce a concert program of Negro music. |
1933 |
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Writes “The Fiery Chariot.” |
January 1933 |
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Stages From Sun to Sun (a version of Great Day) at Rollins College. |
August 1933 |
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Publishes “The Gilded Six-Bits” in Story. |
1934 |
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Publishes six essays in Nancy Cunard’s anthology, Negro. |
January 1934 |
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Goes to Bethune-Cookman College to establish a school of dramatic arts “based on pure Negro expression.” |
May 1934 |
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Publishes Jonah’s Gourd Vine, originally titled Big Nigger; it is a Book-of-the-Month Club selection. |
September 1934 |
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Publishes “The Fire and the Cloud” in the Challenge. |
November 1934 |
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Singing Steel (a version of Great Day) performed in Chicago. |
January 1935 |
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Makes an abortive attempt to study for a Ph.D in anthropology at Columbia University on a fellowship from the Rosenwald Foundation. In fact, she seldom attends classes. |
August 1935 |
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Joins the WPA Federal Theatre Project as a “dramatic coach.” |
October 1935 |
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Mules and Men published. |
March 1936 |
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Awarded a Guggenheim Fellowship to study West Indian Obeah practices. |
April-September 1936 |
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In Jamaica. |
September-March 1937 |
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In Haiti; writes Their Eyes Were Watching God in seven weeks. |
May 1937 |
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Returns to Haiti on a renewed Guggenheim. |
September 1937 |
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Returns to the United States; Their Eyes Were Watching God published, September 18. |
February-March 1938 |
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Writes Tell My Horse; it is published the same year. |
April 1938 |
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Joins the Federal Writers Project in Florida to work on The Florida Negro. |
1939 |
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Publishes “Now Take Noses” in Cordially Yours. |
June 1939 |
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Receives an honorary Doctor of Letters degree from Morgan State College. |
June 27, 1939 |
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Marries Albert Price III in Florida. |
Summer 1939 |
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Hired as a drama instructor by North Carolina College for Negroes at Durham; meets Paul Green, professor of drama, at the University of North Carolina. |
November 1939 |
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Moses, Man of the Mountain published. |
February 1940 |
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Files for divorce from Price, though the two are reconciled briefly. |
Summer 1940 |
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Makes a folklore-collecting trip to South Carolina. |
Spring-July 1941 |
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Writes Dust Tracks on a Road. |
July 1941 |
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Publishes “Cock Robin, Beale Street” in the Southern Literary Messenger. |
October 1941-January 1942 |
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Works as a story consultant at Paramount Pictures. |
July 1942 |
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Publishes “Story in Harlem Slang” in the American Mercury. |
September 5, 1942 |
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Publishes a profile of Lawrence Silas in the Saturday Evening Post. |
November 1942 |
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Dust Tracks on a Road published. |
February 1943 |
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Awarded the Anisfield-Wolf Book Award in Race Relations for Dust Tracks; on the cover of the Saturday Review. |
March 1943 |
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Receives Howard University’s Distinguished Alumni Award. |
May 1943 |
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Publishes “The ‘Pet Negro’ Syndrome” in the American Mercury. |
November 1943 |
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Divorce from Price granted. |
June 1944 |
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Publishes “My Most Humiliating Jim Crow Experience” in the Negro Digest. |
1945 |
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Writes Mrs. Doctor; it is rejected by Lippincott. |
March 1945 |
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Publishes “The Rise of the Begging Joints” in the American Mercury. |
December 1945 |
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Publishes “Crazy for This Democracy” in the Negro Digest. |
1947 |
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Publishes a review of Robert Tallant’s Voodoo in New Orleans in the Journal of American Folklore. |
May 1947 |
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Goes to British Honduras to research black communities in Central America; writes Seraph on the Suwanee; stays in Honduras until March 1948. |
September 1948 |
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Falsely accused of molesting a ten-year-old boy and arrested; case finally dismissed in March 1949. |
October 1948 |
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Seraph on the Suwanee published. |
March 1950 |
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Publishes “Conscience of the Court” in the Saturday Evening Post, while working as a maid in Rivo Island, Florida. |
April 1950 |
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Publishes “What White Publishers Won’t Print” in the Saturday Evening Post. |
November 1950 |
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Publishes “I Saw Negro Votes Peddled” in the American Legion magazine. |
Winter 1950-51 |
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Moves to Belle Glade, Florida. |
June 1951 |
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Publishes “Why the Negro Won’t Buy Communism” in the American Legion magazine. |
December 8, 1951 |
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Publishes “A Negro Voter Sizes Up Taft” in the Saturday Evening Post. |
1952 |
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Hired by the Pittsburgh Courier to cover the Ruby McCollum case. |
May 1956 |
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Receives an award for “education and human relations” at Bethune-Cookman College. |
June 1956 |
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Works as a librarian at Patrick Air Force Base in Florida; fired in 1957. |
1957-59 |
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Writes a column on “Hoodoo and Black Magic” for the Fort Pierce Chronicle. |
1958 |
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Works as a substitute teacher at Lincoln Park Academy, Fort Pierce. |
Early 1959 |
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Suffers a stroke. |
October 1959 |
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Forced to enter the St. Lucie County Welfare Home. |
January 28, 1960 |
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Dies in the St. Lucie County Welfare Home of “hypertensive heart disease”; buried in an unmarked grave in the Garden of Heavenly Rest, Fort Pierce. |
August 1973 |
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Alice Walker discovers and marks Hurston’s grave. |
March 1975 |
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Walker publishes “In Search of Zora Neale Hurston,” in Ms., launching a Hurston revival. |