AFTER

MARTHA RHODES

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After the Now it’s over,

even the cutting boards split.

The recliner locks upright,

the ottoman refuses her legs,

the bathroom her spillage.

There is a chair, a rope, a beam.

But for the one who sits at his desk

humming, the day is gloriously lit.

How to stretch that light to her corner?

Or leave her corner? Or sing—

if only to show him she can, despite—

when her voice is a cracked tweet.

A friend urges, Imagine a pitiless

and without dark place. But for her,

the swim up river is easy. Familiar

the blind passage back to that moment

before, before he, who waited hungry

on that river’s bank, pulled her out,

if not to devour her in the breathless open,

then to do what, and for how long,

and then, what after?