Image

16. The gold triple solidus of Theoderic (493–526). It identifies him as REX, King, ‘PIUS PRINC(EPS) I(NVICTUS) S(EMPER)’ (pious ruler, forever invincible). In his left hand he holds the orb topped with a symbol of winged victory that presents a victory wreath to him. His hairstyle and moustache are Gothic; his costume, and jewelled fibula and symbols are entirely imperial.

Image

17. Theoderic’s Mausoleum, just beyond the walls of Ravenna, constructed before his death in 526.

Image

18 and 19. (Left) Gold tremissis (one third solidus) of DN Romulus Augustus PF AVG, minted at Ravenna in 476. (Right) Gold tremissis minted by Odoacer at Ravenna in the name of the Emperor Zeno between 476 and 491 (DN ZENO PERPI(tuus) AVG(ustus)).

Image

20 and 21. (Left) Silver quarter siliqua of the young King Athalaric (526–34), minted in Ravenna in the name of Emperor Justinian. (Right) Bronze coin of King Theodahad (535–6), (DN THEODAHATUS REX), also minted in Ravenna.

Image

22 and 23. (Left) Silver half siliqua of King Baduila/Totila (549–552), minted in Pavia. (Right) Silver half siliqua of King Witigis (536–40), minted in Ravenna.

Image

24. Folio 99r of the sixth-century Gothic Bible made in Ravenna, with gold and silver lettering on purple dyed parchment, showing the text of part of Christ’s debate with the Pharisees (John 8, 34–40). The arcades below the text provide corresponding passages from the Gospels of Luke, Mark and Matthew in the form of canon tables.

Image

25. The Annals of Ravenna. One half page of a manuscript, with entries for the years from 412, including the display of the head of the usurper Constantine III on a pole (top left) and a monster emerging from the earth representing an earthquake (bottom right). Deaths are indicated by shrouded corpses.

Image

26. The other side of the same fragment, with Theodosius II (the emperor seated on a globe) promoting Aetius to the dignity of patricius in 435 (top left) and entries for 436 and 437; another earthquake (centre); a siege of Aquileia (top right) and the deaths of two individuals (bottom right).

Image

27. Capital from a dismantled Gothic church, with the monogram of Theoderic at the centre, re-used at the Venetian loggia on the Piazza del Popolo, Ravenna.

Image

28. A Ravenna penny, a sixth-century bronze coin of 10 nummi, minted in Ravenna, with (left) a turreted woman representing the city, identified as FELIX RAVENNA, and (right) a monogram R(avenna) F(elix) surrounded by a wreath.

Image

29. Lead pipe stamped with the inscription, ‘Our Lord King Theodericus restored [it] to the city’; part of Theoderic’s repair to the aqueduct and water channels (493–526).

Image

Image

30 and 31. San Vitale, Ravenna (526–40). (Above) The exterior from the west, showing its octagonal form, and (below) the apse mosaic, a detail of Bishop Ecclesius presenting the domed church of San Vitale to Christ.

Image

32. (Opposite) The apse of San Vitale, with Christ seated on a globe flanked by angels. The two famous imperial panels (37 and 38) are immediately below to either side. The central medallion in the dome displays the lamb of God, supported by four angels, and floral garlands with animals and birds.

Image

33. Impost block with the monogram of Bishop Victor (537–44) above a capital imported from Constantinople, on the ground floor of San Vitale.

Image

34. A sarcophagus lid inscribed with Exarch Isaac’s Greek epitaph, commissioned by his widow Susanna in 643.

Image

35. Early Christian sarcophagus with the Three Kings presenting their gifts to the Virgin and Child, re-used for the burial of Exarch Isaac in San Vitale.