(And their original dates and places of publication. Note that the texts for this Penguin edition are based on those published by Anvil Publishing and not these magazines, as approved by the estate of the author.)
“Three Generations,” Graphic, Sept. 5, 1940
“The Legend of the Dying Wanton,” Evening News Saturday Magazine, Oct. 5, 1946
“The Mass of St. Sylvestre,” Manila Post, Dec. 29, 1946
“The Summer Solstice,” Saturday Evening News, June 21, 1947
“May Day Eve,” Philippine Free Press, Dec. 13, 1947
“The Woman Who Had Two Navels,” This Week, July 10, 1949
“Guardia de Honor,” Philippine Free Press, Oct. 1, 1949
“Portrait of the Artist as Filipino: An Elegy in Three Acts,” Weekly Women’s Magazine, Sept. 28–Nov. 23, 1951
“Doña Jerónima,” Philippine Free Press, May 1, 1965
“Cándido’s Apocalypse,” Philippine Free Press, Dec. 11, 1965
“The Order of Melkizedek,” Philippine Free Press, Dec. 10, 1966
Benjamin, Walter. “The Storyteller: Reflections on the Work of Nikolai Leskov,” in Illuminations, edited with an introduction by Hannah Arendt and translated by Harry Zohn. New York: Schocken Books, 1968, 83–110.
Blanco, John D. “Baroque Modernity and the Colonial World: Aesthetics and Catastrophe in Nick Joaquin’s A Portrait of the Artist as Filipino.” Kritika Kultura 4 (2004): 5–35. Web. Feb. 20, 2010.
Bresnahan, Roger J. Conversations with Filipino Writers. Quezon City: New Day, 1990.
Casper, Leonard. “Beyond the Mind’s Mirage: Tales by Joaquin and Cordero-Fernando.” Philippine Studies 31 (1983): 87–93.
———. “Nick Joaquin.” New Writing from the Philippines. Syracuse, NY: Syracuse University Press, 1966, 137–45.
Cheah, Pheng. What Is a World? On Post-Colonial Literature as World Literature. Durham, NC: Duke University Press, 2016.
Chua, Jonathan, ed. The Critical Villa: Essays in Literary Criticism. Quezon City: Ateneo University Press, 2002.
Hau, Caroline Sy. Necessary Fictions: Philippine Literature and the Nation, 1946–1980. Quezon City: Ateneo de Manila University Press, 2000, 94–132.
Hornedo, Florentino H. “The Source of Nick Joaquin’s ‘The Legend of the Dying Wanton.’” Philippine Studies 26 (1978): 297–307.
———. “The Source of Nick Joaquin’s ‘Doña Jerónima.’” Philippine Studies 30 (1982): 542–51.
Joaquin, Nick. “The Filipino as English Fictionist.” Philippine Quarterly of Culture and Society 6(3) (Sept. 1978): 118–24.
Joaquin, Sarah K. “A Portrait of Nick Joaquin.” This Week, Mar. 13, 1955, 24–26.
Joaquin, Tony (with Gloria Kismadi). Portrait of the Artist Nick Joaquin. Pasig: Anvil, 2011.
Kintanar, Thelma B. “From Formalism to Feminism: Rereading Nick Joaquin’s The Woman Who Had Two Navels.” Women Reading: Feminist Perspectives on Philippine Literary Texts. Edited by Thelma B. Kintanar. Quezon City: University of the Philippines Press/University Center for Women’s Studies, 1992, 131–45.
Lacaba, Emmanuel A. F. “Winter After Summer Solstice: The Later Joaquin.” Philippine Fiction: Essays from Philippine Studies 1953–1972. Edited by Joseph A. Galdon. Quezon City: Ateneo de Manila University Press, 1972, 45–56.
Lanot, Marra PL. “The Trouble with Nick.” The Trouble with Nick and Other Profiles. Quezon City: University of the Philippines Press, 1999, 3–15, www.bulatlat.com/news/4-13/4-13-nick.html.
Lim, Shirley Geok-Lin. “Reconstructions of Filipino Identity: Nick Joaquin’s Fictions.” Nationalism and Literature: English-Language Writing from the Philippines and Singapore. Quezon City: New Day, 1993, 63–90.
Mojares, Resil B. “Biography of Nick Joaquin.” Ramon Magsaysay Award Foundation. Web. June 7, 2010, www.rmaf.org.ph/Awardees/Biography/BiographyJoaquinNic.html.
———. Origins and Rise of the Filipino Novel: A Generic Study of the Novel Until 1940. Quezon City: University of the Philippines Press, 1983.
Oloroso, Laura S. “Nick Joaquin and His Brightly Burning Prose.” Brown Heritage: Essays in Philippine Culture and Literature. Edited by Antonio G. Manuud. Quezon City: Ateneo de Manila University Press, 1967, 765–92.
Pablo, Lourdes Busuego. “The Spanish Tradition in Nick Joaquin.” Philippine Fiction: Essays from Philippine Studies 1953–1972. Edited by Joseph A. Galdon. Quezon City: Ateneo de Manila University Press, 1972, 57–73.
Perkins, Elizabeth. “Crossing Culture as Identity: Nick Joaquin’s ‘Portrait of the Artist as Filipino.’” Crossing Cultures: Essays on Literature and Culture of the Asia-Pacific. Edited by Bruce Bennett, Jeff Doyle, and Satendra Nandan. London: Skoob, 1996, 225–33.
Rafael, Vicente L. Motherless Tongues: The Insurgency of Language Amid Wars of Translation, Duke Univ. Press, 2016.
———, “Mis-education, Translation, and the Barkada of Languages: Reading Renato Constantino with Nick Joaquin.” Kritika Kultura 21/22 (Mar. 2014): 40–68.
San Juan, E., Jr. Subversions of Desire: Prolegomena to Nick Joaquin. Quezon City: Ateneo de Manila University Press, 1988.
Serrano, Vincenz “Wedded in the Association: Heteroglossic Form and Fragmentary Historiography in Nick Joaquin’s Alamanac for Manileños.” Kritika Kultura 18 (2012), http://journals.ateneo.edu/ojs/kk/article/view/1403.
Vore, Robert. “The International Literary Contexts of the Filipino Writer Nick Joaquin.” PhD dissertation, Dept. of English, Northern Illinois University, 1997.