SELECTED BIBLIOGRAPHY
WORKS BY CARLOS FUENTES
Agua quemada. Mexico City: Fondo de Cultura Económica, 1981. [English edition, Burnt Water. New York: Farrar, Straus, and Giroux, 1980.]
Aura. Mexico City: Era, 1962. [English edition, New York: Farrar, Straus, and Giroux, 1968.]
Las buenas conciencias. Mexico City: Fondo de Cultura Económica, 1959. [English edition, The Good Conscience. New York: Obolensky, 1961.]
La cabeza de la hidra. Barcelona: Argos, 1978. [English edition, The Hydra Head. New York: Farrar, Straus, and Giroux, 1978.]
Cambio de piel. Mexico City: Joaquín Mortiz, 1967. [English edition, A Change of Skin. New York: Farrar, Straus, and Giroux, 1968.]
La campaña. Madrid: Mondadori, 1990. [English edition, The Campaign. New York: Farrar, Straus, and Giroux, 1991.]
Cantar de ciegos. Mexico City: Joaquín Mortiz, 1964. [Some stories appeared in Burnt Water.]
Casa con dos puertas. Mexico City: Joaquín Mortiz, 1970.
Cervantes o la crítica de la lectura. Mexico City: Joaquín Mortiz, 1976. [English edition, Don Quixote or the Critique of Reading. Austin: Institute of Latin American Studies, 1976.]
Constancia y otras novelas para vírgenes. Mexico City: Fondo de Cultura Económica, 1990. [English edition, Constancia and Other Stories for Virgins. New York: Farrar, Straus, and Giroux, 1990.]
Cristóbal nonato. Mexico City: Fondo de Cultura Económica, 1987. [English edition, Christopher Unborn. New York: Farrar, Straus, and Giroux, 1989.]
Cuerpos y ofrendas. Madrid: Alianza Editorial, 1972.
Cumpleaños. Mexico City: Joaquín Mortiz, 1969.
Los días enmascarados. Mexico City: Los Presentes, 1954. [English edition, partial. Some stories from this volume appeared in Burnt Water, 1980.]
El espejo enterrado. Mexico City: Fondo de Cultura Económica, 1992. [English edition, The Buried Mirror. London: André Deutsch, 1992.]
Geografía de la novela. Mexico City: Fondo de Cultura Económica, 1993.
Gringo viejo. Mexico City: Fondo de Cultura Económica, 1985. [English edition, The Old Gringo. New York: Farrar, Straus, and Giroux, 1985.]
“Latin America and the Universality of the Novel.” In The Novel in the Americas, edited by Raymond Leslie Williams, pp. 1–12. Boulder: University of Colorado Press, 1992.
La muerte de Artemio Cruz. Mexico City: Fondo de Cultura Económica, 1962. [English edition, The Death of Artemio Cruz. New York: Obolensky, 1964.]
El mundo de José Luis Cuevas. Bilingual ed. Mexico City: Galería de Arte Misrachi, 1969.
Myself and Others. New York: Farrar, Straus, and Giroux, 1988.
La nueva narrativa hispanoamericana. Mexico City: Joaquín Mortiz, 1969.
Orquídeas a la luz de la luna. Barcelona: Seix Barral, 1982.
París: O la revolución de mayo. Mexico City: Era, 1968.
La región más transparente. Mexico City: Fondo de Cultura Económica, 1958. [English edition, Where the Air Is Clear. New York: Farrar, Straus, and Giroux, 1960.]
Los reinos originarios: Teatro hispanoamericano. Barcelona: Seix Barral, 1971.
Righe per Adami. Venice: Alpieri, 1968.
“Situación del escritor en América Latina.” Mundo Nuevo 1 (July 1966): 5–21.
Terra Nostra. Mexico City: Joaquín Mortiz, 1975. [English edition, Terra Nostra. New York: Farrar, Straus, and Giroux, 1975.]
Tiempo mexicano. Mexico City: Joaquín Mortiz, 1971.
Todos los gatos son pardos. Mexico City: Siglo XXI, 1970.
El tuerto es rey. Mexico City: Joaquín Mortiz, 1970.
Una familia lejana. Mexico City: Era, 1980. [English edition, Distant Relations. New York: Farrar, Straus, and Giroux, 1982.]
Valiente mundo nuevo. Madrid: Mondadori, 1990.
Zona sagrada. Mexico City: Siglo XXI, 1967. [English edition, Holy Place, in Triple Cross. New York: Dutton, 1972.]
OTHER SOURCES
Alonso, Carlos. The Spanish American Regional Novel: Modernity and Autochthony. Cambridge: Cambridge University Press, 1990.
Andrada, R., et al. El Escorial: Octava maravilla del mundo. Barcelona: Editorial Escudo de Oro, 1987.
Báez, Antonio Martínez, et al. Testimonios sobre Mario de la Cueva. México: Editorial Porrúa, 1982.
Bakhtin, M. M. The Dialogic Imagination: Four Essays. Austin: University of Texas Press, 1981.
Bernal, Ignacio. The Olmec World. Berkeley: University of California Press, 1969.
Bettenson, Henry. Documents of the Christian Church. London: Oxford University Press, 1963.
Borges, Jorge Luis. Ficciones. New York: Grove Press, 1962.
———. Obras completas. Buenos Aires: Emecé Editores, 1974.
Boschi, Liliana Befumo, and Elsa Calabrese. Nostalgia del futuro en la obra de Carlos Fuentes. Buenos Aires: Fernando García Cambeiro, 1974.
Botero, Juan Carlos. “Confesiones a Botero.” Semana (Bogota), December 21, 1993, pp. 116–121.
Brody, Robert, and Charles Rossman, eds. Carlos Fuentes: A Critical View. Austin: University of Texas Press, 1982.
Brushwood, John S. “A Comparative View of Mexican Fiction of the Seventies.” In The Novel in the Americas, edited by Raymond Leslie Williams, pp. 77–90. Boulder: University of Colorado Press, 1992.
———. Mexico in Its Novel: A Nation’s Search for Identity. Austin: University of Texas Press, 1966.
———. Narrative Innovation and Political Change in Mexico. University of Texas Studies in Contemporary Spanish-American Fiction, vol. 4. New York: Peter Lang Publishing, 1989.
———. “Sobre el referente y la transformación narrativa en las novelas de Carlos Fuentes y Gustavo Sainz.” Revista Iberoamericana 47, nos. 116–117 (1981): 49–54.
———. The Spanish American Novel: A Twentieth-Century Survey. Austin: University of Texas Press, 1975.
Calderón, Emilio. Amores y desamores de Felipe II. Madrid: Editorial Cerene, 1991.
Callan, Richard. “The Jungian Basis of Carlos Fuentes’ Aura.” Kentucky Romance Quarterly 18 (1971): 65–75.
Camp, Roderic A. Intellectuals and the State in Twentieth-Century Mexico. Austin: University of Texas Press, 1985.
Carballo, Emmanuel. “Carlos Fuentes.” In Diecinueve protagonistas de la literatura mexicana del siglo XX, pp. 427–448. Mexico City: Empresas, 1965.
Carrasco, David. “Desire and Frontier: Apparitions from the Unconscious in The Old Gringo.” In The Novel in the Americas, edited by Raymond Leslie Williams, pp. 101–119. Boulder: University of Colorado Press, 1992.
Caso, Alfonso. The Aztecs: People of the Sun. Norman: University of Oklahoma Press, 1958.
Castro, Américo. España en su historia. Buenos Aires: Editorial Losada, 1948.
———. La realidad histórica de España. Mexico City: Editorial Porrúa, 1954.
Casullo, Nicolás, ed. El debate modernidad postmodernidad. Buenos Aires: Puntosur, 1989.
Coddou, Marcelo. “Terra Nostra o la crítica de los cielos.” American Hispanist 3, no. 24 (1978): 9.
Collingwood, R. G. The Idea of History. Oxford: Oxford University Press, 1946.
Conde Ortega, José Francisco, et al. Carlos Fuentes: Cuarenta años de escritor. México: Universidad Autónoma Metropolitana, 1993.
Culler, Jonathan. The Pursuit of Signs: Semiotics, Literature, Deconstruction. Ithaca: Cornell University Press, 1981.
Dauster, Frank. “The Wounded Vision: Aura, Zona sagrada, and Cumpleaños.” In Carlos Fuentes, edited by Robert Brody and Charles Rossman, pp. 106–120. Austin: University of Texas Press, 1982.
Davis, Mary E. “On Becoming Velázquez: Carlos Fuentes’ The Hydra Head.” In Carlos Fuentes, edited by Robert Brody and Charles Rossman, pp. 146–155. Austin: University of Texas Press, 1982.
De Certeau, Michel. L’écriture de l’histoire. Paris: Editions Gallimard, 1975.
De Guzman, Daniel. Carlos Fuentes. New York: Twayne Publishers, 1972.
De Man, Paul. Blindness and Insight. New York: Oxford University Press, 1971.
Díaz del Castillo, Bernal. Historia verdadera de la Conquista de la Nueva España. Mexico City: Editorial Porrúa, 1955.
Doezma, Herman P. “An Interview with Carlos Fuentes.” Modern Fiction Studies 18 (Winter 1972–1973): 491–503.
Donoso, José. Historia personal del “boom.” Barcelona: Seix Barral, 1972.
Dostoievsky, F. M. The Diary of a Writer. Translated and annotated by Boris Brasol. New York: Charles Scribner’s Sons, 1949.
Durán, Gloria. The Archetypes of Carlos Fuentes: From Witch to Androgine. Hamden, Conn.: Shoestring Press, Archon, 1980.
Dwyer, John. “Una Conversación con Carlos Fuentes.” In Autorretratos y espejos, edited by Gloria and Manuel Durán, p. 63. Boston: Heinle and Heinle, 1988.
Eco, Umberto. The Open Work. Translated by Anna Cancogni. Cambridge: Harvard University Press, 1989.
Elliot, J. H. Imperial Spain, 1469–1716. New York: Penguin Books, 1990.
Farris, Wendy. Carlos Fuentes. New York: Ungar, 1983.
Fell, Claude. “Mito y realidad en Carlos Fuentes.” In Homenaje a Carlos Fuentes, edited by Helmy F. Giacoman, pp. 367–376. New York: Las Américas, 1971.
Filer, Malva E. “A Change of Skin and the Shaping of a Mexican Time,” in Carlos Fuentes, edited by Robert Brody and Charles Rossman. Austin: University of Texas Press, 1982.
Fortson, James R. Perspectivas mexicanas desde París: Un diálogo con Carlos Fuentes. Mexico City: Corporación Editorial, 1973.
Foucault, Michel. The Order of Things: An Archeology of the Human Sciences. Translation of Les mots et les choses. New York: Vintage Books, 1973.
García de Aldridge, Adriana. “Herejía y portento en ‘Carne, esferas, ojos grises junto al Sena,’ de Carlos Fuentes.” Cuadernos americanos 32, no. 3 (Mexico City, 1973): 231–246.
Garibay, K. Angel María. Historia de la literatura nahuatl. Mexico City: Editorial Porrúa, 1954.
Gertel, Zunilda. “Semiótica, historia y ficción en Terra Nostra.” Revista Iberoamericana 47, nos. 116–117 (1981): 63–72.
Genette, Gérard. Figures III. Paris: Editions du Seuil, 1972. [English edition, Narrative Discourse: An Essay in Method. Ithaca: Cornell University Press, 1980.]
———. Palimpsests: La Littérature au second degré. Paris: Editions du Seuil, 1982.
Giacoman, Helmy F., ed. Homenaje a Carlos Fuentes. New York: Las Américas, 1971.
Gibbon, Edward. The Decline and Fall of the Roman Empire. New York: Washington Square Press, 1962.
Gilman, Stephen. The Spain of Fernando de Rojas: The Intellectual and Social Landscape of La Celestina. Princeton: Princeton University Press, 1972.
Gilman, Stephen, and Edmund L. King. An Idea of History: Selected Essays of Américo Castro. Columbus: Ohio State University Press, 1977.
González Echevarría, Roberto. “Carlos Fuentes: Terra Nostra.” World Literature Today 52, no. 1 (1978): 84.
———. “Terra Nostra: Teoría y práctica.” Revista Iberoamericana 47, nos. 116–117 (1981): 298–321.
———. “Terra Nostra: Theory and Practice.” In Carlos Fuentes, edited by Robert Brody and Charles Rossman, pp. 132–145. Austin: University of Texas Press, 1982.
———. The Voice of the Masters: Writing and Authority in Modern Latin American Literature. Austin: University of Texas Press, 1985.
Goytisolo, Juan. Disidencias. Barcelona: Seix Barral, 1977.
———. Realms of Strife. London: Northpoint Press/Quartet Books, 1990.
Gyurko, Lanin. “Freedom and Fate in Carlos Fuentes’ Cambio de piel.” Revista/Review Interamericana 7, no. 4 (1977–1978): 703–739.
———. “Identity and the Mask in Fuentes’ La región más transparente.” Hispanófila 65 (January 1979): 75–103.
———. “The Myths of Ulysses in Fuentes’ Zona sagrada.” Modern Language Review 69 (April 1974): 316–324.
———. “Novel into Essay: Fuentes’ Terra Nostra As Generator of Cervantes o la crítica de la lectura.” Mester 11, no. 2 (1982): 16–35.
———. “The Pseudo-Liberated Woman in Fuentes’ Zona sagrada.” Journal of Spanish Studies: Twentieth Century 3 (1975): 17–43.
———. “The Self and the Demonic in Fuentes’ Una familia lejana.” Revista/Review Interamericana 12 (Winter 1982–1983): 572–620.
Harss, Luis, and Barbara Dohmann. Into the Mainstream: Conversations with Latin American Writers. New York: Harper and Row, 1967.
Harvey, David. The Condition of Postmodernity. Cambridge: Blackwell Publishers, 1990.
Hassan, Ihab. The Postmodern Turn: Essays in Postmodern Theory and Culture. Columbus: Ohio State University Press, 1987.
Hazm de Córdoba, Ibn. El collar de la paloma. Translated by Emilio García Gómez. Madrid: Alianza Editorial, 1952.
Hernández de López, Ana María, ed. La obra de Carlos Fuentes: Una visión múltiple. Madrid: Editorial Pliegos, 1988.
Hutcheon, Linda. A Poetics of Postmodernism: History, Theory, Fiction. London: Routledge, 1988.
———. The Politics of Postmodernism. London: Routledge, 1989.
Jameson, Fredric. The Political Unconscious: Narrative As a Socially Symbolic Act. Ithaca: Cornell University Press, 1981.
———. Postmodernism, or the Cultural Logic of Late Capitalism. Durham: Duke University Press, 1991.
Jencks, Charles. What Is Post-Modernism? New York: Academy Editions/St. Martin’s Press, 1986.
Jenny, Laurent. “The Strategy of Form.” In French Literary Theory Today, edited by Tzvetan Todorov, pp. 34–63. Cambridge: Cambridge University Press, 1982.
Kadir, Djelal. “Fuentes and the Profane Sublime.” In The Other Writing: Postcolonial Essays in Latin America’s Writing Culture, pp. 73–110. West Lafayette, Ind.: Purdue University Press, 1993.
———. Questing Fictions: Latin America’s Family Romance. Theory and History of Literature, vol. 32. Minneapolis: University of Minnesota Press, 1986.
Kafalenos, Emma. “The Grace and Disgrace of Literature: Carlos Fuentes’Hydra Head.” Latin American Literary Review 15, no. 29 (January–June 1987): 141–158.
Kamen, Henry. The Spanish Inquisition. New York: New American Library, 1965.
Kerr, Lucille. “The Paradox of Power and Mystery: Carlos Fuentes’ Terra Nostra,” PMLA 95, no. 1 (1980): 91–102.
———. Reclaiming the Author: Figures and Fictions from Spanish America. Durham: Duke University Press, 1992.
Kestner, Joseph A. The Spatiality of the Novel. Detroit: Wayne State University Press, 1978.
Kristeva, Julia. Desire in Language: A Semiotic Approach to Literature. New York: Columbia University Press, 1980.
Kubler, George. Building the Escorial. Princeton: Princeton University Press, 1982.
La France, David G. “Mexico Since Cárdenas.” In Twentieth-Century Mexico, edited by W. Dirk Raat and William H. Beezley, pp. 206–222. Lincoln: University of Nebraska Press, 1986.
Lemaitre, Eduardo. Cartagena Colonial. Bogota: Canal Ramírez Antares, 1973.
Levin, Harry. Contexts of Criticism. Cambridge: Harvard University Press, 1958.
Levine, Susan F. “‘Cuerpo’ y ‘No-Cuerpo’—Una Conjunción entre Juan Goytisolo y Octavio Paz.” Journal of Spanish Studies: Twentieth Century 5, no. 2 (Fall 1977): 123–135.
———. “Heresy and Hope in the Works of Carlos Fuentes.” Ph.D. diss., University of Kansas, 1980.
———. “The Lesson of the Quijote in the Works of Carlos Fuentes and Juan Goytisolo.” Journal of Spanish Studies: Twentieth Century 7, no. 2 (1979): 173–185.
———. “Poe and Fuentes: The Reader’s Prerogatives.” Comparative Literature 36, no. 1 (Winter 1984): 34–53.
———. “The Pyramid and the Volcano: Carlos Fuentes’ Cambio de piel and Malcolm Lowry’s Under the Volcano.” Mester 11, no. 1 (1982): 25–40.
Lyotard, Jean-Franc¸ois. The Postmodern Condition: A Report on Knowledge. Translated from the French by Geoff Bennington and Brian Massumi. Foreword by Fredric Jameson. Theory and History of Literature, vol. 10. Minneapolis: University of Minnesota Press, 1984.
McHale, Brian. Postmodernist Fiction. New York: Methuen, 1987.
Mead, Robert. “Carlos Fuentes, Mexico’s Angry Novelist.” Books Abroad 38 (1964): 380–382.
Menton, Seymour. Latin America’s New Historical Novel. Austin: University of Texas Press, 1993.
———. Narrativa mexicana. Mexico City: Universidad Autónoma de Tlaxcala/Universidad Autónoma de Puebla, 1991.
Nacht, Marc. “Coeur blanc de l’inacces.” Confrontation 6 (Autumn 1981): 57–67.
Nuevo Texto Crítico. Modernidad y postmodernidad en América Latina 1, no. 6 (1990). Stanford: Department of Spanish and Portuguese, Stanford University.
Nuevo Texto Crítico. Modernidad y postmodernidad en América Latina 2, no. 7 (1991). Stanford: Department of Spanish and Portuguese, Stanford University.
Ordiz, Francisco Javier. El mito en la obra narrativa de Carlos Fuentes. México: Universidad de León, 1987.
Ortega, Julio. La contemplación y la fiesta. Lima: Editorial Universitaria, 1968.
———. The Poetics of Change: The New Spanish-American Narrative. Translated by Galen D. Greaser. Austin: University of Texas Press, 1984.
Ortega y Gasset, José. The Dehumanization of Art. Princeton: Princeton University Press, 1968.
———. El espectador. Book 2 of Obras completas (1916–1934). 5th ed. Madrid: Revista de Occidente, 1961.
———. Historia como sistema. Madrid: Revista de Occidente, 1962.
———. La rebelión de las masas. Barcelona: Editorial Planeta, 1985.
Ortiz Vásquez, Javier, et al. Carlos Fuentes. Barcelona: Editorial Anthropos, 1988.
Oviedo, José Miguel. “Fuentes: Sinfonía del Nuevo Mundo.” Hispamérica 6, no. 16 (1977): 19–32.
Patán, Federico. “Recent Mexican Fiction.” In The Novel in the Americas, edited by Raymond Leslie Williams, pp. 91–100. Boulder: University of Colorado Press, 1992.
Paz, Octavio. Children of Mire: Modern Poetry from Romanticism to the Avant-Garde. Cambridge: Harvard University Press, 1974.
———. The Labyrinth of Solitude. New York: Grove Press, 1961.
———. “La máscara y la transparencia.” Introduction to Carlos Fuentes, Cuerpos y ofrendas, pp. 7–15. Madrid: Alianza Editorial, 1972.
Peden, Margaret Sayers. “Terra Nostra: Fact and Fiction.” American Hispanist 1, no. 1 (1975): 4–6.
Pérez Firmat, Gustavo. “Apuntes para un modelo de la intertextualidad en literatura.” Romanic Review 69 (1978): 1–14.
Pico, Josep, ed. Modernidad y postmodernidad. Madrid: Alianza Editorial, 1988.
Poniatowska, Elena. ¡Ay, vida, no me mereces! Mexico City: Joaquín Mortiz, 1985.
Prince, Gerald. Dictionary of Narratology. Lincoln: University of Nebraska Press, 1987.
Raat, W. Dirk, and William H. Beezley, eds. Twentieth-Century Mexico. Lincoln: University of Nebraska Press, 1986.
Ramírez Mattei, Aida Elsa. La narrativa de Carlos Fuentes. San Juan: Editorial de la Universidad de Puerto Rico, 1983.
Reeve, Richard. “Carlos Fuentes y el desarrollo del narrador en segunda persona: un ensayo exploratorio.” In Helmy F. Giacoman, ed., Homenaje a Carlos Fuentes, pp. 75–87. New York: Las Américas, 1971.
———. “El mundo mosaico del mexicano moderno: Cantar de ciegos, de Carlos Fuentes.” Nueva narrativa Hispanoamericana 1, no. 2 (September 1971): 79–86.
Reyes, Alfonso. “Ultima Tule.” In Obras completas. Vol. 11, pp. 10–155. Mexico City: Fondo de Cultura Económica, 1960.
Ricardou, Jean. Pour une theorie du nouveau roman. Paris: Seuil, 1971.
Riffaterre, Michael. Semiotics of Poetry. Bloomington: Indiana University Press, 1978.
———. Text Production. Translated by Teres Lyons. New York: Columbia University Press, 1983.
Rodríguez Monegal, Emir. “Carlos Fuentes.” In Homenaje a Carlos Fuentes, edited by Helmy F. Giacoman, pp. 25–65. New York: Las Américas, 1971.
Runes, Dagobert D. Foreword to The Wisdom of the Kabbalah. New York: Citadel Press, 1967.
Sánchez-Albornoz, Claudio. La España Musulmana. Buenos Aires: Librería El Ateneo, 1946.
Schmidt, Donald. “Changing Techniques in the Mexican Indigenista Novel.” Ph.D. diss., University of Kansas, 1972.
Séjourné, Laurette. Pensamiento y religión en el México antiguo. Mexico City: Fondo de Cultura Económica, 1957.
Serrano, M. López. El Escorial. Madrid: Editorial Patrimonio Nacional, 1976.
Simson, Ingrid. Realidad y ficción en Terra Nostra de Carlos Fuentes. Frankfurt: Vervuert, 1989.
Smitten, Jeffrey R., and Ann Daghistany. Spatial Form in Narrative. Ithaca: Cornell University Press, 1981.
Sommers, Joseph. After the Storm: Landmarks of the Modern Mexican Novel. Albuquerque: University of New Mexico Press, 1968.
Souza, Raymond D. La historia en la novela hispanoamericana moderna. Bogota: Tercer Mundo Editores, 1988.
Sternberg, Meir. “Proteus in Quotation Land.” Poetics Today 3, no. 2 (Spring 1982): 107–156.
Stevenson, John Reese. The Chilean Popular Front. Philadelphia: University of Pennsylvania Press, 1942.
Strauss, Leo. Persecution and the Art of Writing. Glencoe, Ill.: Free Press, 1952.
Swietlicki, Catherine. “Doubling, Reincarnation, and the Cosmic Order in Terra Nostra.” Hispanófila 79, no. 1 (1983): 93–104.
———. “Terra Nostra: Carlos Fuentes’ Kabbalistic World.” Symposium 35, no. 2 (1981): 155–167.
Thompson, J. Eric S. The Rise and Fall of Maya Civilization. Norman: University of Oklahoma Press, 1954.
Tittler, Jonathan. “Interview: Carlos Fuentes.” Diacritics 10, no. 111 (September 1980): 46–56.
———. Narrative Irony in the Contemporary Spanish-American Novel. Ithaca: Cornell University Press, 1984.
Unamuno, Miguel de. Andanzas y visiones españolas. Madrid: Alianza, 1988.
Valbuena y Prat, Angel. La novela picaresca española. Madrid: Aguilar, 1956.
Valdés, M. L. “Myth and History in Cien años de soledad and La muerte de Artemio Cruz.” Reflexión 2, nos. 3–4 (1974–1975): 243–255.
Weinstein, Leo. The Metamorphoses of Don Juan. New York: AMS Press, 1967.
Williams, Raymond Leslie. “The Discourse of Truth and Latin American Postmodernism.” Profession (November 1992): 6–9.
———. “Observaciones sobre el doble en Terra Nostra.” In Actas: Simposio Carlos Fuentes, edited by Isaac Jack Levy, pp. 175–183. Columbia: University of South Carolina Press, 1979.
———. “The Octavio Paz Industry.” American Book Review 14, no. 3 (August–September 1992): 3–10.
———. “The Visual Arts, the Poetization of Space, and Writing: An Interview with Gabriel García Márquez.” PMLA 104, no. 2 (March 1989): 131–140.
———. “Western Truth Claims in the Context of the Modern and Postmodern Latin American Novel.” Readerly/Writerly Texts 1, no. 1 (Fall–Winter 1993): 39–64.
———, ed. The Novel in the Americas. Boulder: University of Colorado Press, 1992.
Wood, Michael. “The New World and the Old Novel.” Inti 5–6 (1977): 12.
Woodward, Geoffrey. Philip II. London: Longman, 1992.
Yates, Frances A. The Art of Memory. Chicago: University of Chicago Press, 1966.
Yúdice, George. “¿Puede hablarse de postmodernidad en América Latina?” Revista de Crítica Literaria Latinoamericana (Lima), no. 29 (1989): 105–128.