Abell, Arthur, Talks with Great Composers (New York, 1955).
Avins, Styra, Johannes Brahms: Life and Letters (Oxford, 1997).
Beuerle, Hans Michael, Johannes Brahms: Untersuchungen zu den A-cappella-Kompositionen: ein Beitrag zur Geschichte der Chormusik (Hamburg, 1987).
Biba, Otto, Johannes Brahms in Wien (Vienna, 1983). Mit den Gedanken in Wien (Vienna, 1984).
Billroth und Brahms im Briefwechsel , ed. Otto Billroth (Berlin and Vienna, 1935).
Botstein, Leon, ‘Time and Memory: Concert Life, Science, and Music in Brahms’s Vienna’ in Walter Frisch, ed., Brahms and His World (Princeton, 1990), pp. 65–80.
‘Listening through Reading: Musical Literacy and the Concert Audience’, 19th-Century Music 16 (1992), pp. 129–45.
Bozarth, George S., ‘Johannes Brahms und die geistlichen Lieder aus David Gregor Corners Groß-Catholischen Gesangbuch von 1631’ in Susanne Antonicek and Otto Biba, eds., Brahms-Kongreß Wien 1983, Kongreßbericht (Tutzing, 1988), pp. 67–80.
‘Brahms’s B major Trio: An American Premiere’, The American Brahms Society Newsletter 8 (1990), pp. 1–4.
Bozarth, George S., ed., Brahms Studies: Analytical and Historical Perspectives (Oxford, 1990).
The Brahms–Keller Correspondence , in collaboration with Wiltrud Martin (Lincoln, Nebr., 1996).
Johannes Brahms Briefwechsel I und II : Johannes Brahms im Briefwechsel mit Heinrich und Elisabet von Herzogenberg, ed. Max Kalbeck, 4th rev. edn (Berlin, 1921).
Johannes Brahms Briefwechsel IV : Johannes Brahms im Briefwechsel mit J. O. Grimm , ed. Richard Barth (Berlin, 1907).
Johannes Brahms Briefwechsel V und VI : Johannes Brahms im Briefwechsel mit Joseph Joachim , vols. I and II, ed. Andreas Moser (Berlin, 1921, 1912).
Johannes Brahms Briefwechsel IX und X : Johannes Brahms: Briefe an P. J. Simrock und Fritz Simrock , vols. I and II, ed. Max Kalbeck (Berlin, 1917).
Johannes Brahms Briefwechsel XI und XII : Johannes Brahms: Briefe an Fritz Simrock , vols. I and II, ed. Max Kalbeck (Berlin, 1919).
Johannes Brahms Briefwechsel XIII : Johannes Brahms im Briefwechsel mit Th. Wilhelm Engelmann , ed. Julius Röntgen (Berlin, 1918).
Johannes Brahms Briefwechsel XIV : Johannes Brahms im Briefwechsel mit Breitkopf und Härtel , Bartholf Senff , Johann Melchior Rieter Biedermann u. A. (Berlin, 1920), p. 183.
Johannes Brahms Briefwechsel XVIII n.s.: Johannes Brahms im Briefwechsel mit Julius Stockhausen , ed. Renate Hofmann (Tutzing, 1993).
Brahms-Institut an der Musikhochschule Lübeck: 32 Stichvorlagen von Werken Johannes Brahms , Patrimonia 107 (Berlin and Kiel, 1995).
Johannes Brahms, Messe , ed. Otto Biba (Vienna, 1984).
Johannes Brahms : Concerto for Violin, Op. 77 : A Facsimile of the Holograph Score with an Introduction by Yehudi Menuhin and a Foreword by Jon Newsom (Washington, 1979).
Brinkmann, Reinhold, Late Idyll: The Second Symphony of Johannes Brahms , trans. Peter Palmer (Cambridge, Mass., 1995).
Brodbeck, David, ‘Brahms, the Third Symphony, and the New German School’ in Walter Frisch, ed., Brahms and His World (Princeton, 1990), pp. 65–80.
‘The Brahms–Joachim Counterpoint Exchange; or, Robert, Clara, and “the Best Harmony between Jos. and Joh.”’ in David Brodbeck, ed., Brahms Studies (Lincoln, Nebr., 1994), pp. 30–80.
Brahms: Symphony No. 1 (Cambridge, 1997).
Clayton, Alfred, ‘Brahms und Zemlinsky’ in Susanne Antonicek and Otto Biba, eds., Brahms-Kongreß Wien 1983, Kongresßbericht (Tutzing, 1988), pp. 81–94.
Cone, Edward T., ‘Three Ways of Reading a Detective Story or a Brahms Intermezzo’ in Robert P. Morgan, ed., Music: A View from Delft (Chicago and London, 1989), pp. 77–93.
Curtis, Robert Lee, Ludwig Bischo ff: A Mid-Nineteenth Century Music Critic (Cologne, 1979).
Dahlhaus, Carl, Between Romanticism and Modernism: Four Studies in the Music of the Later Nineteenth Century , trans. Mary Whittall (Berkeley, 1980).
Nineteenth-Century Music , trans. J. Bradford Robinson (Berkeley and Los Angeles, 1989).
Daverio, John, ‘The Wechsel der Töne in Brahms’s Schicksalslied ’, Journal of the American Musicological Society 46 (1993), pp. 84–113.
Dietrich, Albert, Erinnerungen an Johannes Brahms (Leipzig, 1898).
Drinker, Sophie, Brahms and his Women’s Choruses ( Merion, Pa., 1952).
Dubiel, Joseph,‘Contradictory Criteria in a Work of Brahms’ in David Brodbeck, ed., Brahms Studies (Lincoln, Nebr., 1994), pp. 81–110.
Dunsby, Jonathan, Structural Ambiguity in Brahms: Analytical Approaches to Four Works (Ann Arbor, Mich., 1981).
Ehrmann, Alfred von, Johannes Brahms (Leipzig, 1933).
Forte, Allen,‘Motivic Design and Structural Levels in the First Movement of Brahms’s String Quartet in C Minor’ in Michael Musgrave, ed., Brahms 2: Biographical, Documentary, and Analytical Studies (Cambridge, 1987), pp. 165–96.
Friedländer, Max, Brahms Lieder , trans. C. L. Leese (Oxford, 1928).
Frisch,Walter, Brahms and the Principle of Developing Variation (Berkeley and Los Angeles, 1984).
‘Brahms: From Classical to Modern’ in R. Larry Todd, ed., Nineteenth-Century Piano Music (New York, 1990), pp. 31–54.
Brahms: The Four Symphonies (New York, 1996).
Gál, Hans, Johannes Brahms: His Work and Personality , trans. Joseph Stein (London, 1963).
Gay, Peter, ‘Aimez-Vous Brahms? On Polarities in Modernism’ in Freud, Jews and Other Germans: Masters and Victims in Modernist Culture ( Oxford, 1978).
Geiringer, Karl, Brahms: His Life and Work , 2nd edn, trans. H. B. Weiner and Bernard Miall (London, 1948).
Haas, Frithjof, Zwischen Brahms und Wagner: Der Dirigent Hermann Levi (Zurich and Mainz,1995).
Hancock, Virginia L., Brahms’s Choral Compositions and His Library of Early Music (Ann Arbor, Mich., 1983).
Hanslick, Eduard, Music Criticisms 1846–99 , trans. and ed. Henry Pleasants (Baltimore, 1950).
Henschel, George, Personal Recollections of Johannes Brahms (Boston, 1907; rpt New York, 1978).
Musings and Memories of a Musician (London, 1918).
Herttrich, Ernst, ‘Johannes Brahms – Klaviertrio H-dur Op. 8, Frühfassung und Spätfassung ein analytischer Vergleich’ in Martin Bente, ed., Musik Edition Interpretation: Gedenkschrift Günter Henle (Munich, 1980), pp. 218–36.
Heuberger, Richard, Erinnerungen an Johannes Brahms , ed. K. Hofmann, 2nd edn (Tutzing, 1976).
Hofmann, Kurt, Johannes Brahms und Hamburg , 2nd edn (Hamburg, 1986).
Hofmann, Renate, ‘Johannes Brahms im Spiegel der Korrespondenz Clara Schumanns’ in Constantin Floros, Hans Joachim Marx and Peter Petersen, eds., Brahms und seine Zeit: Symposion Hamburg 1983 (Hamburg, 1984).
Hull, Kenneth,‘Brahms the Allusive’ (Ph.D. dissertation, Princeton University, 1989).
Hübbe, Walter, Brahms in Hamburg (Hamburg, 1905).
Joseph Joachim’s Briefe an Gisela von Arnim 1852–59 , ed. Johannes Joachim (Göttingen, 1911).
Letters to and from Joseph Joachim, selected and translated by Nora Bickley (London, 1914), p. 160.
Kalbeck, Max, Johannes Brahms , 4 vols. (Berlin, 1904–14; rpt of final edn of each vol. (1921, 1921, 1912–13, 1915), Tutzing, 1976).
Kalbeck, Max, ed., ‘Fragebogen für Herrn Hofkapellmeister Albert Dietrich’, transcribed in Katalog 100: Johannes Brahms, Musikantiquariat Hans Schneider (Tutzing, 1964).
Keys, Ivor, Brahms Chamber Music (Seattle, 1974).
Kraus, Antje, Die Unterschichten Hamburgs in der ersten Hälfte des 19. Jahrhunderts (Stuttgart, 1965).
Kraus, Detlef, ‘Des Andante aus der Sonate Op. 5 von Brahms’, in Brahms Studien III, ed. Helmut Wirth (Hamburg, 1979).
Kretzschmar, Hermann,‘Johannes Brahms’ (1884), in Gesammelte Aufsätze über Musik und Anderes aus den Grenzboten (Leipzig, 1910).
Kross, Siegfried,‘Brahms the Symphonist’ in Robert Pascall, ed., Brahms: Biographical, Documentary and Analytical Studies (Cambridge, 1983), pp. 125–45.
Johannes Brahms: Versuch einer kritischen Dokumentar-Biographie , 2 vols. (Bonn, 1997).
Krummacher, Friedhelm,‘Reception and Analysis: On the Brahms Quartets, Op. 51, Nos. 1 and 2’, 19th-Century Music 18 (1994/95), pp. 24–45.
Leichtentritt, Hugo, ‘German Chamber Music’ in Cobbett’s Cyclopaedic Survey of Chamber Music , 2nd edn, 3 vols. (Oxford, 1963).
Litzmann, Berthold, Clara Schumann: Ein Künstlerleben , 3 vols. (Leipzig, 1906–9).
MacDonald, Malcolm, Brahms (London, 1990).
Matthews, Denis, Brahms Piano Music (London, 1978).
May, Florence, Johannes Brahms , trans. Ludmille Kirschbaum, 2 vols. in 1 (Leipzig, 1911).
The Life of Brahms , 2nd edn, 2 vols. (London, 1948).
McCorkle, Margit L., Johannes Brahms: Thematisch-bibliographisches Werkverzeichnis (Munich, 1984).
Meurs, Norbert, Neue Bahnen? Aspekte der Brahms-Rezeption 1853–1868 , Musik und Anschauung im 19. Jahrhundert , vol. III (Cologne, 1996).
Moldenhauer, Hans, Anton Webern, A Chronicle of His Life and Work (London 1978).
Musgrave, Michael, ‘The Cultural World of Brahms’ in Robert Pascall, ed., Brahms, Biographical, Documentary and Analytical Studies (Cambridge, 1983), pp. 1–26.
‘Brahms First Symphony: Thematic Coherence and Its Secret Origin’, Music Analysis 2/2 (July 1983), pp. 117–34.
The Music of Brahms (London, 1985; rev. edn, Oxford, 1994).
Brahms: A German Requiem (Cambridge, 1996).
Musgrave, Michael, ed.,Brahms 2: Biographical, Documentary, and Analytical Studies (Cambridge, 1987).
Mosse, George L., The Nationalization of the Masses: Political Symbolism and Mass Movements in Germany from the Napoleonic Wars through the Third Reich (Ithaca, NY, 1975).
Notley, Margaret,‘Brahms as Liberal: Genre, Style, and Politics in Late-19th-Century Vienna’, 19th-Century Music 17 (1993/94), pp. 107–23.
Ochs, Siegfried, Geschehenes, Gesehenes (Leipzig and Zurich, 1922).
Orel, Alfred, ‘Ein eigenhändiges Werkverzeichnis von Johannes Brahms: Ein wichtiger Beitrag zur Brahmsforschung’, Die Musik 29 (1937), pp. 529–41.
Osmond-Smith, David, ‘The Retreat from Dynamism: A Study of Brahms’s Fourth Symphony’ in Robert Pascall, ed., Brahms: Biographical, Documentary and Analytical Studies (Cambridge, 1983), pp. 147–65.
Ostwald, Peter, Schumann: The Inner Voices of a Musical Genius (Boston, 1985).
Parmer, Dillon,‘Brahms the Programmatic’ (Ph.D. dissertation, University of Rochester, 1995).
‘Brahms, Song Quotation, and Secret Programs’, 19th-Century Music 19 (1995/96), pp. 161–90.
Pascall, Robert,‘Brahms’s Missa Canonica and Its Recomposition in His Motet “Warum” Op. 74 No. 1’ in Michael Musgrave, ed., Brahms 2: Biographical, Documentary and Analytical Studies (Cambridge, 1985), pp. 111–36.
Playing Brahms: A Study in 19th-century Performing Practice (Nottingham, 1990).
Brahms’s First Symphony Andante – the Initial Performing Version. Commentary and Realization (Nottingham, 1992)
Pascall, Robert, ed., Brahms: Biographical, Documentary and Analytical Studies (Cambridge, 1983).
Reimann, Heinrich, Johannes Brahms , Berühmte Musiker : Lebens- und Charakterbild nebst Einführung in die Werke der Meister, 5th edn (Berlin, n.d. [c. 1919]).
Reynolds, Christopher,‘A Choral Symphony by Brahms?’ 19th-Century Music 9 (1985), pp. 3–15.
Rink, John,‘Playing in Time: Rhythm, Metre and Tempo in Brahms’s Fantasien Op. 116’ in John Rink, ed., The Practice of Performance , (Cambridge, 1995).
Rosen, Charles, The Classical Style: Haydn, Mozart, Beethoven , exp. edn (New York, 1997).
‘Hedwig von Salomons Tagebuchblatt, Leipzig, 5.12.1853’, in Katalog 100: Johannes Brahms, Musikantiquariat Hans Schneider (Tutzing, 1964).
Sams, Eric,‘Brahms and His Clara Themes’, Musical Times 112 (1971).
Schachter, Carl, ‘The First Movement of Brahms’s Second Symphony: The First Theme and its Consequences’, Music Analysis 2/1 (1983), pp. 55–68.
Schenker, Heinrich,‘Brahms: Variationen und Fuge über ein Thema von Handel, op. 24’, Der Tonwille 4/2–3 (1924), pp. 3–48.
Schoenberg, Arnold,‘Brahms the Progressive’ in Leonard Stern, ed., Style and Idea (Berkeley and Los Angeles, 1975), pp. 398–441.
Schubring, Adolf, ‘Five Early Works by Brahms’, trans. Walter Frisch in Walter Frisch, ed., Brahms and His World (Princeton, 1990), pp. 113, 116.
‘Schumanniana Nr. 8: die Schumann’sche Schule IV: Johannes Brahms’, Neue Zeitschrift für Musik 65/12–16 (21 March –18 April 1862); trans.Walter Frisch in Walter Frisch, ed., Brahms and his World (Princeton, 1990), pp. 103–22.
Clara Schumann – Johannes Brahms: Briefe aus den Jahren 1853–1896 , ed. Berthold Litzmann, 2 vols. (Leipzig, 1927;rpt Hildesheim and Wiesbaden, 1989).
Schumann, Robert, On Music and Musicians , ed. Konrad Wolff, trans. Paul Rosenfeld (Berkeley and Los Angeles, 1946).
The Marriage Diaries of Robert & Clara Schumann: From Their Wedding Day through the Russia Trip , ed. Gerd Nauhaus, trans. Peter Ostwald (Boston, 1993).
Sisman, Elaine,‘Brahms’s Slow Movements: Reinventing the “Closed” Forms’ in G. Bozarth, ed., Brahms Studies: Analytical and Historical Perspectives (Oxford, 1990), pp. 79–103.
Smallman, Basil, The Piano Quartet and Quintet: Style, Structure, and Scoring (Oxford, 1994).
Smyth, Ethel, Impressions that Remained: Memoirs (New York, 1946).
Specht, Richard, Johannes Brahms , trans. E. Blom (London, 1928).
Spengel, Julius, Johannes Brahms, Characterstudie (Hamburg, 1898).
Steiner, Adolf, Johannes Brahms , 1. Teil, 86.Neujahrsblatt der Allgemeinen Musikgesellschaft Zürich (Zurich, 1898).
Stephenson, Kurt, Johannes Brahms’s Heimatbekenntnis (Hamburg, 1933). Johannes Brahms in seiner Familie: Der Briefwechsel (Hamburg, 1973).
Stephenson, Kurt, ed., Johannes Brahms und Fritz Simrock: Weg einer Freundschaft: Briefe des Verlegers an den Komponisten (Hamburg, 1961).
Struck, Michael,‘New Evidence on the Genesis of Brahms’s G major Violin Sonata, Op. 78’, The American Brahms Society Newsletter 9/1 (1991), p. 5.
‘Noch einmal Brahms’s B major Trio: Where Was the Original Version First Performed?’ The American Brahms Society Newsletter 9/2 (1991), pp. 8–9.
Swafford, Jan, Johannes Brahms: A Biography (New York, 1997).
Tovey, Donald Francis, Essays in Musical Analysis: Chamber Music (London, 1944).
‘Brahms’s Chamber Music’, The Main Stream of Music and Other Essays (New York, 1949).
Webster, James,‘Schubert’s Sonata Form and Brahms’s First Maturity’, 19th-Century Music 3 (1978/79), pp. 18–35; and 4 (1979/80), pp. 52–71.
‘The C Sharp Minor Version of Brahms’s Op. 60’, Musical Times 121 (1980), pp. 89–93.
Widmann, Josef Viktor, Johannes Brahms in Erinnerungen (Berlin, 1898).
Whittall, Arnold,‘Two of a Kind? Brahms’s Op. 51 Finales’ in Michael Musgrave, ed., Brahms 2: Biographical, Documentary and Analytical Studies (Cambridge, 1987), pp. 145–64.
Wintle, Christopher, ‘The “Sceptred Pall”: Brahms’s Progressive Harmony’ in Michael Musgrave, ed., Brahms 2: Biographical, Documentary and Analytical Studies (Cambridge, 1987), pp. 197-222.
Zaunschirrn, Franz, Der frühe und der späte Brahms (Hamburg, 1988).