CHRONOLOGY


January 7, 1891

 

Born in Eatonville, Florida, the fifth of eight children, to John Hurston, a carpenter and Baptist preacher, and Lucy Potts Hurston, a former schoolteacher.

September 1917-June 1918

 

Attends Morgan Academy in Baltimore, completing the high school requirements.

Summer 1918

 

Works as a waitress in a nightclub and a manicurist in a black-owned barbershop that serves only whites.

1918-19

 

Attends Howard Prep School, Washington, D.C.

1919-24

 

Attends Howard University; receives an associate degree in 1920.

1921

 

Publishes her first story, “John Redding Goes to Sea,” in the Stylus, the campus literary society’s magazine.

December 1924

 

Publishes “Drenched in Light,” a short story, in Opportunity.

1925

 

Submits a story, “Spunk,” and a play, Color Struck, to Opportunity’s literary contest. Both win second-place awards; publishes “Spunk” in the June number.

1925-27

 

Attends Barnard College, studying anthropology with Franz Boas.

1926

 

Begins field work for Boas in Harlem.

January 1926

 

Publishes “John Redding Goes to Sea” in Opportunity.

Summer 1926

 

Organizes Fire! with Langston Hughes and Wallace Thurman; they publish only one issue, in November 1926. The issue includes Hurston’s “Sweat.”

August 1926

 

Publishes “Muttsy” in Opportunity.

September 1926

 

Publishes “Possum or Pig” in the Forum.

September-November 1926

 

Publishes “The Eatonville Anthology” in the Messenger.

1927

 

Publishes The First One, a play, in Charles S. Johnson’s Ebony and Topaz.

February 1927

 

Goes to Florida to collect folklore.

May 19, 1927

 

Marries Herbert Sheen.

September 1927

 

First visits Mrs. Rufus Osgood Mason, seeking patronage.

October 1927

 

Publishes an account of the black settlement at St. Augustine, Florida, in the Journal of Negro History; also in this issue: “Cudjo’s Own Story of the Last African Slaver.”

December 1927

 

Signs a contract with Mason, enabling her to return to the South to collect folklore.

1928

 

Satirized as “Sweetie Mae Carr” in Wallace Thurman’s novel about the Harlem Renaissance Infants of the Spring; receives a bachelor of arts degree from Barnard.

January 1928

 

Relations with Sheen break off.

May 1928

 

Publishes “How It Feels to Be Colored Me” in the World Tomorrow.

1930-32

 

Organizes the field notes that become Mules and Men.

May-June 1930

 

Works on the play Mule Bone with Langston Hughes.

1931

 

Publishes “Hoodoo in America” in the Journal of American Folklore.

February 1931

 

Breaks with Langston Hughes over the authorship of Mule Bone.

July 7, 1931

 

Divorces Sheen.

September 1931

 

Writes for a theatrical revue called Fast and Furious.

January 1932

 

Writes and stages a theatrical revue called The Great Day, first performed on January 10 on Broadway at the John Golden Theatre; works with the creative literature department of Rollins College, Winter Park, Florida, to produce a concert program of Negro music.

1933

 

Writes “The Fiery Chariot.”

January 1933

 

Stages From Sun to Sun (a version of Great Day) at Rollins College.

August 1933

 

Publishes “The Gilded Six-Bits” in Story.

1934

 

Publishes six essays in Nancy Cunard’s anthology, Negro.

January 1934

 

Goes to Bethune-Cookman College to establish a school of dramatic arts “based on pure Negro expression.”

May 1934

 

Publishes Jonah’s Gourd Vine, originally titled Big Nigger; it is a Book-of-the-Month Club selection.

September 1934

 

Publishes “The Fire and the Cloud” in the Challenge.

November 1934

 

Singing Steel (a version of Great Day) performed in Chicago.

January 1935

 

Makes an abortive attempt to study for a Ph.D in anthropology at Columbia University on a fellowship from the Rosenwald Foundation. In fact, she seldom attends classes.

August 1935

 

Joins the WPA Federal Theatre Project as a “dramatic coach.”

October 1935

 

Mules and Men published.

March 1936

 

Awarded a Guggenheim Fellowship to study West Indian Obeah practices.

April-September 1936

 

In Jamaica.

September-March 1937

 

In Haiti; writes Their Eyes Were Watching God in seven weeks.

May 1937

 

Returns to Haiti on a renewed Guggenheim.

September 1937

 

Returns to the United States; Their Eyes Were Watching God published, September 18.

February-March 1938

 

Writes Tell My Horse; it is published the same year.

April 1938

 

Joins the Federal Writers Project in Florida to work on The Florida Negro.

1939

 

Publishes “Now Take Noses” in Cordially Yours.

June 1939

 

Receives an honorary Doctor of Letters degree from Morgan State College.

June 27, 1939

 

Marries Albert Price III in Florida.

Summer 1939

 

Hired as a drama instructor by North Carolina College for Negroes at Durham; meets Paul Green, professor of drama, at the University of North Carolina.

November 1939

 

Moses, Man of the Mountain published.

February 1940

 

Files for divorce from Price, though the two are reconciled briefly.

Summer 1940

 

Makes a folklore-collecting trip to South Carolina.

Spring-July 1941

 

Writes Dust Tracks on a Road.

July 1941

 

Publishes “Cock Robin, Beale Street” in the Southern Literary Messenger.

October 1941-January 1942

 

Works as a story consultant at Paramount Pictures.

July 1942

 

Publishes “Story in Harlem Slang” in the American Mercury.

September 5, 1942

 

Publishes a profile of Lawrence Silas in the Saturday Evening Post.

November 1942

 

Dust Tracks on a Road published.

February 1943

 

Awarded the Anisfield-Wolf Book Award in Race Relations for Dust Tracks; on the cover of the Saturday Review.

March 1943

 

Receives Howard University’s Distinguished Alumni Award.

May 1943

 

Publishes “The ‘Pet Negro’ Syndrome” in the American Mercury.

November 1943

 

Divorce from Price granted.

June 1944

 

Publishes “My Most Humiliating Jim Crow Experience” in the Negro Digest.

1945

 

Writes Mrs. Doctor; it is rejected by Lippincott.

March 1945

 

Publishes “The Rise of the Begging Joints” in the American Mercury.

December 1945

 

Publishes “Crazy for This Democracy” in the Negro Digest.

1947

 

Publishes a review of Robert Tallant’s Voodoo in New Orleans in the Journal of American Folklore.

May 1947

 

Goes to British Honduras to research black communities in Central America; writes Seraph on the Suwanee; stays in Honduras until March 1948.

September 1948

 

Falsely accused of molesting a ten-year-old boy and arrested; case finally dismissed in March 1949.

October 1948

 

Seraph on the Suwanee published.

March 1950

 

Publishes “Conscience of the Court” in the Saturday Evening Post, while working as a maid in Rivo Island, Florida.

April 1950

 

Publishes “What White Publishers Won’t Print” in the Saturday Evening Post.

November 1950

 

Publishes “I Saw Negro Votes Peddled” in the American Legion magazine.

Winter 1950-51

 

Moves to Belle Glade, Florida.

June 1951

 

Publishes “Why the Negro Won’t Buy Communism” in the American Legion magazine.

December 8, 1951

 

Publishes “A Negro Voter Sizes Up Taft” in the Saturday Evening Post.

1952

 

Hired by the Pittsburgh Courier to cover the Ruby McCollum case.

May 1956

 

Receives an award for “education and human relations” at Bethune-Cookman College.

June 1956

 

Works as a librarian at Patrick Air Force Base in Florida; fired in 1957.

1957-59

 

Writes a column on “Hoodoo and Black Magic” for the Fort Pierce Chronicle.

1958

 

Works as a substitute teacher at Lincoln Park Academy, Fort Pierce.

Early 1959

 

Suffers a stroke.

October 1959

 

Forced to enter the St. Lucie County Welfare Home.

January 28, 1960

 

Dies in the St. Lucie County Welfare Home of “hypertensive heart disease”; buried in an unmarked grave in the Garden of Heavenly Rest, Fort Pierce.

August 1973

 

Alice Walker discovers and marks Hurston’s grave.

March 1975

 

Walker publishes “In Search of Zora Neale Hurston,” in Ms., launching a Hurston revival.