ONE MELODY

TOM DVORSKE

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It’s not the biscuits and gravy nor the plastic

menu of this diner that brings you to mind.

Though I remember you in the booth next

to me, coy looks that hid—not too well—

what you never wanted to admit to yourself.

It’s not you in that booth but her face is yours.

I want to ask her if her life is still possible.

I’m not looking for revenge.

I don’t care how you’d look at me now,

or if you even still think of me. I’m certain

of the answer and it brings no feeling. I call

her your name. She looks at me as at an accident.

I insist she’s you. She assures me, no. I tell her

I would have left her anyway, better that she

moved out the weekend I was out of town

visiting my friend in the state hospital.

She grows hostile, asks for the check and tells

me to fuck off. That I don’t understand a thing

about how she feels, or about what she’s gone

through. Moreover, that I’ve got the details

all wrong. She didn’t move out. I did. The U-haul

pulling away as she returned from her weekend

at the lake. I start to think I’m imagining this.

She reminds me that it was I who contrived

our cohabitation. It was I who assumed

that through my gratuitous gestures of love

she would see that I was meant for her. She

says things don’t work this way, and that I

may as well forget about it because if I don’t

want anything, then why am I even asking?

I tell her I thought she was someone else.