MINNEAPOLIS

PATRICIA SMITH

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Ouch. The first hurt is when I see you

standing in the lobby of my hotel, pacing,

hands shoved deep in your pockets. All

nervous blinks and questions. I realize then

that it is already too late, that common sense

is no friend of ours, and I consider saying

“I have fallen in love with you” and

touching the flat of my hand against your

grizzled cheek, just to see whether you would

run, or weep. The wine, of course, is desperate

ritual, a last chance to laugh it off and return,

shaky and solemn, to the clutches of home.

We sip and giggle, our eyes jumping,

and I hungry-stare at your left hand resting

on the table, wondering if it has memorized me.

Ouch. But I am in your arms, pressed against

the door of my room, drinking in all this wrong,

biting and kissing, clutching, but this is not home,

this is not home, this is breath, this is downbeat,

this, oh my God, forgive me, this is my latest

religion. I fold myself under you, pass through

your skin, introduce my anxious tongues

to the swell of your belly, fill my fists

with soft steel-colored curls. And our kisses

are dirge rhythm then jazz quick, strutting

like bullies on the bass line of us.

My whole body is hurt, then hallelujah,

hurt, then hallelujah again,

regretting then reveling in this deception.

Somewhere it says thou shall not commit this.

The last thing I want is this stranger inside me.

The next thing I want is this stranger inside me.

The only thing I want is this stranger inside me.

The only thing I want is this stranger.

There are too many of us in this one room. Your wife

stands cool and detached by the window, my husband

sits on the side of the bed with his head in his hands.

We weep and fuck, so sweet slowly, so flustered and

needing, forgetting to eat or drink, ignoring the screams

from our respective corners. That nagging question,

“What are we doing?” is answered a million and one

times because it is what we keep doing, ouch, it is what

we can’t stop doing, shattering our lives and dancing

barefoot on the shards of glass. When I say I love you

it is the first poem I ever wrote, and when you answer

I love you too, it is the sound that poem makes in the open air.

Ouch. At the sight of us, your wife moans regret.

My husband stops his tears long enough to ask me

how I could do this. I twist my body into goodbye,

squeeze my eyes shut against the sight of you.

Your plane home guns its engines

just outside the window.